Adkins, A. W. H. 1983. “Orality and Philosophy.” In Language and Thought in Early Greek Philosophy, ed. K. Robb, 207–227. La Salle, IL.
Adler, A. 1928. Suidae Lexicon. Vol. 1. Leipzig.
Ahl, F., and H. M. Roisman. 1996. The Odyssey Reformed. Ithaca.
Aitchison, J. M. 1963. “Homeric ἄνθος.” Glotta 41.3/4:271–278.
Alexiou, M. 2002. The Ritual Lament in Greek Tradition. Lanham, MD.
Allen, A. 1993. Mimnermus: Text and Commentary. Stuttgart.
Allen, T. W. 1912–1920. Homeri Opera, 5 vols. Oxford.
Allen, T. W., W. R. Halliday, and E. E. Sikes, eds. 1963. The Homeric Hymns. Amsterdam.
Amigues, S. 1988–2006. Théophraste: Recherches sur les plantes. 5 vols. Paris.
———. 1992. “Hyakinthos: Fleur mythique et plantes réelles.” Revue des études grecques 105:19-36.
———. 2002a. “La ‘prairie d’asphodèle’ de l’Odyssée et de l’Hymne Homérique à Hermès.” Revue de philologie 76.1:7-14.
———. 2002b. “Les traités botaniques de Théophraste.” In Études de botanique antique, 11-43. Paris.
———. 2012–17. Théophraste: Les causes des phénomènes végétaux. 3 vols. Paris.
Amory, A. 1963. “The Reunion of Odysseus and Penelope.” In Essays on the Odyssey: Selected Modern Criticism, ed. C. H. Taylor, 100–121. Bloomington, IN.
Arthur (Katz), M. B. 1991. Penelope’s Renown: Meaning and Indeterminacy in the Odyssey. Princeton.
———. 1994. “Politics and Pomegranates: An Interpretation of the Homeric Hymn to Demeter,” in The Homeric Hymn to Demeter, ed. H. P. Foley, 214–242. Princeton. Orig. pub. Arethusa 10:7–47. 1977.
Bakker, E. J. 2001. “The Greek Gilgamesh, or the Immortality of Return.” In Eranos: Proceedings of the 9th International Symposium on the Odyssey, ed. M. Païsi-Apostolopoulou, 331–353. Ithaca.
———. 2002. “Khrónos, Kléos, and Ideology from Herodotus to Homer.” In Epea pteroenta: Beiträge zur Homerforschung; Festschrift für Wolfgang Kullmann zum 75. Geburtstag, ed. M. Reichel and A. Rengakos, 11–30. Stuttgart.
———. 2005. Pointing at the Past. Cambridge, MA.
Balme, D. M. 1962. “Development of Biology in Aristotle and Theophrastus: Theory of Spontaneous Generation.” Phronesis 7:91–104.
Bastida, J., and F. Viladomat. 2002. “Alkaloids of Narcissus.” In Narcissus and Daffodil: The Genus Narcissus, ed. G. R. Hanks, 141–214. London.
Baumann, H. 1993. Greek Wild Flowers and Plant Lore in Ancient Greece. Trans. and augmented by W. T. Stearn and E. R. Stearn. London. ( = The Greek Plant World in Myth, Art and Literature. Portland, 1993.) Orig. pub. as Die griechische Pflanzenwelt in Mythos, Kunst und Literatur. Munich, 1982.
Beall, E. F. 2006. “Hesiod’s Treatise on Justice: Works and Days 109–380.” Classical Journal 101.2:161–182.
Beekes, R. S. P. 2009. Etymological Dictionary of Greek. Leiden.
Berardi, E., F. L. Lisi, and D. Micalella, eds. 2009. Poikilia: Variazioni sul tema. Rome.
Bernabé, A. 1996. Poetae Epici Graeci: Testimonia et Fragmenta; Pars I. 2nd ed. Leipzig.
———. 2015. “Language and Meter of the Epic Cycle.” In The Greek Epic Cycle and its Ancient Reception: A Companion, ed. M. Fantuzzi and C. Tsagalis, 139–153. Cambridge.
Bierl, A. 2016. “Visualizing the Cologne Sappho: Mental Imagery through Chorality, the Sun, and Orpheus.” In The Look of Lyric: Greek Song and the Visual, ed. V. Cazzato and A. Lardinois, 307–342. Leiden.
Blaise, F. 1992. “L’épisode de Typhée dans la Théogonie d’Hésiode (v. 820–885): La stabilisation du monde.” Revue des études grecques 105:349–370.
Boehringer, S., and A. Chabod. 2017. “Sotto il rischio di eros: Genere e poesia melica in una società che precede la sessualità.” In Caciagli 2017:23–50.
Boisacq, E. 1938. Dictionnaire étymologique de la langue grecque. Paris.
Bolling, G. M. 1958. “ΠΟΙΚΙΛΟΣ and ΘΡΟΝΑ.” American Journal of Philology 79:275–282.
Bonnafé, A. 1984–1987. Poésie, nature et sacré. 2 vols. Lyon.
Borgeaud, P. 1988. The Cult of Pan in Ancient Greece. Trans. K. Atlass and J. Redfield. Chicago. Orig. pub. as Recherches sur le dieu Pan. Rome, 1979.
Borthwick, E. K. 1976. “The ‘Flower of the Argives’ and a Neglected Meaning of ἄνθος.” Journal of Hellenic Studies 96:1–7.
Bowdle, B. F., and D. Gentner. 2005. “The Career of Metaphor.” Psychological Review 112.1:193–216.
Bowman, L. 2004. “The ‘Women’s Tradition’ in Greek Poetry.” Phoenix 58.1/2:1–27.
Braudel, F. 1972. The Mediterranean and the Mediterranean World in the Age of Philip II. Trans. S. Reynolds. Vol. I. New York. Orig. pub. as La Méditerranée et le monde méditerranéen à l’époque de Philippe II. Paris, 1966.
———. 2001. The Mediterranean in the Ancient World. Trans. S. Reynolds. London. Orig. pub. as Les Mémoires de la Méditerranée. Paris, 1998.
Brillet-Dubois, P. 2001. “Les liaisons dangereuses: Dieux et mortels dans l’Hymne homérique à Aphrodite.” Europe 865:250–260.
———. 2011. “An Erotic Aristeia: The Homeric Hymn to Aphrodite and its Relation to the Iliadic Tradition.” In Faulkner 2011:105–132.
Broodbank, C. 2013. The Making of the Middle Sea: A History of the Mediterranean from the Beginning to the Emergence of the Classical World. Oxford.
Brown, N. O. 1969. Hermes the Thief: The Evolution of a Myth. New York. Orig. pub. 1947.
Bruneau, P. 1970. Recherches sur les cultes de Délos à l’époque Hellénistique et à l’époque impériale. Paris.
Budelmann, F., and P. A. LeVen. 2014. “Timotheus’ Poetics of Blending: A Cognitive Approach to the Language of the New Music.” Classical Philology 109.3:191–210.
Burgess, J. S. 2001. The Tradition of the Trojan War in Homer and the Epic Cycle. Baltimore.
———. 2009. The Death and Afterlife of Achilles. Baltimore.
Burkert, W. 1979. “Kynaithos, Polykrates and the Homeric Hymn to Apollo.” In Arktouros: Hellenic Studies Presented to Bernard M. W. Knox, ed. G. W. Bowersock, W. Burkert, and M. C. J. Putnam, 53–62. Berlin.
Burrow, C. 2002. William Shakespeare: The Complete Sonnets and Poems. Oxford.
Buschor, E. 1944. Die Musen des Jenseits. Munich.
Butterworth, E. A. S. 1970. The Tree at the Navel of the Earth. Berlin.
Buxton, R. 2004. “Similes and Other Likenesses.” In The Cambridge Companion to Homer, ed. R. Fowler, 139–155. Cambridge.
Caciagli, S., ed. 2017. Eros e genere in Grecia arcaica. Bologna.
Calame, C. 1997. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Function. Trans. D. Collins and J. Orion. Lanham, MD. Orig. pub. as Les choeurs de jeunes filles en Grèce archaïque. Rome, 1977.
———. 1999. The Poetics of Eros in Ancient Greece. Trans. J. Lloyd. Princeton. Orig. pub. as I Greci e l’eros: Simboli, pratiche e luoghi. Rome, 1992.
———. 2016. “The Amorous Gaze: A Poetic and Pragmatic Koinê for Erotic Melos?” In The Look of Lyric: Greek Song and the Visual, ed. V. Cazzato and A. Lardinois, 288–306. Leiden.
Campbell, D. A. 1982–1993. Greek Lyric. 5 vols. Cambridge, MA.
Cardete del Olmo, M. C. 2016. El dios Pan y los paisajes pánicos: De la figura divina al paisaje religioso. Seville.
Carroll, N. 1990. The Philosophy of Horror, or, The Paradoxes of the Heart. New York.
Càssola, F. 1975. Inni omerici. Milan.
Chantraine, P. 1984–1990. Dictionnaire étymologique de la langue grecque. Paris.
Chiappe, D. L. 1999. “Aptness Predicts Preference for Metaphors and Similes, as well as Recall Bias.” Psychonomic Bulletin and Review 6:668–676.
Chiappe, D. L., and J. M. Kennedy. 2000. “Are Metaphors Elliptical Similes?” Journal of Psycholinguistic Research 29:371–398.
Chiappe, D. L., J. M. Kennedy, and T. Smykowski. 2003. “Reversibility, Aptness and the Conventionality of Metaphors and Simile.” Metaphor and Symbol 18.2:85–105.
Chirassi, I. 1968. Elementi de culture precereali dei miti e riti greci. Rome.
Clader, L. L. 1976. Helen: The Evolution from Divine to Heroic in Greek Epic Tradition. Leiden.
Clarke, M. 2005. “Etymology in the Semantic Reconstruction of Early Greek Words: The Case of ἄνθος.” Hermathena 179:13–37.
Clay, J. S. 1980. “Goat Island: Od. 9.116–141.” Classical Quarterly 30:261–264.
———. 2003. Hesiod’s Cosmos. Oxford.
———. 2006. The Politics of Olympus: Form and Meaning in the Major Homeric Hymns. London. Orig. pub. Princeton, 1989.
———. 2011. “The Homeric Hymns as Genre.” In Faulkner 2011:232–253.
Cohen, B. 1995. The Distaff Side: Representing the Female in Homer’s Odyssey. New York.
Cohen, J. J. 1996. “Monster Culture (Seven Theses).” In Monster Theory: Reading Culture, ed. J. J. Cohen, 3–25. Minneapolis.
Colli, G., and M. Montinari, eds. 1980. Friedrich Nietzsche: Sämtliche Werke; Kritische Studienausgabe in 15 Banden. Vol. 1. Berlin.
Comrie, B. 1976. Aspect: An Introduction to the Study of Verbal Aspect and Related Problems. Cambridge.
Crowther, P. 2003. “Literary Metaphor and Philosophical Insight: The Significance of Archilochus.” In Metaphor, Allegory, and the Classical Tradition: Ancient Thought and Modern Revisions, ed. G. R. Boys-Stones, 84–100. Oxford.
Currie, B. 2016. Homer’s Allusive Art. Oxford.
Curtis, P. 2011. Stesichoros’s Geryoneis. Leiden.
Davies, M., and P. J. Finglass. 2015. Stesichorus: The Poems. Cambridge.
Deacy, S. 2013. “From ‘Flowery Tales’ to ‘Heroic Rapes’: Virginal Subjectivity in the Mythological Meadow.” Arethusa 46.3:395–413.
DeBloois, N. A. 1997. “Rape, Marriage, or Death? Perspectives in the Homeric Hymn to Demeter.” Philological Quarterly 76.3:245–262.
Demiraj, B. 1997. Albanische Etymologien: Untersuchungen zum albanischen Erbwortschatz. Amsterdam.
Deonna, W. 1946. “La végétation à Délos.” Bulletin de correspondance hellénique 70:154–163.
Detienne, M., and J.-P. Vernant. 1978. Cunning Intelligence in Greek Culture and Society. Trans. J. Lloyd. Hassocks. Orig. pub. as Les Ruses de l’intelligence: La Mêtis des Grecs. Paris, 1974.
Diels, H. 1882. Simplicii in Aristotelis Physicorum libros quattuor priores commentaria. Commentaria in Aristotelem Graeca 9. Berlin.
Diels, H., and W. Kranz. 1954. Die Fragmente der Vorsokratiker. Berlin.
Doherty, L. E. 1995a. Siren Songs: Gender, Audiences, and Narrators in the Odyssey. Ann Arbor, MI.
———. 1995b. “Sirens, Muses, and Female Narrators in the Odyssey.” In Cohen 1995:81–92. Oxford.
Dougherty, C. 2015. “Nobody’s Home: Metis, Improvisation and the Instability of Return in Homer’s Odyssey.” Ramus 44.1–2:115–140.
DuBois, P. 1995. Sappho is Burning. Chicago.
Dué, C. 2002. Homeric Variations on a Lament by Briseis. Lanham, MD.
———. 2006. The Captive Woman’s Lament in Greek Tragedy. Austin.
———. 2010. “Agamemnon’s Densely-Packed Sorrow in Iliad 10: A Hypertextual Reading of a Homeric Simile.” Trends in Classics 2:279–299.
Duigan, M. 2004. “Pretending To Be What They Are Not: Colour and the Deceptive Gift.” In Colour in the Ancient Mediterranean World, ed. L. Cleland and K. Stearns, 78–84. Oxford.
Eck, J. van. 1978. The Homeric Hymn to Aphrodite. Introduction, Commentary and Appendices. Utrecht.
Eckerman, C. Forthcoming. “I Weave a Variegated Headband: Metaphors for Song and Communication in Pindar’s Odes.” Harvard Studies in Classical Philology 110.
Edwards, G. M. 1991. The Iliad: A Commentary. Vol. 2, Books 17–20. Cambridge.
Einarson, B., and G. K. K. Link. 1976–1990. Theophrastus: De Causis Plantarum. 3 vols. Cambridge, MA.
Eitrem, S. 1935. In Pauly–Wissowa 2te Reihe, Vol. XXXII, col. 1721–1732, s.v. Narkissos.
Eliade, M. 1959. The Sacred and the Profane. Trans. W. R. Trask. San Diego. Orig. pub. as Le sacré et le profane. Paris, 1956.
———. 1963. Patterns in Comparative Religion. New York. Orig. pub. as Traité d’ histoire des religions. Paris, 1959.
———. 1988. Shamanism: Archaic Techniques of Ecstasy. Trans. W. R. Trask. London. Orig. pub. as Le chamanisme et les techniques archaïques de l’extase. Paris, 1951.
Elliger, W. 1975. Die Darstellung der Landschaft in der griechischen Dichtung. Berlin.
Enright, M. J., and A. J. Papalas. 2002. “The Cosmic Justice of Hanging Hera.” Syllecta Classica 13:19–33.
Erasmo, M. 2012. Death: Antiquity and its Legacy. New York.
Erbse, H. 1950. Untersuchungen zu den attizistischen Lexica. Berlin.
———. 1993. “Die Funktion des Rechtsgedankens in Hesiods ‘Erga’.” Hermes 121:12–28.
Evans, A. 1901. “Mycenean Tree and Pillar Cult.” Journal of Hellenic Studies 21:99–204.
Fauconnnier, G., and M. Turner. 2002. The Way We Think: Conceptual Blending and the Mind’s Hidden Complexities. New York.
Faulkner, A. 2008. The Homeric Hymn to Aphrodite. Oxford.
———, ed. 2011. The Homeric Hymns: Interpretive Essays. Oxford.
Felson(-Rubin), N. 1997. Regarding Penelope: From Character to Poetics. Norman, OK.
———. 2011. “Children of Zeus in the Homeric Hymns: Generational Succession.” In Faulkner 2011:254–279.
Fenno, J. 2005. “‘A Great Wave against the Stream’: Water Imagery in Iliadic Battle Scenes.” American Journal of Philology 126.4:475–504.
Ferrari, F. 2010. Sappho’s Gift: The Poet and her Community. Trans. B. Acosta-Hughes and L. Prauscello. Ann Arbor, MI. Orig. pub. as Una mitra per Kleis: Saffo e il suo pubblico. Pisa, 2007.
———. 2017. “Sapph. fr. 1,18–24 e la grammatica dell’eros.” In Caciagli 2017:85–106.
Finné, M., K. Holmgren, H. S. Sundqvist, E. Weiberg, and M. Lindblom. 2011. “Climate in the Eastern Mediterranean, and Adjacent Regions, During the Past 6000 Years—A Review.” Journal of Archaeological Science 38.12:3153–3173.
Foley, H. P., ed. 1994. Homeric Hymn to Demeter: Translation, Commentary and Interpretative Essays. Princeton.
———. 2009. “‘Reverse Similes’ and Sex Roles in the Odyssey.” In Oxford Readings in Homer’s Odyssey, ed. L. E. Doherty, 189–207. Oxford. Orig. pub. Arethusa 11:7–26, 1978.
Foley, J. M. 1999. Homer’s Traditional Art. University Park.
———. 2002. How to Read an Oral Poem. Urbana.
Ford, A. 1992. Homer: Poetry of the Past. Ithaca.
Friedrich, W.-H. 2003. Wounding and Death in the Iliad: Homeric Techniques of Description. Trans. G. Wright and P. Jones. London. Orig. pub. as Verwundung und Tod in der Ilias: Homerische Darstellungsweisen. Göttingen, 1956.
Frisk, H. 1960–1972. Griechisches etymologisches Wörterbuch. Heidelberg.
Frontisi-Ducroux, F. 1975. Dédale: Mythologie de l’artisan en Grèce ancienne. Paris.
Gallet de Santerre, H. 1958. Délos primitive et archaïque. Paris.
Garcia, L. F. 2013. Homeric Durability: Telling Time in the Iliad. Washington, DC.
Garland, R. 1985. The Greek Way of Death. Ithaca.
Garvie, A. F. 1986. Aeschylus: Choephori. Oxford.
Gentili, B. 1958. Anacreon. Rome.
Germany, R. 2005. “The Figure of Echo in the Homeric Hymn to Pan.” American Journal of Philology 126.2:187–208.
Giacomelli, A. 1980. “Aphrodite and After.” Phoenix 34.1:1–19.
Giannini, P. 2009. “La poikilia nell’età arcaica e in Pindaro.” In Berardi, Lisi, and Micalella 2009:65–82.
Glenn, J. 1998. “Odysseus Confronts Nausicaa: The Lion Simile of Odyssey 6.130–36.” Classical World 92.2:107–116.
Glucksberg, S., and C. Haught. 2006. “On the Relation between Metaphor and Simile: When Comparison Fails.” Mind & Language 21.3:360–378.
Glucksberg, S., and B. Keysar. 1990. “Understanding Metaphorical Comparisons: Beyond Similarity.” Psychological Review 97.1:3–18.
———. 1993. “How Metaphors Work.” In Ortony 1993a:401–424.
Gnoli, G. and J.-P. Vernant, eds. 1982. La mort, les morts dans les sociétés anciennes. Cambridge.
González, J. M. 2013. The Epic Rhapsode and his Craft: Homeric Performance in a Diachronic Perspective. Cambridge, MA.
Greene, E., ed. 1996. Reading Sappho: Contemporary Approaches. Berkeley.
———. 2002. “Subjects, Objects and Erotic Symmetry in Sappho’s Fragments.” In Among Women: From the Homosocial to the Homoerotic in the Ancient World, ed. N. S. Rabinowitz and L. Auanger, 82–105. Austin.
———. 2008. “Masculine and Feminine, Public and Private, in the Poetry of Sappho.” In Dialogism and Lyric Self-Fashioning: Bakhtin and the Voices of a Genre, ed. J. Blevins, 23–45. Selinsgrove, PA.
———. 2010. The Erotics of Domination: Male Desire and the Mistress in Latin Love Poetry. Norman, OK. Orig. pub. 1998.
Gregorio, L. di. 1975. Scholia vetera in Hesiodi Theogoniam. Milan.
Gregory, A. 2016. Anaximander: A Re-Assessment. London.
Grethlein, J. 2018. “The Eyes of Odysseus: Gaze, Desire and Control in the Odyssey.” In Gaze, Vision, and Visuality in Ancient Greek Literature, ed. A. Kampakoglou and A. Novokhatko, 33–60. Berlin.
Griffin, J. 1976. “Homeric Pathos and Objectivity.” Classical Quarterly 24:161–187 ( ≈ Griffin 1980:103–143).
———. 1977. “The Epic Cycle and the Uniqueness of Homer.” Journal of Hellenic Studies 97:39–53.
———. 1980. Homer on Life and Death. Oxford.
Griffith, M. 1975. “Man and the Leaves: A Study of Mimnermos fr. 2.” California Studies in Classical Antiquity 8:73–88.
Hague, R. 1984. “Sappho’s Consolation for Atthis, fr. 96 LP.” American Journal of Philology 105.1:29–36.
Hahn, R. 2001. Anaximander and the Architects. Albany.
Hamilton, J. T. 2001. “Hymnos/ Poikilos.” Helios 28.2:119–140.
Hansen, P. A., and I. C. Cunningham, eds. 2009. Hesychii Alexandri Lexicon. Vol. 4, Τ-Ω. Berlin.
Harsh, P. W. 1950. “Penelope and Odysseus in Odyssey XIX.” American Journal of Philology 71.1:1–21.
Haught, C. 2013. “A Tale of Two Tropes: How Metaphor and Simile Differ.” Metaphor and Symbol 28:254–274.
Heinemann, G. 2005. “Die Entwicklung des Begriffs ‘Physis’ bis Aristoteles.” In Physik/ Mechanik, ed. A. Schürmann, 16–60. Vol. III of Geschichte der Mathematik und der Naturwissenschaften, ed. G. Wöhrle. Stuttgart.
Heitman, R. 2005. Taking Her Seriously: Penelope and the Plot of Homer’s Odyssey. Ann Arbor, MI.
Henderson, J. 1997. “The Name of the Tree: Recounting Odyssey XXIV 340–2.” Journal of Hellenic Studies 117:87–116.
Höhfeld, V., ed. 2009. Stadt und Landschaft Homers: Ein historisch-geografischer Führer für Troia und Umgebung. Mainz.
Holmberg, I. E. 1990. “Gender and Deceit in Early Greek Hexameter Poetry.” PhD diss., Yale University.
Hopman, M. G. 2012. Scylla: Myth, Metaphor, Paradox. Cambridge.
Horden, P., and N. Purcell. 2000. The Corrupting Sea: A Study of Mediterranean History. Oxford.
Holst-Warhaft, G. 1992. Dangerous Voices: Women’s Laments and Greek Literature. London.
Horn, F. 2015a. “‘Sleeping the Brazen Slumber’—A Cognitive Approach to Hom. Il. 11.241.” Philologus 159.2:197–206.
———. 2015b. “Visualising Iliad 3.57: ‘Putting on the Shirt of Stone.’” Rheinisches Museum 158.1:1–7.
Hughes, J. D. 2014. Environmental Problems of the Greeks and Romans: Ecology in the Ancient Mediterranean. Baltimore (rev. ed. of Pan’s Travail: Environmental Problems of the Greeks and Romans, 1994).
Huxley, A., and W. Taylor. 1977. Flowers of Greece and the Aegean. London.
Irwin, M. E. 1974. Colour Terms in Greek Poetry. Toronto.
———. 1984. “The Crocus and the Rose.” In Greek Poetry and Philosophy: Studies in Honour of L. Woodbury, ed. D. E. Gerber, 147–168. Chico, CA.
———. 1990. “Odysseus’ ‘Hyacinthine hair’ in Odyssey 6.231.” Phoenix 44:205–218.
———. 1994. “Roses and the Bodies of Beautiful Women in Greek Poetry.” Echos du monde classique, 13:1–13.
———. 1997. “Flowers in the Landscape of Greek Epic.” Echos du monde classique, 16.3:375–390.
Jackson, P. 2002. Verbis pingendis: Contributions to the Study of Ritual Speech and Mythopoeia. Innsbruck.
Janko, R. 1982. Homer, Hesiod and the Hymns: Diachronic Development in Epic Diction. Cambridge.
———. 1994. The Iliad: A Commentary. Vol. 4, Books 13–16. Cambridge.
———. 1998. “The Homeric Poems as Oral Dictated Texts.” Classical Quarterly 48:1–13.
Jean, J. de. 1987. “Female Voyeurism: Sappho and Lafayette.” Rivista di letterature moderne e comparate 40:201–215.
Jeanmaire, H. 1939. Couroi et courètes: Essai sur l’éducation spartiate et sur les rites d’adolescence dans l’antiquité hellénique. Lille.
Jong, I. J. F. de. 1989. “The Biter Bit: A Narratological Analysis of H. Aphr. 45–291.” Wiener Studien 102:13–26.
———. 2001. A Narratological Commentary on the Odyssey. Cambridge.
Jouanna, J. 1999. “Le trône, les fleurs, le char et la puissance d’Aphrodite (Sappho I, v. 1, 11, 19 et 22): Remarques sur le texte, sur les composés en -thronos et sur les homérismes de Sappho.” Revue des études grecques 112.1:99–126.
Kaniewski, D., E. Paulissen, E. van Campo, H. Weiss, T. Otto, J. Bretschneider, and K. van Lergerghe. 2010. “Late Second-Early First Millennium BC Abrupt Climate Changes in Coastal Syria and their Possible Significance for the History of the Eastern Mediterranean.” Quaternary Research 74:207–215.
Kauffman, N. 2016. “Monstrous Beauty: The Transformation of Some Death Similes in Apollonius’ Argonautica.” Classical Philology 111:372–390.
Kelly, A. 2007. A Referential Commentary and Lexicon to Iliad VIII. Oxford.
———. 2015. “Stesichorus’ Homer.” In Stesichorus in Context, ed. A. Kelly and P. Finglass, 21–44. Cambridge.
Kern, O. 1922. Orphicorum fragmenta. Berlin.
Kirk, G. S. 1985. The Iliad: A Commentary. Vol. 1, Books 1–4. Cambridge.
———. 1990. The Iliad: A Commentary. Vol. 2, Books 5–8. Cambridge.
Konstan, D. 1994. Sexual Symmetry: Love in the Ancient Novel and Related Genres. Princeton.
Kristeva, J. 1982. Powers of Horror: An Essay on Abjection. Trans. L. S. Roudiez. New York. Orig. pub. as Pouvoirs de l’horreur. Paris, 1980.
Kurke, L. 1999. Coins, Bodies, Games, and Gold: The Politics of Meaning in Archaic Greece. Princeton.
Lacan, J. 1977. The Four Fundamental Concepts of Psycho-Analysis. Ed. J.-A. Miller. Trans. A. Sheridan. Harmondsworth.
Lakoff, G., and M. Johnson. 1999. Philosophy in the Flesh. New York.
———. 2003. Metaphors We Live By. Chicago. Orig. pub. 1980.
Lakoff, G., and M. Turner. 1989. More Than Cool Reason: A Field Guide to Poetic Metaphor. Chicago.
Lardinois, A. P. M. H. 1989. “Lesbian Sappho and Sappho of Lesbos.” In From Sappho to de Sade: Moments in the History of Sexuality, ed. J. N. Bremmer, 15–35. London.
———. 1996. “Who Sang Sappho’s Songs?” In Greene 1996:150–172. Berkeley.
———. 1998. Review of Sappho’s Sweetbitter Songs, by L. H. Wilson.
———. 2001. “Keening Sappho: Female Speech Genres in Sappho’s Poetry.” In Making Silence Speak, ed. A. P. M. H. Lardinois and L. McClure, 75–92. Princeton.
Latte, K. 1966. Hesychii Alexandrini Lexicon. Vol. 2, Ε-Ο. Copenhagen.
Lattimore, R. 1962. Themes in Greek and Latin Epitaphs. Urbana.
Lazzeri, M. 2008. Studi sulla Gerioneide di Stesicoro. Quaderni del Dipartimento di Scienze dell’ Antichità, Università degli studi di Salerno, 35. Naples.
Lentz, A. 1868. Herodiani Technici reliquiae. Leipzig.
Leo, G. M. 2015. Anacreonte: I frammenti erotici; Testo, commento e traduzione. Rome.
Levaniouk, O. 2011. Eve of the Festival: Making Myth in Odyssey 19. Washington, DC.
Levine, D. B. 1983. “Penelope’s Laugh: Odyssey 18.163.” American Journal of Philology 104.2:172–178.
Liebert, R. S. 2017. Tragic Pleasure from Homer to Plato. Cambridge.
Lincoln, B. 1981. Emerging from the Chrysalis. Cambridge, MA.
Loraux, N. 1982. “Mourir devant Troie, tomber pour Athènes: De la gloire du héros à l’idée de la cité.” In Gnoli and Vernant 1982:27–43.
Lord, A. B. 2000. The Singer of Tales. 2nd ed. Cambridge, MA. Orig. pub. 1960.
Lovatt, H. 2013. The Epic Gaze: Vision, Gender and Narrative in Ancient Epic. Cambridge.
Lowe, D. 2015. Monsters and Monstrosity in Augustan Poetry. Ann Arbor, MI.
LSJ = Liddell, H. G., R. Scott, H. S. Jones, and R. McKenzie, eds. 1996. A Greek–English Lexicon. Oxford.
Mackie, C. J. 2008. Rivers of Fire: Mythic Themes in Homer’s Iliad. Washington, DC.
Maggiulli, G. 1989. “Amore e morte nella simbologia floreale.” Maia 41:185–197.
Mallory, J. P. and D. Q. Adams. 2006. Oxford Introduction to Proto-Indo-European and the Proto-Indo-European World. Oxford.
Marg, W. 1976. “Kampf und Tod in der Ilias.” Würzburger Jahrbücher für die Alter-tumswissenschaft 2:7–19 (expanded version of Antike 18 (1942), 167–179).
Marks, J. 2008. Zeus in the Odyssey. Washington, DC.
Marquardt, P. 1985. “Penelope ‘πολύτροπος.’” American Journal of Philology 106.1:32–48.
Martin, R. P. 1989. The Language of Heroes: Speech and Performance in the Iliad. Ithaca.
———. 2000. “Synchronic Aspects of Homeric Performance: The Evidence of the Hymn to Apollo.” In Una nueva vision de la cultura griega antigua hacia el fin del milenio, ed. A. M. González de Tobia, 403–432. La Plata.
———. 2001. “Rhapsodizing Orpheus.” Kernos 14:23–33.
McEvilley, T. 2008. Sappho. Putnam, CT.
Merkelbach, R., and M. L. West. 1967. Fragmenta Hesiodea. Oxford.
Meyer, G. 1891. Etymologisches Wörterbuch der albanesischen Sprache. Strasburg.
Michelini, A. 1978. “Ὕβρις and Plants.” Harvard Studies in Classical Philology 82:35–44.
Minchin, E. 2001. Homer and the Resources of Memory. Oxford.
———. 2007. Homeric Voices: Discourse, Memory, Gender. Oxford.
Mirto, M. S. 2012. Death in the Greek World. Trans. A. M. Osborne. Norman, OK (revised from Italian version, Morte nel mondo greco. Rome, 2007).
Mordine, M. J. 2006. “Speaking to Kings: Hesiod’s αἶνος and the Rhetoric of Allusion in the Works and Days.” Classical Quarterly 56.2:363–373.
Morris, I. M. 1989. “Attitudes toward Death in Archaic Greece.” Classical Antiquity 8.2:296–320.
Morris, S. P. 1992. Daidalos and the Origins of Greek Art. Princeton.
Most, G. W. 2006. Hesiod: Theogony, Works and Days, Testimonia. Cambridge, MA.
Motte, A. 1971. Prairies et jardins de la Grèce antique de la religion à la philosophie. Brussels.
Muellner, L. 1990. “The Simile of the Cranes and the Pygmies: A Study of Homeric Metaphor.” Harvard Studies in Classical Philology 93:59–101.
Mulvey, L. 1989a. “Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ Inspired by King Vidor’s Duel in the Sun (1946).” In Visual and Other Pleasures, 29–38. Bloomington, IN. Orig. pub. in Framework 1981.
———. 1989b. “Visual Pleasure and Narrative Cinema.” In Visual and Other Pleasures, 14–25. Bloomington, IN. Orig. pub. in Screen 1975.
Murr, J. 1969. Die Pflanzenwelt in der griechischen Mythologie. Groningen.
Murnaghan, S. 1987. Disguise and Recognition in the Odyssey. Princeton.
———. 1999. “The Poetics of Loss in Greek Epic.” In Epic Traditions in the Contemporary World: The Poetics of Community, ed. M. Beissinger, J. Tylus, and S. Wofford, 203–220. Berkeley.
Nagler, M. N. 1996. “Dread Goddess Revisited.” In Schein 1996:141–161. Princeton.
Nagy, G. 1974. Comparative Studies in Greek and Indic Meter. Cambridge, MA.
———. 1982. “Hesiod.” In Ancient Writers: Greece and Rome. Vol. 1, ed. T. J. Luce, 43–73. New York.
———. 1985. “Theognis and Megara: A Poet’s Vision of His City.” In Theognis of Megara: Poetry and the Polis, ed. T. J. Figueira and G. Nagy, 22–81. Baltimore.
———. 1990. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore.
———. 1996. Homeric Questions. Austin.
———. 1999. The Best of the Achaeans. Baltimore. Orig. pub. 1979.
———. 2004. Homer’s Text and Language. Urbana.
———. 2010. Homer the Preclassic. Berkeley.
———. 2013. The Ancient Greek Hero in 24 Hours. Cambridge, MA.
Naiden, F. 1999. “Homer’s Leopard Simile.” In Nine Essays on Homer, ed. M. Carlisle and O. Levaniouk, 177–203. Lanham.
Nelson, S. 1997. “The Justice of Zeus in Hesiod’s Fable of the Hawk and the Nightingale.” Classical Journal 92.3:235–247.
Neumann, J. 1993. “Climatic Changes in Europe and the Near East in the Second Millennium BC.” Climatic Change 23:231–245.
Nieto Hernández, P. 2000. “Back in the Cave of the Cyclops.” American Journal of Philology 121:345–366.
Nooter, S. 2019. “The Wooden Horse and the Unmaking of the Odyssey.” In Thinking the Greeks: A Volume in Honour of James M. Redfield, ed. B. M. King and L. Doherty, 38–52. Abingdon.
Nortwick, T. van. 1979. “Penelope and Nausicaa.” Transactions of the American Philological Association 109:269–276.
Olson, S. D. 2012. The Homeric Hymn to Aphrodite and Related Texts. Berlin.
Orel, V. 1998. Albanian Etymological Dictionary. Leiden.
Ortony, A. 1979. “Beyond Literal Similarity.” Psychological Review 86.3:161–180.
———, ed. 1993a. Metaphor and Thought. 2nd ed. Cambridge. Orig. pub. 1979.
———. 1993b. “The Role of Similarity in Similes and Metaphors.” In Ortony 1993:342–356.
Ory, T. 1984. “L’animal et le végétal dans l’Hymne homérique à Aphrodite.” Les études classiques 52:251–254.
Parker, H. N. 1993. “Sappho Schoolmistress.” Transactions of the American Philological Association 123:309–351.
Parker, R. 1991. “The Hymn to Demeter and the Homeric Hymns.” Greece & Rome 38:1–17.
Parry, A., ed. 1971. The Making of Homeric Verse: The Collected Papers of Milman Parry. Oxford.
Patzer, H. 1993. Physis: Grundlegung zu einer Geschichte des Wortes. Stuttgart.
Pignatti, S. 1983. “Human Impact on the Vegetation of the Mediterranean Basin.” In Man’s Impact on Vegetation, ed. W. Holzner, M. J. A. Werger, and I. Ikusima, 151–162. The Hague.
Pokorny, J. 1959. Indogermanisches etymologisches Wörterbuch. Vol. 1. Bern.
Polunin, O. 1980. Flowers of Greece and the Balkans: A Field Guide. Oxford.
Prier, R. A. 1989. Thauma Idesthai : The Phenomenology of Sight and Appearance in Archaic Greek. Tallahassee, FL.
Pucci, P. 1979. “The Song of the Sirens.” Arethusa 12:121–132. Republished in The Song of the Sirens. Lanham, 1997:1–9.
———. 1987. Odysseus Polutropos: Intertextual Readings in the Odyssey and the Iliad. Ithaca.
———. 1996. “Between Narrative and Catalogue: Life and Death of the Poem.” Mètis 11:5–24.
Purves, A. 2006. “Unmarked Space: Odysseus and the Inland Journey.” Arethusa 39.1:1–20.
———. 2010. Space and Time in Ancient Greek Narrative. Cambridge.
———. 2014. “Who, Sappho?” In Defining Greek Narrative, ed. R. Scodel and D. Cairns, 175–196. Edinburgh.
Quinn, F. X. 1964. “Theory of Spontaneous Generation According to the Ancients.” Classical Bulletin 40:52–55 and 57–59.
Rackham, O., and J. Moody. 1996. The Making of the Cretan Landscape. Manchester.
Raman, R. A. 1975. “Homeric ἄωτος and Pindaric ἄωτος: A Semantic Problem.” Glotta 53:195–207.
Rankin, A. V. 1962. “Penelope’s Dreams in Books XIX and XX of the Odyssey.” Helikon 2.3–4:617–624.
Ready, J. L. 2004. “A Binding Song: The Similes of Catullus 61.” Classical Philology 99.2:153–163.
———. 2011. Character, Narrator, and Simile in the Iliad. Cambridge.
———. 2018. The Homeric Simile in Comparative Perspectives. Oxford.
Redfield, J. M. 1994. Nature and Culture in the Iliad. Durham, NC. Orig. pub. 1975.
———. 2009. “The Economic Man.” In Homer’s Odyssey: Oxford Readings in Classical Studies, ed. L. E. Doherty, 265–287. Oxford.
Reece, S. 2007. “Homer’s Asphodel Meadow,” Greek, Roman and Byzantine Studies 47.4:389–400 ( ≈ Reece, S., Homer’s Winged Words: The Evolution of Early Greek Epic Diction in the Light of Oral Theory. Leiden, 2009:261–271.)
Richardson, N. J. 1974. The Homeric Hymn to Demeter. Oxford.
———. 1993. The Iliad: A Commentary. Volume VI, Books 21–24. Cambridge.
——— 2010. Three Homeric Hymns: To Apollo, Hermes, and Aphrodite. Cambridge.
Rinaudo, M. 2009. “Sviluppi semantici e ambiti d’uso di ποικίλος e derivati da Omero ad Aristotele.” In Berardi, Lisi, and Micalella 2009:25–64.
Rinon, Y. 2008. Homer and the Dual Model of the Tragic. Ann Arbor, MI.
Rissman, L. 1983. Love as War: Homeric Allusion in the Poetry of Sappho. Beiträge zur Klassischen Philolgie 157. Königstein.
Romilly, J. de. 1993. “Trois jardins pardisiaques dans l’Odyssée.” Scripta Classica Israelica 12:1–7.
Rood, N. 2008. “Craft Similes and the Construction of Heroes in the Iliad.” Harvard Studies in Classical Philology 104:19–43.
Rose, P. W. 2012. Class in Archaic Greece. Cambridge.
Rosenmeyer, P. A. 1997. “Her Master’s Voice: Sappho’s Dialogue with Homer.” Materiali e discussioni per l’analisi dei testi classici 39:123–149.
———. 2004. “Girls at Play in Early Greek Poetry.” American Journal of Philology 125:163–178.
Rudhardt, J. 1994. “Concerning the Homeric Hymn to Demeter.” In The Homeric Hymn to Demeter, ed. H. P. Foley, 198–211. Trans. L. Lorch and H. P. Foley. Princeton. Orig. pub. as “A propos de l’hymne homérique à Déméter.” Museum Helveticum 35:1–17, 1978.
Russo, J. 1982. “Interview and Aftermath: Dream, Fantasy, and Intuition in Odyssey 19 and 20.” American Journal of Philology 103.1:4–18.
Salvador Castillo, J. A. 1994. “El símil homérico de la μήκων (Il. 8.302–308).” Cuadernos de filología clásica: Estudios griegos e indoeuropeos 4:227–245.
Sammons, B. 2010. The Art and Rhetoric of the Homeric Catalogue. Oxford.
———. 2017. Device and Composition in the Greek Epic Cycle. Oxford
Scheid, J., and J. Svenbro. 1996. The Craft of Zeus: Myths of Weaving and Fabric. Trans. C. Volk. Cambridge, MA.
Scheijnen, T. 2017. “Ways to Die for Warriors: Death Similes in Homer and Quintus of Smyrna.” Hermes 145.1:2–24.
Schein, S. L. 1976. “The Death of Simoeisios, Iliad 4.473–489.” Eranos 74:1–5.
———, ed. 1996. Reading the Odyssey: Selected Interpretive Essays. Princeton.
———. 2012. “Divine and Human in the Homeric Hymn to Aphrodite.” In Hymnes de la Grèce antique: Approches littéraires et historiques, ed. R. Bouchon, P. Brillet-Dubois, and N. Le Meur-Weissman, 295–312. Lyon.
Schironi, F. 2010. “Technical Languages: Science and Medicine.” In A Companion to the Ancient Greek Language, ed. E. J. Bakker, 338–352. Malden.
Schmidt, M. A. 1976. Die Erklärungen zum Weltbild Homers und zur Kultur der Heroenzeit in den bT-Scholien zur Ilias. Zetemata 62. Munich.
Scott, W. C. 1974. The Oral Nature of the Homeric Simile. Leiden.
———. 2009. The Artistry of the Homeric Simile. Lebanon, NH.
Segal, C. 1971. The Theme of the Mutilation of the Corpse in the Iliad. Mnemosyne Supplement 17. Leiden.
———. 1974. “The Homeric Hymn to Aphrodite: A Structuralist Approach.” Classical World 67:205–212.
———. 1986. “Tithonus and the Homeric Hymn to Aphrodite: A Comment.” Arethusa 19:37–47.
Serrao, G. 1968. “L’ode di Erotima: Da timida fanciulla a donna pubblica (Anacr. fr. 346, 1 P. = 60 Gent.).” Quaderni urbinati di cultura classica 6:36–51.
Shelmerdine, S. C. 1986. “Odyssean Allusions in the Fourth Homeric Hymn.” Transactions of the American Philological Association 96:49–63.
Silk, M. S. 1974. Interaction in Poetic Imagery with Special Reference to Early Greek Poetry. Cambridge.
Skinner, M. 1993. “Woman and Language in Archaic Greece, or, Why is Sappho a Woman?” In Feminist Theory and the Classics, ed. N. Sorkin Rabinowitz and A. Richlin, 125–144. London.
Slatkin, L. M. 1986. “Genre and Generation in the Odyssey.” Mètis 1:259–286.
Smith, A. 1993. Porphyrii philosophi fragmenta. Stuttgart.
Smith, P. 1981. Nursling of Mortality: A Study of the Homeric Hymn to Aphrodite. Frankfurt.
Snell, B. et al., eds. 1955–2010. Lexicon des frühgriechischen Epos. Göttingen.
Snell, B., and H. Maehler. 1984–1989. Pindari carmina cum fragmentis. 2 vols. Leipzig.
Snyder, J. M. 1997. Lesbian Desire and the Lyrics of Sappho. New York.
Sourvinou-Inwood, C. 1995. “Reading” Greek Death to the End of the Classical Period. Oxford.
Sowa, C. A. 1984. Traditional Themes and the Homeric Hymns. Chicago.
Stallbaum, G. 1825. Eustathii, Archepiscopi Thessalonicensis, Commentarii ad Homeri Odysseam. Vol. 1. Leipzig.
Stanford, W. B. 1936. Greek Metaphor. Oxford
———. 1959. Homer: Odyssey Books I-XII. London.
Stehle (Stigers), E. 1977. “Retreat from the Male: Catullus 62 and Sappho’s Erotic Flowers.” Ramus 6:83–102.
———. 1981. “Sappho’s Private World.” Women’s Studies 8:47–63.
———. 1996. “Sappho’s Gaze: Fantasies of a Goddess and Young Man.” In Greene 1996:193–225.
———. 1997. Performance and Gender in Ancient Greece: Nondramatic Poetry in its Setting. Princeton.
———. 2009. “Greek Lyric and Gender.” In The Cambridge Companion to Greek Lyric, ed. F. Budelmann, 58–71. Cambridge.
Strasburger, G. 1954. Die kleinen Kämpfer der Ilias. Frankfurt-am-Main.
Strid, A., and K. Tan, eds. 1997–2002. Flora Hellenica. 2 vols. Königstein.
Suter, A. 2002. The Narcissus and the Pomegranate. Ann Arbor, MI.
Sutherland, E. H. 2003. “How (Not) to Look at a Woman: Bodily Encounters and the Failure of the Gaze in Horace’s C. 1.19.” American Journal of Philology 124.1:57–80
Taplin, O. P. 2007. “Some Assimilations of the Homeric Simile in Later Twentieth-Century Poetry.” In Homer in the Twentieth Century, Between World Literature and the Western Canon, ed. B. Graziosi and E. Greenwood, 177–190. Oxford.
Thalmann, W. G. 1992. The Odyssey: An Epic of Return. New York.
Thiel, H. van. 2000. Scholia D in Iliadem.
Thomas, O. 2011. “The Homeric Hymn to Pan.” In Faulkner 2011:151–172.
Tsagalis, C. 2012. From Listeners to Viewers: Space in the Iliad. Washington, DC.
Vergados, A. 2017. The Homeric Hymn to Hermes: Introduction, Text and Commentary. Berlin.
Vermeule, E. 1979. Aspects of Death in Early Greek Art and Poetry. Berkeley.
Vernant, J.-P. 1965. Mythe et pensée chez les Grecs. Paris.
———. 1974. “Le mythe prométhéen chez Hésiode.” In Mythe et société en Grèce ancienne, 177–194. Paris.
———. 1989. “At Man’s Table: Hesiod’s Foundation Myth of Sacrifice.” In The Cuisine of Sacrifice among the Greeks, ed. M. Detienne and J.-P. Vernant, 21–86. Trans. P. Wissing. Chicago. Orig. pub. as “À la table des hommes. Mythe de foundation du sacrifice chez Hésiode.” In La cuisine du sacrifice en pays grec. Paris, 1979:37–132.
———. 1991a. “Death in the Eyes: Gorgo, Figure of the Other.” In Vernant 1991c:111–138. Trans. F. I. Zeitlin. Orig. pub. as La mort dans les yeux: Figures de l’autre en Grèce ancienne. Paris, 1985:28–82.
———. 1991b. “In the Mirror of Medusa.” In Vernant 1991c:141-150. Trans. F. I. Zeitlin. Orig. pub. as “Dans l’oeil du miroir: Méduse.” In Lo specchio e il doppio: Dallo stagno di Narciso allo schermo televiso, ed. G. Macchi and M. Vitale. Milan, 1987:26-32.
———. 1991c. Mortals and Immortals: Collected Essays, ed. F. I. Zeitlin. Princeton.
———. 1991d. “Panta kala: From Homer to Simonides.” In Vernant 1991c:84-91. Trans. F. I. Zeitlin. Orig. pub. as “ΠΑΝΤΑ ΚΑΛΑ: D’Homère à Simonide.” Annali della Scuola Normale Superiore di Pisa 9:1365–1374, 1979.
———. 1996. “Death with Two Faces.” In Schein 1996:55–61. Trans. J. Lloyd. Princeton. Orig. pub. as “Mort grecque, mort à deux faces.” Le Débat 12:51–59, 1981.
———. 2001. “A ‘Beautiful Death’ and the Disfigured Corpse in Homeric Epic.” In Oxford Readings in Homer’s Iliad, ed. D. L. Carins, 311–341. Trans. A. Szegedy-Maszak. Oxford. Orig. pub. as “La belle mort et le cadavre outragé.” In Gnoli and Vernant. 1982:45–76.
Vernant, J.-P., and F. Frontisi-Ducroux. 1997. Dans l’oeil du miroir. Paris.
Vidal-Naquet, P. 1996. “Land and Sacrifice in the Odyssey: A Study of Religious and Mythical Meanings.” In Schein 1996:33–53. Orig. pub. as “Valeurs religieuses et mythiques de la terre et du sacrifice dans l’Odyssée.” Annales: économies, sociétés, civilisations 25:1278–1297, 1970.
Villarrubia, A. 1997. “Una lectura del Himno Homérico a Pan.” Habis 28:7–13.
Voigt, E.-M. 1971. Sappho et Alcaeus. Amsterdam.
Voliotis, D. 1984. “A Phenological Study of Flowering Period and Flower Colours of Aromatic Plants in Greece.” Vegetatio 56:129–137.
Waern, I. 1999. “Flora Sapphica.” Annales Musei Goulandris 10:171–180.
Weiss, B. 1982. “The Decline of Late Bronze Age Civilization as a Possible Response to Climate Change.” Climatic Change 4:173–198.
Wendel, C. 1966. Scholia in Theocritum vetera. Stuttgart.
Weil, S. 1965. “The Iliad, or the Poem of Force.” Chicago Review 18.2:5–30. Trans. M. McCarthy. Orig. pub. as “L’Iliade ou le poème de la force.” Cahiers du sud Dec. 1940:561–574, Jan. 1941:21–34.
West, M. L. 1966. Hesiod: Theogony. Oxford.
———. 1978. Hesiod: Works and Days. Oxford.
———. 1992. Iambi et elegi Graeci. Editio altera. 2 vols. Oxford (= West2).
———. 1993. “Simonides Redivivus.” Zeitschrift für Papyrologie und Epigraphik 98:1–14.
———. 2001. “The Fragmentary Homeric Hymn to Dionysus.” Zeitschrift für Papyrologie und Epigraphik 134:1–11.
———. 2003. Homeric Hymns, Homeric Apocrypha, Lives of Homer. Cambridge, MA.
———. 2005. “The New Sappho.” Zeitschrift für Papyrologie und Epigraphik 151:1–9.
———. 2011. The Making of the Iliad: Disquisition and Analytical Commentary. Oxford.
———. 2013. The Epic Cycle: A Commentary on the Lost Troy Epics. Oxford.
———. 2014. The Making of the Odyssey. Oxford.
Whitman, C. H. 1958. Homer and the Heroic Tradition. Cambridge, MA.
Wilson, L. H. 1996. Sappho’s Sweetbitter Songs. London.
Winkler, J. J. 1990. The Constraints of Desire: An Anthropology of Sex and Gender in Ancient Greece. New York.
———. 1996. “Gardens of Nymphs: Public and Private in Sappho’s Lyrics.” In Greene 1996:89–109.
Wofford, S. L. 1992. The Choice of Achilles: The Ideology of Figure in the Epic. Stanford.
Yasumura, N. 2011. Challenges to the Power of Zeus in Early Hexameter Poetry. London.
Young, D. C. 1968. “Three Odes of Pindar: A Literary Study of Pythian 11, Pythian 3, and Olympian 7.” Mnemosyne Supplement 9:69–105.
Zanetto, G. 1996. Inni Omerici. Milan.
Zeitlin, F. I. 1995. “Figuring Fidelity in Homer’s Odyssey.” In Cohen 1995:117–152.
Zusanek, H. 1996. Kalypso: Untersuchungen zum dios-Begriff 1. Frankfurt.