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2: Commentary on Epistomia nos. 1–12

1: Edition The Gold Epistomia of Crete Nine Incised Archaeological Context for nos. 1–7 The provenance of the seven published epistomia is unknown. Margarita Guarducci, guided by Federico Halbherr’s notes and drawings (IC II.xii [Eleutherna].31, p. 136) and by Domenico Comparetti’s edition (1910:37–41), included nos. 1–3 and 7 in the epigraphical dossier of Eleutherna. Guarducci, however, published epistomion no. 4 in the Loci Incerti, since we know nothing of its… Read more

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3: The Cretan Epistomia in Context

2: Commentary on Epistomia nos. 1–12 Topography Lamellae nos. 1–7 were recovered from graves in the extensive cemetery to the north-northwest of Eleutherna, the city’s north entrance, but the exact location of their discovery is unknown. Theodoros Triphyllis, Consul of Austria-Hungary in Rethymno came to acquire nos. 1–3 and 7 and showed them to André Joubin, [1] John L. Myres, [2]… Read more

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4: The Cretan Contexts

3: The Cretan Epistomia in Context The Corpus of the Epistomia: Nature and Classification The engraved lamellae are objects sui generis [1] and appear to defy categorization. In order to expedite the study and understanding of these artifacts, Zuntz attempted to set standards for the classification, which have changed as more texts have been published since 1971. [2] More… Read more

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Afterword. Old Habits Die Hard or New Customs Follow Old Paths?

4: The Cretan Contexts A Literary Cretan Context The nine incised and three unincised epistomia of Crete, dated between the third century BCE and the first CE, bear witness to a mystery cult(s) and ritual(s) in Eleutherna and Sfakaki, both located in the area to the north of the Idaean Cave. Attempts have been made to place these texts within a Cretan context, but what this context should consist of… Read more

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Part III. Commentary

Commentary 10.1ff. The opening lines of this book follow what seems to be a traditional pattern in which a pressing situation causes an inability to sleep, which in turn results in the formulation of a plan of action. We can compare 10.1ff. to the beginnings of Books 2 and 9 for a more complete understanding of the workings and traditional structure of this theme. Iliad 2 begins: ἄλλοι… Read more

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Bibliography

Bibliography Note: In the notes and essays of this volume we have used the abbreviation MHV (= The Making of Homeric Verse) for Adam Parry’s 1971 edition of the collected works of Milman Parry. Ahlberg-Cornell, G. 1992. Myth and Epos in Early Greek Art: Representation and Interpretation. Jonsered. Aitken, E. B., and J. K. B. Maclean, eds. 2001. Flavius Philostratus: Heroikos. Read more

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Ryan S. Olson, Tragedy, Authority, and Trickery: Acknowledgments

Acknowledgments This book began as my D.Phil. thesis at Oxford, where I had the rigorous and pleasant experience of being supervised by Professor Martin Goodman and Professor Chris Pelling. They taught me much and continued to be generous with their help even after I took my degree. I especially thank Professor Pelling for reading the entire book manuscript and providing wise advice. Professor Steve Mason of York… Read more

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Ryan S. Olson, Tragedy, Authority, and Trickery: Abbreviations

Abbreviations AJC Meshorer, Y. 1982. Ancient Jewish Coinage. Dix Hills, NY. AJP American Journal of Philology ANRW Temporini, H., and W. Haase, eds. 1972–. Aufstieg und Niedergang der römischen Welt. Berlin. BMCR Bryn Mawr Classical Review BNP Brill’s New Pauly: Encyclopedia of the Ancient World . 2002–. Leiden. CPJ Tcherikover, V. et al., eds. 1957–1964. Read more

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Ryan S. Olson, Tragedy, Authority, and Trickery: Chapter 1. Introduction

Chapter 1. Introduction: Tragedy, Authority, and Trickery; A Greeting [In this on-line version, the page-numbers of the printed version are indicated within braces (“{” and “}”). For example, “{69|70}” indicates where p. 69 of the printed version ends and p. 70 begins. These indications will be useful to readers who need to look up references made elsewhere to the printed version of this book.] Book 6 of the Iliad presents one… Read more