Criticism

Poetry and the Polis in Euripidean Tragedy

Most critics agree that Euripidean tragedy addresses a wealth of political questions, and that it successfully incorporates and engages with a variety of ancient Greek poetic traditions. Nevertheless, these topics and questions have generally been treated separately. In this book, Jonah Radding contends that the political issues addressed in Euripides’s tragedies are inextricably related to his employment of choral lyric genres such as paean and epinician, and to his engagement with canonical poetic texts such… Read more

In Her Own Words: The Life and Poetry of Aelia Eudocia

In Her Own Words: The Life and Poetry of Aelia Eudocia is the first full-length study to examine Eudocia’s writings as a unified whole and to situate them within their wider fifth-century literary, social, and religious contexts. Responsible for over 3,000 lines of extant poetry, Eudocia is one of the best-preserved ancient female poets. Because she wrote in a literary mode frequently suppressed by proto-orthodox (male) leaders, much of her… Read more

The Cypria

The Cypria, so named because its poet supposedly came from the island of Cyprus, was an early Greek epic that is known to us primarily through quotations and references to passages by later authors, as well as through a prose summary of its plot and contents. Malcolm Davies uses linguistic evidence from the available verbatim fragments, along with other considerations, to suggest that the Cypria was written after Homer and… Read more

The Tears of Achilles

Warrior, hero, super-male—Achilles, by the protocols of Western culture, should never cry. And yet Homeric epic if full of his tears and those of his companions at Troy. This path-blazing study by Hélène Monsacré shows how later ideals of stoically inexpressive manhood run contrary to the poetic vision presented in the Iliad and Odyssey. The epic protagonists, as larger-than-life figures who transcend gender categories, are precisely the men most likely… Read more

The Art of Reading: From Homer to Paul Celan

The Art of Reading is the first—long overdue—collection of essays by the French classical philologist and humanist Jean Bollack to be published in English. As the scope of the collection demonstrates, Bollack felt at home thinking in depth about two things that seem starkly different to most other thinkers. We see on the one hand the classics of Greek poetry and philosophy, including the relatively obscure but in his hands illuminating re-readings of… Read more

Literary History in the Parian Marble

Inscribed some time after 264 BCE, the Parian Marble offers a chronological list of events with an exceptional emphasis on literary matters. Literary History in the Parian Marble explores the literary and historiographical qualities of the inscription, the genre to which it belongs, and the emerging patterns of time. Endorsing the hypothesis that the inscription was originally displayed at a Parian shrine honoring Archilochus, Andrea Rotstein argues that literary history was one of its… Read more

Masterpieces of Metonymy: From Ancient Greek Times to Now

In Masterpieces of Metonymy, Gregory Nagy analyzes metonymy as a mental process that complements metaphor. If metaphor is a substitution of something unfamilar for something familiar, then metonymy can be seen as a connecting of something familiar with something else that is already familiar. Applying this formulation, Nagy offers close readings of over one hundred examples of metonymy as it comes to life in the verbal and the visual arts… Read more

The Theban Epics

In antiquity, the story of the failed assault of the Seven against Thebes ranked second only to the Trojan War. But whereas the latter was immortalized by Homer’s Iliad, the account of the former in the epic Thebais survives only in fragments preserved in later authors. The same is true of the Oedipodeia and Epigoni, which dealt respectively with events leading up to the Seven’s campaign and with the successful assault on the city in the… Read more

Plato’s Four Muses: The Phaedrus and the Poetics of Philosophy

Plato’s Four Muses reconstructs Plato’s authorial self-portrait through a fresh reading of the Phaedrus, with an Introduction and Conclusion that contextualize the construction more broadly. The Phaedrus, it is argued, is Plato’s most self-referential dialogue, and Plato’s reference to four Muses in Phaedrus 259c–d is read as a hint at the “ingredients” of philosophical discourse, which turns out to be a form of provocatively old-fashioned mousikê. Andrea Capra maintains that Socrates’s conversion to “demotic”—as opposed to metaphorical—music… Read more

Plato’s Wayward Path: Literary Form and the Republic

Since Friedrich Schleiermacher’s work in the 1800s, scholars interested in the literary dimension of Plato’s writings have sought to reconcile the dialogue form with the expository imperative of philosophical argument. It is now common for mainstream classicists and philosophers to attribute vital importance to literary form in Plato, which they often explain in terms of rhetorical devices serving didactic goals. This study brings the disciplines of literary and classical studies… Read more