Chapters

6. The Theme in Anglo-Saxon Poetry

6. The Theme in Anglo-Saxon Poetry From my point of view the work on the theme in Anglo-Saxon poetics got off on what I always thought was the wrong foot. What Francis Peabody Magoun, Jr., called a theme was not what either I or Parry meant by… Read more

3. Book III: Vico’s “Empirical” Homer(s)

3. Book III: Vico’s “Empirical” Homer(s) Again, Book III represents the polemical fulcrum of Vico’s response to The Homeric Question. Its specific raison d’être is the promise he has made (primarily in “The Idea of the Work”) that through the anti-Cartesian method of his “new science” he… Read more

7. Two Conclusions

7. Two Conclusions Despite being a product of diachronic, Panhellenic dissemination, Homeric Greek, as an artificial literary language, is strikingly complex in the Russian Formalist sense of displaying literatur’nost’ (“literariness”). That is, both epics were “built” over the millennia through such devices as “the epic simile”; formulaic… Read more

Acknowledgments

Acknowledgments During the gestation of this book, I have not lacked for support and material assistance from many people. My sincere thanks go to the following persons who have contributed to, corrected, and encouraged my work: Chris Dadian, Carol Dougherty, Judith Feher-Gurewitch, Carolyn Higbie, Stephanie Jamison, Claudine… Read more

Introduction: Approaching Anger

Introduction: Approaching Anger [In this on-line version, the page-numbers of the printed version are indicated within braces (“{” and “}”). For example, “{69|70}” indicates where p. 69 of the printed version ends and p. 70 begins. These indications will be useful to readers who need to look… Read more