Chapter Five: Iliadic multiformities I 5ⓢ1. The transcendence of Zeus as hymnic subject I§242 We have seen that the ongoing humnos of the stylized festival of the Phaeacians keeps getting stopped and restarted, and that in two cases the restarting activates a distinct hymnic prooimion. Read more
Preface [In this on-line version, the page-numbers of the printed version are indicated within braces (“{” and “}”). For example, “{69|70}” indicates where p. 69 of the printed version ends and p. 70 begins. These indications will be useful to readers who need to look up references… Read more
Introduction Introduction §1 This book Homer the Preclassic, which is based on the Sather Classical Lectures of spring 2002, covers the preclassical era of Homeric reception. It is complemented by a twin book, Homer the Classic (2009), which covers the classical era. Between the two of… Read more
Part One. A preclassical Homer from the Dark Age A working definition of the Dark Age I§1 Thinking my way backward from the classical period of the fifth century BCE, I confront a preclassical period that I divide into two ages, the Dark Age and… Read more
Chapter One: Homer and the Athenian empire I 1ⓢ1. The Athenian empire I§13 I offer here an overview of what we know about the Athenian empire in the era of the democracy in the fifth century BCE. The basic facts can be found in the… Read more
Chapter Two: Homer outside his poetry I 2ⓢ1. Homer in the Life of Homer traditions I§55 So far, we have been considering the concept of Homer as defined by the Homeric Hymn to Apollo and by the epics attributed to Homer. Now we will see… Read more
9. Ellipsis in Homeric Poetry* 9§1 This essay concentrates on four questions: (1) What is ellipsis? (2) How does ellipsis work in Homeric songmaking? (3) How does ellipsis typify Homeric songmaking? (4) How does Homeric songmaking use ellipsis to typify itself? … Read more
Bibliography Allen, T. W. 1924. Homer: The Origins and the Transmission. Oxford. ———, ed. 1931. Homeri Ilias. I–III. Oxford. Allen, W. S. 1973. Accent and Rhythm. Prosodic Features of Latin and Greek: A Study in Theory and Reconstruction. Read more
Foreword Gregory Nagy {ix} The Language of Heroes: Speech and Performance in the “Iliad,” by Richard P. Martin, inaugurates the “Myth and Poetics” series. My goal, as series editor, is to encourage work that will help integrate literary criticism with the approaches of cultural anthropology and… Read more
Preface [In this on-line version, the page-numbers of the printed version are indicated within braces (“{” and “}”). For example, “{69|70}” indicates where p. 69 of the printed version ends and p. 70 begins. These indications will be useful to readers who need to look up references… Read more
