An Ancient Cabaret
15 December 2021, 3:00 pm ET
A special edition of Reading Greek Tragedy Online Read more
papyrus
Now Available Online | Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P. Mil. Vogl. VIII 309)
Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P. Mil. Vogl. VIII 309), edited by Benjamin Acosta-Hughes, Elizabeth Kosmetatou & Manuel Baumbach The Center for Hellenic Studies is pleased to announce the online publication of Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P. Mil. Vogl. VIII 309), edited by Benjamin Acosta-Hughes, Elizabeth Kosmetatou & Manuel Baumbach, on the CHS website. The work is also available… Read more
Now Available Online | Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P. Mil. Vogl. VIII 309)
Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P. Mil. Vogl. VIII 309), edited by Benjamin Acosta-Hughes, Elizabeth Kosmetatou & Manuel Baumbach The Center for Hellenic Studies is pleased to announce the online publication of Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P. Mil. Vogl. VIII 309), edited by Benjamin Acosta-Hughes, Elizabeth Kosmetatou & Manuel Baumbach, on the CHS website. The work is also available… Read more
Homeric Variations: Interview with Classicist and Jazz Musician Graeme Bird, Gordon College
Graeme Bird and a student from Gordon College examine an 1800-year-old Homeric papyrus.Photo Credit: Cyndi McMahon, Gordon College "True improvisation has nothing really to do with “making stuff up on the spot”; rather it is the creative and inspired weaving together of previously rehearsed material…" --Graeme Bird We recently had the opportunity to sit down and chat with professor, musician, and CHS author Graeme D. Bird about his work on ancient Homeric papyri, jazz improvisation, and the surprising intersections between the two. Read more