Introduction: Approaching Anger The subject of the Iliad is the anger of Achilles, not Achilles himself. But what is this anger of his? It is a fair question, since few terms are more complex than those for strong emotions like anger. In fact, the study of emotional terms in modern American English makes it clear that as children acquiring a language we also acquire an elaborate, internally consistent, and widely… Read more
Acknowledgments During the gestation of this book, I have not lacked for support and material assistance from many people. My sincere thanks go to the following persons who have contributed to, corrected, and encouraged my work: Chris Dadian, Carol Dougherty, Judith Feher-Gurewitch, Carolyn Higbie, Stephanie Jamison, Claudine Kahan, Leslie Kurke, Françoise Létoublon, Hotze Mulder, Dan Petegorsky, Ian Rutherford, Richard Sacks, Rae Silberger, Charles Stewart, Douglas Stewart, Brent Vine, and Calvert… Read more
[This essay was originally published in No Tapping around Philology: A Festschrift in Honor of Wheeler McIntosh Thackston Jr.’s 70th Birthday (ed. A. Korangy and D. J. Sheffield) 185–191. Wiesbaden 2014. In this online edition, the original page numbers of the print edition will be indicated within braces (“{” and “}”). For example, “{185|186}” indicates where p. 185 of the print edition ends and p. 186 begins.] The argument In… Read more
[A printed version of this article appears in Miscellanea Indogermanica: Festschrift für José Luis García Ramón zum 65. Geburtstag (ed. I. Hajnal, D. Kölligan, and K. Zipser) 509–549. Innsbrucker Beiträge zur Sprachwissenschaft 154. Innsbruck, 2017. The online version of 2016.02.08 has been published with the kind permission of the editors. The page-breaks of the printed version will be indicated within braces: for example, “{509|510}” indicates where page 509 stops and page… Read more
[Originally published in 2004 as chapter 5, pp. 57–64, of Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P.Mil.Vogl. VIII 309), edited by B. Acosta-Hughes, E. Kosmetatou, and M. Baumbach. Hellenic Studies 2. Center for Hellenic Studies, 2004. In this online version, the original page-numbers of the printed version are indicated within braces (“{” and “}”). For example, “{57|58}” indicates where p. 57 of the… Read more
8. The Homeric Hymn to Apollo Translated by Rodney Merrill Translator’s Note My main aims in translating this hymn are similar to those I have set forth at some length in the translator’s introduction to my version of the Odyssey (Ann Arbor, 2002, 64–85), and more briefly in the introduction to my version of the Iliad (Ann Arbor, 2007, 1–22). They have to do with conveying the formal, one… Read more
Edited by Mary Louise Lord after the author’s death, The Singer Resumes the Tale focuses on the performance of stories and poems within settings that range from ancient Greek palaces to Latvian villages. Lord expounds and develops his approach to oral literature in this book, responds systematically for the first time to criticisms of oral theory, and extends his methods to the analysis of lyric poems. He also considers the… Read more
[The printed version of this essay was published over 20 years ago in Classical World 87 (1994) 415–426. The online version, as presented here in 2015, replicates almost word for word the content of the original version, indicating the original pagination by way of braces (“{” and “}”). For example, “{415|416}” indicates where p. 415 of the printed version ends and p. 416 begins. In this online version, I add… Read more
Online edition of a thesis presented to the Department of the Classics in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors, Harvard University, Cambridge, Massachusetts, March 1990. Read more
