Appendix. Rhapsodes and Actors, pp.99–101
Appendix: Rhapsodes and Actors As argued in Ch. 1, there are parallelisms in the evolution of rhapsôidoi ‘rhapsodes’ and hupokritai ‘actors’. Even the terminology referring to rhapsodes and actors is parallel: for example, theatai ‘theater-spectators’ in Plato Ion 535d8 refers to the audiences who attend the performances of the rhapsodes. I disagree with Boyd 1994:112, who argues that Ion 535d1-5 refers not to epic rhapsodes but exclusively… Read more