Poetics of authorial, rhythmic, and gendered identities: The subject of discourse in Pindar’s Theban partheneion
École des Hautes Etudes en Sciences Sociales, Centre AnHiMA, Paris (translated by Sean Harrigan, Yale University) 1968: key-date in the development of the humanities among francophone scholars. In 1968 Roland Barthes publishes a brief essay on literary texts in modernity under the heading “la mort d’auteur.” In literature, in the act of writing, it is now “le langage qui parle, ce n’est pas l’auteur”; “écrire, c’est, à travers une impersonnalité… Read more