#Works Cited

Works Cited

Austin, J.L. 1955. How to Do Things with Words. Ed. J.O. Urmson and Marina Sbisà. 2nd ed. 1962. Cambridge, MA.
Bowra, C.M. 1961. Greek Lyr ic Poetry From Alcman to Simonides. London.
Burkert, Walter. 1979. Structure and History in Greek Mythology and Ritual. Berkeley, CA.
Burkert, Walter. 1977. Greek Religion. Trans. John Raffan 1985. Cambridge, MA.
Burnett, Anne Pippin. 1983. Three Archaic Poets: Archilochus, Alcaeus, Sappho. Cambridge, MA.
Cameron, A. 1939. “Sappho’s Prayer to Aphrodite.” Harvard Theological Review 32:1–17.
Cameron, A. 1964. “Sappho and Aphrodite Again.” Harvard Theological Review 57:237–239.
Campbell, D.A. 1967. Greek Lyric Poetry. Bristol.
Derrida, Jacques. 1967. Of Grammatology. Trans. Gayatri Chakravorty Spivak 1976. Baltimore.
Derrida, Jacques. 1967. “Structure, Sign, and Play in the Discourse of the Human Sciences.” Writing and Difference. Trans. Alan Bass 1978. Chicago, IL. Rpt. in Critical Theory Since 1965 (ed. Hazard Adams and Leroy Searle 1986) 83–94. Tallahassee, FL. {65|66}
Dodds, E.R. 1951. The Greeks and the Irrational. Berkeley, CA.
Gentili, Bruno. 1985. Poetry and Its Public in Ancient Greece: From Homer to the 5th Century. Trans. A. Thomas Cole 1988. Baltimore.
Jakobson, Roman. 1940. “Signe Zéro.” Selected Writings. 2nd, expanded ed. 7 vols. 1971. II:211–222. The Hague.
Johnson, Barbara. 1980. “Poetry and Performative Language: Mallarmé and Austin.” The Critical Difference: Essays in the Contemporary Rhetoric of Reading. 52–66. Baltimore.
Johnson, Barbara. 1977. “The Frame of Reference: Poe, Lacan, Derrida.” Literature and Psychoanalysis: The Question of Reading: Otherwise (ed. Shoshana Felman 1982) 457–505. Baltimore.
Kennedy, George. 1963. The Art of Persuasion in Greece. Princeton.
Lacan, Jacques. 1958. “The Agency of the Letter in the Unconscious or Reason Since Freud.” Ecrits. Trans. Alan Sheridan 1977. New York. Rpt. in Critical Theory Since 1965 (ed. Hazard Adams and Leroy Searle) 738–756. Tallahassee, FL.
Lacan, Jacques. 1937. “The Mirror Stage as Formative of the Function of the I as Revealed in the Psychoanalytic Experience.” Ecrits. Trans. Alan Sheridan. New York. Rpt. in Critical Theory Since 1965 (ed. Hazard Adams and Leroy Searle) 734–738. Tallahassee, FL.
Lord, Albert. 1960. The Singer of Tales. Cambridge, MA. {66|67}
Martin, Richard. 1989. The Language of Heroes: Speech and Performance in the Iliad. Ithaca, NY.
Mauss, Marcel. 1968. Les Fonctions Sociales Du Sacré. Oeuvres. Ed. Victor Karady. 3 vols. Paris.
Merkelbach, Reinhold. 1957. “Sappho und ihr Kreis.” Philologus 101:1–29.
Nagy, Gregory. 1979. The Best of the Achaeans: Concepts of the Hero in Ancient Greek Poetry. Baltimore.
Nagy, Gregory. 1990. Greek Mythology and Poetics. Ithaca, NY.
Page, Denys. 1955. Sappho and Alcaeus: an Introduction to the Study of Ancient Lesbian Poetry. New York.
Rissman, Leah. 1983. Love as War: Homeric Allusion in the Poetry of Sappho. Beiträge zur Klassischen Philologie H. 157. Königstein/Ts.
Rösler, Wolfgang. 1980. Dichter und Gruppe: eine Untersuchung zu den Bedingungen und zur historischen Funktion früher griechischer Lyrik am Beispiel Alkaios. Munich.
Saussure, Ferdinand de. 1913. Course in General Linguistics. Trans. Wade Baskins (ed. Charles Bally and Albert Sechehaye in collaboration with Albert Riedlinger) 1959. New York.
Segal, Charles. 1974. “Eros and Incantation: Sappho and Oral Poetry.” Arethusa 7:139–160. {67|68}
Snell, Bruno. 1961. Poetry and Society: The Role of Poetry in Ancient Greece. Bloomington, IN.
Voigt, Eva-Maria. 1971. Sappho et Alcaeus: Fragmenta. Amsterdam.
Wilamowitz-Moellendorf, Ulrich von. 1913. Sappho und Simonides: Untersuchung über griechische Lyriker. Berlin.