This text first considers the character of Penelope from the Odyssey as the object of male gazes and as a subject acting from her own desire, and then it develops the notion of “possible plots” as structures in the poem that co-exist with the plots Penelope actually plays out. Read more
The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized… Read more
Casey Dué examines the figure of Briseis, the concubine of Achilles in the Iliad, as an example of the traditional artistry enabled by a complex and self-contained oral poetic system. Briseis’ lament for Patroclus in Iliad 19 hints at her role in the larger epic tradition. Dué argues that Briseis’ role… Read more
