Acknowledgments I would first like to express my gratitude to my first teachers of Greek, Leonard Muellner and Mark Davies, without whom, perhaps, none of this would have happened. I am grateful to many people for advice and encouragement throughout the research and writing of this thesis. My thanks go first to Professor Nagy, who always knew the right thing to say; then to Professor Barbara Freeman, Professor Greg Crane,… Read more
Acknowledgments I would first like to express my gratitude to my first teachers of Greek, Leonard Muellner and Mark Davies, without whom, perhaps, none of this would have happened. I am grateful to many people for advice and encouragement throughout the research and writing of this thesis. My thanks go first to Professor Nagy, who always knew the right thing to say; then to Professor Barbara Freeman, Professor Greg Crane,… Read more
Gathered here are selections from CHS publications pertaining to the songmaking of Sappho. The majority of them have been generated in Classical Inquiries, an online, rapid-publication project devoted to sharing some of the latest thinking on the ancient world with researchers and the general public, authored primarily by Gregory Nagy, Director of the Center for Hellenic Studies. Nagy’s approach, which combines diachronic and synchronic perspectives, encourages us to view Sappho’s… Read more
Albert Bates Lord here offers an unparalleled overview of the nature of oral-traditional epic songs and the practices of the singers who composed them. Shaped by the conviction that theory should be based on what singers actually do, and have done in times past, the essays collected here span half a century of Lord’s research on the oral tradition from Homer to the twentieth century. Drawing on his extensive fieldwork… Read more
[The printed version of this article was published in Tradizione e innovazione nella cultura greca da Omero all’ età ellenistica: Scritti in onore di Bruno Gentili (ed. R. Pretagostini) vol. 1, 221–225. Rome 1993. The original pagination of the printed version will be indicated in this electronic version by way of curly brackets (“{“ and “}”). For example, “{221|230}” indicates where p. 221 ends and p. 222 begins.] This presentation brings… Read more
Eukhomai had been glossed traditionally as “pray, long for, wish for; vow, promise; boast, brag, vaunt; profess, declare.” Muellner’s approach is to make a systematic analysis of the constraints in which this word is used in Homeric texts—grammatical, stylistic, and contextual—and to compare them, keeping in mind the framework of traditional diction, in which “a traditional poet uses a repertoire of formulas and themes to express his meaning.” Second online edition… Read more
[The online version of my essay as published here, dated 2015.09.08, matches a printed version published in The Newest Sappho (P. Obbink and P. GC Inv. 105, frs. 1-5), edited by Anton Bierl and André Lardinois, Leiden: Brill, 2016. I am grateful to the editors of that volume for securing permission from Brill for me to present this online version, which is longer than the printed version. The difference in length… Read more
[This essay is an online second edition of an original printed version that appeared as Chapter 25 in A Companion to the Ancient Greek Language (ed. E. J. Bakker; Blackwell Companions to the Ancient World 2010) 370-387. In this online second edition, the original page-numbers of the first edition will be indicated within braces (“{” and “}”). For example, “{371|372}” indicates where p. 371 of the first edition ends and… Read more
