Power, Timothy. 2010. The Culture of Kitharôidia. Hellenic Studies Series 15. Washington, DC: Center for Hellenic Studies. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Power.The_Culture_of_Kitharoidia.2010.
Bibliography
Aksik, I. 1971. “Recent Archaeological Research in Turkey.” Anatolian Studies 21:5–58.
Alcock, S. 1994. “Nero at Play? The Emperor’s Grecian Odyssey.” In Elsner and Masters 1994:98–111.
Alfieri, N. 1979. Spina. Museo Archeologico Nazionale de Ferrara I. Bologna.
Allen, T. W. 1907. “The Homeridae.” Classical Quarterly 1:135–143.
———, ed. 1912. Homeri Opera V. Oxford.
Allen, T., W. R. Halliday, and E. E. Sikes, eds. 1904. The Homeric Hymns. Oxford.
Aloni, A. 1984. “L’intelligenza di Ipparco. Osservazioni sulla politica dei Pisistratidi.” Quaderni di Storia 19:109–148.
———. 1986. Tradizione archaiche della Troade e composizione dell’ Iliade. Milan.
———. 1989. L’aedo e i tiranni. Ricerche sull’Inno omerico a Apollo. Rome.
———. 2000. “Anacreonte a Atene.” Zeitschrift für Papyrologie und Epigraphik 130:81–94.
———. 2006. Da Pilo a Sigeo: poemi, cantori e scrivani al tempo dei tiranni. Rome.
Ampolo, C. 1993. “La città dell’eccesso: per la storia di Sibari fino al 510 a.C.” Sibari e la Sibaritide. Atti del trentuduesinzo Convegno di studi sulla Magna Grecia, Taranto-Sibari, 7–12 Ottobre 1992 (eds. A. Stazio and S. Ceccoli) 213–254. Taranto.
Amyx, D. A. 1976. “The Orpheus Legend in Art.” Archaeological News 5:25–41.
Anderson, Graham. 2000. “Some Uses of Storytelling in Dio.” Dio Chrysostom: Politics, Letters, and Philosophy (ed. S. Swain) 143–160. Oxford.
Anderson, Gregory. 2003. The Athenian Experiment: Building an Imagined Political Community in Ancient Attica, 508–490 B.C. Ann Arbor.
Anderson, W. D. 1955. “The Importance of Damonian Theory in Plato’s Thought.” Transactions of the American Philological Association 86:88–102.
———. 1966. Ethos and Education in Greek Music. Cambridge, MA.
———. 1994. Music and Musicians in Ancient Greece. Ithaca.
Aneziri, S. 2003. Die Vereine der Dionysischen Techniten im Kontext der hellenistischen Gesellschaft. Historia Einzelschriften 163. Munich.
Arafat, K. W. 1997. Pausanias’ Greece: Ancient Artists and Roman Rulers. Cambridge.
Aravantinos, V. 1996. “New Archaeological and Archival Discoveries at Mycenaean Thebes.” Bulletin of the Institute of Classical Studies 41:135–136.
Arnold, I. R. 1960. “Agonistic Festivals in Italy and Sicily.” American Journal of Archaeology 64:245–251.
Arnott, W. G. 1979. Menander II. Loeb Classical Library. Cambridge, MA.
———. 1996. Alexis: The Fragments. Cambridge.
Aron, K. 1920. Beiträge zu den Persern des Timotheos. PhD diss., University of Erlangen-Nürnberg.
Aubreton, R., ed. and trans. 1972. Anthologie Grecque. Première Partie: Anthologie Palatine. Tome X (Livre XI). Paris.
Auslander, P. 2006. “Musical Personae.” The Drama Review 50:100–119.
Austin, C. and G. Bastianini, eds. 2002. Posidippi Pellaei quae supersunt omnia. Milan.
Austin, C. and D. Olson, eds. 2004. Aristophanes Thesmophoriazusae. Oxford.
Austin, J. C. 1922. The Significant Name in Terence. University of Illinois Studies in Language and Literature 7. Urbana, IL.
Barber, E. 1992. “The Peplos of Athena.” In Neils 1992:103–117.
Barchiesi, A. 2005. “Learned Eyes: Poets, Viewers, Image Makers.” The Cambridge Companion to the Age of Augustus (ed. K. Galinsky) 281–305. Cambridge.
Barker, A. 1982. “The Innovations of Lysander the Kitharist.” Classical Quarterly 32:266–269.
———. 1984. Greek Musical Writings. Vol. 1, The Musician and his Art. Cambridge.
———. 1989. Greek Musical Writings. Vol. 2, Harmonic and Acoustic Theory. Cambridge.
———. 1990. “Public Music as ‘Fine Art’ in Archaic Greece.” Antiquity and the Middle Ages: From Ancient Greece to the Fifteenth Century (ed. J. McKinnon) 45–67. London.
———. 1995. “Heterophonia and Poikilia: Accompaniments to Greek Melody.” In Gentili and Perusino 1995:41–60.
———. 2001. “La musica di Stesicoro.” Quaderni Urbinati di Cultura Classica 67:7–20.
Barron, J. P. 1964. “The Sixth-Century Tyranny at Samos.” Classical Quarterly 14:210–229.
———. 1983. “The Fifth-Century Horoi of Aigina.” Journal of Hellenic Studies 103:1–14.
Bartol, K. 1998. “The Importance of Appropriateness: Rethinking the Definition of Nomos.” Philologus 142:300–307.
Bartsch, S. 1994. Actors in the Audience. Cambridge, MA.
Basset, S. E. 1931. “The Place and Date of the First Performance of the Persians of Timotheus.” Classical Philology 26:153–165.
Beacham, R. 1999. Spectacle Entertainments of Early Imperial Rome. New Haven.
Bearzot, C. 2004. “Lisandro tra due modelli: Pausania l’aspirante tiranno, Brasida il generale.” Contro le ‘leggi immutabili’. Gli Spartani fra tradizione e innovazione. Storia. Contributi di Storia Antica 2 (eds. C. Bearzot and F. Landucci) 127–160. Milan.
Beazley, J. D. 1922. “Citharoedus.” Journal of Hellenic Studies 42:70–98.
———. 1928. Greek Vases in Poland. Oxford.
———. 1948. “Hymn to Hermes.” American Journal of Archaeology 52:336–340.
———. 1964. The Development of Attic Black-Figure. Oxford.
Bechtel, F. 1917. Die historischen Personennamen des Griechischen bis zur Kaiserzeit. Halle.
Beck, F. A. G. 1975. Album of Greek Education: The Greeks at School and at Play. Sydney.
Becker, H. S. 1951. “The Professional Dance Musician and His Audience.” American Journal of Sociology 57:136–144.
Beecroft, A. 2008. “Nine Fragments in Search of an Author: Poetic Lines Attributed to Terpander.” Classical Journal 103:225–242.
Bélis, A. 1995. “Cithares, citharistes et citharôdes en Grèce.” Comptes rendus de l’Académie des Inscriptions et Belles-Lettres 1995:1025–1065.
———. 1999. Les Musiciens dans l’antiquité. Paris.
Bell, H. I. 1925. “A Musical Competition in the Third Century B.C.” Raccolta di Scritti in Onore di Giacomo Lumbroso, 13–22. Milan.
Bell, J. M. 1978. “Simonides in the Anecdotal Tradition.” Quaderni Urbinati di Cultura Classica 28:29–86.
Bell, M. 1995. “The Motya Charioteer and Pindar’s Isthmian 2.” Memoirs of the American Academy in Rome 40:1–42.
Bergk, T. 1872, 1883. Griechische Literaturgeschichte I, II. Leipzig.
———. 1882. Poetae Lyrici Graeci. Leipzig.
Berlinzani, F. 2002. “Leggende Musicali e Dinamiche Territoriali: Reggio e Locri nel VI Secolo.” Identità e Prassi Storica nel Mediterraneo Greco (ed. L. M. Castelnuovo) 23–32. Milan.
Bernabé, A., ed. 1988. Poetae Epici Graeci. Testimonia et Fragmenta. Pars I. Leipzig.
Beschi, L. 1992. “Una Dea della Musica a Lemnos Arcaica.” Kotinos. Festschrift für Erika Simon (eds. H. Froning, T. Hölscher, and H. Mielsch) 132–138. Mainz.
Betegh, G. 2004. The Derveni Papyrus: Cosmology, Theology and Interpretation. Cambridge.
Bethe, E. 1914–1927. Homer: Dichtung und Sage. 3 vols. Leipzig.
Bie, O. 1887. Die Musen in der antiken Kunst. Berlin.
Bieber, M. 1956. “Another Note on the Murals from Boscoreale.” American Journal of Archaeology 60:283–284.
Biehl, W., ed. 1970. Euripides: Troades. Leipzig.
Bierl, A. 2001. Ritual und Performativität (unter besonderer Berücksichtigung von Aristophanes’ Thesmophoriazusen und der Phalloslieder fr. 851 PMG). Munich and Leipzig.
Biers, W. R. and D. Geagan. 1970. “A New List of Victors in the Caesarea at Isthmia.” Hesperia 39:79–93.
Biles, Z. 2006/2007. “Aeschylus’ Afterlife: Reperformance by Decree in 5th C. Athens?” Illinois Classical Studies 31/32:206–242.
Bing, P. 2005. “The Politics and Poetics of Geography in the Milan Posidippus.” The New Posidippus: A Hellenistic Poetry Book (ed. K. Gutzwiller) 119–140. Oxford.
Binney, E. H. 1905. “The Alcestis as a Folk-Drama.” Classical Review 19:98–99.
Boardman, J. 1956. “Some Attic Fragments: Pot, Plaque and Dithyramb.” Journal of Hellenic Studies 76:18–25.
———. 1972. “Herakles, Peisistratos and Sons.” Revue archéologique 1972:57–72.
———. 1975. “Herakles, Peisistratos and Eleusis.” Journal of Hellenic Studies 95:1–12.
———. 1978a. “Exekias.” American Journal of Archaeology 82:11–25.
———. 1978b. “Herakles, Delphi, and Kleisthenes of Sikyon.” Revue archéologique 1978:227–234.
———. 1980. The Greeks Overseas. London.
———. 1989. Athenian Red Figure Vases: The Archaic Period. London.
———. 1995. “Culture and the City.” Culture et Cité: L’avènement d’Athènes à l’époque archaïque (eds. A. Verbanck-Piérard and D. Viviers) 1–14. Brussels.
Boatwright, M. T. 2002. Hadrian and the Cities of the Roman Empire. Princeton.
Boegehold, A. 1999. When a Gesture Was Expected: A Selection of Examples from Archaic and Classical Greek Literature. Princeton.
Böhme, R. 1953. Orpheus: Das Alter des Kitharoden. Berlin.
———. 1970. Orpheus. Der Sänger und seine Zeit. Bern and Munich.
———. 1991. Der Lykomide. Tradition und Wandel zwischen Orpheus und Homer. Bern and Stuttgart.
Böhr, E. 1982. Der Schaukelmaler. Mainz.
Bolton, J. D. P. 1948. “Was the Neronia a Freak Festival?” Classical Quarterly 42:82–90.
Bonnet, A. 2001. “En Parcourant le Val des Muses. Remarques sur un concours musical: les Mouseia des Thespies.” Musique et poésie dans l’antiquité: actes du colloque de Clermont-Ferrand, Université Blaise Pascal, 23 mai 1997 (ed. G.-J. Pinault) 53–70. Paris.
Borthwick, E.K. 1959. “ΚΑΤΑΛΗΨΙΣ—A Neglected Technical Term in Greek Music.” Classical Quarterly 9:23–29.
———. 1965. “Suetonius’ Nero and a Pindaric Scholium.” Classical Review 15:252–256.
———. 1970. “The Riddle of the Tortoise and the Lyre.” Music & Letters 51:373–387.
———. 1994. “New Interpretations of Aristophanes Frogs 1249–1328.” Phoenix 48:21–41.
Bothe, F., ed. 1825–1826. Euripidis Dramata. 2 vols. Leipzig.
———, ed. 1845. Aristophanis Comoediae III. Leipzig.
Bowersock, G. W. 1965. Augustus and the Greek World. Oxford.
Bowie, A. 1981. The Poetic Dialect of Sappho and Alcaeus. Salem, NH.
Bowie, E. L. 1986. “Greek Elegy, Symposium and Public Festival.” Journal of Hellenic Studies 106:13–35.
———. 1990a. “Greek Poetry in the Antonine Age.” Antonine Literature (ed. D.A. Russell) 53–90. Oxford.
———. 1990b. “Miles ludens? The Problem of Martial Exhortation in Early Greek Elegy.” Sympotica: A Symposium on the Symposion (ed. O. Murray) 221–229. Oxford.
———. 2007. “Ancestors of Historiography in Early Greek Elegiac and Iambic Poetry?” The Historian’s Craft in the Age of Herodotus (ed. N. Luraghi) 45–66. Oxford.
Bowra, M. 1952. “Orpheus and Eurydice.” Classical Quarterly 2:113–126.
———. 1961. Greek Lyric Poetry: From Alcman to Simonides. Oxford.
———. 1963. “Two Lines of Eumelus.” Classical Quarterly 13:145–153.
Boyd, T. 1994. “Where Ion Stood, What Ion Sang.” Harvard Studies in Classical Philology 96:109–121.
Bradley, K. R. 1978. Suetonius’ Life of Nero: An Historical Commentary. Collection Latomus 157. Brussels.
Braswell, B. K. 1988. A Commentary on the Fourth Pythian Ode of Pindar. Berlin and New York.
Bravo, B. 2001. “Un frammento della Piccola Iliade (P.Oxy. 2510), lo stile narrativo tardo-arcaico, i racconti su Achille immortale.” Quaderni Urbinati di Cultura Classica 67:49–114.
Braund, S. 1992. “Juvenal—Misogynist or Misogamist?” Journal of Roman Studies 82:71–86.
———. 2004. Juvenal and Persius. Loeb Classical Library. Cambridge, MA.
Brelich, A. 1969. Paides e Parthenoi. Rome.
Bremmer, J. 1999. “Rationalization and Disenchantment in Ancient Greece: Max Weber amongst the Pythagoreans and Orphics?” From Myth to Reason? Studies in the Development of Greek Thought (ed. R. Buxton) 71–86. Oxford.
Brillante, C. 1991. “Le Muse di Thamyris.” Studi classici e orientali 41:429–453.
Brize, P. 1980. Die Geryoneis des Stesichoros und die frühe griechische Kunst. Beiträge zur Archäologie 12. Würzburg.
Broneer, O. 1944. “The Tent of Xerxes and the Greek Theater.” University of California Publications in Classical Archaeology 1.12:305–311.
Brown, M. K. 2002. The Narratives of Konon: Text, Translation and Commentary on the Diegeseis. Beiträge zur Altertumskunde 163. Munich and Leipzig.
Brown, N. O. 1947. Hermes the Thief: The Evolution of a Myth. Madison, WI.
Brussich, G. F. 1970. “La Lingua di Timoteo.” Quaderni Triestini per il Lessico della Lirica Corale Greca 1:51–80.
———. 1990. “L’inno ad Artemide di Timoteo.” Quaderni Urbinati di Cultura Classica 34:25–40.
Bundrick, S. 2005. Music and Image in Classical Athens. Cambridge.
Burgess, J. 2001. The Tradition of the Trojan War in Homer and the Epic Cycle. Baltimore and London.
———. 2004. “Performance and the Epic Cycle.” Classical Journal 100:1–23.
Burkert, W. 1972. “Die Leistung eines Kreophylos. Kreophyleer, Homeriden und die archaische Heraklesepik.” Museum Helveticum 29:74–85.
———. 1979. “Kynaithos, Polykrates, and the Homeric Hymn to Apollo.” Arktouros: Hellenic Studies Presented to B. M. W. Knox (eds. G. W. Bowersock, W. Burkert, and M. C. J. Putnam) 53–62. Berlin.
———. 1983. Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth. Berkeley and Los Angeles.
———. 1984. “Sacrificio-Sacrilegio: Il ‘Trickster’ Fondatore.” Studi Storici 25:835–845.
———. 1985. Greek Religion. Trans. J. Raffan. Cambridge, MA.
———. 1987. “The Making of Homer in the Sixth Century B.C.: Rhapsodes versus Stesichorus.” Papers on the Amasis Painter and His World (eds. M. True et al.) 43–62. Malibu, CA.
———. 1992. The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early Archaic Age. Cambridge, MA.
———. 1994. “Orpheus, Dionysos und die Euneiden in Athen: Das Zeugnis von Euripides’ Hypsipyle.” Orchestra: Drama Mythos Bühne (eds. A. Bierl and P. von Moellendorff) 44–49. Stuttgart.
———. 2001. Savage Energies: Lessons of Myth and Ritual in Ancient Greece. Cambridge, MA.
Burn, N. 1987. The Meidias Painter. Oxford.
Burnett, A. 1988. “Jocasta in the West: The Lille Stesichorus.” Classical Antiquity 7:107–154.
Cairns, F. 1979. Tibullus: A Hellenistic Poet at Rome. Cambridge.
Calame, C. 1996. “Montagne des Muses et Mouseia: la consécration des Travaux et l’héroïsation d’Hésiode.” La Montagne des Muses (eds. A. Hurst and A. Schachter) 43–56. Geneva.
———. 1997. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Functions. Trans. D. Collins and J. Orion. Lanham, MD.
Caldelli, M. L. 1993. L’Agon Capitolinus: Storia e Protagonisti dall’Istituzione Domizianea al IV Secolo. Rome.
Cameron, A. 1976. Circus Factions: Blues and Greens at Rome and Byzantium. Oxford.
Campbell, D. A. 1988. Greek Lyric. Vol. 2, Anacreon, Anacreontea, Choral Lyric from Olympus to Alcman. Loeb Classical Library. Cambridge, MA.
———. 1993a. Greek Lyric. Vol. 5, The New School of Poetry and Anonymous Songs and Hymns. Loeb Classical Library. Cambridge, MA.
———. 1993b. Review of Gostoli 1990. Gnomon 65:70–71.
Camp, J. 2004. The Archaeology of Athens. New Haven.
Camps, W. A., ed. 1967. Propertius, Elegies Book II. Cambridge.
Capponi, M. 2003. “Fins d’hymnes et sphragis énonciatives.” Quaderni Urbinati di Cultura Classica 75:9–35.
Carey, C. 1989. “The Performance of the Victory Ode.” American Journal of Philology 110:545–565.
Cartledge, P. and A. Spawforth. 1989. Hellenistic and Roman Sparta: A Tale of Two Cities. London and New York.
Caskey, L. D. and J. D. Beazley. 1954. Attic Vase Paintings in the Museum of Fine Arts Boston. 2 vols. Oxford.
Cassio, A. 2000. “Esametri orfici, dialetto attico e musica dell’Asia Minore.” In Cassio et al. 2000:97–110.
———. 2005. “I dialetti eolici e la lingua della lirica corale.” Dialetti e lingue letterarie nella Grecia antica. Atti della IV Giornata ghisleriana di Filologia classica (eds. F. Bertolini and F. Gasti) 13–44. Pavia.
Cassio, A., D. Musti, and L. Rossi, eds. 2000. Synaulía: cultura musicale in Grecia e contatti Mediterranei. Naples.
Càssola, F. 1975. Inni Omerici. Milan.
Castaldo, D. 2000. Il Pantheon musicale: Iconografia nella ceramica attica tra VI e IV secolo. Ravenna.
Ceccarelli, P. and A. Milanezi. 2007. “Dithyramb, Tragedy—and Cyrene.” The Greek Theatre and Festivals: Documentary Studies (ed. P. Wilson) 185–214. Oxford Studies in Ancient Documents. Oxford.
Chamay, J. and D. von Bothmer. 1987. “Ajax et Cassandre par le peintre de Princeton.” Antike Kunst 30:58–68.
Champlin, E. 2003. Nero. Cambridge, MA.
Chaniotis, A. 1988. “Als die Diplomaten noch tanzten und sangen: Zu Zwei Dekreten kretischer Städte in Mylasa.” Zeitschrift für Papyrologie und Epigraphik 71:154–156.
Chapouthier, F. 1935. Les Dioscures au service d’une déesse. Etude d’iconographie religieuse. Paris.
Cillo, P. 1993. “La ‘cetra du Tamiri’: Mito e realtà musicale.” Annali dell’Istituto Universitario Orientale di Napoli, Dipartimento di Studi del mondo classico e del Mediterraneo antico, Sezione filologico-letteraria 15:205–243.
Cingano, E. 1990. “L’opera di Ibico e di Stesicoro nella Classificazione degli Antichi e dei Moderni.” Annali dell’Istituto Universitario Orientale di Napoli, Dipartimento di Studi del mondo classico e del Mediterraneo antico, Sezione filologico-letteraria 12:189–224.
———. 1993. “Indizi di esecuzione corale in Stesicoro.” In Pretagostini 1993:347–361. Rome.
———. 2003. “Entre Skolion et Enkomion: Réflexions sur le <> et la Performance de la Lyrique Chorale Grecque.” La Poésie Grecque Antique (eds. J. Jouanna and J. Leclant) 17–45. Paris.
Cizek, E. 1972. L’Époque de Néron et ses Controverses Idéologiques. Leiden.
Clay, J. S. 1989. The Politics of Olympus: Form and Meaning in the Major Homeric Hymns. Princeton.
———. 1992. “Pindar’s Twelfth Pythian: Reed and Bronze.” American Journal of Philology 113:519–525.
———. 1996a. “Fusing the Boundaries: Apollo and Dionysus at Delphi.” Métis 11:83–100.
———. 1996b. “The Homeric Hymns.” A New Companion to Homer (eds. I. Morris and B. Powell) 489–507. Leiden.
Cody, J. 2002. “Iannis Xenakis.” The Ensemble Sospeso. http://www.sospeso.com/contents/composers_artists/xenakis.html.
Coleman-Norton, P. R. 1948. “Cicero Musicus.” Journal of the American Musicological Society 1:3–22.
Collins, D. 2001. “Homer and Rhapsodic Competition in Performance.” Oral Tradition 16:129–167.
———. 2004. Master of the Game: Competition and Performance in Greek Poetry. Hellenic Studies 7. Washington, DC.
Colvin, S. 1999. Dialect in Aristophanes and the Politics of Language in Ancient Greek Literature. Oxford.
Comotti, G. 1989. Music in Greek and Roman Culture. Trans. R. V. Munson. Baltimore.
Compton, T. 2006. Victim of the Muses: Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History. Hellenic Studies 11. Washington, DC.
Constantinidou, S. 1998. “Dionysiac Elements in Spartan Cult Dances.” Phoenix 52:15–30.
Cook, R. M. 1962. “Spartan History and Archaeology.” Classical Quarterly 12:156–158.
Cooper, L. 1920. “A Pun in the Rhetoric of Aristotle.” The American Journal of Philology 41:48–56.
Connolly, J. 2001. “Reclaiming the Theatrical in the Second Sophistic.” Helios 28:75–98.
Conomis, N. C., ed. 1970. Lycurgus. Leipzig.
Cordano, F. 1994. “La città di Camarina e le corde della lira.” La Parola del passato 49:418–426.
Courby, F. 1931. Les temples d’Apollon. Exploration archéologique de Délos faite par l’École française d’Athènes 12. Paris.
Courtney, E. 1980. A Commentary on the Satires of Juvenal. London.
———. 1993. The Fragmentary Latin Poets. Oxford.
Crane, G. 1996. “The Prosperity of Tyrants: Bacchylides, Herodotus, and the Contest for Legitimacy.” Arethusa 29:57–85.
———. 1998. Thucydides and the Ancient Simplicity: The Limits of Political Realism. Berkeley.
Croally, N. T. 1994. Euripidean Polemic: The Trojan Women and the Function of Tragedy. Cambridge.
Croiset, M. 1904. “Observations sur les Perses de Timothée.” Revue des études grecques 16:323–348.
Cropp, M., K. Lee, and D. Sansone, eds. 1999/2000. Euripides and the Tragic Theatre in the Late Fifth Century. Special issue, Illinois Classical Studies 24/25. Urbana, IL.
Crowther, N. B. and M. Frass. 1998. “Flogging as a Punishment in the Ancient Games.” Nikephorus 11:51–82.
Csapo, E. 1999/2000. “Later Euripidean Music.” In Cropp et al. 1999/2000:399–426.
———. 2002. “Kallipides on the Floor-Sweepings: The Limits of Realism in Classical Acting and Performance Styles.” In Easterling and Hall 2002:127–147.
———. 2004. “The Politics of the New Music.” In Murray and Wilson 2004:207–248.
Csapo, E. and W. J. Slater. 1994. The Context of Ancient Drama. Ann Arbor.
Currie, B. 2004. “Reperformance Scenarios for Pindar’s Odes.” Oral Performance and Its Context (ed. C. Mackie) 49–69. Menemosyne Supplement 248. Leiden.
CVA = Corpus Vasorum Antiquorum.
D’Agostino, H. 2007. Onomacriti Testimonia et Fragmenta. Pisa and Rome.
Dale, A. M., ed. 1954. Euripides, Alcestis. Oxford.
D’Alfonso, F. 1994. Stesicoro e la performance: Studio sulle modalità esecutive dei carmi stesicorei. Rome.
Danielewicz, J. 1990. “Il nomos nella parodia di Aristofane (Ran. 1264 sgg.).” Annali dell’Istituto Universitario Orientale di Napoli, Dipartimento di Studi del mondo classico e del Mediterraneo antico, Sezione filologico-letteraria 12:131–142.
Davidson, J. 1997. Courtesans and Fishcakes: The Consuming Passions of Classical Athens. London.
———. 2006. “Revolutions in Human Time: Age-class in Athens and the Greekness of Greek Revolutions.” Rethinking Greek Revolutions (eds. S. Goldhill and R. Osbourne) 29–67. Cambridge.
Davies, J. K. 2007. “The Origins of the Festivals, Especially Delphi and the Pythia.” Pindar’s Poetry, Patrons, and Festivals, from Archaic Greece to the Roman Empire (eds. S. Hornblower and C. Morgan) 47–70. Oxford.
Davies, M. 1988. “Monody, Choral Lyric, and the Tyranny of the Handbook.” Classical Quarterly 38:52–64.
Davison, J. A. 1955. “Peisistratus and Homer.” Transactions of the American Philological Association 86:1–21.
———. 1958. “Notes on the Panathenaea.” Journal of Hellenic Studies 78:23–42.
Degani, E. 1984. Studi su Ipponatte. Bari.
Della Seta, A. 1937. “Arte Tirrenica di Lemno.” Archaiologike Ephemeris 1937:628–854.
Detienne, M. 2003. The Writing of Orpheus: Greek Myth in Cultural Context. Trans. J. Lloyd. Baltimore.
Diehl, E. 1936. Anthologia Lyrica Graeca. 2 vols. 2nd ed. Leipzig.
Di Marco, M. 1997. “Minima Terpandrea.” Quaderni Urbinati di Cultura Classica 56:31–33.
D-K = Diels, H. and W. Kranz, eds. 1951–1952. Die Fragmente der Vorsokratiker. 3 vols. 6th ed. Berlin.
Dobrov, G. W. and E. Urios-Apirisi. 1995. “The Maculate Music: Gender, Genre and the Chiron of Pherecrates.” Beyond Aristophanes: Transition and Diversity in Greek Comedy (ed. G. W. Dobrov) 139–176. Atlanta, GA.
Dougherty, C. 1993. The Poetics of Colonization: From City to Text in Archaic Greece. Oxford.
———. 2001. The Raft of Odysseus: The Ethnographic Imagination of Homer’s Odyssey. Oxford.
Dougherty, C. and L. Kurke, eds. 1993. Cultural Poetics in Archaic Greece: Cult, Performance, Politics. Cambridge.
———, eds. 2003. The Cultures within Ancient Greek Culture: Contact, Conflict, Collaboration. Cambridge.
Dover, K. 1989. Greek Homosexuality. Cambridge, MA.
———, ed. 1993. Aristophanes Frogs. Oxford.
Dué, C. 2002. Homeric Variations on a Lament by Briseis. Lanham, MD.
Dugas, C. 1944. “Héraclès Mousicos.” Revue des études grecques 57:61–70.
Dupont, F. 1985. L’Acteur-Roi, ou le théâtre dans la Rome antique. Paris.
Duplouy, A. 2006. Le Prestige des Élites: Recherches sur les modes de reconnaissance sociale en Grèce entre les Xe et Ve siècles avant J.-C. Paris.
Duran, M. 1996. “Pamfos.” Anuari de Filologia 19:45–63.
Durante, M. 1976. Sulla Preistoria della Tradizione Poetica Greca II. Rome.
Dyer, G. 1997. But Beautiful: A Book about Jazz. New York.
Dyer, R. 1975. “The Blind Bard of Chios (Hymn. Hom. AP. 171–76).” Classical Philology 70:119–121.
Easterling, P. and E. Hall, eds. 2002. Greek and Roman Actors: Aspects of an Ancient Profession. Cambridge.
Ebeling, H. L. 1925. “The Persians of Timotheus.” American Journal of Philology 46:317–331.
Eden, P. T., ed. 1984. Seneca: Apocolocyntosis. Cambridge.
Edmonds, R. 1999. “Tearing Apart the Zagreus Myth: A Few Disparaging Remarks on Orphism and Original Sin.” Classical Antiquity 18:35–73.
Edwards, C. 1994. “Beware of Imitations: Theatre and the Subversion of Imperial Identity.” In Elsner and Masters 1994:83–97.
———. 1997. “Unspeakable Professions: Public Performance and Prostitution in Ancient Rome.” Roman Sexualities (eds. J. P. Hallett and M. Skinner) 66–95. Princeton.
Edwards, G. R. 1957. “Panathenaics of Hellenistic and Roman Times.” Hesperia 26:320–349.
Eliade, M. 1964. Shamanism: Archaic Techniques of Ecstasy. Princeton.
Elsner, J. and J. Masters, eds. 1994. Reflections of Nero: Culture, History, and Representation. Chapel Hill and London.
Euben, J. P. 1986. “The Battle of Salamis and the Origins of Political Theory.” Political Theory 14:359–390.
———. 1997. Corrupting Youth: Political Education, Democratic Culture, and Political Theory. Princeton.
Evans, A. J. 1928. The Palace of Minos II. London.
Fabbro, E. 1992. “Sul riuso di carmi d’autore nei simposi attici (Carm. conv. 8 P. e Alc. Fr. 249 V).” Quaderni Urbinati di Cultura Classica 41:29–38.
———. 1995. Carmina Convivalia Attica. Introduzione, testimonianze, testo critico, traduzione e commento. Rome.
Fantham, E. 1996. Roman Literary Culture: From Cicero to Apuleius. Baltimore and London.
Fantuzzi, M. and R. Hunter. 2004. Tradition and Innovation in Hellenistic Poetry. Cambridge.
Farioli, M. 2000. “Mito e Satira Politica nei Chironi di Cratino.” Rivista di Filologia e di Istruzione Classica 128:406–431.
Farnell, L. R. 1907. Cults of the Greek States III, IV. Oxford.
FD = Ecole française d’Athènes. 1902–. Fouilles de Delphes. Paris.
Fearn, D. 2007. Bacchylides: Politics, Performance, Poetic Tradition. Cambridge.
Fehr, B. 1979. “Zur religionspolitischen Funktion der Athena Parthenos im rahmen des delisch-attischen Seebundes I.” Hephaistos 1:71–91.
Feld, S. and C. Keil. 1994. Music Grooves: Essays and Dialogues. Chicago.
Ferrari, G. 1994/1995. “Heracles, Pisistratus and the Panathenaea.” Métis 9/10:219–226.
FGE = Page 1981.
FGrH = Jacoby, F., ed. 1923–1958. Fragmente der griechischen Historiker. Berlin and Leiden.
Figueira, T. 1999. “The Evolution of the Messenian Identity.” Sparta: New Perspectives (eds. S. Hodkinson and A. Powell) 211–243. London.
Fisher, N., ed. and trans. 2001. Aeschines, Against Timarchos. Oxford.
Flach, H. 1883. Geschichte der Griechischen Lyrik. Tübingen.
Flashar, M. 1992. Apollon Kitharodos. Statuarische Typen des musischen Apollon. Cologne.
Fleming, T. J. 1977. “The Musical Nomos in Aeschylus’ Oresteia.” Classical Journal 72:222–233.
Follett, S. 2004. “Philostratus’ Heroikos and the Regions of the Northern Aegean.” Philostratus’ Heroicus: Regional and Cultural Identity in the Third Century C.E. (eds. E. Aitken and J. Maclean) 221–236. Leiden.
Fontenrose, J. 1968. “The Hero as Athlete.” California Studies in Classical Antiquity 1:75–104.
———. 1978. The Delphic Oracle: Its Responses and Operations, with a Catalogue of Responses. Berkeley.
Ford, A. 1992. Homer: The Poetry of the Past. Ithaca.
———. 1999. “Odysseus After Dinner: Od. 9.2–11 and the Traditions of Sympotic Song.” Euphrosyne: Studies in Ancient Epic and its Legacy in Honor of Dimitris N. Maronitis (eds. J. N. Kazazis and A. Rengakos) 109–123. Stuttgart.
———. 2002. The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece. Princeton.
———. 2003. “From Letters to Literature: Reading the ‘Song Culture’ of Classical Greece.” Written Texts and the Rise of Literate Culture in Ancient Greece (ed. H. Yunis) 15–37. Cambridge.
———. 2004. “Catharsis: The Power of Music in Aristotle’s Politics.” In Murray and Wilson 2004:309–336.
Forrest, W. G. 1963. “The Date of the Lykourgan Reform in Sparta.” Phoenix 17:157–179.
Forsdyke, S. 2005. Exile, Ostracism, and Democracy: The Politics of Exclusion in Ancient Greece. Princeton.
Fortenbaugh, W. and E. Schütrumpf, eds. 1999. Demetrius of Phalerum: Text, Translation, and Discussion. New Brunswick, NJ.
Fraenkel, E. 1918. “Lyrische Daktylen.” Rheinisches Museum 72:161–197, 321–352. Reprinted in Kleine Beiträge zur klassischen Philologie I (Fraenkel 1964) 165–233. Rome.
Frame, D. 2006. “The Homeric Poems after Ionia: A Case in Point.” The Homerizon: Conceptual Interrogations in Homeric Studies. Center for Hellenic Studies, Washington, DC. September 2006. http://chs.harvard.edu/publications.sec/classics.ssp. Center for Hellenic Studies.
Franklin, J. 2002. “Musical Syncretism in the Greek Orientalizing Period.” Archäologie früher Klangerzeugung und Tonordnungen (eds. E. Hickmann, R. Eichmann, and A. Kilmer) 441–451. Studien zur Musikarchäologie 3. Rahden.
———. 2003. “The Language of Musical Technique in Greek Epic Diction.” Gaia. Revue interdisciplinaire sur la Grèce archaïque 7:295–307.
———. 2004. “Structural Sympathies in Ancient Greek and South-Slavic Heroic Song.” Musikarchäologische Quellengruppen: Bodenurkunden, mündliche Überlieferung, Aufzeichnung (eds. E. Hickmann and R. Eichmann) 241–251. Studien zur Musikarchäologie 4. Rahden.
———. 2006a. “Lyre Gods of the Bronze Age Musical Koine.” The Journal of Ancient Near Eastern Religions 6:39–70.
———. 2006b. “The Wisdom of the Lyre: Soundings in Ancient Greece, Cyprus and the Near East.” Studien zur Musikarchäologie. Vol. 5, Musikarchäologie im Kontext: Archäologische Befunde, historische Zusammenhänge, soziokulturelle Beziehungen (eds. E. Hickmann, R. Eichmann, and A. Both) 379–398. Rahden.
———. 2008. “‘A Feast of Music’: The Greco-Lydian Musical Movement on the Assyrian Periphery.” Anatolian Interfaces: Hittites, Greeks and Their Neighbours: Proceedings of an International Conference on Cross-cultural Interaction, September 17-19, 2004, Emory University, Atlanta, GA (eds. B. J. Collins, M. Bachvarova, and I. Rutherford) 193–204. Oxford.
Freiert, W. K. 1991. “Orpheus: A Fugue on the Polis.” Myth and the Polis (eds. D. C. Pozzi and J. M. Wickersham) 23–48. Ithaca.
Freudenburg, K. 2001. Satires of Rome. Cambridge.
Friis-Johansen, K. 1967. “Am Chytrentag.” Acta Archaeologica 38:175–198.
Froning, H. 1971. Dithyrambos und Vasenmalerei in Athen. Würzburg.
Frontisi-Ducroux, F. and F. Lissarrague. 1990. “From Ambiguity to Ambivalence: A Dionysiac Excursion through the ‘Anakreontic’ Vases.” Before Sexuality: The Construction of Erotic Experience in the Ancient Greek World (eds. D. M. Halperin, J. J. Winkler, and F. Zeitlin) 211–256. Princeton.
Gambetti, S. 2001. “Alcuni elementi per una interpretazione storica dei Persiani di Timoteo.” Simblos 3:45–66.
GDI = Collitz, H. et al., eds. 1884–1915. Sammlung der griechischen Dialekt-Inschriften. Göttingen.
Geer, R. M. 1935. “The Greek Games at Naples.” Transactions of the American Philological Association 66:208–221.
Geissler, P. 1969. Chronologie der altattischen Komödie. Zürich.
Genette, G. 1997. Paratexts: Thresholds of Interpretation. Cambridge.
Gentili, B. 1954. “Il Ditirambo XVII Sn. di Bacchilide e il cratere Tricase da Ruvo.” Archeologia Classica 6:121–125.
———. 1977. “Preistoria e formazione dell’esametro.” Quaderni Urbinati di Cultura Classica 26:7–37.
———. 1979. Theatrical Performances in the Ancient World: Hellenistic and Early Roman Theatre. London Studies in Classical Philology 2. Amsterdam.
———. 1988. Poetry and Its Public in Ancient Greece. Trans. T. Cole. Baltimore and London.
———. 1993. “Metro e ritmo nella dottrina degli antichi.” In Pretagostini 1993:5–16.
———. 1995. “Preistoria e formazione dell’esametro.” Revised version of Gentili 1977. Struttura e Storia dell’Esametro Greco II (eds. M. Fantuzzi and R. Pretagostini) 11–41. Rome.
Gentili, B. and F. Perusino, eds. 1995. Mousiké: metrica ritmica e musica greca in memoria di Giovanni Comotti. Pisa and Rome.
Gerber, D. E. 1997. A Companion to the Greek Lyric Poets. Leiden.
Gernet, L. 1981. The Anthropology of Ancient Greece. Trans. J. Hamilton and B. Nagy. Baltimore.
Gerson-Kiwi, G. 1980. Migrations and Mutations of the Music in East and West. Tel Aviv.
Gilula, D. 2000. “Stratonicus, the Witty Harpist.” Athenaeus and his World (eds. D. Braund and J. Wilkins) 423–433. Exeter.
Glowacki, K. 1998. “The Acropolis of Athens before 566 B.C.” STEPHANOS: Papers in Honor of Brunilde Sismondo Ridgway (eds. K. Hartswick and M. Sturgeon) 79–88. University Museum Monograph 100. Philadelphia.
Goehr, L. 2007. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. 2nd ed. Oxford.
Goertzen, V. W. 1996. “By Way of Introduction: Preluding by 18th- and Early 19th-Century Pianists.” The Journal of Musicology 14:299–337.
Golden, M. 1998. Sport and Society in Ancient Greece. Cambridge.
Goldhill, S. 1988. “Battle Narrative and Politics in Aeschylus’ Persae.” Journal of Hellenic Studies 108:189–193.
———. 1994. “Representing Democracy: Women at the Great Dionysia.” Ritual, Finance, Politics: Athenian Democratic Accounts Presented to David Lewis (eds. S. Hornblower and R. Osborne) 347–370. Oxford.
———. 2005. “Music, Gender, and Hellenistic Society.” The Soul of Tragedy: Essays on Athenian Drama (eds. V. Pedrick and S. Oberhelman) 271–290. Chicago.
Gombosi, Otto. 1939. Tonarten und Stimmungen der antiken Musik. Copenhagen.
Görgemanns, H. 1976. “Rhetorik and Poetik im homerischen Hermes-hymnus.” Studien zum antiken Epos (eds. H. Görgemanns and E. Schmidt) 113–128. Meisenheim.
Gorman, V. 2001. Miletos, the Ornament of Ionia: A History of the City to 400 B.C.E. Ann Arbor.
Gostoli, A. 1985. “L’uso metaforico del termine aikhmê (Terp. fr. 6 Bgk 4 = 4 D.2; Pind. fr. 199, 2 Sn.-Maehl.; Aeschyl. Ag. 483; Choeph. 630).” Quaderni Urbinati di Cultura Classica 19:185–188.
———. 1986. “La figura dell’aedo preomerico nella filologia peripatetica ed ellenistica: Demodoco tra mito e storia.” Scrivere e recitare (ed. G. Cerri) 103–126. Rome.
———. 1988. “Terpandro e la funzione etico-politica della musica nella cultura spartana del VII sec. a.C.” La Musica in Grecia (eds. B. Gentili and R. Pretagostini) 231–237. Rome and Bari.
———, ed. and trans. 1990. Terpander: Introduzione, testimonianze, testo critico, traduzione e commento. Rome.
———. 1993. “Il nomos citarodico nella cultura greca arcaica.” In Pretagostini 1993:167–178.
———. 1998. “Stesicoro e la tradizione citarodica.” Quaderni Urbinati di Cultura Classica 59:145–152.
Gouw, P. 2006. “Keizer Augustus en de Griekse atletiek.” Lampas 39:211–225.
Gow, A. S. F., ed. and trans. 1952. Theocritus. 2nd ed. Cambridge.
———, ed. 1965. Machon. The Fragments. Cambridge.
Graf, F. 1974. Eleusis und die Orphische Dichtung Athens in vorhellenistischer Zeit. Berlin.
———. 1987. “Orpheus: A Poet among Men.” Interpretations of Greek Mythology (ed. J. Bremmer) 80–106. London and Sydney.
———. 2006. “Der Kult des Eros in Thespiai.” Plutarch: Dialog über die Liebe (ed. H. Görgemanns) 191–207. Tübingen.
Graf, F. and S. I. Johnston. 2007. Ritual Texts for the Afterlife: Orpheus and the Bacchic Gold Tablets. London and New York.
Gray, V. 2001. “Herodotus’ Literary and Historical Method: Arion’s Story.” American Journal of Philology 122:11–28.
Graziosi, B. 2002. Inventing Homer. Cambridge.
Green, P. 1998. Classical Bearings: Interpreting Ancient History and Culture. Berkeley.
Greiser, H. 1937. Nomos: Ein Beitrag zur griechischen Musikgeschichte. Heidelberg.
Griffin, A. 1979. “A New Fragment of Dionysios of Halikarnassos O MOUSIKOS.” Historia 28:241–246.
———. 1982. Sikyon. Oxford.
Griffin, M. 1984. Nero: The End of a Dynasty. London and New York.
Griffith, M. 1990. “Contest and Contradiction in Early Greek Poetry.” Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer (eds. M. Griffith and D. Mastronarde) 185–207. Atlanta.
Griffiths, F. T. 1979. Theocritus at Court. Leiden.
Gronewald, M. and R. Daniel. 2005. “Lyrischer Text (Sappho-Papyrus).” Zeitschrift für Papyrologie und Epigraphik 154:7–12.
Groningen, B. A. van. 1955. “A propos de Terpandre.” Mnemosyne 8:177–191.
———. 1960. Pindare au Banquet. Leiden.
Gropengiesser, H. 1977. “Sänger und Sirenen.” Archäologischer Anzeiger 1977:582–610.
Gulick, C. B., ed. and trans. 1937. Athenaeus. Vol. 6, The Deipnosophists. Loeb Classical Library. Cambridge, MA.
Guthrie, W. K. C. 1952. Orpheus and Greek Religion. Princeton.
Gutzwiller, K. 2004. “Gender and Inscribed Epigram: Herennia Procula and the Thespian Eros.” Transactions of the American Philological Association 134:383–418.
Gyles, M. F. 1947. “Nero Fiddled While Rome Burned.” Classical Journal 42:211–217.
———. 1962. “Nero: Qualis Artifex?” Classical Journal 57:193–200.
Habicht, C. 1970. Gottmenschentum und griechische Städte. 2nd ed. Zetemata 14. Munich.
Hägg, T. 1989. “Hermes and the Invention of the Lyre: An Unorthodox Version.” Symbolae Osloenses 64:36–73.
Hall, E. 1989. Inventing the Barbarian: Greek Self-Definition through Tragedy. Oxford.
———, ed. 1996. Aeschylus Persians. Warminster.
———. 1999. “Actor’s Song in Tragedy.” Performance Culture and Athenian Democracy (eds. S. Goldhill and R. Osborne) 96–122. Cambridge.
———. 2002. “The Singing Actors of Antiquity.” In Easterling and Hall 2002:3–38.
———. 2006. The Theatrical Cast of Athens: Interactions between Ancient Greek Drama and Society. Oxford.
Hallet, C. 2005. The Roman Nude: Heroic Portrait Statuary 200 BC–AD 300. Oxford.
Hansen, M. H. 1978. “Nomos and Psephisma in Fourth-Century Athens.” Greek, Roman and Byzantine Studies 19:315–330.
Hansen, O. 1984. “On the Date and Place of the First Performance of Timotheus’ Persae.” Philologus 128:135–138.
———. 1990. “The So-called Prayer to the Fates and Timotheus’ Persae.” Rheinisches Museum 133:190–192.
Hardie, A. 1983. Statius and the Silvae: Poets, Patrons and Epideixis in the Graeco-Roman World. Liverpool.
———. 2004. “Muses and Mysteries.” In Murray and Wilson 2004:11–37.
———. 2005. “Sappho, the Muses, and Life after Death.” Zeitschrift für Papyrologie und Epigraphik 154:13–32.
———. 2007. “Juno, Hercules, and the Muses at Rome.” American Journal of Philology 128:551–592.
Harmon, R. 2003. “From Themistocles to Philomathes: Amousos and amousia in Antiquity and the Early Modern Period.” International Journal of the Classical Tradition 9:351–390.
———. 2005. “Plato, Aristotle and Women Musicians.” Music and Letters 86:351–356.
Harvey, A. E. 1955. “The Classification of Greek Lyric Poetry.” Classical Quarterly 5:156–175.
Hasebroek, J. 1965. Trade and Politics in Ancient Greece. New York.
Heath, J. 1994. “The Failure of Orpheus.” Transactions of the American Philological Association 124:163–196.
Hedreen, G. 1992. Silens in Attic Black-figure Vase-painting. Ann Arbor.
———. 2003. Review of Neer 2002. Bryn Mawr Classical Review 2003.03.20 (2003), http://ccat.sas.upenn.edu/bmcr/2003/2003-03-20.html.
———. 2007. “Myths of Ritual in Athenian Vase-Paintings of Silens.” The Origins of Theatre in Ancient Greece and Beyond: From Ritual to Drama (eds. E. Csapo and M. Miller) 150–195. Cambridge.
Hedrick, C. W. 1988. “The Temple and Cult of Apollo Patroos in Athens.” American Journal of Archaeology 92:185–210.
Heitsch, E. 1961. Die griechischen Dichterfragmente der Romischen Kaiserzeit. Göttingen.
Henderson, J. 1975. The Maculate Muse: Obscene Language in New Comedy. New Haven.
Henehan, D. 1980. “Why They Were Crazy about Mad Scenes.” New York Times, Sept. 21, 1980, Arts and Leisure, 21 and 24.
Henrichs, A. 1994/1995. “‘Why Should I Dance?’ Choral Self-Referentiality in Greek Tragedy.” Arion 3.1:56–111.
Herington, J. 1967. “Aeschylus in Sicily.” Journal of Hellenic Studies 87:74–85.
———. 1985. Poetry into Drama. Early Tragedy and the Greek Poetic Tradition. Berkeley and Los Angeles.
Higgs, P. 1994. “The Cyrene Apollo.” History Today, Nov., 50–54.
Hodkinson, S. 2000. Property and Wealth in Classical Sparta. London.
Holmberg, I. 1998. “The Creation of the Ancient Greek Epic Cycle.” Oral Tradition 13:456–478.
Hordern, J. H. 2002. The Fragments of Timotheus of Miletus. Oxford.
Hose, B. 1993. “Kratinos und der Bau des perikleischen Odeions.” Philologus 137:3–11.
Hunter, R. 1996. Theocritus and the Archaeology of Greek Poetry. Cambridge.
Hurwitt, J. 1999. The Athenian Acropolis: History, Mythology, and Archaeology from the Neolithic Era to the Present. Cambridge.
Hutchinson, G. O. 2001. Greek Lyric Poetry: A Commentary on Selected Larger Pieces. Oxford.
Huxley, G. 1969. “Choirilos of Samos.” Greek, Roman and Byzantine Studies 10:12–29.
I.Cret. = Guarducci, M., ed. 1935–. Inscriptiones Creticae, Opera et Consilio Friderici Halbherr Collectae. Rome.
I.Délos = Durrbach, F. et al., eds. 1926–1950. Inscriptions de Délos. Paris.
I.Didyma = Rehm, A., ed. 1958. Didyma. Vol. 2, Die Inschriften. Berlin.
Ieranò, G. 1992. “Arione e Corinto.” Quaderni Urbinati di Cultura Classica 41:39–52.
———. 1997. Il ditirambo di Dionisio. Rome.
IGR = Cagnat, R., ed. 1911–1927. Inscriptiones Graecae ad res Romanas pertinentes. Paris.
I.Iasos = Blümel, W., ed. 1985. Die Inschriften von Iasos. Inschriften griechischer Städte aus Kleinasien 28. 2 vols. Bonn.
Irwin, E. 1998. “Biography, Fiction and the Archilochean AINOS.” Journal of Hellenic Studies 118:177–183.
———. 2005a. “Gods Among Men? The Social and Political Dynamics of the Hesiodic Catalogue of Women.” The Hesiodic Catalogue of Women: Constructions and Reconstructions (ed. R. Hunter) 35–84. Cambridge.
———. 2005b. Solon and Early Greek Poetry: The Politics of Exhortation. Cambridge.
IGSK = 1972–. Inschriften griechischer Städte aus Kleinasien. Bonn.
Isler-Kerényi, C. 2007. Dionysos in Archaic Greece: An Understanding through Images. Leiden.
Jackson, S. 1995. Myrsilus of Methymna: Hellenistic Paradoxographer. Amsterdam.
Jacoby, F. 1904. Das Marmor Parium. Berlin.
———. 1944. “GENESIA: A Forgotten Festival of the Dead.” Classical Quarterly 38:65–75.
———. 1955. Die Fragmente der Griechischen Historiker. Dritter Teil. Geschichten von Städten und Völkern. Kommentar zu Nr. 297–607 (Text). Leiden.
Jamot, P. 1895. “Fouilles de Thespies, les jeux en l’honneur des Muses.” Bulletin de Correspondance Hellénique 19:311–385.
Jan, K. von. 1895. Musici Scriptores Graeci. Leipzig.
Janko, R. 1982. Homer, Hesiod and the Hymns. Cambridge.
———. 1986. “The Shield of Heracles and the Legend of Cycnus.” Classical Quarterly 36:38–59.
Janni, P. 1965. La Cultura di Sparta arcaica I. Rome.
Janssen, T. H. 1984. Timotheus Persae: A Commentary. Amsterdam.
Jauss, H. R. 1982. Aesthetic Experience and Literary Hermeneutics. Trans. M. Shaw. Minneapolis, MN.
Jeanmaire, H. 1939. Couroi et Courètes: essai sur l’éducation spartiate et sur les rites d’adolescence dans l’antiquité hellénique. Lille. Reprint 1975. New York.
Johnson, J. 1996. Listening in Paris: A Cultural History. Berkeley.
Johnston, S. I. 1999. Restless Dead: Encounters between the Living and the Dead in Ancient Greece. Berkeley.
———. 2002. “Myth, Festival, and Poet: The Homeric Hymn to Hermes and its Performative Context.” Classical Philology 97:109–132.
Jones, C. P. 1973. “The Date of Dio of Prusa’s Alexandrian Oration.” Historia 22:302–309.
Kambitsis, J. 1972. L’Antiope d’Euripide. Édition commentée des fragments. Athens.
Kaufman-Samara, S. 1997. “‘Οὐκ ἀπόμoυσον τὸ γυναικῶν’ (Εὐριπ. Μήδ. 1089): Γυναῖκες μουσικοὶ στὰ ἀττικὰ ἀγγεῖα τοῦ 5ου αἰ. π.Χ.” Athenian Potters and Painters: The Conference Proceedings (eds. J. H. Oakley, W. Coulson, and O. Palagia) 286–290. Oxford.
Kauppi, L. 2006. Foreign But Familiar Gods: Greco-Romans Read Religion in Acts. London and New York.
Kavoulaki, A. 1999. “Processional Performance and the Democratic Polis.” Performance Culture and Athenian Democracy (eds. S. Goldhill and R. Osborne) 58–95. Cambridge.
Kay, N. M. 1985. Martial Book XI: A Commentary. London.
———, ed. and trans. 2006. Epigrams from the Anthologia Latina: Text, Translation and Commentary. London.
Kelly, H. A. 1979. “Tragedy and the Performance of Tragedy in Late Roman Antiquity.” Traditio 35:21–44.
Kemp, J. A. 1966. “Professional Musicians in Ancient Greece.” Greece & Rome 13:213–222.
Kennell, N. 1988. “ΝΕΡΩΝ ΠΕΡΙΟΔΟΝΙΚΗΣ.” American Journal of Philology 109:239–251.
Kenney, E. J., ed. 1996. Heroides XVI–XXI. Cambridge.
Kerényi, K. 1976. Dionysos: Archetypal Image of Indestructible Life. Trans. R. Manheim. Princeton.
Kiechle, F. 1963. Lakonien und Sparta. Untersuchungen zur ethnischen Struktur und zur politischen Entwicklung Lakoniens und Spartas bis zum Ende der archaischen Zeit. Munich.
Kirby, M. 1965. Happenings. New York.
Knaack, G. 1899. Paulys Realencyclopäde der classischen Altertumswissenschaft (ed. G. Wissowa), s.v. “Boio,” cols. 633–634. Stuttgart.
Knell, H. 1998. Mythos und Polis: Bildprogramme griechischer Bauskulptur. Darmstadt.
Knoepfler, D. 1993. “Adolf Wilhelm et la pentétèris des Amphiaraia d’Oropos. Réexamen de A.P. LIV 7 à la lumière du catalogue IG VII 414 + SEG I 126.” Aristote et Athènes (ed. M. Piérart) 279–302. Paris.
———. 1996. “La réorganisation du concours des Mouseia à l’époque hellénistique: esquisse d’une solution nouvelle.” La Montagne des Muses (eds. A. Hurst and A. Schachter) 141–167. Geneva.
Koch-Harnack, G. 1983. Knabenliebe und Tiergeschenke: Ihre Bedeutung im päderastischen Erziehungssystem Athens. Berlin.
Kolb, F. 1977. “Die Bau-, Religions- und Kulturpolitik der Peisistratiden.” Jahrbuch des Deutschen Archäologischen Instituts 92:99–138.
Koller, H. 1956. “Das kitharodische Prooimion: Eine formgeschichtliche Untersuchung.” Philologus 100:159–206.
———. 1962. “Dithyrambos und Tragödie.” Glotta 40:183–195.
Korzeniewski, D. 1974. “Die Binnenresponsion in den Persern des Timotheus.” Philologus 118:22–39.
Kotsidu, H. 1991. Die musischen Agone der Panathenäen in archaischer und klassischer Zeit. Eine historisch-archäologische Untersuchung. Munich.
Kovacs, D. 2004. Euripidea. Leiden.
Kowalzig, B. 2004. “Changing Choral Worlds: Song-Dance and Society in Athens and Beyond.” In Murray and Wilson 2004:39–65.
———. 2005. “Mapping out Communitas: Performances of Theoria in Their Sacred and Political Context.” Pilgrimage in Graeco-Roman and Early Christian Antiquity: Seeing the Gods (eds. J. Elsner and I. Rutherford) 41–72. Oxford.
Kramer, L. 2001. Musical Meaning: Towards a Critical History. Berkeley and Los Angeles.
Kranz, W. 1933. Stasimon. Untersuchungen zu Form und Gehalt der griechischen Tragödie. Berlin.
Krummen, E. 1990. Pyrsos Hymnon: Festliche Gegenwart und mythisch-rituelle Tradition als Voraussetzung einer Pindarinterpretation. Berlin.
Kurke, L. 1991. The Traffic in Praise: Pindar and the Poetics of Social Economy. Ithaca.
———. 1992. “The Politics of ἁβροσυνή in Archaic Greece.” Classical Antiquity 11:90–121.
———. 1993. “The Economy of Kudos.” In Dougherty and Kurke 1993:131–163.
———. 1994. “Crisis and Decorum in Sixth-Century Lesbos: Reading Alkaios Otherwise.” Quaderni Urbinati di Cultura Classica 47:67–92.
———. 1997. “Inventing the Hetaira: Sex, Politics, and Discursive Conflict in Archaic Greece.” Classical Antiquity 16:106–150.
———. 1999. Coins, Bodies, Games, and Gold: The Politics of Meaning Archaic Greece. Princeton.
———. 2003. “Aesop and the Contestation of Delphic Authority.” In Dougherty and Kurke 2003: 77–100.
Kyle, D. G. 1987. Athletics in Ancient Athens. Leiden.
La Coste Messelière, P. de. 1936. Au Musée de Delphes. Paris.
Lachmann, R. 1929. “Die Weise vom Löwen und der pythische Nomos.” Festschrift für Johannes Wolf (eds. W. Lott, H. Osthoff, and W. Wolffheim) 97–101. Berlin.
Lamberton, R. 1988. “Plutarch, Hesiod, and the Mouseia of Thespiai.” Illinois Classical Studies 13:491–504.
Lanata, G. 1996. “Sappho’s Amatory Language.” Reading Sappho: Contemporary Approaches (ed. E. Greene) 11–25. Berkeley.
Landels, J. 1999. Music in Ancient Greece and Rome. London.
Lang, M. 1969. The Palace of Nestor. Princeton.
Langdon, S. 1992. From Pasture to Polis: Art in the Age of Homer. Columbia, MO.
Lardinois, A. 2001. “Keening Sappho: Female Speech Genres in Sappho’s Poetry.” Making Silence Speak: Women’s Voices in Greek Literature and Society (eds. A. Lardinois and L. McClure) 75–92. Princeton.
Laronde, A. 1987. Cyrène et la Libye hellénistique. Paris.
Larsen, S. 2007. Tales of Epic Ancestry: Boeotian Collective Identity in the Late Archaic and Early Classical Periods. Historia Einzelschriften 197. Stuttgart.
Latte, K. and H. Erbse, eds. 1965. Lexica Graeca Minora. Hildesheim.
Lawler, L. 1948. “Orchesis Kallinikos.” Transactions of the American Philological Association 79:254–267.
———. 1951. “Kretikos in the Greek Dance.” Transactions of the American Philological Association 82:62–70.
Leaf, W. 1912. Troy: A Study in Poetic Geography. London.
Lefkowitz, M. 1981. The Lives of the Greek Poets. London.
Leppert, R. 1993. The Sight of Sound: Music, Representation, and the History of the Body. Berkeley and Los Angeles.
Lesky, A. 1949. “Neroniana.” Annuaire de l’Institut de Philologie et d’Histoire Orientales 9:385–407. Reprinted in Gesammelte Schriften (Lesky 1966) 335–351. Bern.
Leutsch, E. von. 1856. “Metrische Fragmente, 1. Die Namen der metrischen Füsse.” Philologus 11:328–350.
Lezzi-Hafter, A. 1976. Der Schuwalow-Maler. Eine Kannenwerkstatt der Parthenonzeit. Mainz.
Liberman, G., ed. and trans. 1999. Alcée. Fragments. Paris.
Lidov, J. 2002. “Sappho, Herodotus, and the ‘Hetaira’.” Classical Philology 97:203–237.
Lightfoot, J. 2002. “Nothing to Do with the Technitai of Dionysus?” In Easterling and Hall 2002:209–244.
Ligt, L. de and P. W. de Neeve. 1988. “Ancient Periodic Markets: Festivals and Fairs.” Athenaeum 66:391–416.
Linforth, I. M. 1931. “Two Notes on the Legend of Orpheus.” Transactions of the American Philological Association 62:5–17.
———. 1941. The Arts of Orpheus. Berkeley.
Lissarrague, F. 1990. The Aesthetics of the Greek Banquet: Images of Wine and Ritual. Trans. A. Szegedy-Maszak. Princeton.
———. 1995. “Images grecques d’Orphée. La tête oraculaire d’Orphée.” Les Métamorphoses d’Orphée (eds. C. Camboulives and M. Lavallée) 19–23. Brussels.
Livrea, E. 1993. “Terpandrea.” Maia 45:3–6.
Lloyd-Jones, H. 1967. “Heracles at Eleusis: P.Oxy. 2622 and PSI 1391.” Maia 19:206–229.
Loman, P. 2004. “Travelling Female Entertainers of the Hellenistic Age.” Arctos 38:59–73.
Long, C. 1987. The Twelve Gods of Greece and Rome. Leiden.
Longo, V. 1966. “Nerone o Vespasiano? (Anth. Pal. xi, 185).” Tetraonyma. Miscellenea Graeco-Romana (eds. L. de Regibus et al.) 175–179. Pubblicazioni dell’Istituto di Filologia Classica di Università di Genova 25. Genoa.
Lonsdale, S. 1994/1995. “Homeric Hymn to Apollo: Prototype and Paradigm of Choral Performance.” Arion 3.1:25–40.
Loraux, N. 1986. The Invention of Athens: The Funeral Oration in the Classical City. Trans. A. Sheridan. Cambridge, MA.
Luria, S. 1929. “Der Affe des Archilochos und die Brautwerbung des Hippokleides.” Philologus 39:1–22.
Ma, J. 2007. “A Horse from Teos: Epigraphical Notes on the Ionian-Hellespontine Association of Dionysiac Artists.” The Greek Theatre and Festivals: Documentary Studies (ed. P. Wilson) 215–245. Oxford Studies in Ancient Documents. Oxford.
Maas, M. and J. Snyder. 1989. Stringed Instruments of Ancient Greece. New Haven.
Maas, P. 1938. Paulys Realencyclopäde der classischen Altertumswissenschaft VI A (ed. G. Wissowa), s.v. “Timotheos,” cols. 1331–1337. Stuttgart.
MacDowell, D. M. 1993. “Foreign Birth and Athenian Citizenship in Aristophanes.” Tragedy, Comedy and the Polis: Papers from the Greek Drama Conference, Nottingham, 18–20 July 1990 (eds. A. H. Sommerstein et al.) 359–371. Bari.
Mackay, E. A. 1995. “Narrative Tradition in Early Greek Oral Poetry and Vase-Painting.” Oral Tradition 10:282–303.
Macleod, M. D., ed. and trans. 1967. Lucian VIII. Loeb Classical Library. Cambridge, MA.
Maehler, H., ed. 2004. Bacchylides. A Selection. Cambridge.
Malkin, I. 1994. Myth and Territory in the Spartan Mediterranean. Cambridge.
Mansfield, J. M. 1985. The Robe of Athena and the Panathenaic “Peplos.” PhD diss., University of California at Berkeley.
Marshall, E. 2000. “Death and Disease in Ancient Cyrene: A Case Study.” Death and Disease in the Ancient City (eds. V. M. Hope and E. Marshall) 8–23. London and New York.
Marshall, L. 2006. “Bob Dylan: Newport Folk Festival, July 25, 1965.” Performance and Popular Music: History, Place and Time (ed. I. Inglis) 16–40. London.
Martin, R. 1989. The Language of Heroes: Speech and Performance in the Iliad. Ithaca.
———. 1993. “The Seven Sages as Performers of Wisdom.” In Dougherty and Kurke 1993:108–130.
———. 2001. “Rhapsodizing Orpheus.” Kernos 14:23–33.
———. 2003. “The Pipes are Brawling: Conceptualizing Musical Performance in Classical Athens.” In Dougherty and Kurke 2003:153–180.
———. 2005. “Pulp Epic: The Catalogue and the Shield.” The Hesiodic Catalogue of Women: Constructions and Reconstructions (ed. R. Hunter) 153–175. Cambridge.
Mason, H. 1993. “Mytilene and Methymna: Quarrels, Borders and Topography.” Échos du monde classique 37:225–250.
———. 1995. “The End of Antissa.” American Journal of Philology 116:399–410.
Matheson, S. B. 1995. Polygnotos and Vase Painting in Classical Athens. Madison, WI.
Maurizio, L. 1998. “The Panathenaic Procession: Athens’ Participatory Democracy on Display?” Democracy, Empire, and the Arts in Fifth-century Athens (eds. D. Boedeker and K. Raaflaub) 297–317. Cambridge, MA.
McClary, S. 1991. Feminine Endings: Music, Gender, and Sexuality. Minneapolis, MN.
McClure, L. 2003. Courtesans at Table: Gender and Greek Literary Culture in Athenaeus. London and New York.
McGahey, R. 1994. The Orphic Moment: Shaman to Poet-thinker in Plato, Nietzsche, and Mallarmé. New York.
McGlew, J. F. 1993. Tyranny and Political Culture in Ancient Greece. Ithaca.
McGregor, M. F. 1941. “Cleisthenes of Sicyon and the Panhellenic Festivals.” Transactions of the American Philological Association 72:266–287.
McKay, K. J. 1974. “Alkman Fr. 107 Page.” Mnemosyne 27:413–414.
Meinel, R. 1980. Das Odeion: Untersuchungen an überdachten antiken Theatergebaüden. Frankfurt am Main.
Meier, M. 1998. Aristokraten und Damoden: Untersuchungen zur inneren Entwicklung Spartas im 7. Jahrhundert v. Chr. und zur politischen Funktion der Dichtung des Tyrtaios. Stuttgart.
Meriani, A. 2003. Sulla Musica Greca Antica: Studi e Ricerche. Salerno.
Merriam, A. 1964. The Anthropology of Music. Evanston, IL.
———. 1979. “Basongye Musicians and Institutionalized Social Deviance.” Yearbook of the International Folk Music Council 11:1–26.
Meuli, K. 1975. Gesammelte Schriften II. Basel.
Meyer, G. 1923. Die Stilistische Verwendung der Nominalkomposition im Griechischen. Leipzig.
Miller, J. F. 2000. “Triumphus in Palatio.” American Journal of Philology 121:409–422.
Miller, M. 1997. Athens and Persia in the Fifth Century BC: A Study in Cultural Receptivity. Cambridge.
Miller, S. 2001. Excavations at Nemea. Vol. 2, The Early Hellenistic Stadium. Berkeley.
———. 2004. Ancient Greek Athletics. New Haven.
Mills, S. 1997. Theseus, Tragedy, and the Athenian Empire. Oxford.
Minchin, E. 2001. Homer and the Resources of Memory. Oxford.
Minnen, P. van. 1997. “The Performance and Readership of the Persai of Timotheus.” Archiv für Papyrusforschung 43:246–260.
Mitchel, F. 1970. Lycourgan Athens: 338–322. Cincinnati.
Monbrun, P. 2001. “Apollon: de l’arc à la lyre.” Chanter les dieux. Musique et religion dans l’antiquité grecque et romaine. Actes du colloque des 16, 17 et 18 décembre 1999 (eds. P. Brule and C. Vendries) 59–96. Rennes and Lorient.
Morford, M. 1985. “Nero’s Patronage and Participation in Literature and the Arts.” Aufstieg und Niedergang der römischen Welt II 32.3:2003–2031.
Morgan, K. 1993. “Pindar the Professional and the Rhetoric of the ΚΩΜΟΣ.” Classical Philology 88:1–15.
Morris, I. 2000. Archaeology as Cultural History: Words and Things in Iron Age Greece. Oxford.
Morrissey, E. 1978. “Victors in the Prytaneion Decree (IG I2 77).” Greek, Roman and Byzantine Studies 19:121–125.
Morrow, G. 1960. Plato’s Cretan City: A Historical Interpretation of the Laws. Princeton.
Mosconi, G. 2000. “La democrazia ateniese e la ‘nuova’ musica: l’Odeion di Pericle.” In Cassio et al. 2000:217–316.
Mosshammer, A. H. 1977. “Phainias of Eresos and Chronology.” California Studies in Classical Antiquity 10:105–132.
———. 1982. “The Date of the First Pythiad—Again.” Greek, Roman and Byzantine Studies 23:15–30.
Muecke, F. 1982. “A Portrait of the Artist as a Young Woman.” Classical Quarterly 32:41–55.
Muellner, L. 1996. The Anger of Achilles: Mēnis in Greek Epic. Ithaca.
Mullen, W. 1982. Choreia: Pindar and Dance. Princeton.
Müller, F. 1994. The Wall Paintings from the Oecus of the Villa of Publius Fannius Synistor in Boscoreale. Amsterdam.
Munn, M. L. Z. 2003. “From Beyond the Pillars of Herakles: Corinthian Trade with the Punic West in the Classical Period.” Corinth: The Centenary, 1896–1996 (eds. C. K. Williams II and N. Bookidis) 195–217. Princeton.
Murgatroyd, P., ed. 1994. Tibullus, Elegies II. Oxford.
Murray, O. 1993. Early Greece. 2nd ed. Cambridge, MA.
———. 1996. “Hellenistic Royal Symposia.” Aspects of Hellenistic Kingship (ed. P. Bilde) 15–27. Oakville, CT.
Murray, P. 1996. Plato on Poetry. Cambridge.
———. 2004. “The Muses and their Arts.” In Murray and Wilson 2004:365–389.
Murray, P. and P. Wilson, eds. 2004. Music and the Muses: The Culture of Mousike in the Classical Athenian City. Oxford.
Musti, D. 2000. “Musica greca tra aristocrazia e democrazia.” In Cassio et al. 2000:7–55.
M–W = Merkelbach, R. and M.L. West, eds. 1967. Fragmenta Hesiodea. Oxford.
Nagy, G. 1974. Comparative Studies in Greek and Indic Meter. Cambridge, MA.
———. 1979. The Best of the Achaeans: Concepts of the Hero in Archiac Greek Poetry. Baltimore.
———. 1989. “The ‘Professional Muse’ and Models of Prestige in Ancient Greece.” Cultural Critique 12:133–143.
———. 1990a. Greek Mythology and Poetics. Ithaca.
———. 1990b. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore.
———. 1993. “Alcaeus in Sacred Space.” In Pretagostini 1993:221–225.
———. 1996. Homeric Questions. Austin.
———. 2002. Plato’s Rhapsody and Homer’s Music. Washington, DC.
———. 2003. Homeric Responses. Austin.
———. 2004. “Transmission of Archaic Greek Sympotic Songs: From Lesbos to Alexandria.” Critical Inquiry 31:26–48.
———. 2005. “The Epic Hero.” A Companion to Ancient Epic (ed. J. M. Foley) 71–89. Oxford.
———. 2007a. “Did Sappho and Alcaeus ever Meet? Symmetry of Myth and Ritual in Performing the Songs of Ancient Lesbos.” Literatur und Religion 2. Wege zu einer mythisch-rituellen Poetik bei den Griechen (eds. A. Bierl, R. Lämmle, and K. Wesselmann) 211–270. Berlin and New York.
———. 2007b. “Myth and Greek Lyric.” The Cambridge Encyclopedia of Classical Mythology (ed. R. D. Woodard) 52–82. Cambridge.
Neer, R. 2001. “Framing the Gift: The Politics of the Siphnian Treasury at Delphi.” Classical Antiquity 20:272–336.
———. 2002. Style and Politics in Athenian Vase-Painting: The Craft of Democracy, ca. 530–460 BCE. Cambridge.
———. 2007. “Delphi, Olympia, and the Art of Politics.” The Cambridge Companion to Archaic Greece (ed. H. A. Shapiro) 245–264. Cambridge.
Neils, J. 1987. The Youthful Deeds of Theseus. Rome.
———, ed. 1992. Goddess and Polis: The Panathenaia Festival in Ancient Athens. Hanover and Princeton.
Nelis, D. P. 2005. “The Reading of Orpheus. The Orphic Argonautica and the Epic Tradition.” Roman and Greek Imperial Epic (ed. M. Paschalis) 170–192. Rhethymno.
Nettl, B. 1983. The Study of Ethnomusicology: Twenty-nine Issues and Concepts. Chicago and Urbana, IL.
Newby, Z. 2002. “Reading Programs in Greco-Roman Art: Reflections on the Spada Reliefs.” The Roman Gaze: Vision, Power, and the Body (ed. D. Fredrick) 110–148. Baltimore.
Nicholson, N. 2005. Aristocracy and Athletics in Archaic and Classical Greece. Cambridge.
Nieddu, G. F. 1993. “Parola e metro nella sphragis dei Persiani di Timoteo.” In Pretagostini 1993:521–529. Rome.
Nietzsche, F. 1968. The Portable Nietzsche. Trans. W. Kaufmann. London.
Nilsson, M. P. 1971. The Minoan-Mycenaean Religion and Its Survival in Greek Religion. London.
Nisbet, G. 2003. Greek Epigram in the Roman Empire: Martial’s Forgotten Rivals. Oxford.
Nordquist, G. C. 1992. “Instrumental Music in Representations of Greek Cult.” The Iconography of Greek Cult in the Archaic and Classical Periods. Proceedings of the First International Seminar on Ancient Greek Cult, Delphi, 1990 (ed. R. Hägg) 143–168. Kernos Supplement 1. Athens and Liege.
Ober, J. 1989. Mass and Elite in Democratic Athens: Rhetoric, Ideology, and the Power of the People. Princeton.
Olson, S. D., ed. 2002. Aristophanes Acharnians. Oxford.
Olson, S. D. and A. Sens. 1999. Matro Of Pitane and the Tradition of Epic Parody in the Fourth Century BCE: Text, Translation, and Commentary. Oxford.
Omitowoju, R. 2002. Rape and the Politics of Consent. Cambridge.
Ostwald, M. 1969. Nomos and the Beginnings of the Athenian Democracy. Oxford.
Overbeck, J. A. 1889. Griechische Kunstmythologie IV. Leipzig.
Padgett, J. M. 1995. “A Geometric Bard.” The Ages of Homer: A Tribute to Emily Townsend Vermeule (eds. J. Carter and S.P. Morris) 389–406. Austin.
———. 2000. “The Stable Hands of Dionysos: Satyrs and Donkeys as Symbols of Social Marginalization in Attic Vase Painting.” Not the Classical Ideal: Athens and the Construction of the Other in Greek Art (ed. B. Cohen) 43–70. Leiden.
Page, D. L. 1955. Sappho and Alcaeus: An Introduction to the Study of Ancient Lesbian Poetry. Oxford.
———. 1981. Further Greek Epigrams. Cambridge.
Palagia, O. 1980. Euphranor. Leiden.
Palisca, C. V. 1989. The Florentine Camerata: Documentary Studies and Translations. New Haven.
Pallone, M. R. 1984. “L’epica agonale in età ellenistica.” Orpheus 5:156–166.
Palumbo Stracca, B. M. 1994. “Sull’iscrizione della coppa de Duride (PMG adesp. 938e).” Studi Micenei ed Egeo-Anatolici 33:119–129.
———. 1997. “Il decreto degli Spartani contro Timoteo.” Annali dell’Istituto Universitario Orientale di Napoli, Dipartimento di Studi del mondo classico e del Mediterraneo antico, Sezione filologico-letteraria 19:129–160.
Papaspyridi-Karouzou, S. 1938. “A Proto-Panathenaic Amphora at Athens.” American Journal of Archaeology 42:492–505.
Pappano, A. E. 1937. “The False Neros.” Classical Journal 32:385–392.
Paquette, D. 1984. L’instrument de musique dans la céramique de la Grèce antique: Études d’organologie. Paris.
Parker, H. 2005. “Sappho’s Public World.” Women Poets in Ancient Greece and Rome: New Critical Essays (ed. E. Greene) 3–24. Norman, OK.
Parker, R. 1983. Miasma: Pollution and Purification in Early Greek Religion. Oxford.
———. 1996. Athenian Religion: A History. Oxford.
———. 2005. Polytheism and Society at Athens. Oxford.
Parker, V. 1994. “Some Aspects of the Foreign and Domestic Policy of Cleisthenes of Sicyon.” Hermes 122:404–424.
Pavese, C. O. 1972. Tradizioni e Generi Poetici della Grecia Arcaica. Rome.
———. 1991. “L’inno rapsodico: analisi tematica degli inni omerici.” Annali dell’Istituto Universitario Orientale di Napoli, Dipartimento di Studi del mondo classico e del Mediterraneo antico, Sezione filologico-letteraria 13:155–178.
———. 1998. “The Rhapsodic Epic Poems as Oral and Independent Poems.” Harvard Studies in Classical Philology 98:63–90.
Pearl, O. 1978. “Rules for Musical Contests.” Illinois Classical Studies 3:132–138.
Péché, V. and C. Vendries. 2001. Musique et spectacles à Rome et dans l’Occident romain sous la République et le Haut-empire. Paris.
Pelling, C. 1997. “Aeschylus’ Persae and History.” Greek Tragedy and the Historian (ed. C. Pelling) 1–19. Oxford.
Perceau, S. 2007. “Héros à la cithare. La musique de l’excellence chez Homère.” Mousikè et Aretè. La mousique et l’éthique de l’antiquité à l’âge moderne. Actes du colloque international tenu en Sorbonne les 15–17 décembre 2003 (eds. F. Malhomme and A. G. Wersinger) 17–38. Paris.
Perlman, P. 2004. “Tinker, Tailor, Soldier, Sailor. The Economies of Archaic Eleutherna, Crete.” Classical Antiquity 23:95–136.
Perysinakis, I. N. 2006. “Κόσμον or κόμπον? A Note on Simonides’ Elegy on Plataea, fr. 11.23 W2.” Zeitschrift für Papyrologie und Epigraphik 157:19–21.
Pfrommer, M. 1992. Göttliche Fürsten in Boscoreale: Der Festsaal in der Villa des P. Fannius Synistor. Trierer Winckelmannsprogramme 12. Mainz am Rhein.
Phillips, D. 2003. “Athenian Political History: A Panathenaic Perspective.” Sport and Festival in the Ancient Greek World (eds. D. Phillips and D. Pritchard) 197–232. Swansea.
Pickard-Cambridge, A. 1927. Dithyramb, Tragedy and Comedy. Revised 2nd ed. 1962 by T. Webster. Oxford.
Picon, C. A. and H. A. Shapiro. 1996. Greek Vases in the San Antonio Museum of Art. San Antonio.
Pinney, G. Ferrari. 1988. “Pallas and Panathenaea.” Proceedings of the Third Symposium on Ancient Greek and Related Pottery (eds. J. Christiansen and T. Melander) 465–477. Copenhagen.
Pinney, G. and B. Ridgway. 1979. Aspects of Ancient Greece. Allentown, PA.
Pipili, M. 1987. Laconian Iconography of the Sixth Century B.C. Oxford.
Platter, C. 2007. Aristophanes and the Carnival of Genres. Baltimore and London.
Platthy, J. 1985. The Mythical Poets of Greece. Washington, DC.
Pleket, H. W. 2004. “Einige Betrachtungen zum Thema ‘Geld und Sport’.” Nikephoros 17:77–90.
PMG = Page, D., ed. 1962. Poetae Melici Graeci. Oxford.
PMGF = Davies, M., ed. 1991. Poetarum Melicorum Graecorum Fragmenta I. Oxford.
Podlecki, A. 1966. The Political Background of Aeschylean Tragedy. Ann Arbor.
———. 1980. “Festivals and Flattery: The Early Greek Tyrants as Patrons of Poetry.” Athenaeum 58:371–395.
Porter, J. 1994. Studies in Euripides’ Orestes. Leiden.
Powell, A. 1998. “Sixth Century Lakonian Vase Painting.” Archaic Greece: New Approaches and New Evidence (eds. N. Fisher and H. van Wees) 119–146. London.
Powell, J. 1925. Collectanea Alexandria. Oxford.
Power, T. 2000. “The Parthenoi of Bacchylides 13.” Harvard Studies in Classical Philology 100:67–81.
———. 2001. Legitimating the Nomos: Timotheus’ Persae in Athens. PhD diss., Harvard University.
———. 2004. “Cleisthenes and the Politics of Kitharôidia at Delphi and in Sicyon.” Aevum Antiquum 4:415–437.
———. 2007. “Ion of Chios and the Politics of Polychordia.” The World of Ion of Chios (eds. V. Jennings and A. Katsaros) 179–205. Leiden.
———. Forthcoming. “Kyklôps Kitharôidos: Dithyramb and Kitharôidia in Play.” Dithyramb and Society: Texts and Contexts in a Changing Choral Culture (eds. B. Kowalzig and P. Wilson). Oxford.
Prauscello, L. 2006. Singing Alexandria: Music between Practice and Textual Transmission. Leiden.
Pretagostini, R., ed. 1993. Tradizione e Innovatione nella Cultura Greca da Omero all’Età Ellenistica: Scritti in Onore di Bruno Gentili. 3 vols. Rome.
Price, S. D. 1990. “Anacreontic Vases Reconsidered.” Greek, Roman and Byzantine Studies 31:133–175.
Privitera, G. A. 1965. Laso di Ermione. Rome.
Prott, H. von and L. Ziehen. 1906. Leges Graecorum Sacrae. Leipzig.
Puelma, M. 2006. “Arions Delphin und die Nachtigall. Kommentar zu Poseidippos ep. 37 A.-B. (= P.Mil.Vogl. VIII 309, Kol. VI 18–25).” Zeitschrift für Papyrologie und Epigraphik 156:60–74.
Quattrocelli, L. 2002. “Poesia e Convivialità a Sparta Arcaica. Nuove Prospettive di Studio.” Cahiers du Centre Gustave-Glotz 13:7–32.
Raubitschek, A. 1949. Dedications of the Athenian Akropolis. Cambridge, MA.
Reinach, T. 1903. “Les Perses de Timothée.” Revue des études grecques 16:62–83.
Reisch, E. 1885. De musicis Graecorum certaminibus capita quattuor. Vienna.
Restani, D. 1991. “Dionysos tra aulos e kithara: un percorso di iconografia musicale.” Dionysos, Mito e Misterio: Atti del convegno internazionale, Comacchio 3–5 novembre 1989 (ed. F. Berti) 379–395. Ferrara.
Richardson, L. 2000. A Catalog of Identifiable Figure Painters of Ancient Pompeii, Herculaneum, and Stabiae. Baltimore and London.
Richardson, N. J. 2007. “The Homeric Hymn to Hermes.” Hesperos: Studies in Ancient Greek Poetry Presented to M. L. West on his Seventieth Birthday (eds. C. Collard and P. J. Finglass) 83–91. Oxford.
Richer, N. 2005. “Les Gymnopédies de Sparte.” Ktéma 30:237–262.
Richter, G. 1965. The Portraits of the Greeks I. London.
Richter, G. and L. F. Hall. 1936. Red-Figured Athenian Vases in The Metropolitan Museum of Art. New Haven.
Ridgway, B. S. 1999. “An Issue of Methodology: Anakreon, Perikles, Xanthippos.” American Journal of Archaeology 102:717–738.
Riedweg, C. 2002. Pythagoras: Leben, Lehre, Nachwirkung. Eine Einführung. Munich.
Ritschl, F. 1978. Opuscula Philologica. Hildesheim.
Robbins, E. 1992. Review of Gostoli 1990. Classical Review 42:8–9.
Robert, C. 1920. Die griechische Heldensage. Berlin.
Robert, F. 1939. Thymélè: recherches sur las signification et la destination des monuments circulaires dans l’architecture religieuse de la Grèce. Paris.
Robert, L. 1938. Études épigraphiques et philologiques. Paris.
———. 1960. “Recherches Épigraphiques.” Revue d’études antiques 62:276–361.
———. 1984. “Discours d’ouverture.” Praktika of the Eighth International Congress of Greek and Latin Epigraphy I (ed. A. G. Kalogeropoulou) 35–45. Athens.
Robertson, M. 1969. “Geryoneis: Stesichorus and the Vase-Painters.” Classical Quarterly 19:207–221.
Robertson, N. 1980. “Heracles’ ‘Catabasis’.” Hermes 108:274–299.
———. 2002. “The Religious Criterion in Greek Ethnicity: The Dorians and the Festival Carneia.” American Journal of Ancient History n.s. 1:5–67.
Robkin, A. L. H. 1976. The Odeion of Perikles: Some Observations on its History, Form, and Function. PhD diss., University of Washington.
Rocchi, M. 1980. “La Lira di Achilleus (Hom. Il. IX 186).” Studi storico-religiosi 4:259–268.
———. 1989. Kadmos e Harmonia. Un matrimonio problematico. Rome.
Rocconi, E. 2003. Le Parole delle Muse. La formazione del lessico tecnico musicale nella Grecia antica. Rome.
Roccos, L. J. 1989. “Apollo Palatinus: The Augustan Apollo on the Sorrento Base.” American Journal of Archaeology 93:571–588.
———. 2002. “The Citharode Apollo in Villa Contexts: A Roman Theme with Variations.” The Ancient Art of Emulation: Studies in Artistic Originality and Tradition from the Present to Classical Antiquity. Memoirs of the American Academy in Rome, Supplementary Volume I (ed. E. K. Gazda) 273–294. Ann Arbor.
Roesch, P. 1982. Études Béotiennes. Paris.
Roller, L. 1981. “Funeral Games for Historical Persons.” Stadion 7:1–18.
Rohde, E. 1925. Psyche: The Cult of Souls and Belief in Immortality among the Greeks. Trans. W. B. Hillis. London.
Roos, E. 1951. Die tragische Orchestik im Zerrbild der altattischen Komödie. Lund.
Rose, V., ed. 1967. Aristotle. Fragmenta. Stuttgart.
Roselli, D. K. 2005. “Vegetable-Hawking Mom and Fortunate Son: Euripides, Tragic Style, and Reception.” Phoenix 59:1–49.
Rosenbloom, D. 2006. Aeschylus: Persians. London.
Rosenmeyer, P. 1992. The Poetics of Imitation: Anacreon and the Anacreontic Tradition. Cambridge.
Rostovtzeff, M. 1922. A Large Estate in Egypt in the Third Century B.C.: A Study in Economic History. Madison, WI.
RPC = Burnett, A. M., M. Amadry, and P. Ripolles. 1992. Roman Provincial Coinage. Vol. 1, From the Death of Caesar to the Death of Vitellius (44 B.C.–A.D. 69). London and Paris.
Ruffell, I. 2000. “The World Turned Upside Down: Utopia and Utopianism in the Fragments of Old Comedy.” The Rivals of Aristophanes (eds. D. Harvey and J. Wilkins) 473–506. London.
Russell, D. A. and N. G. Wilson, eds. 1981. Menander Rhetor. Oxford.
Russo, J. 1999. “Stesichorus, Homer, and the Forms of Early Greek Epic.” Euphrosyne: Studies in Ancient Epic and its Legacy in Honor of Dimitris N. Maronitis (eds. J. N. Kazazis and A. Rengakos) 339–348. Stuttgart.
Rutherford, I. 1990. “Paeans by Simonides.” Harvard Studies in Classical Philology 93:169–209.
———. 1994/1995. “Apollo in Ivy: The Tragic Paean.” Arion 3.1:112–135.
———. 1995. “Apollo’s Other Genre: Proclus on NOMOS and his Source.” Classical Philology 90:354–361.
———. 1996. “The New Simonides: Towards a Commentary.” Arethusa 29:167–192.
———. 2001. Pindar’s Paeans: A Reading of the Fragments with a Survey of the Genre. Oxford.
———. 2007a. “Theoria and Theatre at Samothrace. The Dardanos of Dymas.” The Greek Theatre and Festivals. Documentary Studies (ed. P. Wilson) 279–293. Oxford Studies in Ancient Documents. Oxford.
———. 2007b. “Two Notes on Simonides’ Plataea-Poem.” Akten des 23. Internationalen Papyrologenkongresses (ed. B. Palme) 633–636. Vienna.
Sachs, C. 1940. The History of Musical Instruments. New York.
Sadurska, A. 1964. Les Tables Iliaques. Warsaw.
Salmon, J. 1984. Wealthy Corinth. Oxford.
Sansone, D. 1985. “Orpheus and Eurydice in the Fifth Century.” Classica et Mediaevalia 36:53–64.
Sardis = Buckler, W. H. and D. Robinson, eds. 1932. Sardis: Publications of the American Society for the Excavation of Sardis. Vol. 7, Greek and Latin Inscriptions, Part I. Leiden.
Sarti, S. 1992. “Gli strumenti musicali di Apollo.” Annali dell’Istituto Universitario Orientale di Napoli, Dipartimento di Studi del mondo classico e del Mediterraneo antico, Sezione di archeologia e storia antica 14:95–104.
Scanlon, T. F. 2002. Eros and Greek Athletics. Oxford.
Schachter, A. 1981. Cults of Boiotia I. London.
Schafter, D. 1991. “Musical Victories in Early Classical Vase Painting.” American Journal of Archaeology 95:333–334.
Schaik, M. van. 2004. “Terpandros of Lesbos in Medieval and Renaissance Music Theory.” Meer dan muziek alleen: In memoriam Kees Vellekoop (ed. R. E. V. Stuip) 313–328. Hilversum.
Schamp, J. 1976. “Sous le signe d’Arion.” L’Antiquité classique 1976:95–120.
Schatz, T. 1996. The Genius of the System: Hollywood Filmmaking in the Studio Era. Minneapolis, MN.
Schauenburg, K. 1961. “Eine neue Amphora des Andokidesmalers.” Jahrbuch des Deutschen Archäologischen Instituts 76:48–71.
———. 1979. “Herakles Musikos.” Jahrbuch des Deutschen Archäologischen Instituts 94:49–76.
Schefold, K. 1992. Gods and Heroes in Late Archaic Greek Art. Trans. A. Griffiths. Cambridge.
———. 1997. Die Bildnisse der Antiken Dichter, Redner und Denker. Basel.
Scheibler, I. 1988. “Dreifussträger.” Kanon: Festschrift Ernst Berger (ed. M. Schmidt) 310–316. Beiheft zur Halbjahresschrift Antike Kunst 15. Basel.
Schmidt, M. 1972. “Ein neues Zeugnis zum Mythos von Orpheushaupt.” Antike Kunst 15:128–137.
Schönewolf, H. 1938. Der jungattische Dithyrambos. PhD diss., University of Giessen.
Schorn, S. 2004. Satyros aus Kallatis: Sammlung der Fragmente mit Kommentar. Basel.
Schubert, C. 1998. Studien zum Nerobild in der lateinischen Dichtung der Antike. Beiträge zur Altertumskunde 116. Stuttgart and Leipzig.
Scullion, S. 2003. “Euripides and Macedon, or the silence of the Frogs.” Classical Quarterly 53:389–400.
Scully, S. 1981. “The Bard as the Custodian of Homeric Society: Odyssey 3, 263–272.” Quaderni Urbinati di Cultura Classica 37:67–83.
Seaford, R., ed. 1984. Euripides: Cyclops. Oxford.
Sear, F. 2006. Roman Theatres: An Architectural Study. Oxford.
Seebass, T. 1991. “The Power of Music in Greek Vase Painting.” Imago Musicae 8:11–37.
Segal, C. P. 1962. “Gorgias and the Psychology of Logos.” Harvard Studies in Classical Philology 66:99–155.
Sens, A., ed. 1997. Theocritus: Dioscuri (Idyll 22). Introduction, Text, and Commentary. Hypomnemata 114. Göttingen.
Severyns, A. 1938. Recherches sur la Chrestomathie de Proclus. Liege.
Simms, R. 1975. “The Eleusinia in the Sixth to Fourth Centuries B.C.” Greek, Roman and Byzantine Studies 16:269–279.
Shapiro, H. A. 1982. “Kallias Kratiou Alopekethen.” Hesperia 51:69–73.
———. 1984. “Herakles and Kyknos.” American Journal of Archaeology 88:523–529.
———. 1989. Art and Cult Under the Tyrants. Mainz am Rhein.
———. 1991. “Theseus: Aspects of the Hero in Archaic Greece.” New Perspectives in Early Greek Art (ed. D. Buitron-Oliver) 123–139. Washington, DC.
———. 1992. “Mousikoi Agones: Music and Poetry at the Panathenaia.” In Neils 1992:53–76.
———. 1993. “Hipparchos and the Rhapsodes.” In Dougherty and Kurke 1993:92–107.
———. 1996. “Democracy and Imperialism: The Panathenaia in the Age of Perikles.” Worshipping Athena: Panathenaia and Parthenon (ed. J. Neils) 215–225. Madison, WI.
———. 2001. “Red-Figure Panathenaic Amphoras: Some Iconographical Problems.” Panathenaika: Symposion zu den Panathenäischen Preisamphoren, Rauischholzhausen 25.11–29.11 1998 (eds. M. Benzt and N. Eschbach) 119–124. Mainz am Rhein.
———. 2004. “Leagros the Satyr.” Greek Vases: Images, Contexts and Controversies (ed. C. Marconi) 1–12. Columbia Studies in the Classical Tradition 25. Leiden.
Shaw, P.-J. 2003. Discrepancies in Olympiad Dating and Chronological Problems of Archaic Peloponnesian History. Historia Einzelschriften 166. Stuttgart.
Shear, J. L. 2001. Polis and Panathenaia: The History and Development of Athena’s Festival. PhD diss., University of Pennsylvania.
———. 2003. “Prizes from Athens: The List of Panathenaic Prizes and the Sacred Oil.” Zeitschrift für Papyrologie und Epigraphik 142:87–108.
Shields, E. L. 1917. The Cults of Lesbos. Baltimore.
Sifakis, G. M. 1967. Studies in the History of Hellenistic Drama. London.
Silberberg-Pierce, S. 1993. “The Muse Restored: Images of Women in Roman Painting.” Woman’s Art Journal 14:28–36.
Skafte Jensen, M. 1980. The Homeric Question and the Oral-Formulaic Theory. Copenhagen.
Slater, N. 1999. “The Vase as Ventriloquist: Kalos-Inscriptions and the Culture of Fame.” Signs of Orality: The Oral Tradition and its Influence in the Greek and Roman World (ed. E. A. Mackay) 143–162. Leiden.
Slater, W. J. 1994. “Pantomime Riots.” Classical Antiquity 13:120–144.
———. 2007. “Deconstructing Festivals.” The Greek Theatre and Festivals: Documentary Studies (ed. P. Wilson) 21–47. Oxford Studies in Ancient Documents. Oxford.
SLG = Page, D., ed. 1974. Supplementum Lyricis Graecis. Oxford.
S–M = Snell, B. and H. Maehler, eds. Pindari Carmina cum Fragmentis. Pars II. Leipzig.
Smarczyk, B. 1990. Untersuchungen zur Religionspolitik und politischen Propaganda Athens im Delisch-Attischen Seebund. Munich.
Smart, M.-A. 2004. Mimomania: Music and Gesture in Nineteenth-century Opera. Berkeley and Los Angeles.
Smith, A. C. 2007. “Komos Growing Up among Satyrs and Children.” Constructions of Childhood in Ancient Greece and Italy (eds. A. Cohen and J. Rutter) 153–172. Hesperia Supplement 41. Princeton.
Smyth, H. W. 1900. Greek Melic Poets. New York.
Snodgrass, A. 1998. Homer and the Artists. Cambridge.
Snyder, J. M. 1974. “Aristophanes’ Agathon as Anacreon.” Hermes 102:244–246.
Solomon, J. 1984. “Towards a History of Tonoi.” The Journal of Musicology 3:242–251.
———. 1994. “The Lyrical Aspects of Apollonian Music.” Apollo: Origins and Influences (ed. J. Solomon) 37–46. Tucson and London.
Sommerstein, A. H. 2003/2004. “Cuckoos in Tragic Nests? Kephisophon and Others.” Leeds International Classical Studies 3:1–13.
Sourvinou-Inwood, C. 1971. “Theseus Lifting the Rock and a Cup near the Pithos Painter.” Journal of Hellenic Studies 91:94–109.
Spencer, N. 1995. “Early Lesbos between East and West: A ‘Grey Area’ of Aegean Archaeology.” The Annual of the British School at Athens 90:269–306.
———. 2001. “Exchange and Stasis in Archaic Mytilene.” Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece (eds. R. Brock and S. Hodkinson) 68–81. Oxford.
Stahl, M. 1987. Aristokraten und Tyrannen im archaischen Athen: Untersuchungen zur Überlieferung, zur Sozialstruktur und zur Entstehung des Staates. Stuttgart.
Stansbury-O’Donnell, M. 2006. Vase Painting, Gender, and Social Identity in Archaic Athens. Cambridge.
Stehle, E. 1997. Performance and Gender in Ancient Greece. Princeton.
———. 2001. “A Bard of the Iron Age and His Auxiliary Muse.” The New Simonides: Contexts of Praise and Desire (eds. D. Sider and D. Boedeker) 106–119. Oxford.
Steiner, D. 2001. Images in Mind: Statues in Archaic and Classical Greek Literature and Thought. Princeton.
Steinrück, M. 2005. “Lagaroi: Le Temps de la Re-Rythmisation de l’Hexametre.” Mnemosyne 58:481–498.
Stenger, J. 2004. Poetische Argumentation: Die Funktion der Gnomik in den Epinikien des Bakchylides. Berlin and New York.
Stephanis, I. E. 1988. ΔΙΟΝΥΣΙΑΚΟΙ ΤΕΧΝΙΤΑΙ. ΣΥΜΒΟΛΕΣ ΣΤΗΝ ΠΡΟΣΩΠΟΓΡΑΦΙΑ ΤΟΥ ΘΕΑΤΡΟΥ ΚΑΙ ΤΗΣ ΜΟΥΣΙΚΗΣ ΤΩΝ ΑΡΧΑΙΩΝ ΕΛΛΗΝΩΝ. Herakleion.
Stephens, S. 2004. “For You, Arsinoe.” Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P. Mil. Vogl. VIII 309) (eds. B. Acosta-Hughes, E. Kosmetatou, and M. Baumbach) 161–176. Washington, DC.
Stern, J., ed. 1996. Palaephatus: On Unbelievable Tales. Wauconda, IL.
Stevens, P. T. 1956. “Euripides and the Athenians.” Journal of Hellenic Studies 76:87–94.
Stewart, A. 1982. “Dionysos at Delphi: The Pediments of the Sixth Temple of Apollo and Religious Reform in the Age of Alexander.” Macedonia and Greece in Late Classical and Early Hellenistic Times (eds. B. Barr-Sharrar and E. Borza) 205–228. Washington, DC.
———. 1983. “Stesichorus and the François Vase.” Ancient Greek Art and Iconography (ed. W. Moon) 53–74. Madison, WI.
Stibbe, C. M. 1992. “Dionysos mit einer Kithara.” Kotinos: Festschrift für Erika Simon (eds. H. Froning, T. Hölscher, and H. Mielsch) 139–145. Mainz am Rhein.
Storey, I. 2003a. Eupolis, Poet of Old Comedy. Oxford.
———. 2003b. “But Comedy Has Satyrs Too.” Satyr Drama: Tragedy at Play (ed. G. Harrison) 201–218. Swansea.
Strasser, J.-Y. 2002. “Choraules et pythaules d’époque impériale. À propos d’inscriptions de Delphes.” Bulletin de Correspondance Hellénique 126:97–142.
Studnizcka, F. 1924. “Imagines illustrium.” Jahrbuch des Deutschen Archäologischen Instituts 39:57–128.
Sullivan, J. P. 1978. “Ass’s Ears and Attises: Persius and Nero.” The American Journal of Philology 99:159–170.
———. 1985. Literature and Politics in the Age of Nero. Ithaca.
Sultan, N. 1993. “Private Speech, Public Pain: The Power of Women’s Laments in Ancient Greek Poetry and Tragedy.” Rediscovering the Muses: Women’s Musical Traditions (ed. K. Marshall) 92–110. Boston.
Sutton, D. F., ed. 1989. Dithyrambographi Graeci. Munich and Zürich.
Svenbro, J. 1976. La parole et le marbre: aux origines de la poétique grecque. Lund.
———. 1992. “‘Ton luth, a quoi bon?’ La lyre et la pierre tombale dans la pensée grecque.” Métis 7:135–160.
Szegedy-Maszak, A. 1978. “Legends of the Greek Lawgivers.” Greek, Roman and Byzantine Studies 19:199–209.
Szilágyi, J. 1977. “Ein Satyrchor.” Acta Antiqua 25:359–370.
Tandy, D. W. 1997. Warriors into Traders: The Power of the Market in Early Greece. Berkeley.
Taplin, O. 1993. Comic Angels. Oxford.
———. 1999. “Spreading the Word through Performance.” Performance Culture and Athenian Democracy (eds. S. Goldhill and R. Osborne) 33–57. Cambridge.
Telò, M. 2007. Eupolidis Demi. Florence.
Thomas, R. 1989. Oral Tradition and Written Record in Classical Athens. Cambridge.
Thompson, D. B. 1956. “The Persian Spoils in Athens.” The Aegean and the Near East: Studies Presented to Hetty Goldman on the Occasion of Her Seventy-fifth Birthday (ed. S. S. Weinberg) 281–291. Locust Valley, NY.
Toepffer, J. 1889. Attische Genealogie. Berlin.
Totaro, P. 1991. “Il bianco Arignoto (Ar. Eq. 1279).” Eikasmos 2:153–157.
Touchette, L.-A. 1990. “A New Interpretation of the Orpheus Relief.” Archäologischer Anzeiger 1:77–90.
Trendall, A. D. and T. B. L. Webster. 1971. Illustrations of Greek Drama. London.
Tuplin, C. 1994. “Xenophon, Sparta and the Cyropaidia.” The Shadow of Sparta (eds. S. Hodkinson and A. Powell) 127–182. London and New York.
Valakas, K. 2002. “The Use of the Body by Actors in Tragedy and Satyr-play.” In Easterling and Hall 2002:69–92.
Valavanis, P. 1987. “Säulen, Hähne, Niken und Archonten auf Panathenäischen Preisamphoren.” Archäologischer Anzeiger 102:467–480.
Varner, E. 2004. Mutilation and Transformation: Damnatio Memoriae and Roman Imperial Portraiture. Leiden.
Velardi, R. 1992. Enthousiasmos: Possessione rituale e teoria della communicazione poetica in Platone. Rome.
Veneri, A. 1995. “La cetra di Paride: l’altra faccia della musica in Omero e nei suoi interpreti antichi.” In Gentili and Perusino 1995:111–132.
———. 1996. “L’Elicona nella cultura tespiese intorno al III sec. a.C.: la stele di Euthy[kl]es.” La Montagne des Muses (eds. A. Hurst and A. Schachter) 73–86. Geneva.
Vergara, F. 2003. “As Representações dos Agônes Musicais na Pintura dos Vasos Áticos: os atributos iconográficos, os instrumentos musicais, as vestimentas, a idade, o gênero e o corpo dos músicos.” Olhares do Corpo (eds. N. Theml, R. da Cunha Bustamante, and F. de Souza Lessa) 56–71. Rio de Janeiro.
Vetta, M. 1983. Poesia e simposio nella Grecia antica: Guida storica e critica. Rome and Bari.
———. 1992. “Il simposio: la monodia e il giambo.” Lo spazio letterario della Grecia antica I (eds. G. Cambiano, L. Canfora, and D. Lanza) 208–215. Rome.
Vetter, W. 1934. Paulys Realencyclopäde der classischen Altertumswissenschaft V A (ed. G. Wissowa), s.v. “Terpandros,” cols. 785–786. Stuttgart.
———. 1936. Paulys Realencyclopäde der classischen Altertumswissenschaft XVII (ed. G. Wissowa), s.v. “Nomos,” cols. 840–843. Stuttgart.
Veyne, P. 1989. “Diaskeuai. Le théâtre grec sous l’Empire (Dion de Pruse, XXXII, 94).” Revue des études grecques 102:339–345.
———. 2000. “Inviter les dieux, sacrifier, banqueter: Quelques nuances de la religiosité gréco-romaine.” Annales. Histoire, Sciences Sociales 2000:3–42.
Vian, F. 1952. La Guerre des Géants. Le mythe avant l’époque Hellenistique. Paris.
Visconti, A. 1999. Aristosseno di Tarento: Biografia e Formazione Spirituale. Naples.
Vojatzi, M. 1982. Frühe Argonautenbilder. Würzburg.
Vollgraff, W. 1901. “Inscriptions de Béotie.” Bulletin de Correspondance Hellénique 25:359–361.
Vorreiter, L. 1975. “The Swan-Neck Lyres of Minoan-Mycenean Culture.” The Galpin Society Journal 28:93–97.
Vos, M. F. 1986. “Aulodic and Auletic Contests.” Enthousiasmos: Essays on Greek and Related Pottery Presented to J. M. Hemelrijk (ed. H. Brijder) 121–130. Amsterdam.
Voutiras, E. 1980. Studien zu Interpretation und Stil griechischer Porträts des 5. und frühen 4. Jahrhunderts. Bonn.
Walker, H. J. 1995. Theseus and Athens. Oxford.
Wallace, R. 1995. “Music Theorists in Fourth-century Athens.” In Gentili and Perusino 1995:17–39.
———. 1997. “Poet, Public, and ‘Theatrocracy’: Audience Performance in Classical Athens.” Poet, Public, and Performance in Ancient Greece (eds. L. Edmunds and R. W. Wallace) 97–111. Baltimore.
———. 2003. “An Early Fifth-Century Athenian Revolution in Aulos Music.” Harvard Studies in Classical Philology 101:73–92.
———. 2004. “Damon of Oa: A Music Theorist Ostracized?” In Murray and Wilson 2004:249–267.
Wallner, C. 2001. “M. Ulpius Heliodoros und T. Flavius Archibios. Beobachtungen zu ihren Ehreninschriften (IG IV 591; I. Napoli I,51).” Nikephoros 14:91–108.
Walsh, G. B. 1984. Varieties of Enchantment: Early Greek Views of the Nature and Function of Poetry. Chapel Hill.
Warmington, B. H., ed. 1977. Suetonius, Nero. Bristol.
Watrous, L. V. 1982. “The Sculptural Program of the Siphnian Treasury at Delphi.” American Journal of Archaeology 86:159–172.
Waywell, G. B. 1973. Review of E. Simon, Das Antike Theater (Heidelberg, 1972). Journal of Hellenic Studies 93:268–269.
Webb, R. 2002. “Female Performers in Late Antiquity.” In Easterling and Hall 2002:282–303.
Webster, T. B. L. 1953. Studies in Later Greek Comedy. Manchester.
———. 1964. From Mycenae to Homer. New York.
———. 1967. The Tragedies of Euripides. London.
———. 1972. Potter and Patron in Classical Athens. London.
———. 1975. “Homeric Hymns and Society.” Le monde grec: Hommages à Claire Préaux (eds. J. Bingen, G. Cambier, and G. Nachtergael) 86–93. Brussels.
Wees, H. van. 1995. “Politics and the Battlefield: Ideology in Greek Warfare.” The Greek World (ed. A. Powell) 153–178. London.
———. 1999. “Tyrtaeus’ Eunomia: Nothing to do with the Great Rhetra.” Sparta: New Perspectives (eds. S. Hodkinson and A. Powell) 1–41. London.
Wegner, M. 1949. Musikleben der Griechen. Berlin.
Weil, H. and T. Reinach, eds. 1900. Plutarque, De la musique. Paris.
Welcker, F. G. 1865. Der epische Cyclus, oder Die homerischen Dichter. Bonn.
West, M. L. 1971. “Stesichorus.” Classical Quarterly 21:302–314.
———. 1973. “Greek Poetry 2000–700 B.C.” Classical Quarterly 23:179–192.
———. 1974. Studies in Greek Elegy and Iambus. Berlin and New York.
———. 1981. “The Singing of Homer and the Modes of Early Greek Music.” Journal of Hellenic Studies 101:113–129.
———. 1982. Greek Metre. Oxford.
———. 1983. The Orphic Poems. Oxford.
———. 1986. “The Singing of Hexameters: Evidence from Epidaurus.” Zeitschrift für Papyrologie und Epigraphik 63:39–46.
———. 1990a. “Notes on Sappho and Alcaeus.” Zeitschrift für Papyrologie und Epigraphik 80:1–8.
———. 1990b. Studies in Aeschylus. Stuttgart.
———. 1992. Ancient Greek Music. Oxford.
———. 1997. “When is a Harp a Panpipe?” Classical Quarterly 47:48–55.
———. 1999a. “Sophocles with Music? Ptolemaic Music Fragments and Remains of Sophocles (Junior?), Achilleus.” Zeitschrift für Papyrologie und Epigraphik 126:43–65.
———. 1999b. “The Invention of Homer.” Classical Quarterly 49:364–382.
———. 2002a. “‘Eumelos’: A Corinthian Epic Cycle?” Journal of Hellenic Studies 122:109–133.
———. 2002b. “The View from Lesbos.” EPEA PTEROENTA: Beiträge zur Homerforschung. Festschrift für Wolfgang Kullmann zum 75. Geburtstag (eds. M. Reichel and A. Rengakos) 207–220. Stuttgart.
———, ed. and trans. 2003. Homeric Hymns, Homeric Apocrypha, Lives of Homer. Loeb Classical Library. Cambridge, MA.
———. 2005. “Odyssey and Argonautica.” Classical Quarterly 55:39–64.
Westphal, R. 1869. Prologomena zu Aeschylus Tragödien. Leipzig.
Whitmarsh, T. 1999. “Greek and Roman in Dialogue: The Pseudo-Lucianic Nero.” Journal of Hellenic Studies 119:142–160.
———. 2004. “The Cretan Lyre Paradox: Mesomedes, Hadrian and the Poetics of Patronage.” Paideia: The World of the Second Sophistic (ed. B. Borg) 377–402. Berlin and New York.
Wilamowitz-Möellendorff, U. von. 1884. Homerische Untersuchungen. Berlin.
———. 1900. Die Textgeschichte der griechischen Lyriker. Berlin.
———. 1903. Timotheos. Die Perser. Leipzig.
———. 1906. “Panionion.” Sitzungsberichte der Königlich Preussischen Akademie der Wissenschaften 1906:38–57.
———. 1913. Sappho und Simonides. Berlin.
———. 1920. Die Ilias und Homer. Berlin.
———. 1921. Griechische Verskunst. Berlin.
———. 1927. Die Heimkehr des Odysseus: Neue homerische Untersuchungen. Berlin.
Will, E. 1975. “Notes sur MISTHOS.” Le monde grec: Hommages à Claire Préaux (eds. J. Bingen, G. Cambier, and G. Nachtergael) 426–438. Brussels.
Wille, G. 1967. Musica Romana. Amsterdam.
Willi, A. 2008. Sikelismos. Sprache, Literatur und Gesellschaft im griechischen Sizilien (8.–5. Jh. v. Chr.). Biblioteca Helvetica Romana 29. Basel.
Williams, G. 1994. Banished Voices: Readings in Ovid’s Exile Poetry. Cambridge.
Williamson, M. 1995. Sappho’s Immortal Daughters. Cambridge, MA.
Wilson, P. 1997. “Leading the Tragic Chorus: Tragic Prestige in the Democratic City.” Greek Tragedy and the Historian (ed. C. Pelling) 81–108. Oxford.
———. 1999/2000. “Euripides’ Tragic Muse.” In Cropp et al. 1999/2000:427–450.
———. 2000. The Athenian Institution of the Khoregia: The Chorus, the City and the Stage. Cambridge.
———. 2002. “The Musicians Among the Actors.” In Easterling and Hall 2002:36–68.
———. 2003a. “The Politics of Dance: Dithyrambic Contest and Social Order in Greece.” Sport and Festival in the Ancient Greek World (eds. D. Phillips and D. Pritchard) 163–196. Swansea.
———. 2003b. “The Sound of Cultural Conflict: Kritias and the Culture of Mousikê in Athens.” In Dougherty and Kurke 2003:181–206.
———. 2004. “Athenian Strings.” In Murray and Wilson 2004:269–306.
———. 2007. “Performance in the Pythion: The Athenian Thargelia.” The Greek Theatre and Festivals: Documentary Studies (ed. P. Wilson) 150–184. Oxford Studies in Ancient Documents. Oxford.
———. 2009. “Thamyris the Thracian: The Archetypal Wandering Poet?” Wandering Poets in Ancient Greek Culture (eds. R. Hunter and I. Rutherford) 46–79. Oxford.
Winnington-Ingram, R. P. 1956. “The Pentatonic Tuning of the Greek Lyre: A Theory Examined.” Classical Quarterly 6:169–182.
———. 1988. “Kónnos, Konnâs, Cheride e la Professione di Musico.” La Musica in Grecia (eds. B. Gentili and R. Pretagostini) 246–263. Bari.
Woodman, A. J. 1993. “Amateur Dramatics at the Court of Nero: Annals 15.48–74.” Tacitus and the Tacitean Tradition (eds. T. J. Luce and A. J. Woodman) 104–128. Princeton.
Yatromanolakis, D. 2001. “Visualizing Poetry: An Early Representation of Sappho.” Classical Philology 96:159–168.
Younger, J. 1998. Music in the Aegean Bronze Age. Jonsered.
Zanker, P. 1995. The Mask of Socrates: The Image of the Intellectual in Antiquity. Trans. A. Shapiro. Berkeley.
Zeitlin, F. 1996. Playing the Other: Gender and Society in Classical Greek Literature. Chicago.
Zhmud, L. 2006. The Origin of the History of Science in Classical Antiquity. Trans. A. Chernoglazov. Berlin.
Ziegler, K. 1942. Paulys Realencyclopäde der classischen Altertumswissenschaft XVIII (ed. G. Wissowa), s.v. “Orphische Dichtung,” cols. 1322–1417. Stuttgart.
Zimmermann, B. 1986. “Überlegungen zum sogenannten Pratinas-Fragment.” Museum Helveticum 43:145–154.
———. 1992. Dithyrambos: Geschichte einer Gattung. Göttingen.
———. 1993. “Comedy’s Criticism of Music.” Intertextualität in der griechisch-römischen Kömödie (eds. N. W. Slater and B. Zimmermann) 39–50. Stuttgart.