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Part V. Manteis: Priests at All?9. The Iamidae: A Mantic Family and Its Public Image, Michael Flower

9. The Iamidae: A Mantic Family and Its Public Image Michael A. Flower Every student of Greek history knows that the Peloponnesian War was brought to an end when Lysander, the brilliant and ruthless Spartan admiral, captured the entire Athenian fleet at Aegospotami in 405 BC. What is less well known, perhaps familiar only to a handful of scholars with an interest in Greek divination, is… Read more

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10. Authority Disputed: The Seer in Homeric Epic, Kai Trampedach

10. Authority Disputed: The Seer in Homeric Epic* Kai Trampedach Michael Flower has already observed that we know a number of Greek seers of Archaic and Classical Greece by name. [1] When we compare this situation with priests, the transmission of seers’ names, at least for the historical context of the pre-Hellenistic period, is much richer. The reason… Read more

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Epilogue. Practitioners of the Divine: A Task with Many Prospects Beate Dignas and Kai Trampedach

Epilogue. Practitioners of the Divine: A Task with Many Prospects Beate Dignas and Kai Trampedach Albert Henrichs warned us at the beginning of this volume. Did we even know what we were talking about when we invited scholars to a conference on Greek priests? To be sure, for practical reasons we were using the term priest in its broadest and most inclusive sense. The American anthropologist… Read more

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Works Cited

Works Cited Acosta-Hughes, B., Kosmetatou, E., and Baumbach, M., eds. 2004. Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P.Mil.Vogl. VIII 309). Cambridge, MA. Ajootian, A. 1996. “Praxiteles.” In Palagia 1996:91–129. ———. 2007. “Praxiteles and Fourth century Greek Portraiture.” In Schultz and von den Hoff 2007. Aland, B., Hahn, J.,… Read more

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Acknowledgments

In Memory of Hakapoua, Wes Mere, and Koha Hēdea Dōra Acknowledgments This book stems from a sense of lasting awe before the marvels of the natural world. It stems from walks in the woods, along the resounding sea, and through lushly planted gardens. It stems also from the wondrous painted landscapes in Roman houses and villas on the Bay of Naples, from Lucretius’ impassioned, often… Read more

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Prologue: An Afternoon Walk

Prologue: An Afternoon Walk One fine afternoon in Athens, Cicero, together with his friends Marcus Piso and Titus Pomponius, his brother Quintus, and his first cousin Lucius Cicero, set off on foot through the imposing Dipylon Gate and beyond the city’s circuit wall. Their destination was the nearby Academy where they intended to take a relaxing stroll to unwind from a morning spent listening to the philosophical discourse of… Read more

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Introduction: Seeds of Perfection

Introduction: Seeds of Perfection In the course of the so-called Heroic Age, the Greeks mustered a fleet of a thousand ships and sailed to Troy in order to retrieve the radiant Helen, wife of the Spartan king, as well as to avenge the Trojan prince’s breach of the sacrosanct relationship between guest and host. [1] Thus it was, as Homer recounts, that… Read more

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Chapter 1. Homer’s Eutopolis

Chapter 1. Homer’s Eutopolis For ten long years after the fall of Troy, Odysseus endures one hardship after another as his ships are driven over the ominous, wine-dark sea, but his sufferings are not in vain. In the course of his wanderings, Odysseus sees many cities and intimately comes to know many ways of life. The intelligence he gathers will be of the utmost importance to him… Read more

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Chapter 2. Greece and the Garden

Chapter 2. Greece and the Garden It is at dawn, the time of new beginnings, that the Phaiakian ship, with Odysseus onboard, draws near to the island of Ithaka. There the spectacular harbor of Phorkys, enclosed by two lofty promontories sheltering it from perilous winds and waves, affords all vessels a ready approach. At the head of the harbor, Homer tells us, is a long-leaved olive tree… Read more

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Chapter 3. Rome and the Reinvention of Paradise

Chapter 3. Rome and the Reinvention of Paradise In 1848, earthworks on Rome’s Esquiline Hill fortuitously brought to light part of an elegant private house in what was once a fashionable neighborhood in the ancient city’s expansive greenbelt. The walls of a cryptoporticus, a long vaulted room in the villa’s substructure, yielded a most remarkable work of art, an unprecedented example of landscape painting (Figure 9). Dated… Read more