The Center for Hellenic Studies

The Ancient Greek Hero in 24 Hours

  Nagy, Gregory. 2013. The Ancient Greek Hero in 24 Hours. Cambridge, MA: Harvard University Press, 2013. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_NagyG.The_Ancient_Greek_Hero_in_24_Hours.2013. Abridged edition 2019.

References

Abbreviations

ABV: Beazley, J. 1956. Attic Black-Figure Vase Painters. Oxford.
BA: Nagy, G. 1999. The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Rev. ed. with new intro. Baltimore (available online).
CPG: Leutsch, E. L. von, and F. G. Schneidewin, eds. 1839–1851. Corpus Paroemiographorum Graecorum. Göttingen.
DELG: Chantraine, P. 2009. Dictionnaire étymologique de la langue grecque: histoire des mots. Ed. J. Taillardat, O. Masson, and J.-L. Perpillou. With a supplement Chroniques d’étymologie grecque 1–10. Ed. A. Blanc, Ch. de Lamberterie, and J.-L. Perpillou. Paris.
EH: Nagy, G. 2006. “The Epic Hero.” Expanded version of “The Epic Hero.” A Companion to Ancient Epic (ed. J. M. Foley) 71–89. Oxford, 2005 (available online).
FGH: Jacoby, F. 1923–58. Die Fragmente der griechischen Historiker. 3 vols. Berlin.
GM: Nagy, G. 1990b. Greek Mythology and Poetics. Ithaca, NY (available online).
HC: Nagy, G. 2009. Homer the Classic. Hellenic Studies 36. Cambridge, MA and Washington, DC (available online).
HPC: Nagy, G. 2010. Homer the Preclassic. Berkeley and Los Angeles, CA (available online).
HQ: Nagy, G. 1996b. Homeric Questions. Austin, TX (available online).
HR: Nagy, G. 2003. Homeric Responses. Austin, TX.
HTL: Nagy, G. 2004a. Homer’s Text and Language. Urbana and Chicago.
IG: Deutsche Akademie der Wissenschaften. 1873–. Inscriptiones Graecae. Berlin.
LSJ: Liddell, H. G., R. Scott, and H. S. Jones. 1940. A Greek-English Lexicon. 9th ed. Oxford.
MW: Fragmenta Hesiodea. Ed. R. Merkelbach and M. West. 1967. Oxford.
PH: Nagy, G. 1990a. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore (available online).
PMG: Page, D. L. 1962. Poetae Melici Graeci. Oxford.
PP: Nagy, G. 1996a. Poetry as Performance: Homer and Beyond. Cambridge (available online).
PR: Nagy, G. 2002. Plato’s Rhapsody and Homer’s Music: The Poetics of the Panathenaic Festival in Classical Athens. Cambridge, MA and Athens (available online).
SEG: Gieben, J. C., et al. 1923–. Supplementum Epigraphicum Graecum. Amsterdam.

References

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Levaniouk, O. 2011. Eve of the Festival: Making Myth in Odyssey 19. Hellenic Studies 46. Cambridge, MA and Washington, DC. Available at http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Levaniouk.Eve_of_the_Festival.2011.
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Loraux, N., G. Nagy, and L. Slatkin, eds. 2001. Antiquities: Postwar French Thought III. Edited by R. Naddaff. New York.
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Lord, A. B. 1995. The Singer Resumes the Tale. Edited by M. L. Lord. Ithaca, NY.
Lord, A. B. 2000. 2nd ed. of Lord 1960. Edited, with new Introduction (vii–xxix) by S. Mitchell and G. Nagy. Cambridge, MA.
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Martin, R. P. 1989. The Language of Heroes: Speech and Performance in the Iliad. Ithaca, NY. Available at http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Martin.The_Language_of_Heroes.1989.
Martin, R. P. 1993. “Telemachus and the Last Hero Song.” Colby Quarterly 29:222–240.
Martin, R. P. 2000. “Synchronic Aspects of Homeric Performance: The Evidence of the Hymn to Apollo.” Una nueva visión de la cultura griega antigua hacia el fin del milenio (ed. A. M. González de Tobia) 403–432. La Plata.
Mason, H. J. 2004. “Sappho’s Apples.” Metamorphic Reflections: Essays Presented to Ben Hijmans at his 75th Birthday (ed. M. Zimmerman and R. Van Der Paardt) 243–253. Leuven.
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Miles, S., ed. 1986. Simone Weil: An Anthology. London. [“Human Personality” (“La Personne et le sacré”), pp. 69–98, tr. Richard Rees 1962; “Void and Compensaton” (from Gravity and Grace (La Pesanteur et Ia grâce), pp. 216–220, tr. Emma Craufurd 1952.]
Mitchell, S. 1991. Heroic Sagas and Ballads. Ithaca, NY.
Mitchell, S., and G. Nagy, eds. 2000. Introduction. Lord 2000:vii–xxix.
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Morris, S. P. 1989. “A Tale of Two Cities: The Miniature Frescoes from Thera and the Origins of Greek Poetry.” American Journal of Archaeology 93:511–535. [[My reference to this article was accidentally omitted in the list of References in the current printed version of H24H.]]
Muellner, L. 1996. The Anger of Achilles: Mēnis in Greek Epic. Ithaca, NY.
Nagy, G. 1972. Introduction, Parts I and II, and Conclusions. Greek: A Survey of Recent Work (F. W. Householder and G. Nagy) 15–72. Janua Linguarum Series Practica 211. The Hague.
Nagy, G. 1974. Comparative Studies in Greek and Indic Meter. Harvard Studies in Comparative Literature 33. Cambridge, MA.
Nagy, G. 1979. The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Revised ed. with new introduction 1999. Baltimore.Available online at http://www.press.jhu.edu/books/nagy/BofATL/toc.html.
Nagy, G. 1982. “Translation Beyond Betrayal: Some Observations on the Bacchae.” Harvard Advocate 115(4):84–86.
Nagy, G. 1983a. “Sēma and Noēsis: Some Illustrations.” Arethusa 16:35–55. Recast as ch. 8 of GM = Nagy 1990b.
Nagy, G. 1983b. “On the Death of Sarpedon.” Approaches to Homer (ed. C. A. Rubino and C. W. Shelmerdine) 189–217. Recast as ch. 5 ofGM = Nagy 1990b.
Nagy, G. 1985. “Theognis and Megara: A Poet’s Vision of His City.” Theognis of Megara: Poetry and the Polis (ed. T. J. Figueira and G. Nagy ) 22–81. Baltimore. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Theognis_and_Megara.1985. Corrigenda: at §77, “Pausanias 1.5.3 should be “Pausanias 1.5.4.”
Nagy, G. 1987. “The Sign of Protesilaos.” ΜΗΤΙΣ. Revue d’anthropologie du monde grec ancien 2:207–213.
Nagy, G. 1990a. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore. Available online at http://www.press.jhu.edu/books/nagy/PHTL/toc.html.
Nagy, G. 1990b. Greek Mythology and Poetics. Ithaca NY. Revised paperback edition 1992. Available online at http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Greek_Mythology_and_Poetics.1990. Corrigenda. On p. 203 between “same line)” and “specified,” insert “of the marital bed; similarly, she ‘recognizes’ (ἀναγνούσῃ xix 250) as sēmata (same line) the clothes…” (in the present printed version, the reference to the marital bed as sēmata at Odyssey xxiii 206 is distorted by a mistaken omission of the wording that needs to be restored here: by haplography, the mention of the marital bed is omitted, and this omission distorts the point being made about the clothes and brooch of Odysseus as sēmata in their own right at xix 250). On p. 214n42, “Pausanias 9.44.44” should be 8.44.4.
Nagy, G. 1992. Introduction to Homer. The Iliad (trans. R. Fitzgerald) v–xxi. Everyman’s Library no. 60. New York.
Nagy, G. 1993. “Alcaeus in Sacred Space.” Tradizione e innovazione nella cultura greca da Omero all’ età ellenistica: Scritti in onore di Bruno Gentili (ed. R. Pretagostini) 221–225. Rome.
Nagy, G. 1994. “The Name of Apollo: Etymology and Essence.” In Solomon 1994:3–7. Rewritten as ch. 7 in Nagy 2004a.
Nagy, G. 1994/1995 “Transformations of Choral Lyric Traditions in the Context of Athenian State Theater.” Arion 3:41–55. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Transformations_of_Choral_Lyric_Traditions.1995.
Nagy, G. 1996a. Poetry as Performance: Homer and Beyond. Cambridge. Available online at http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Poetry_as_Performance.1996.
Nagy, G. 1996b. Homeric Questions. Austin. Available online at http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homeric_Questions.1996.
Nagy, G. 1998. “The Library of Pergamon as a Classical Model.” Pergamon: Citadel of the Gods (ed. H. Koester) 185–232. Harvard Theological Studies 46. Philadelphia. 2nd ed. in Nagy 2012a, available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Library_of_Pergamon_as_a_Classical_Model.1998.
Nagy, G. 1999. See Nagy 1979.
Nagy, G. 1999a. “Epic as Genre.” In Beissinger, Tylus, and Wofford 1999:21–32.
Nagy, G. 1999b. “As the World Runs Out of Breath: Metaphorical Perspectives on the Heavens and the Atmosphere in the Ancient World.” In Conway, Keniston, Marx 1999:37–50.
Nagy, G. 1999c. Review of Vielle 1996. Classical Review 49:279–280.
Nagy, G. 1999d. Preface to 2nd ed. of Nagy 1979.
Nagy, G. 2000. “‘Dream of a Shade’: Refractions of Epic Vision in Pindar’s Pythian 8 and Aeschylus’ Seven against Thebes.” Harvard Studies in Classical Philology 100:97–118. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Dream_of_a_Shade_Refractions_of_Epic_Vision.2000.
Nagy, G. 2001a. “The Sign of the Hero: A Prologue.” In Berenson Maclean and Aitken 2001:xv–xxxv. The page numbering will be given here in arabic numerals. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Sign_of_the_Hero.2001.
Nagy, G. 2001b. “Reading Bakhtin Reading the Classics: An Epic Fate for Conveyors of the Heroic Past.” Bakhtin and the Classics (ed. R. B. Branham) 71–96. Evanston IL. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Reading_Bakhtin_Reading_the_Classics.2002.
Nagy, G. 2001c. “Homère comme modèle classique pour la bibliothèque antique: les métaphores du corpus et du cosmos.” Des AlexandriesI. Du livre au texte (ed. L. Giard and Ch. Jacob) 149–161. Paris.
Nagy, G. 2001d. “Éléments orphiques chez Homère.” Kernos 14:1–9.
Nagy, G. 2002a. Plato’s Rhapsody and Homer’s Music: The Poetics of the Panathenaic Festival in Classical Athens. Cambridge MA / Athens. Available online at http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Platos_Rhapsody_and_Homers_Music.2002.
Nagy, G. 2002b. “Can Myth Be Saved?” Myth: A New Symposium (ed. G. Schrempp and W. Hansen) 240–248. Bloomington.
Nagy, G. 2003. Homeric Responses. Austin. Available online at http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homeric_Responses.2003.
Nagy, G. 2004a. Homer’s Text and Language. Urbana and Chicago, IL. Available online at http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homers_Text_and_Language.2004.
Nagy, G. 2004b. “L’aède épique en auteur: la tradition des Vies d’Homère.” Identités d’auteur dans l’Antiquité et la tradition européenne(ed. C. Calame and R. Chartier) 41–67. Grenoble.
Nagy, G. 2005a. “The Epic Hero.” A Companion to Ancient Epic (ed. J. M. Foley) 71–89. Oxford.
Nagy, G. 2005b. “An Apobatic Moment for Achilles as Athlete at the Festival of the Panathenaia.” Imeros 5:311–317.
Nagy, G. 2006. “The Epic Hero.” Expanded version of Nagy 2005a. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Epic_Hero.2005.
Nagy, G. 2007a. “Lyric and Greek Myth” The Cambridge Companion to Greek Mythology (ed. R. D. Woodard) 19–51. Cambridge. Updated version available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Lyric_and_Greek_Myth.2007.
Nagy, G. 2007b. “Homer and Greek Myth.” The Cambridge Companion to Greek Mythology (ed. R. D. Woodard) 52–82. Cambridge. Updated version available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Homer_and_Greek_Myth.2007.
Nagy, G. 2007c. “Did Sappho and Alcaeus Ever Meet?” Literatur und Religion: Wege zu einer mythisch–rituellen Poetik bei den Griechen I (ed. A. Bierl, R. Lämmle, and K. Wesselmann) 211–269. MythosEikonPoiesis 1.1. Berlin and New York.
Nagy, G. 2008a. Greek: An Updating of a Survey of Recent Work. Cambridge, MA and Washington, DC. Updating of Nagy 1972 using original page numbering. Available online at http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Greek_an_Updating.2008.
Nagy, G. 2008b. “Convergences and Divergences between God and Hero in the Mnesiepes Inscription of Paros.” Archilochus and his Age II (ed. D. Katsonopoulou, I. Petropoulos, S. Katsarou) 259–265. Athens.
Nagy, G. 2008|2009. Homer the Classic. Online | Printed version. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homer_the_Classic.2008 | Hellenic Studies 36. Cambridge, MA and Washington, DC.
Nagy, G. 2009. “Did Sappho and Alcaeus Ever Meet?” 2nd ed. of Nagy 2007c. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Did_Sappho_and_Alcaeus_Ever_Meet.2007.
Nagy, G. 2009a. “Hesiod and the Ancient Biographical Traditions.” The Brill Companion to Hesiod (ed. F. Montanari, A. Rengakos, and Ch. Tsagalis) 271–311. Leiden. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Hesiod_and_the_Ancient_Biographical_Traditions.2009.
Nagy, G. 2009b. “An Apobatic Moment for Achilles as Athlete at the Festival of the Panathenaia.” Expanded version of Nagy 2005b. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.An_Apobatic_Moment_for_Achilles.2005.
Nagy, G. 2009c. “The Fragmentary Muse and the Poetics of Refraction in Sappho, Sophocles, Offenbach.” Theater des Fragments: Performative Strategien im Theater zwischen Antike und Postmoderne (ed. A. Bierl, G. Siegmund, Ch. Meneghetti, C. Schuster) 69–102. Bielefeld. Expanded version available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Fragmentary_Muse_and_the_Poetics_of_Refraction.2009.
Nagy, G. 2009|2010. Homer the Preclassic. Online | Printed version. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Homer_the_Preclassic.2009 | Berkeley and Los Angeles.
Nagy, G. 2010a. “The ‘New Sappho’ Reconsidered in the Light of the Athenian Reception of Sappho.” The New Sappho on Old Age: Textual and Philosophical Issues (ed. E. Greene and M. Skinner) 176–199. Cambridge, MA and Washington, DC. Available online athttp://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_New_Sappho_Reconsidered.2011.
Nagy, G. 2010b. “Ancient Greek Elegy.” The Oxford Handbook of the Elegy (ed. K. Weisman) 13–45. Oxford. Available online athttp://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Ancient_Greek_Elegy.2010.
Nagy, G. 2010c. “The Meaning of homoios (ὁμοῖος) in Verse 27 of the Hesiodic Theogony and Elsewhere.”Allusion, Authority, and Truth: Critical Perspectives on Greek Poetic and Rhetorical Praxis (ed. P. Mitsis and Ch. Tsagalis) 153–167. Trends in Classics vol. 7. Berlin and New York.
Nagy, G. 2010d. Review of West 2007. Classical Review 60:333–338. Expanded version available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Review_of_ML_West_Indo-European_Poetry_and_Myth.2010.
Nagy, G. 2010e. “The Subjectivity of Fear as Reflected in Ancient Greek Wording.” Dialogues 5:29–45. Expanded version in Nagy 2012a. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Subjectivity_of_Fear.2010.
Nagy, G. 2011a. “Asopos and His Multiple Daughters: Traces of Preclassical Epic in the Aeginetan Odes of Pindar.” Aegina: Contexts for Choral Lyric Poetry. Myth, History, and Identity in the Fifth Century BC (ed. D. Fearn) 41–78. Oxford.
Nagy, G. 2011b. “A Second Look at the Poetics of Reenactment in Ode 13 of Bacchylides.” Archaic and Classical Choral Song: Performance, Politics and Dissemination (ed. L. Athanassaki and E. L. Bowie) 173–206. Berlin.
Nagy, G. 2011c. “Diachrony and the Case of Aesop.” Classics@. Issue 9: Defense Mechanisms in Interdisciplinary Approaches to Classical Studies and Beyond. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Diachrony_and_the_Case_of_Aesop.2011.
Nagy, G. 2011d. “The Earliest Phases in the Reception of the Homeric Hymns.” The Homeric Hymns: Interpretative Essays (ed. A. Faulkner) 280–333. Oxford. Available online at http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.The_Earliest_Phases_in_the_Reception_of_the_Homeric_Hymns.2011.
Nagy, G. 2012a. Short Writings volumes I and II. Available online at http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Short_Writings_v1.2012 and http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Short_Writings_v2.2012.
Nagy, G. 2012b. “Signs of Hero Cult in Homeric Poetry.” Homeric Contexts: Neoanalysis and the Interpretation of Homeric Poetry (ed. F. Montanari, A. Rengakos, and Ch. Tsagalis) 27–71. Trends in Classics Supplementary Volume 12. Berlin and Boston.
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