Appendix 4. Testimonia T1 Aelian Aelian Var. Hist. 9.15 (p.106 Dilts) λέγεται δἑ κἀκεῖνο πρὸς τούτοις, ὅτι ἄρα ἀπορῶν [scil. Ὅμηρος] ἐκδοῦναι τὴν θυγατέρα ἔδωκεν ἀυτῆι προῖκα ἔχειν τὰ ἔπη τὰ Κύπρια. καὶ ὁμολογεῖ τoῦτο Πίνδαρος (fr. 265 Sn.). The further point is made that Homer, being at a loss as to how to give his daughter away in marriage, gave as dowry for her… Read more
Bibliography of Frequently Cited Works Bethe, Erich. 1929. Homer: Dichtung und Sage, 2: Odyssee. Kyklos. Zeitbestimmung nebst den resten des troischen Kyklos. Leipzig. Diels, H. 1921. Der antike Pessimismus. Berlin. Dihle, Albrecht. 1970. Homer-Probleme. Cologne. Griffin, Jasper. 1977. “The Epic Cycle and the Uniqueness of Homer.” Journal of Hellenic Studies 97:39–53. [= Oxford Readings… Read more
Preface This book is dedicated to my friend and collaborator in all things, MARY EBBOTT σύν τε δύ᾽ ἐρχομένω καί τε πρὸ ὃ τοῦ ἐνόησεν ὅππως κέρδος ἔῃ The occasion of the writing of this book is the completion of the Homer Multitext project’s digital edition of the Venetus A manuscript of the Iliad (http://www.homermultitext.org), the culmination of eighteen years of… Read more
Introduction How many ways are there to tell the story of Troy? A passage from Iliad 20 makes me wonder just how flexible the Homeric tradition might be. At the beginning of book 20, Zeus calls the gods to an assembly. He tells them that they may now join the battle taking place before the walls of Troy on whichever side they wish, something that he had… Read more
1. Flowers, Subjectivity, and the Gaze: The Erotic Imagery of Greek Lyric The imagery of archaic Greek lyric offers our most promising comparandum for Homeric treatments of flowers and erotic bodies; accordingly, I would like to consider relevant images from the lyric corpus before turning to the Homeric images that will form the focus of my study. [1] The bodies decked with… Read more
2. Fantasizing the Narcissus, Gilding the Hyacinth: Flowers, Seduction, and Deception in Homeric Poetry Having studied floral images of the erotic that were developed by the archaic lyric poets, we turn now to the equivalent Homeric images. By comparing these two genres we can set in relief the particular choices made by the Homeric poets in their development of such imagery. As we have seen, in Greek… Read more
3. Shifting Surfaces of Art and Nature: Flowers, Deception, and the Ποικίλον I would now like to consider how Homeric associations of flowers, seduction, and deception interacted with the general characteristics of the Greek flora. As we shall see, we get a clearer sense of the origins of the relevant Homeric images when we consider them alongside a further set of Homeric images that associate seduction and… Read more
Part II. Cosmic and Civic Order Preamble In Part I, we considered a set of Homeric floral images associated with erotic bodies, and we explored their interactions with the characteristics of flowers in the Greek natural environment. I would now like to focus on a rather different class of Homeric vegetal images. As we shall see, the Homeric poets developed both floral and arboreal images to… Read more
4. Stable Trees and Sudden Blooms: Images of Continuity and Change in the Cosmos In this chapter, I will focus on the sorts of images that the Homeric poets associated with the concepts of order in the cosmos and of changes and challenges to that order—or to put it another way, with changes put into effect or merely threatened. As we shall see, these poets drew on… Read more
5. Anchises’ Pastures, Laertes’ Orchards: Images of Civilization and Its Opposite Having explored Homeric vegetal imagery that describes order and threats to that order at the cosmic level, we turn now to a set of images that explores similar concepts on the human scale. We found in Chapter 4 that the Homeric poets associated trees and pillars with stability in the cosmos and flowers with challenges to… Read more
