Sappho in the Making: The Early Reception

  Yatromanolakis, Dimitrios. 2008. Sappho in the Making: The Early Reception. Hellenic Studies Series 28. Washington, DC: Center for Hellenic Studies. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_YatromanolakisD.Sappho_in_the_Making.2008.


Illustrations

[Due to copyright restrictions, the images included in the print version of this book are not available for reproduction online. Where possible, those images have been replaced by line drawings, open source images, or links to relevant citation information. Captions for replacement images will appear in brackets alongside the original captions.]

Figure 1. Hydria in Six’s technique. Attributed to the Sappho Painter, c. 510–500 BC. Photo, National Museum in Warsaw.

Figure 2. Red-figure oinochoe, c. 490–480 BC. Photo, Imaging Department, © President and Fellows of Harvard College.

Figure 3a and b. Red-figure kalathoid vase, c. 480–470 BC. Photo, Staatliche Antikensammlungen und Glyptothek München.

Figure 4a and b. Red-figure kalyx-krater. Attributed to the Tithonos Painter, c. 480–470 BC. Photo, Ruhr-Universität Bochum.

Figure 5a and b. Red-figure neck-amphora. Attributed to the Brygos Painter, c. 480 BC. Photo, Museum of Fine Arts, Boston.

Figure 6. Red-figure neck-amphora. Attributed to the Tithonos Painter, c. 480-470 BC. Photo, Bildarchiv Preussischer Kulturbesitz / Art Resource, NY.

Figure 7. Detail of reverse of Bochum inv. no. S 508 (Figure 4b), showing inscription. Photo, Ruhr-Universität Bochum.

Figure 8. Red-figure cup. Attributed to Oltos, c. 520–510 BC. © Copyright, Trustees of the British Museum.

Figure 9. Red-figure lekythos. Attributed to the Gales Painter, c. 500 BC. Photo, Museo Archeologico Regionale Paolo Orsi.

Figure 10. Red-figure kalyx-krater fragments. Attributed to the Kleophrades Painter, c. 500 BC. Photo, National Museum, Copenhagen.

Figure 11. Red-figure stamnos. Attributed to the Kleophon Painter, c. 440–430 BC. Photo, Musées Royaux d’Art et d’Histoire, Brussels.

Figure 12. Red-figure cup. Attributed to the Foundry Painter, c. 490–480 BC. Photo, Toledo Museum of Art.

Figure 13. Red-figure cup. Attributed to the Briseis Painter, signed by Brygos as potter, c. 480–470 BC. Photo, The J. Paul Getty Museum.

Figure 14. White-ground kyathos. Attributed to a contemporary of Psiax, c. 520–510 BC. Photo, The J. Paul Getty Museum.

Figure 15. Black-figure plate. Attributed to Psiax, c. 510 BC. Photo, Andreas F. Voegelin, courtesy of the Antikenmuseum Basel und Sammlung Ludwig.

Figure 16. Red-figure pelike. Attributed to the Pig Painter, c. 475 BC. Photo, Archaeological Museum of Rhodes.

Figure 17. Red-figure cup. Attributed to the Brygos Painter, c. 480–470 BC. Photo, Musées Royaux d’Art et d’Histoire, Brussels.

Figure 18. Red-figure column krater. Attributed to the Pig Painter, c. 475 BC. Photo, Imaging Department, © President and Fellows of Harvard College.

Figure 19. Red-figure amphora. Attributed to the Niobid Painter, c. 460–450 BC. Photo, The Walters Art Museum.

Figure 20. Red-figure hydria. Attributed to the Niobid Painter, c. 460–450 BC. Photo, The Solow Art and Architecture Foundation.

Figure 21. Red-figure hydria. In the manner of the Niobid Painter, c. 440 BC. Photo © Copyright, Trustees of the British Museum.

Figure 22. Red-figure hydria. Attributed to the Group of Polygnotos, c. 440–430 BC. Photo courtesy of the Hellenic Ministry of Culture/ Archaeological Receipts Fund.

Figure 23. Red-figure hydria. Attributed to the Group of Polygnotos, c. 440–430 BC. Photo © Copyright, Trustees of the British Museum.

Figure 24. Red-figure hydria. Attributed to the Peleus Painter, c. 430 BC. Photo courtesy of the Hellenic Ministry of Culture/Archaeological Receipts Fund.

Figure 25. Red-figure hydria: detail of inscription (Figure 22). Photo courtesy of the Hellenic Ministry of Culture/Archaeological Receipts Fund.

Figure 26. Red-figure hydria: detail of scroll (Figure 22). Photo courtesy of the Hellenic Ministry of Culture/Archaeological Receipts Fund.

Figure 27. Red-figure chous. Attributed to the Eretria Painter, c. 425–420 BC. Photo courtesy of the Hellenic Ministry of Culture/Archaeological Receipts Fund.

Figure 28. Red-figure lebes. Attributed to the Washing Painter, c. 430–420 BC. Photo courtesy of the Hellenic Ministry of Culture/ Archaeological Receipts Fund.

Figure 29. Red-figure lebes. Attributed to the Washing Painter, c. 430-420 BC. Photo © The Metropolitan Museum of Art.

Figure 30. Red-figure lebes. Attributed to the Washing Painter, c. 430-420 BC. Photo © The Metropolitan Museum of Art.

Figure 31. Red-figure pyxis. Attributed to the Washing Painter, c. 430-420 BC. Photo, K. Oehrlein, Martin von Wagner Museum der Universität Würzburg.

Figure 32. Red-figure hydria. Photo, Kerameikos Museum, Athens.

Figure 33. Red-figure bell krater. In the manner of the Kleophon Painter, c. 420 BC. Photo, Alexandra Goulaki Voutira.

Figure 34. Red-figure kalyx-krater. Attributed to the Christie Painter, c. 440-430 BC. Photo, K. Oehrlein, Martin von Wagner Museum der Universität Würzburg.

Figure 35. Red-figure bell krater. Attributed to the Danae Painter, c. 460-450 BC. Photo © The Metropolitan Museum of Art.