The Center for Hellenic Studies

Homer the Preclassic

  Use the following persistent identifier: http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homer_the_Preclassic.2009.

Abbreviations

BA – The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry = N 1979
BA2 – 2nd ed. 1999
EH – “The Epic Hero” = N 2005a
GM – Greek Mythology and Poetics = N 1990b
HC – Homer the Classic = N 2008a/2009a
HPC – Homer the Preclassic = N 2009b/2010a
HQ – Homeric Questions = N 1996b
HR – Homeric Responses = N 2003a
HTL – Homer’s Text and Language = N 2004a
LP – “The Library of Pergamon as a Classical Model” = N 1998N – Nagy, G.
PH – Pindar’s Homer: The Lyric Possession of an Epic Past = N 1990a
PP – Poetry as Performance: Homer and Beyond = N 1996a
PR – Plato’s Rhapsody and Homer’s Music: The Poetics of the Panathenaic Festival in Classical Athens = N 2002

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———. 2003. “Geoarchaeological Interpretations of the ‘Troian Bay’.” With E. Öner et al. Troia and the Troad: Scientific Approaches (eds. G. A. Wagner, E. Pernicka, and H.-P. Uerpmann) 379–401. Berlin and New York.

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———, ed. 1990. The Iliad: A Commentary . Vol. 2, Books 5–8. Cambridge.

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———. 1957. “Hypokrisis und Hypokrites.” Museum Helveticum 14:100–107. [[390|391]]

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———. 1982. “Geology and Paleogeographic Reconstructions of the Vicinity of Troy.” With I. Kayan and E. Oğuz. Troy: The Archaeological Geography (eds. G. Rapp and J. A. Gifford) 11–41. Troy, Supplementary Monograph 4. Princeton.

———. 2001. “A Geologic Analysis of Ancient Landscapes and the Harbors of Ephesus and the Artemision in Anatolia.” With I. Kayan, H. Brückner, and G. Rapp. Wien, Jahreshefte des Osterreichischen Archäologisches Instituts: Verlag der Osterreichisches Akademie der Wissenshaften 69:175–233.

———. 2003a. “Sedimentary Facies Patterns and the Interpretation of Paleogeographies of Ancient Troia.” With I. Kayan, H. Brückner, and G. Rapp. Troia and the Troad. Scientific Approaches. Natural Science in Archaeology (eds. G. A. Wagner, E. Pernicka, and H.-P. Uerpmann) 361–377. Berlin and New York.

———. 2003b. “Harbor Areas at Ancient Troy: Sedimentology and Geomorphology Complement Homer’s Iliad.” With G. Rapp, I. Kayan, and J. V. Luce. Geology 31/32:163–166.

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———. 2000a. “Aithōn, Aithon, and Odysseus.” Harvard Studies in Classical Philology 100:25–51. [[391|392]]

———. 2000b. “Odyssean Usages of Local Traditions.” PhD diss., Harvard University.

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Loraux, N., G. Nagy, and L. Slatkin, eds. 2001. Antiquities . Vol. 3 of Postwar French Thought. New York.

Lord, A. B. 1960. The Singer of Tales. Harvard Studies in Comparative Literature 24. 2nd ed. 2000 by S. Mitchell and G. Nagy. Cambridge, MA. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_LordA.The_Singer_of_Tales.2000

———. 1995. The Singer Resumes the Tale (ed. M. L. Lord). Ithaca, NY.

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———. 2002. “Eurybates, Odysseus, and the Duals in Book 9 of the Iliad.” Colby Quarterly 38:62–76.

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LP. See Nagy 1998.

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———. 1898. Die Homervulgata als voralexandrinisch erwiesen. Leipzig.

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———. 1992. Sigla and Select Marginalia in Greek Literary Papyri. Brussels.

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Martin, R. P. 1989. The Language of Heroes: Speech and Performance in the Iliad. Ithaca, NY.  http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Martin.The_Language_of_Heroes.1989

———. 1992. “Hesiod’s Metanastic Poetics.” Ramus 21:11–33.

———. 1993. “Telemachus and the Last Hero Song.” Colby Quarterly 29:222–240.

———. 2000a. “Wrapping Homer Up: Cohesion, Discourse, and Deviation in the Iliad.” Intratextuality: Greek and Roman Textual Relations (eds. A. Sharrock and H. Morales) 43–65. Oxford.

———. 2000b. “Synchronic Aspects of Homeric Performance: The Evidence of the Hymn to Apollo.” Una nueva visión de la cultura griega antigua hacia el fin del milenio (ed. A. M. González de Tobia) 403–432. La Plata.

———. 2001. “Rhapsodizing Orpheus.” Kernos 14:23–33.

———. 2005. “Epic as Genre.” A Companion to Ancient Epic (ed. J. M. Foley) 9–19. Oxford / Malden, MA.

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———. 1998. “Zenodotus, Aristarchus and the Ekdosis Of Homer.” In Most 1998:1–21.

———. 2002a. “Alexandrian Homeric Philology: The Form of the Ekdosis and the Variae Lectiones.” ΕΠΕΑ ΠΤΕΡΟΕΝΤΑ: Beiträge zur Homerforschung (eds. M. Reichel and A. Rengakos) 119–140. Stuttgart.

———. 2002b. “Filologia ed erudizione antica.” Da Aiōn a eikasmos: Atti della giornata di studio sulla figura e l’opera di Enzo Degani . Eikasmos, Studi 8:73–88. Bologna.

———. 2004a. “La filologia Omerica antica e la storia del testo Omerico.” Antike Literatur in neuer Deutung (eds. A. Bierl, A. Schmitt, and A. Willi) 127–143. Munich.

———. 2004b. “The PAWAG Project (Poorly Attested Words in Ancient Greek): Ancient Greek Lexicography on Line.” Euphrosyne 32:75–78.

———. 2008. “Aristotele, Zenodoto, Aristarco e il serpente pietrificato di Iliade II 319.” Studi offerti ad Alessandro Perutelli II (eds. P. Arduini et al.) 237–243. Rome.

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Most, G. W., ed. 1998. Editing Texts = Texte edieren. Aporemata 2. Göttingen.

Muellner, L. 1976. The Meaning of Homeric ΕΥΧΟΜΑΙ through Its Formulas. Innsbruck. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_MuellnerL.The_Meaning_of_Homeric_eukhomai.1976

———. 1990. “The Simile of the Cranes and Pygmies: A Study of Homeric Metaphor.” Harvard Studies in Classical Philology 93:59–101.

———. 1996. The Anger of Achilles: Mênis in Greek Epic. Ithaca, NY.

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Nagy, B. 1972. “The Athenian Ergastinai and the Panathenaic Peplos.” PhD diss., Harvard University.

———. 1978a. “The Ritual in Slab-V East of the Parthenon Frieze.” Classical Philology 73:137–141.

———. 1978b. “The Athenian Athlothetai.” Greek, Roman and Byzantine Studies 19:307–314.

———. 1980. “A Late Panathenaic Document.” Ancient World 3:106–111.

———. 1983. “The Peplotheke.” Studies Presented to Sterling Dow (ed. K. Rigsby) 227–232. Greek, Roman, and Byzantine Monographs 10. Durham, NC.

———. 1991. “The Procession to Phaleron.” Historia 40:288–306.

———. 1992. “Athenian Officials on the Parthenon Frieze.” American Journal of Archaeology 96:55–69.

———. 1994. “Alcibiades’ Second Profanation.” Historia 43:275–285.

Nagy, G. 1969. Review of J. Chadwick, The Decipherment of Linear B , 2nd ed. (Cambridge 1967). General Linguistics 9:123–132.

———. 1972. Introduction, Parts I and II, and Conclusions. Greek: A Survey of Recent Work (F. W. Householder and [[393|394]] G. Nagy) 15–72. Janua Linguarum Series Practica 211. The Hague.

———. 1974. Comparative Studies in Greek and Indic Meter. Harvard Studies in Comparative Literature 33. Cambridge, MA.

———. 1979. The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry . Revised ed. with new introduction 1999. Baltimore. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Best_of_the_Achaeans.1999
Trans. by J. Carlier and N. Loraux as Le meilleur des Achéens: La fabrique du héros dans la poésie grecque archaïque. 1999. Paris.

———. 1985. “Theognis and Megara: A Poet’s Vision of His City.” Theognis of Megara: Poetry and the Polis (eds. T. J. Figueira and G. Nagy) 22–81. Baltimore. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Theognis_and_Megara.1985

———. 1990a. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Pindars_Homer.1990

———. 1990b. Greek Mythology and Poetics. Ithaca, NY. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Greek_Mythology_and_Poetics.1990

———. 1993. “Alcaeus in Sacred Space.” Tradizione e innovazione nella cultura greca da Omero all’ età ellenistica: Scritti in onore di Bruno Gentili (ed. R. Pretagostini) 221–225. Rome. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Alcaeus_in_Sacred_Space.1993

———. 1994a/1995 “Transformations of Choral Lyric Traditions in the Context of Athenian State Theater.” Arion 3:41–55. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Transformations_of_Choral_Lyric_Traditions.1995

———. 1994b/1995. “A Mycenaean Reflex in Homer: phorênai.” Minos 29/30:171–175.

———. 1994c/1995. “Genre and Occasion.” ΜΗΤΙΣ: Revue d’Anthropologie du Monde Grec Ancien 9/10:11–25. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Genre_and_Occasion.1994

———. 1996a. Poetry as Performance: Homer and Beyond. Cambridge. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Poetry_as_Performance.1996

———. 1996b. Homeric Questions. Austin. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homeric_Questions.1996

———. 1996c. “Metrical Convergences and Divergences in Early Greek Poetry and Song.” In Fantuzzi and Pretagostini 1996(II):63–110.

———. 1998. “The Library of Pergamon as a Classical Model.” Pergamon: Citadel of the Gods (ed. H. Koester) 185–232. Harvard Theological Studies 46. Philadelphia. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Library_of_Pergamon_as_a_Classical_Model.1998

———. 2000a. Review of West 1998b. Bryn Mawr Classical Review 00.09.12 (2000), http://ccat.sas.upenn.edu/bmcr/2000/2000-09-12.html.

———. 2000b. “Epic as Music: Rhapsodic Models of Homer in Plato’s Timaeus and Critias.” The Oral Epic: Performance and Music (ed. K. Reichl) 41–67. Berlin. Rewritten as Ch. 2 in Nagy 2002.

———. 2000c. “Homeric humnos as a Rhapsodic Term.” Una nueva visión de la cultura griega antigua hacia el fin del milenio (ed. A. M. González de Tobia) 385–401. La Plata.

———. 2000d. “Distortion diachronique dans l’art homérique: quelques précisions.” Constructions du temps dans le monde ancien (ed. C. Darbo-Peschanski) 417–426. Paris.

———. 2000e. “Reading Greek Poetry Aloud: Evidence from the Bacchylides Papyri.” Quaderni Urbinati di Cultura Classica 64:7–28. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Reading_Greek_Poetry_Aloud.2000

———. 2000f. “‘Dream of a Shade’: Refractions of Epic Vision in Pindar’s Pythian 8 and Aeschylus’ Seven against Thebes.” Harvard Studies in Classical Philology 100:97–118. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Dream_of_a_Shade_Refractions_of_Epic_Vision.2000

———. 2001a. “Homeric Poetry and Problems of Multiformity: The ‘Panathenaic Bottleneck.’” Classical Philology 96:109–119. Rewritten as Ch. 2 in Nagy 2004a. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Homeric_Poetry_and_Problems_of_Multiformity.2001

———. 2001b. “The Textualizing of Homer.” Inclinate Aurem-Oral Perspectives on Early European Verbal Culture (eds. J. Helldén, M. S. Jensen, and T. Pettitt) 57–84. Odense. [[394|395]]

———. 2001c. “Reading Bakhtin Reading the Classics: An Epic Fate for Conveyors of the Heroic Past.” Bakhtin and the Classics (ed. R. B. Branham) 71–96. Evanston, IL. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Reading_Bakhtin_Reading_the_Classics.2002

———. 2001d. “Éléments orphiques chez Homère.” Kernos 14:1–9.

———. 2001e. “The Sign of the Hero: A Prologue.” Flavius Philostratus, Heroikos (eds. J. K. Berenson Maclean and E. B. Aitken) xv–xxxv. Atlanta. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Sign_of_the_Hero.2001

———. 2001f. “Η ποιητική της προφορικότητας και η ομηρική έρευνα.” Νεκρά γράμματα· οι κλασσικές σπουδές στον 21o αιώνα (ed. A. Rengakos) 135–146. Athens.

———. 2001g. “Introductions and Suggested Bibliographies.” Electronic Publication of Introductions and Bibliographies for Nagy 2001h. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Introductions_and_Suggested_Bibliographies.2001

———, ed. 2001h1. Greek Literature . Vol. 1, The Oral Traditional Background of Ancient Greek Literature. New York.

———, ed. 2001h2. Greek Literature . Vol. 2, Homer and Hesiod as Prototypes of Greek Literature. New York.

———. 2002. Plato’s Rhapsody and Homer’s Music: The Poetics of the Panathenaic Festival in Classical Athens. Cambridge, MA and Athens. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Platos_Rhapsody_and_Homers_Music.2002

———. 2003a. Homeric Responses. Austin. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homeric_Responses.2003

———. 2003b. Review of West 2001. Gnomon 75:481–501.

———. 2004a. Homer’s Text and Language. Urbana and Chicago. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homers_Text_and_Language.2004

———. 2004b. “Transmission of Archaic Greek Sympotic Songs: From Lesbos to Alexandria.” Critical Inquiry 31:26–48. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Transmission_of_Archaic_Greek_Sympotic_Songs.2004

———. 2004c. “Poetics of Repetition in Homer.” In Yatromanolakis and Roilos 2004:139–148. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Poetics_of_Repetition_in_Homer.2004

———. 2004d. “Homeric Echoes in Posidippus.” Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P.Mil.Vogl. VIII 309) (eds. B. Acosta-Hughes, E. Kosmetatou, and M. Baumbach) 57–64. Hellenic Studies 2. Cambridge, MA and Washington, DC.

———. 2004e. “L’aède épique en auteur: la tradition des Vies d’Homère.” Identités d’auteur dans l’Antiquité et la tradition européenne (eds. C. Calame and R. Chartier) 41–67. Grenoble.

———. 2005a. “The Epic Hero.” A Companion to Ancient Epic (ed. J. M. Foley) 71–89. Oxford. Expanded version at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Epic_Hero.2005

———. 2005b. Review of Boedeker and Sider 2001. Classical Review 55:407–409.

———. 2005c. “An Apobatic Moment for Achilles as Athlete at the Festival of the Panathenaia.” Imeros 5:311–317. For a revised version, see Nagy 2009d.

———. 2006a. “Homer’s Name Revisited.” La langue poétique indo-européenne: actes du Colloque de travail de la Société des Études Indo-Européennes (Indogermanische Gesellschaft/Society for Indo–European Studies), Paris, 22–24 octobre 2003 (eds. G.-J. Pinault and D. Petit) 317–330. Collection linguistique de la Société de Linguistique de Paris 91. Leuven and Paris.

———. 2006b. “Hymnic Elements in Empedocles (B 35 DK = 201 Bollack).” Revue de Philosophie Ancienne 24:51–61.

———. 2007a. “Emergence of Drama: Introduction and Discussion.” The Origins of Theater in Ancient Greece and Beyond: From Ritual to Drama (eds. E. Csapo and M. C. Miller) 121–125. Cambridge.

———. 2007b. “Did Sappho and Alcaeus Ever Meet?” Literatur und Religion: Wege zu einer mythisch–rituellen Poetik bei den Griechen I (eds. A. Bierl, R. Lämmle, and K. Wes [[395|396]]selmann) 211–269. MythosEikonPoiesis 1.1. Berlin and New York. Rev. 1st online ed. 2009. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Did_Sappho_and_Alcaeus_Ever_Meet.2007

———. 2007c. “Lyric and Greek Myth.” The Cambridge Companion to Greek Mythology (ed. R. D. Woodard) 19–51. Cambridge. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Lyric_and_Greek_Myth.2007

———. 2007d. “Homer and Greek Myth.” The Cambridge Companion to Greek Mythology (ed. R. D. Woodard) 52–82. Cambridge. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Homer_and_Greek_Myth.2007

———. 2008a = HC, online ed.

———. 2008b. Greek: An Updating of a Survey of Recent Work. Cambridge, MA and Washington, DC. Updating of Nagy 1972, online ed. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Greek_an_Updating.2008. This edition tracks the page-numberings of Nagy 1972.

———. 2009a = HC, print ed.

———. 2009b = HPC, online ed.

———. 2009c. “Hesiod and the Ancient Biographical Traditions.” Brill’s Companion to Hesiod (eds. F. Montanari, A. Rengakos, and C. Tsagalis) 271–311. Leiden. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Hesiod_and_the_Ancient_Biographical_Traditions.2009

———. 2009d. “An Apobatic Moment for Achilles as Athlete at the Festival of the Panathenaia.” Revised version of Nagy 2005c. http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.An_Apobatic_Moment_for_Achilles.2005

———. 2009e. “Perfecting the Hymn in the Homeric Hymn to Apollo.” Apolline Politics and Poetics (eds. L. Athanassaki, R. P. Martin, and J. F. Miller) 17–44. Athens.

———. 2010. = HPC, print ed.

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———. 1992b. “The Panathenaia: An Introduction.” In Neils 1992a:13–27, with notes at 194–195.

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