Conclusion Many of the concerns associated with illegitimacy cut across the narratives we have examined. The connection between legitimacy and reining in female desire is present not only in Euripides’ portrayal of Phaedra but also in the narratives about Danaë. [1] Both narratives in turn imply an ideology of marriage as a cultural control of the “natural” desires of women. As we… Read more
Bibliography Barrett, W. S. 1964. Euripides’ Hippolytos. Oxford: Clarendon Press. Betts, J. H. 1977. Review of Corpus der Minoischen und Mykenischen Siegel, Journal of Hellenic Studies 97:228-229. Black, Max. 1962. Models and Metaphors: Studies in Language and Philosophy. Ithaca, N.Y.: Cornell University Press. Blundell, Sue. 1998. “Marriage and the Maiden: Narratives on the Parthenon,”… Read more
About the Author Mary Ebbott is Assistant Professor of Classics at the College of the Holy Cross in Worcester, Massachusetts. She holds an A.B. degree from Bryn Mawr College and earned both the M.A. and Ph.D. degrees at Harvard University. Her previous publications have focused on Homer’s Iliad and the Persians of Aeschylus. … Read more
Originally published in 1996 by Cambridge University Press. Copyright, Cambridge University Press. Also available for purchase in printhere. Read more
Preface for the Online Edition The printed edition of Poetry as Performance, originally published in 1996 by Cambridge University Press, is now in 2009 published online here by the Center for Hellenic Studies, with the permission of the Press. The original page-numbers are indicated within braces (for example, “{1|2}” indicates the break between pages 1 and 2). And I add here to the Preface of 1996… Read more
Introduction: A Brief Survey of Concepts and Aims The two central concepts of this book can be summed up in the words performance and composition, which are to be taken as two different aspects of one process in oral poetics. The emphasis here is on performance, as the title of the book indicates. The basic work on the interaction of performance and composition continues to be… Read more
Chapter 1 The Homeric Nightingale and the Poetics of Variation in the Art of a Troubadour. {|7} Let us begin with a passage from epic, where the epic is representing lyric, not epic. Specifically the lyric form is a song of lament. Penelope is at the moment comparing herself to a nightingale, the typical songbird of lament in ancient Greek traditions, who in a previous life… Read more
Chapter 2 Mimesis, Models of Singers, and the Meaning of a Homeric Epithet Let us continue where we left off, with the song of the nightingale. In the previous chapter, we noted that the idea of variation is implicit in the epithet poludeukḗs describing the voice (phōnḗ) of the songbird in Odyssey xix (521), but the task remains to formulate the precise meaning of this epithet,… Read more
Chapter 3 Mimesis of Homer and Beyond The variant epithet of the Homeric nightingale’s voice in Odyssey xix (521), poludeukḗs ‘patterning in many different ways’, applies to Homer himself and—just as important—to those who perform Homer. In making this claim, I am arguing that Homer’s nightingale is in effect a model for Homer—and even for performers who model their identities on Homer—in her capacity to… Read more
Chapter 4 Mimesis in Lyric: Sappho’s Aphrodite and the Changing Woman of the Apache We turn to a striking example of the equation between a ritual “this” and a mythical “that,” as postulated in Aristotle’s formulation of mimesis. This example of dramatic re-enactment, taken from a culture that is definitely unrelated to the Greek, is explicitly a case of initiation—a concept that we have seen… Read more
