Originally published in Homeric Contexts: Neoanalysis and the Interpretation of Oral Poetry (ed. F. Montanari, A. Rengakos, and C. Tsagalis) 27–71. Trends in Classics Supplementary Volume 12. Berlin and Boston 2012. The page-numbers of the printed version are embedded within brackets in this electronic version: for example, {27|28} marks where… Read more
Anger is central to the Homeric epic, but few scholarly interventions have probed Homer’s language beyond the study of the Iliad’s first word: menis. Yet Homer uses over a dozen words for anger. Fighting Words and Feuding Words engages the powerful tools of Homeric poetic analysis and the anthropological study of emotion in an analysis… Read more
[This paper was originally published in Online Humanities Scholarship: The Shape of Things to Come. Proceedings of the Mellon Foundation Online Humanities Conference at the University of Virginia March 26-28, 2010, edited by Jerome McGann with Andrew Stauffer, Dana Wheeles, and Michael Pickard, pp. 87-112. Rice University Press 2010.] Introduction… Read more
“The main argument of this book is that the connection suggested by Homer between the ‘wiles’ and the ‘wanderings’ of Odysseus in fact rested upon an earlier tradition both significant and deep. The origin of this tradition has to do with the etymology of the Greek word nóos, ‘mind’, which… Read more
The subject of this book, which is an amplified version of the author’s MA thesis, is the art of description in the Iliad and the Odyssey. The art of description, or ekphrasis, is studied initially in general, seen in conjunction with such basic Homeric issues as formulaic language and similes,… Read more
[This article first appeared in French as “L’intrigue de Zeus,” in Europe 79 (no. 865, May 2001), 120-158. In this online version, the original page-numbers will be indicated within brackets (“{“ and “}”). For example, “{51 | 52}” indicates where p. 51 of the original article ends and p. 52… Read more
The Homeric Iliad and Odyssey are among the world’s foremost epics. Yet, millennia after their composition, basic questions remain about them. Who was Homer—a real or an ideal poet? When were the poems composed—at a single point in time, or over centuries of composition and performance? And how were the poems committed to writing?… Read more
[[Originally published in Bakhtin and the Classics, ed. R. B. Branham (Evanston IL 2002) 71-96. (The page-numbers of the printed version are embedded within brackets in this electronic version: for example, {71|72} marks where p. 71 stops and p. 72 begins.)]] In the title of my essay, there is no… Read more
As Homer remains an indispensable figure in the canons of world literature, interpreting the Homeric text is a challenging and high stakes enterprise. There are untold numbers of variations, imitations, alternate translations, and adaptations of the Iliad and Odyssey, making it difficult to establish what, exactly, the epics were. Gregory Nagy’s essays have one… Read more
Homer the Preclassic considers the development of the Homeric poems—in particular the Iliad and Odyssey—during the time when they were still part of the oral tradition. Gregory Nagy traces the evolution of rival “Homers” and the different versions of Homeric poetry in this pretextual period, reconstructed over a time frame extending back from the… Read more
