PUBLICATIONS

The Captive Woman’s Lament in Greek Tragedy.

The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman’s Lament in Greek Tragedy addresses the possible meanings ancient… Read more

Poetics of Repetition in Homer

[[This article was originally published in 2004 in Greek Ritual Poetics (ed. D. Yatromanolakis and P. Roilos) 139–148. Hellenic Studies 3. Cambridge, MA and Washington, DC. In this online version, the original page-numbers of the printed version are indicated within braces (“{” and “}”). For example, “{139|140}” indicates where p. 139 of the printed version ends and p. 140 begins.]] Repetition in Homeric poetry is a matter of performance, not… Read more

“Dream of a Shade”: Refractions of Epic Vision in Pindar’s Pythian 8 and Aeschylus’ Seven against Thebes

[[This is an electronic version of an article that appeared in Harvard Studies in Classical Philology 100 (2000) 97–118. In this online version, the original page-numbers of the printed version are indicated within braces (“{” and “}”). For example, “{97|98}” indicates where p. 97 of the printed version ends and p. 98 begins.]] This essay explores the idea of epic in relative rather than absolute terms, with specific reference to… Read more