Phaedrus

Plato’s Four Muses: The Phaedrus and the Poetics of Philosophy

Plato’s Four Muses reconstructs Plato’s authorial self-portrait through a fresh reading of the Phaedrus, with an Introduction and Conclusion that contextualize the construction more broadly. The Phaedrus, it is argued, is Plato’s most self-referential dialogue, and Plato’s reference to four Muses in Phaedrus 259c–d is read as a hint at the “ingredients” of philosophical discourse, which turns out to be a form of provocatively old-fashioned mousikê. Andrea Capra maintains that Socrates’s conversion to “demotic”—as opposed to metaphorical—music… Read more