Poetry as Performance: Homer and Beyond

  Use the following persistent identifier: http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Nagy.Poetry_as_Performance.1996.


Abbreviations

BA – The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry = N 1979a

GM – Greek Mythology and Poetics = N 1990b

HC – Homer the Classic = N 2008

HQ – Homeric Questions = N 1996b

HP – Homer the Preclassic = N 2009

HR – Homeric Responses = N 2003a

HTL – Homer’s Text and Language = N 2004a

LP – “The Library of Pergamon as a Classical Model” = N 1998

N – Nagy, G.

PH – Pindar’s Homer: The Lyric Possession of an Epic Past = N 1990a

PP – Poetry as Performance: Homer and Beyond = N 1996

PR – Plato’s Rhapsody and Homer’s Music: The Poetics of the Panathenaic Festival in Classical Athens = N 2002

 

Bibliography

Adrados, F. R. 1983. “Les collections de fables à l’époque hellénistique et romaine.” La fable: Huit exposés suivis de discussions (ed. F. R. Adrados) 137–195 (Fondation Hardt, Entretiens sur l’antiquité classique 30) Geneva.

Alexiou, M. 1974. The Ritual Lament in Greek Tradition. Cambridge.

Allen, T. W. 1924. Homer: The Origins and the Transmission. Oxford.

———. 1931. ed. Iliad: editio maior. 3 vols. Oxford.

Allen, W. S. 1973. Accent and Rhythm. Prosodic Features of Latin and Greek: A Study in Theory and Reconstruction. Cambridge.

———. 1987. Vox Graeca: The Pronunciation of Classical Greek. 3rd ed. Cambridge.

Aloni, A. 1984. “L’intelligenza di Ipparco. Osservazioni sulla politica dei Pisistratidi.” Quaderni di Storia 19:109–148.

———. 1986. Tradizioni arcaiche della Troade e composizione dell’ Iliade. Milan.

Andersen, F. G. 1991. “Technique, Text, and Context: Formulaic Narrative Mode and the Question of Genre.” The Ballad and Oral Literature (ed. J. Harris; Harvard English Studies 17) 18–39. Cambridge MA.

Angelou, M. 1969. I Know Why the Caged Bird Sings. New York.

Apthorp, M. J. 1980. The Manuscript Evidence for Interpolation in Homer. Heidelberg.

Austin, J. L. 1962. How to Do Things with Words. Oxford.

Austin, N. 1975. Archery at the Dark of the Moon: Poetic Problems in Homer’s Odyssey. Berkeley and Los Angeles.

Back, F. 1883. De Graecorum caerimoniis in quibus homines deorum vice fungebantur. Berlin.

Bader, F. 1986. “De Pollux à Deukalion: la racine *deuk ‘briller, voir’.” Festschrift für Ernst Risch zum 75. Geburtstag (ed. A. Etter) 463–488. Berlin / New York.

———. 1989. La langue des dieux, ou l’hermétisme des poètes indo-européens. Testi Linguistici 14. Pisa.

Bakker, E. 1993. “Activation and Preservation: The Interdependence of Text and Performance in an Oral Tradition.” Oral Tradition 8:5–20. {229|230}

Barker, A. 1984. ed. Greek Musical Writings I. Cambridge.

Barrett, W. S. 1964. ed. Euripides: Hippolytus. Oxford.

Bartol, K. 1992. “Where Was Iambic Poetry Performed? Some Evidence from the Fourth Century B.C.” Classical Quarterly 42:65–71.

Basso, K. H. 1966. “The Gift of Changing Woman.” Smithsonian Institution, Bureau of American Ethnology Bulletin 196:113–173 (Anthropological Papers No. 76). Washington DC.

Batchelder, A. G. 1994. The Seal of Orestes: Self-Reference and Authority in Sophocles’ “Electra”. Lanham MD.

Bäuml, F. H. 1986. “The Oral Tradition and Middle High German Literature.” Oral Tradition 1:398–445. {Arguments at pp. 401 (cf. 409) with Curschmann on the notion of “transitional text.” At p. 413 he accept as “right” and “correct” the view of e.g. Fromm that the Nibelungenlied had an “original,” the work of “one author” (but cf. the references he gives at p. 410).}

Bausinger, H. 1980. Formen der “Volkspoesie.” 2nd ed. Berlin.

Bayer, E. 1942. Demetrios Phalereus der Athener (Tübinger Beiträge zur Altertumswissenschaft 36). Stuttgart.

Bédier, J. 1928. “La tradition manuscrite du Lai de l’ombre.” Romania 54:161–196, 321–356.

Benveniste, E. 1949. “Le système sublogique des prépositions en latin.” Travaux du Cercle linguistique de Copenhague 5:177–185. Reprinted in Benveniste 1966:132–139.

———. 1966. Problèmes de linguistique générale. Paris.

———. 1969. Le vocabulaire des institutions indo-européennes. I. Economie, parenté, société. II. Pouvoir, droit, religion. Paris.

———. 1973. Indo-European Language and Society. Translation by E. Palmer of Benveniste 1969. London.

Bertolini, F. 1992. “Il palazzo: L’epica.” Lo spazio letterario della Grecia antica I. La produzione e la circolazione del testo (ed. G. Cambiano, L. Canfora, and D. Lanza) 109–141. Rome / Salerno.

Bird, G. D. 1994. “The Textual Criticism of an oral Homer.” Nile, Ilissos and Tiber: Essays in honour of Walter Kirkpatrick Lacey (ed. V. J. Gray) Prudentia 26:35–52.

Blackburn, S. H., Claus, P. J., Flueckiger, J. B., and Wadley, S. S. 1989. ed. Oral Epics in India. Berkeley and Los Angeles. Abbreviated as OEI.

Blackburn, S. H., and Flueckiger, J. B. 1989. “Introduction.” OEI 1-11.

Blackburn, S. H. 1989. “Patterns of Development for Indian Oral Epics.” OEI 15–32. {230|231}

Bloch, R. H. 1988. “The Voice of the Dead Nightingale: Orality in the Tomb of Old French Literature.” Culture and History 3:63–78.

———. 1990. See Nichols 1990.

Blum, R. 1977. Kallimachos und die Literaturverzeichnung bei den Griechen. Frankfurt.

———. 1991. Kallimachos: The Alexandrian Library and the Origins of Bibliography. Translation by H. H. Wellisch of Blum 1977. Madison.

Bollack, J. 1994. “Une action de restauration culturelle. La place accordée aux tragiques par le décret de Lycurgue.” Mélanges Pierre Lévêque (ed. M. M. Mactoux and E. Geny) 13–24. Paris.

Bolling, G. M. 1925. The External Evidence for Interpolation in Homer. Oxford.

Bonanno, M. G. (1993. “Saffo 31,9 V.: ΓΛΩΣΣΑ ΕΑΓΕ.” Quaderni Urbinati di Cultura Classica 43.61–68.

Bonaria, M. 1955. ed. Mimorum Romanorum Fragmenta. I. Fragmenta. II. Fasti Mimici et Pantomimici. Genoa.

Bornstein, G., and Williams, R. G. 1993. ed. Palimpsest: Editorial Theory in the Humanities. Ann Arbor.

Boyd, T. E. 1994. “Where Ion Stood, What Ion Sang.” Harvard Studies in Classical Philology 96:109–121.

———. 1996. “Libri Confusi.” Classical Journal 91:1–11.

Bundy, E. L. 1962 [1986]. “Studia Pindarica I: The Eleventh Olympian Ode; II: The First Isthmian Ode” University of California Publications in Classical Philology 18.1–2:1–92. Both articles reissued 1986 as Studia Pindarica. Berkeley and Los Angeles.

Burkert, W. 1972. “Die Leistung eines Kreophylos: Kreophyleer, Homeriden und die archaische Heraklesepik.” Museum Helveticum 29:74–85.

———. 1987. “The Making of Homer in the Sixth Century B.C.: Rhapsodes versus Stesichorus.” Papers on the Amasis Painter and His World (ed. M. True, C. Hudson, A. P. A. Belloli, B. Gilman, and others) 43–62. Malibu CA.

Burnett, A. P. 1983. Three Archaic Poets: Archilochus, Alcaeus, Sappho. Cambridge MA.

———. 1988. “Jocasta in the West: The Lille Stesichorus.” Classical Antiquity 7:108–154.

Calame, C. 1974. “Réflexions sur les genres littéraires en Grèce archaïque.” Quaderni Urbinati di Cultura Classica 17:113–123.

———. 1977. Les choeurs de jeunes filles en Grèce archaïque I: Morphologie, fonction religieuse et sociale. II: Alcman. Rome. {231|232}

———. 1986. Le récit en Grèce ancienne. Paris.

———.1989. “Apprendre à boire, apprendre à chanter: L’inférence énonciative dans une image grecque.” La part de l’oeil 5:45–53.

———. 1995. The Craft of Poetic Speech in Ancient Greece (tr. J. Orion). 2nd ed. Ithaca NY.

———. 2001. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Function (tr. D. Collins and J. Orion). 2nd ed. Lanham MD.

Cameron, A. 1990. “Isidore of Miletus and Hypatia: On the Editing of Mathematical Texts.” Greek Roman and Byzantine Studies 31:103–127.

Cantarella, R. 1929. L’edizione polistica di Omero. Studii su la tradizione del testo e le origini dei poemi. Salerno.

Carson, A. 1986. Eros the Bittersweet: An Essay. Princeton NJ.

Catenacci, C. 1993. “Il finale dell’ Odissea e la recensio pisistratide dei poemi omerici.” Quaderni Urbinati di Cultura Classica 44:7–22.

Cerquiglini, B. 1989. Eloge de la variante: Histoire critique de la philologie. Paris.

Chantraine, P. 2009. Dictionnaire étymologique de la langue grecque: histoire des mots (ed. J. Taillardat, O. Masson, and J.-L. Perpillou), with a supplement Chroniques d’étymologie grecque 1–10 (ed. A. Blanc, Ch. de Lamberterie, and Jean-Louis Perpillou). Paris. Abbreviated as DELG.

Chaytor, H. J. 1967. From Script to Print: An Introduction to Medieval Vernacular Literature. New York.

Citti, V. 1966. “Le edizioni omeriche ‘delle città’.” Vichiana 3:227-267.

Claus, P. J. 1989. “Behind the Text: Performance and Ideology in a Tulu Oral Tradition.” OEI 55-74.

Clay, D. 1991. “Alcman’s Partheneion.” Quaderni Urbinati di Cultura Classica 39:47-67.

Comotti, G. 1989. “Melodia e accento di parola nelle testimonianze degli antichi e nei testi con notazione musicale.” Quaderni Urbinati di Cultura Classica 32:91–108.

Coogan, M. D. 1974. “Alphabets and Elements.” Bulletin of the American Schools for Oriental Research 216:61–63.

———. 1990. “*’lp- ‘To Be an Abecedarian’.” Journal of the American Oriental Society 110:322–323.

Cook, E. F. 1995. The “Odyssey” in Athens: Myths of Cultural Origin. Ithaca NY.

Curschmann, M. 1967. “Oral Poetry in Medieval English, French, and German Literature: Some Notes on Recent Research.” Speculum 42:36–52.

Davidson, O. M. 1985. “The Crown-Bestower in the Iranian Book of Kings.” Acta Iranica, Hommages et Opera Minora 10: Papers in Honour of Professor Mary Boyce (ed. H. W. Bailey, A. D. H. Bivar, J. Duchesne-Guillemin, J. R. Hinnells) 61–148. Leiden.

———. 1988. “A Formulaic Analysis of Samples Taken from the Shâhnâma of Ferdowsi.” Oral Tradition 3:88–105.

———. 1994. Poet and Hero in the Persian Book of Kings. Ithaca NY. 2nd ed. 2006. Costa Mesa CA.

Davison, J. A. 1955. “Peisistratus and Homer.” Transactions of the American Philological Association 86:1–21.

———. 1958. “Notes on the Panathenaia.” Journal of Hellenic Studies 78:23–41 = 1968:28–69. {232|233}

———. 1968. From Archilochus to Pindar: Papers on Greek Literature of the Archaic Period. London.

Dejeanne, J.-M.-L. 1909. ed. Poésies complètes du troubadour Marcabru. Toulouse.

Del Corno, D. 1960. “I papiri dell’Iliade anteriori al 150 a. Cr.” Rendiconti d. Istit. Lomb., Cl. Lett., Sc. mor. e stor. 73–116.

———. 1961. “I papiri dell’Odissea anteriori al 150 a. Cr.” Rendiconti d. Istit. Lomb., Cl. Lett., Sc. mor. e stor. 3–54.

Demos, M. 1991. “Lyric Quotation in Plato.” Ph.D. dissertation, Harvard University.

———. 1999. Lyric Quotation in Plato. Lanham MD.

Denniston, J. D. 1954. The Greek Particles. 2nd ed. revised by K. J. Dover. Oxford.

Detienne, M. 1973. Les Maîtres de vérité dans la Grèce archaïque. 2nd ed. Paris.

———. 1993. Les Maîtres de vérité en Grèce archaïque, 3rd ed. Paris. = The Masters of Truth in Archaic Greece (tr. J. Lloyd 1996). New York NY.

D’Ippolito, G. 1977. Lettura di Omero: il canto V dell’ “Odissea.” Palermo.

———. 1984. “Papiri ed ecdotica omerica.” Atti del xvii congresso internazionale di papirologia II 221–228. Naples.

Dover, K. J. 1993. ed. with commentary. Aristophanes: Frogs. Oxford.

Dow, S., and Travis, A. 1943. “Demetrius of Phalerum and His Lawgiving.” Hesperia 12:144–165.

Dronke, P. 1977. The Medieval Lyric. 2nd ed. London.

Ducrot, O., and Todorov, Tz. 1972. Dictionnaire encyclopédique des sciences du language. Paris.

———. 1979. Encyclopedic Dictionary of the Sciences of Language. Translation by C. Porter of Ducrot and Todorov 1972. Baltimore.

Duggan, J. J. 1973. The Song of Roland: Formulaic Style and Poetic Craft. Berkeley.

Dupont, F. 1994. L’Invention de la littérature: de l’ivresse grecque au livre latin. Paris.

Dupont-Roc, R., and Lallot, J. 1980. ed. with commentary. Aristote: La Poétique. Paris.

Durante, M. 1976. Sulla preistoria della tradizione poetic greca II. Risultanze della comparazione indoeuropea (Incunabula Graeca 64) Rome.

Dyck, A. R. 1993. “The Fragments of Heliodorus Homericus.” Harvard Studies in Classical Philology 95:1–64.

Edmunds, L. 1981. “The Cults and the Legend of Oedipus.” Harvard Studies in Classical Philology 85:221–238.

Edmunds, S. T. 1990. Homeric Nēpios. New York.

Eliot, T. S. [1963]. Collected Poems 1909–1962. New York.

———. [1975]. Selected Prose of T. S. Eliot (ed. F. Kermode). London.

Erbse, H. 1959. “Über Aristarchs Iliasausgaben.” Hermes 87:275–303. {233|234}

———. 1969–1988. ed. Scholia Graeca in Homeri Iliadem I–VII. Berlin and New York.

Ernout, A., and Meillet, A. 1959. Dictionnaire étymologique de la langue latine: Histoire des mots. 4th ed. Paris. Abbreviated as DELL.

Ferguson, W. S. 1911. Hellenistic Athens: An Historical Essay. London.

Figueira, T. J., and Nagy, G. 1985. ed. Theognis of Megara: Poetry and the Polis. Baltimore.

Fleischman, S. 1990. See Nichols 1990.

Flueckiger, J. B. 1989 “Caste and Regional Variants in an Oral Epic Tradition.” OEI 33-54.

Foley, J. M. 1991. Immanent Art: From Structure to Meaning in Traditional Oral Epic. Bloomington and Indianapolis IN.

Ford, A. L. 1985. “The Seal of Theognis: The Politics of Authorship in Archaic Greece.” Figueira and Nagy 1985:82–95.

———. 1988. “The Classical Definition of ΡΑΨΩΙΔΙΑ.” Classical Philology 83:300–307.

Ford, P. K. 1987. “The Death of Aneirin.” The Bulletin of the Board of Celtic Studies 34:41–50.

Foucault, M. 1969. “Qu’est-ce qu’un auteur?” Bulletin de la Société française de la philosophie 64:73–104. = “What is an author?” Textual Strategies: Perspectives in Post-Structuralist Criticism (ed. J. V. Harari) 141–160. Ithaca NY.

Foulet, A., and Speer, M. B. 1979. On Editing Old French Texts. Lawrence ΚΑ. {Not cited by Cerquiglini, Pickens 1994 says. But it is: see p. 121n27. He says that the Speer articles are missing, too. But Ι found them as well. I notice that Vox Intexta really does not cite. It does not cite Pickens, either.}

Frisk, H. 1970–1980. Griechisches etymologisches Wörterbuch. Heidelberg. Abbreviated as GEW.

Frontisi-Ducroux, F. 1986. La cithare d’Achille. Essai sur la poétique de l’Iliade. Rome.

Gabler, H. W. 1984. ed. With Steppe, W., and Melchior, C. James Joyce, Ulysses: A Critical and Synoptic Edition. 3 vols. New York.

———. 1993. “On Textual Criticism and Editing: The Case of Joyce’s Ulysses.” Bornstein and Williams 1993:195–224.

Gadamer, H.-G. 1975. Truth and Method. New York.

Garbrah, K. A. 1977. “The Scholia on the Ending of the Odyssey.” Würzburger Jahrbücher für die Altertumswissenschaft 3:7-16.

Gentili, B. 1985. Poesia e pubblico nella Grecia antica: da Omero al V secolo. Rome / Bari.

———. 1988. Poetry and Its Public in Ancient Greece: From Homer to the Fifth Century. Translation, with introduction, by A. T. Cole of Gentili 1985. Baltimore.

Glare, P. G. W. 1982. ed. Oxford Latin Dictionary. Oxford.

Goff, B. 1990. The Noose of Words: Readings of Desire, Violence and Language in Euripides’ Hippolytus. Cambridge. {234|235}

Goldhill, S. 1991. The Poet’s Voice: Essays on Poetics and Greek Literature. Cambridge.

Golston, S. E. 1996. Changing Woman of the Apache: Women’s Lives in Past and Present. London.

Gow, A. S. F., and Scholfield, A. F. 1953. ed. Nicander: The Poems and Poetical Fragments. Cambridge.

Graham, W. A. 1987. Beyond the Written Word: Oral Aspects of Scripture in the History of Religion. Cambridge.

Grant, J. N. 1989. ed. Editing Greek and Latin Texts (Papers given at the Twenty-Third Annual Conference on Editorial Problems, University of Toronto, 6–7 November 1987). New York.

Greetham, D. C. 1993. “Editorial and Critical Theory: From Modernism to Postmodernism.” Bornstein and Williams 1993:9–28.

Haley, J. L. 1981. Apaches: A History and Culture Portrait. New York.

Halleran, M. R. 1991, “Gamos and Destruction in Euripides’ Hippolytus.” Transactions of the American Philological Association 121:109–121.

Halliwell, S. 1986. Aristotle’s Poetics. Chapel Hill NC.

Hardy, T. 1929 [1978]. Chosen Poems (ed. F. S. Puk). New York.

Hartel, W. von. 1894. ed. Paulinus of Nola. Corpus Scriptorum Ecclesiasticorum Latinorum 30:194–206.

Harvey, A. E. 1955. “The Classification of Greek Lyric Poetry.” Classical Quarterly 5:157–175.

Havelock, E. A. 1986. The Muse Learns to Write: Reflections on Orality and Literacy from Antiquity to the Present. New Haven CT.

Held, D. t. D. 1991. “Why ‘Individuals’ Didn’t Exist in Classical Antiquity.” New England Classical Newsletter and Journal 18:26–29.

Henrichs, A. 1971 / 1974. “Scholia Minora zu Homer I, II, III / IV.” Zeitschrift für Papyrologie und Epigraphik 7:97–149,229–260, 8:1–12 / 12:17–43.

Hercher, R. 1864. ed. Artemidorus: Oneirokritika. Leipzig.

Herington, J. 1985. Poetry into Drama: Early Tragedy and the Greek Poetic Tradition. Berkeley and Los Angeles.

Herzfeld, M. 1993. “In Defiance of Destiny: The Management of Time and Gender at a Cretan Funeral.” American Ethnologist 20:241–255.

Higbie, C. 1995. Heroes’ Names, Homeric Identities. New York.

Hintenlang, H. 1961. Untersuchungen zu den Homer-Aporien des Aristotleles. Dissertation Heidelberg.

Householder, F. W., and Nagy, G. 1972. Greek: A Survey of Recent Work. The Hague.

Husson, G. 1993. “Les Homéristes.” The Journal of Juristic Papyrology 23:93–99.

Irigoin, J. 1952. Histoire du texte de Pindare. Paris. {See also Irigoin 1977. “Quelques réflexions sur le concept d’archétype.” RHT 7:235–245. This via Reynolds and Wilson p. 293.See also Irigoin 1977. “Quelques réflexions sur le concept d’archétype.” RHT 7:235-245. This via Reynolds and Wilson p. 293.}

Irwin, E. 1974. Colour Terms in Greek Poetry. Toronto.

Ivanov, V. V. 1993a. “On the Etymology of Latin elementa.” Elementa: Journal of Slavic Studies and Comparative Cultural Semiotics 1:1–5. {235|236}

———. 1993b. “Origin, History and Meaning of the Term ‘Semiotics’.” Elementa: Journal of Slavic Studies and Comparative Cultural Semiotics 1:115–143.

Jaeschke, H., 1921. ed. Der Trobador Elias Cairel (Romanische Studien 20). Berlin.

Janko, R. 1982. Homer, Hesiod and the Hymns: Diachronic Development in Epic Diction. Cambridge.

———. 1990. “The Iliad and its Editors: Dictation and Redaction.” Classical Antiquity 9:326–334.

———. 1992. ed., with commentary. The Iliad: A Commentary. Volume IV: Books 13–16. Cambridge.

———. 1994. Review of van Thiel 1991. Gnomon 66:289–295.

Janowitz, N. 1991. “The Rhetoric of Translation: Three Early Perspectives on Translating Torah.” Harvard Theological Review 84:129–140.

Jeanroy, A. 1916. Bibliographie sommaire des chansonniers provençaux. Paris.

———. 1924. ed. Les Chansons de Jaufré Rudel. 2nd ed. Paris.

———. 1934. ed. La Poésie lyrique des Troubadours. 2 vols. Toulouse and Paris.

Jebb, R. C. 1893. The Attic Orators. 2nd ed. 2 vols. London.

Jensen, M. Skafte. 1980. The Homeric Question and the Oral-Formulaic Theory. Copenhagen.

Jones, C. P. 1991. “Dinner Theater.” Dining in a Classical Context (ed. W. J. Slater) 185–198. Ann Arbor MI.

———. 1993. “Greek Drama in the Roman Empire.” Theater and Society in the Classical World (ed. R. Scodel) 39–52. Ann Arbor MI.

Karydas, H. Pournara. 1992. “The Trophos from Homer to Euripides as a Figure of Authority.” Ph.D. dissertation, University of Washington.

———. 1998. Eurykleia and her successors: female figures of authority in Greek poetics. Lanham MD.

Kaster, R. 1988. Guardians of Language: The Grammarian and Society in Late Antiquity. Berkeley and Los Angeles.

Kierkegaard, S. 1843 [1983]. Fear and Trembling. Repetition. Translation, with introduction and notes, by H. V. Hong and E. H. Hong. Princeton.

Kleingünther, A. 1933. ΠΡΩΤΟΣ ΕΥΡΕΤΗΣ: Untersuchungen zur Geschichte einer Fragestellung. Philologus Supplementband 26. Leipzig.

Kolsen, A. 1910. ed. Sämtliche Lieder des trobadors Giraut de Bornelh. Halle.

Kothari, K. 1989. “Performers, Gods, and Heroes in the Oral Epics of Rajasthan.” OEI 102–117

Kraft, W. B. 1989. “Improvisation in Hungarian Ethnic Dancing: An Analog to Oral Verse Composition.” Oral Tradition 4:273–315. {236|237}

Kirk, G. S. 1962. The Songs of Homer. Cambridge.

———. 1985. ed. with commentary. The Iliad: A Commentary. Volume I: Books 1–4. Cambridge.

Kurke, L. 1991. The Traffic in Praise: Pindar and the Poetics of Social Economy. Ithaca NY.

Labarbe, J. 1949. L’Homère de Platon. Liège.

Lachmann, K. 1850. ed. In T. Lucreti Cari de rerum natura libros commentarius. Berlin.

Lardinois, A. P. M. H. 1995 “Wisdom in Context: The Use of Gnomic Statements in Archaic Greek Poetry.” Ph.D. dissertation, Princeton University.

Latte, K. 1953 / 1966. ed. Hesychius. 2 vols., covering A–O. Copenhagen.

Laum, B. 1928. Das alexandrinische Akzentuationssystem unter Zugrundelegung der theoretischen Lehren der Grammatiker und mit Heranziehung der praktischen Verwendung in den Papyri. Paderborn.

Lavaud, R. 1957. ed. Poésies complètes du troubadour Peire Cardenal (1180–1278): Texte, traduction, commentaire, analyse des travaux antérieurs, lexique. Toulouse.

Lazar, M. 1966. ed. Bernard de Ventadour, Chansons d’amour. Paris.

Leach, E. 1982 “Critical introduction” to Steblin-Kamenskij 1982 (pp. 1–20).

Lefkowitz, M. R., and H. Lloyd-Jones, H. 1987. “ΛΥΚΑΙΧΜΙΑΙΣ.” Zeitschrift für Papyrologie und Epigraphik 68:9–10.

Lehrs, K. 1882. De Aristarchi Studiis Homericis. 3rd ed. Leipzig.

Lincoln, B. 1981. Emerging from the Chrysalis: Studies in Rituals of Women’s Initiation. Cambridge ΜΑ.

Lods, J. 1959. ed. Les lais de Marie de France. Paris.

Lohse, G. 1964 / 1965 / 1967. “Untersuchungen über Homerzitate bei Platon.” Helikon 4:3–28 / 5:248–295 / 7:223–231.

Loraux, N. (1987) “Le lien et la division.” Le Cahier du Collège International de Philosophie 4:101–124.

———. 1990. Les mères en deuil. Paris.

———. 1994. Preface to Papadopoulou-Belmehdi 1994:7–17.

———. 1998. Mothers in mourning; with the essay, “Of amnesty and its opposite.” Translation by C. Pache of Loraux 1990. Ithaca NY.

Lord, A. B. 1960. 2nd ed. and intro. by S. Mitchell and G. Nagy (vii–xxix). The Singer of Tales. Harvard Studies in Comparative Literature 24. Cambridge MA.

———. 1995. The Singer Resumes the Tale (ed. M. L. Lord). Ithaca NY.

Lowenstam, S. 1993. “The Arming of Achilleus on Early Greek Vases.” Classical Antiquity 12:199–218.

Lucas, D. W. 1968. ed. Aristotle: Poetics. Oxford.

Lucas, H. L. 1965. “L’Edition des textes lyriques: Schéma d’ensemble ou schéma individuel?” Actes, Xe Congrès International de Linguistique et Philologie Romanes, Strasbourg 23-28 avril 1962 (ed. G. Straka) vol. 2, 697-703. Paris. {237|238}

Ludwich, A. 1884/1885. Aristarchs homerische Textkritik. Leipzig.

———. 1898. Die Homervulgata als voralexandrinisch erwiesen. Leipzig.

Lührs, D. 1992. Untersuchungen zu den Athetesen Aristarchs in der Ilias und zu ihrer Behandlung im Corpus der exegetischen Scholien (Beiträge zur Altertumswissenschaft 11). Hildesheim.

Luzio, A. di. 1969 “I papiri omerici d’epoca tolemaica e la costituzione del testo dell’epica arcaica.” Rivista di Cultura Classica e Mediovale 11:3–152.

Mâche, F.-B. 1991. Musique, Mythe, Nature, ou les dauphins d’Arion. Paris.

McGann, J. J. 1983. A Criticism of Modern Textual Criticism. Chicago. Reprinted 1992. Charlottesville VA.

———. 1991. The Textual Condition. Princeton.

MacKendrick, P. 1954. “Demetrius of Phalerum, Cato and the Adelphoe.” Rivista di Filologia e d’Istruzione Classica 32:18–35.

Maehler, H. 1981. “Problemi e prospettive della papirologia letteraria.” La critica testuale greco-latina, oggi. Metodi e problemi. Atti del Convegno Internazionale, Napoli 29–31 ottobre 1979 (ed. E. Flores) 81–90. Rome.

Malinowski, B. 1926. Myth in Primitive Psychology. London.

Marek, Ch. 1993. Stadt, Ära und Territorium in Pontus-Bithynia. Tübingen.

Marler, P. 1981. “Birdsong: The Acquisition of a Learned Motor Skill.” Trends in NeuroSciences 4:88–94.

Martin, R. P. 1989. The Language of Heroes: Speech and Performance in the Iliad. Ithaca NY. Revised paperback version 1992.

Mazzucchi, C. M. 1979. “Sul sistema di accentazione dei testi greci in età romana e bizantina.” Aegyptus 59:145–167.

Meillet, A. 1925. La méthode comparative en linguistique historique. Paris.

Melia, D. F. 1975. “Parallel Versions of ‘The Boyhood Deeds of Cuchulainn’.” Oral Tradition, Seven Essays (ed. J. J. Duggan) 25–40. Edinburgh.

Ménard, P. 1970. Les poésies de Guillaume le Vinier. Geneva.

Menéndez-Pidal, R. 1960. La chanson de Roland et la tradition épique des Francs. 2nd ed. Paris.

Meyer-Lübke, W. 1935. Romanisches etymologisches Wörterbuch. 3rd ed. Heidelberg.

Miller, D. G. 1982a. Homer and the Ionian Epic Tradition. Innsbrucker Beiträge zur Sprachwissenschaft 38. Innsbruck.

———. 1982b. Improvisation, Typology, Culture, and “The New Orthodoxy”: How Oral is Homer? Washington DC.

Miralles, C., and Pòrtulas, J. 1983. Archilochus and the Iambic Poetry. Rome.

Monro, D. B., and Allen, T. W. 1920. eds. Homeri Opera. 3rd ed. Oxford. {238|239}

Montanari, F. 1979. Studi di filologia omerica antica I. Pisa.

———. 1980. Review of D’Ippolito 1977. Athenaeum 58:511.

del Monte, A. 1955. ed. Peire d’Alvernha, Liriche. Torino.

Moore-Blunt, J. 1978. “Problems of Accentuation in Greek Papyri.” Quaderni Urbinati di Cultura Classica 29:137–163.

Morrison, T. 1987. Beloved. New York.

Mossé, C. 1989. “Lycurge l’Athénien, homme du passé ou précurseur de l’avenir.” Quaderni di Storia 15:25–36.

Mouzat, J. 1965. ed. Les Poèmes de Gaucelm Faidit, troubadour du XIIe siècle. Paris.

Muellner, L. 1976. The Meaning of Homeric ΕΥΧΟΜΑΙ through its Formulas. Innsbrucker Beiträge zur Sprachwissenschaft 13. Innsbruck.

———. 1990. “The Simile of the Cranes and Pygmies: A Study of Homeric Metaphor.” Harvard Studies in Classical Philology 93:59–101.

Mullen, W. 1982. Choreia: Pindar and Dance. Princeton.

Murray, O. 1987. “The Letter of Aristeas.” Studi Ellenistici 2:15–29.

———. 1990 ed. Sympotica: A Symposium on the Symposium. Oxford. Note especially the introduction by Murray, “Sympotic History,” pp. 3–13.

N = Nagy, G.

N 1970. Greek Dialects and the Transformation of an Indo-European Process. Cambridge ΜΑ.

———. 1972. Parts I and II of Householder and Nagy 1972, pp. 17–70. For the electronic publication, see N 2008.

———. 1974. Comparative Studies in Greek and Indic Meter. Harvard Studies in Comparative Literature 33. Cambridge MA.

———. 1979. The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. 2nd ed. 1999. Baltimore MD. Abbreviated as BA.

———. 1985. “Theognis and Megara: A Poet’s Vision of His City.” Figueira and Nagy 1985:22–81.

———. 1989. “Early Greek Views of Poets and Poetry.” Cambridge History of Literary Criticism I (ed. G. Kennedy) 1–77. Cambridge. Revised paperback version 1993.

———. 1990a. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore. Revised paperback version 1994. Abbreviated as PH.

———. 1990b. Greek Mythology and Poetics. Ithaca NY. Revised paperback version 1992. Abbreviated as GM.

———. 1992a. “Homeric Questions.” Transactions of the American Philological Association 122:17–60.

———. 1992b. “Mythological Exemplum in Homer.” Innovations of Antiquity (ed. R. Hexter and D. Selden) 311–331. New York and London.

———. 1992c. Introduction to Homer, The Iliad, translated by R. Fitzgerald (Everyman’s Library no. 60) v–xxi. New York.

———. 1992d. “Authorisation and Authorship in the Hesiodic Theogony.” Essays on Hesiod II (ed. A. N. Athanassakis) = Ramus 21:119–130. {239|240}

———. 1993. “Alcaeus in Sacred Space.” Tradizione e innovazione nella cultura greca da Omero all’ età ellenistica: Scritti in onore di Bruno Gentili I (ed. R. Pretagostini) 221–225. Rome.

———. 1994. “Copies and Models in Horace Odes 4.1 and 4.2.” Classical World 87:415–426.

———. 1995. “An Evolutionary Model for the Making of Homeric Poetry: Comparative Perspectives.” The Ages of Homer: A Tribute to Emily Townsend Vermeule (ed. J. B. Carter and S. P. Morris) 163–179. Austin.

———. 1996a = Poetry as Performance, the present book.

———. 1996b. Homeric Questions. Austin.

———. 2000. “Reading Greek Poetry Aloud: Evidence from the Bacchylides Papyri.” Quaderni Urbinati di Cultura Classica 64:7–28.

———. 2004a. Homer’s Text and Language. Urbana / Chicago IL. GN – Corrigendum for p. 33, paragraph 3: delete Move back from the fifth century and read Move forward from the fifth century.

———. 2004b. “Transmission of Archaic Greek Sympotic Songs: From Lesbos to Alexandria.” Critical Inquiry 31:26–48.

———. 2008. Homer the Classic. Cambridge MA and Washington DC.

———. 2009. Homer the Preclassic. Berkeley CA.

Nagy, J. F. 1983. “Close Encounters of the Traditional Kind in Medieval Irish Literature.” Celtic Folklore and Christianity: Studies in Memory of William W. Heist (ed. P. K. Ford) 129–149. Santa Barbara CA.

———. 1985. The Wisdom of the Outlaw: The Boyhood Deeds of Finn in Gaelic Narrative Tradition. Berkeley and Los Angeles.

———. 1986 “Orality in Medieval Irish Narrative.” Oral Tradition 1:272–301.

Nauck, A. 1875. ed. Homeri Odyssea. Berlin.

———. 1877. ed. Homeri Ilias. Berlin.

Nehamas, A. 1982. “Plato on Imitation and Poetry in Republic 10.” Plato on Beauty, Wisdom, and the Arts (ed. J. M. C. Moravcsik and P. Temko) 47–78. Totowa NJ.

Neuschäfer, B. 1987. Origenes als Philologe. I/II (Schweizerische Beiträge zur Altertumswissenschaft 18.1/2) Basel. {Especially important are pp. 99–100 as cited by Lührs 1992:8, with reference to the absence of personal emendations or conjectures by Origen in the text of the LXX.Especially important are pp. 99-100 as cited by Lührs 1992:8, with reference to the absence of personal emendations or conjectures by Origen in the text of the LXX.}

Nichols, S. G. 1990. ed. “The New Philology.” Speculum 65, special edition, including the following articles: S. G. Nichols, “Introduction: Philology in a Manuscript Culture,” 1–10; S. Wenzel, “Reflections on (New) Philology,” 11–18; S. Fleischman, “Philology, Linguistics, and the Discourse of the Medieval Text,” 19–37; R. H. Bloch, “New Philology and Old French,” 38–58; G. M. Spiegel, “History, Historicism, and the Social Logic of the Text in the Middle Ages,” 59–88; L. Patterson, “On the Margin: Postmodernism, Ironic History, and Medieval Studies,” 87–108.

Nickau, K. 1972. “Zenodotos.” Paulys Real-Encyclopädie der classischen Altertumswissenschaft 10A columns 20–55. Stuttgart.

———. 1977. Untersuchungen zur textkritischen Methode des Zenodotos von Ephesos. Berlin and New York.

Noomen, W., and Van den Boogaard, N. 1983 / 1984 / 1986. ed. Nouveau Recueil complet des fabliaux. Assen.

O’Keeffe, K. O. 1990. Visible Song: Transitional Literacy in Old English Verse. Cambridge. {240|241}

OEI. See Blackburn, Claus, Flueckiger, and Wadley 1989.

OLD. See Glare 1982.

Opler, M. E. 1941. An Apache Life-Way: The Economic, Social, and Religious Institutions of the Chiricahua Indians. Chicago.

Page, D. L. 1934. Actors’ Interpolations in Greek Tragedy. Oxford.

———. 1955. Sappho and Alcaeus: An Introduction to the Study of Ancient Lesbian Poetry. Oxford.

Papadopoulou-Belmehdi, I. 1994. Le chant de Pénélope: Poétique du tissage féminin dans l’Odyssée. Paris.

Parca, M. G. 1982. “Sappho 1.18–19.” Zeitschrift für Papyrologie und Epigraphik 46.47–50.

Paris, G. 1893. “Jaufré Rudel.” Revue Historique 53:225–260.

Parsons, P. J. 1974. ed. The Oxyrhynchus Papyri XLII. London.

Pasquali, G. 1952. Storia della tradizione e critica del testo. 2nd ed. Florence.

Patton, K. C. 1992. “When the High Gods Pour Out Wine: A Paradox of Ancient Greek Iconography in Comparative Context.” Ph.D. dissertation, Harvard University.

———. 2009. Religion of the Gods: Ritual, Paradox, and Reflexivity. Oxford.

Patterson, L. 1990. See Nichols 1990.

Pavese, C. O. 1974. Studi sulla tradizione epica rapsodica. Rome.

Petropoulos, J. B. 1993. “Sappho the Sorceress—Another Look at fr. 1 (LP).” Zeitschrift für Papyrologie und Epigraphik 97:43–56.

———. 1994. Heat and Lust: Hesiod’s Midsummer Festival Scene Revisited. Lanham MD.

Pfeffer, W. 1985. The Change of Philomel: The Nightingale in Medieval Literature. American University Studies Series III, Comparative Literature, vol. 14. New York / Berne / Frankfurt a. M.

Pfeiffer, R. 1949 / 1953. ed. Callimachus. I/II. Oxford.

———. 1968. History of Classical Scholarship: From the Beginnings to the End of the Hellenistic Age. Oxford.

Pickard-Cambridge, A. [1988]. The Dramatic Festivals of Athens. 3rd ed., revised by J. Gould and D. M. Lewis. Cambridge.

Pickens, R. T. 1977. “Jaufre Rudel et la poétique de la mouvance.” Cahiers de Civilisation Médiévale 20:323–337.

———. 1978. ed. The Songs of Jaufré Rudel. Toronto.

———. 1978b. “La Poétique de Marie de France d’après les Prologues des Lais.” Les Lettres Romanes 32:367–384.

———. 1994. “‘Old’ Philology and the Crisis of the ‘New’.” The Future of the Middle Ages: Medieval Literature in the 1990s (ed. W. D. Paden) 53–86. Gainesville FL. {241|242}

Pischinger, A. 1901. Der Vogelgesang bei den griechischen Dichtern des klassischen Altertums. Eichstätt.

Porter, J. I. 1992. “Hermeneutic Lines and Circles: Aristarchus and Crates on the Exegesis of Homer.” Homer’s Ancient Readers: The Hermeneutics of Greek Epic’s Earliest Exegetes (ed. R. Lamberton and J. J. Keaney) 67–114. Princeton.

Propp, V. Ja. 1961. “O russkoj narodnoj liričeskoj pesne.” Narodnye liričeskie pesni (ed. V. Ja. Propp) 5–68. Leningrad.

———. 1975. “The Russian Folk Lyric.” Down Along the River Volga: An Anthology of Russian Folk Lyrics, With and Introductory Essay by V. Ja. Propp (translated from Propp 1961 by R. Reeder) 1–73. Philadelphia.

Putnam, M. J. 1960/1. “Throna and Sappho 1.1.” Classical Journal 56:79–83.

Raby, F. J. E. 1951. “Philomela praevia temporis amoeni.” Mélanges Joseph de Ghellinnck II 435–448. Gembloux.

Raphals, L. 1992 Knowing Words: Wisdom and Cunning in the Classical Traditions of China and Greece. Ithaca NY.

Reeve, M. D. 1969. “Author’s Variants in Longus?” Proceedings of the Cambridge Philological Society 195.75–85. {Cited by Reynolds and Wilson p. 290, who also cite a 1977 reply by D. Young. Reeve has also published on the Italian tradition of Lucretius, 1980, as cited by Reynolds and Wilson on p. 291.Cited by Reynolds and Wilson p. 290, who also cite a 1977 reply by D. Young. Reeve has also published on the Italian tradition of Lucretius, 1980, as cited by Reynolds and Wilson on p. 291.}

———. 1972 / 1973. “Interpolation in Greek Tragedy, I / II / III.” Greek Roman and Byzantine Studies 13:246–265 / 451–474 / 14:145–171.

———. 1986. “Stemmatic Method: ‘Qualcosa che non funziona’?” The Role of the Book in Medieval Culture (ed. P. Ganz) 57–69. Turnhout.

———. 1989. “Eliminatio Codicum Descriptorum: A Methodological Problem.” Grant 1989:1–35.

Reitzenstein, R. 1893. Epigramm und Skolion: Ein Beitrag zur Geschichte der alexandrinischen Dichtung. Giessen.

Rengakos, A. 1993. Der Homertext und die hellenistischen Dichter (Hermes Enzelschriften 64). Stuttgart.

Reynolds, L. D., and Wilson, N. G. 1991. Scribes and Scholars: A Guide to the Transmission of Greek and Latin Literature. 3rd ed. Oxford.

Richardson, N. J. 1975. “Homeric Professors in the Age of the Sophists.” Proceedings of the Cambridge Philological Society 21:65–81.

Risch, E. 1946. “Sprachliche Bemerkungen zu Alkaios.” Museum Helveticum 3:253-256. Reprinted in Risch 1981:290–293.

———. 1954. “Die Sprache Alkmans.” Museum Helveticum 11:20-37. Reprinted in Risch 1981:314–331.

———. 1974. Wortbildung der homerischen Sprache. 2nd ed. Berlin.

———. 1981. Kleine Schriften (ed. A. Etter and M. Looser). Berlin.

Ritoók, Zs. 1970. “Die Homeriden.” Acta Antiqua 18:1–29.

———. 1987. “Über einige Fragen der homerischen Textgeschichte.” Acta Classica / Debrecen 23:7–18. {242|243}

Robert, J. and L. 1983. “Bulletin Epigraphique.” Revue des Etudes Grecques 96:182–184.

Robert, L. 1936. “ΑΡΧΑΙΟΛΟΓΟΣ.” Revue des Etudes Grecques 1936:235–254. Reprinted in Robert 1969:671–690.

———. 1960. “Recherches Epigraphiques V: Inscriptions de Lesbos.” Revue des Etudes Anciennes 62: 285–315. Reprinted in Robert 1969: 801–831.

———. 1969. Opera Minora Selecta I/II. Amsterdam.

Roesch, P. 1982. Etudes Béotiennes. Paris.

Rösler, W. 1980. Dichter und Gruppe: Eine Untersuchung zu den Bedingungen und zur historischen Funktion früher Lyrik am Beispiel Alkaios. Munich.

———. 1985. “Persona reale o persona poetica? L’interpretazione dell ‘io’ nella lirica greca arcaica.” Quaderni Urbinati di Cultura Classica 19:131–144.

Rosen, R. 1988. Old Comedy and the Iambographic Tradition. Atlanta.

Rossi, L. E. 1968. “La fine alessandrina dell’ Odissea e lo ΖΗΛΟΣ ΟΜΗΡΙΚΟΣ di Apollonio Rodio.” Rivista di filologia classica 96:151–163. {Catenacci 1993:14n20 claims that Rossi proves that Aristophanes and Aristarchus really believed that the Odyssey ended at xxiii 296; cf. Garbrah 1977.}

———. 1971. “I generi letterari e le loro leggi scritte e non scritte nelle lettere classiche.” Bulletin of the Institute of Classical Studies 18:69–94.

Roueché, C. 1993. Performers and Partisans at Aphrodisias in the Roman and Late Roman Periods: A Study Based on Inscriptions from the Current Excavations at Aphrodisias in Caria. Journal of Roman Studies Monographs no. 6. London.

Royce, A. P. 1977. The Anthropology of Dance. Bloomington IN.

Russo, J. A., and Simon, B. 1968. “Homeric Psychology and the Oral Epic Tradition.” Journal of the History of Ideas 29:483–498.

Rychner, J. 1966. ed. Les lais de Marie de France. Paris.

Saussure, F. de. 1916. Cours de linguistique générale. Paris. Published by some of his students three years after his death.

Sax, W. S. 1991. “Ritual Performance in the Pāṇḍavalīla of Uttarakhand.” Essays on the Mahâbhârata (ed. A. Sharma) 274–295. Leiden.

Scheid, J., and Svenbro, J. 1994. Le Métier de Zeus: Mythe du tissage et du tissu dans le monde gréco-romain. Paris.

Schein, S. L. 1987. “Unity and Meaning in Pindar’s Sixth Pythian Ode.” ΜΗΤΙΣ: Revue d’Anthropologie du Monde Grec Ancien 2:235-247.

Scheller, M. 1951. Die Oxytonierung der griechischen Substantiva auf ια. Zürich.

Schenkeveld, D. M. 1970 “Aristarchus and ΟΜΗΡΟΣ ΦΙΛΟΤΕΧΝΟΣ.” Mnemosyne 23:162–178. {I found this via Nickau 1977.I found this via Nickau 1977.}

———. 1992. “Prose Usages of ΑΚΟΥΕΙΝ.” Classical Quarterly 42:129–141.

Schmid, G. 1904. De luscinia quae est apud veteres. St. Petersburg.

Schmitt, R. 1967. Dichtung und Dichtersprache in indogermanischer Zeit. Wiesbaden. {243|244}

Schomer, K. 1989 “Paradigms for the Kali Yuga: The Heroes of the Âlhâ Epic and their Fate.” OEI 140–154.

Schulze, W. 1892. Quaestiones epicae. Gütersloh.

Schur, D. M. 1994. “The Way of Oblivion: Heraclitus and Kafka.” Ph.D. dissertation, Harvard University.

———. 1998. The Way of Oblivion: Heraclitus and Kafka. Harvard Studies in Comparative Literature 44. Cambridge MA.

Seaford, R. 1984. ed. Euripides: Cyclops. Oxford.

———. 1994. Reciprocity and Ritual: Homer and Tragedy in the Developing City-State. Oxford.

Sealey, R. 1957. “From Phemius to Ion.” Revue des Etudes Grecques 70:312–355.

———. 1990. Women and Law in Classical Greece. Chapel Hill NC.

Segal, C. P. 1982. Dionysiac Poetics and Euripides’ Bacchae. Princeton.

———. 1994. “Philomela’s Web and the Pleasures of the Text: Reader and Violence in the Metamorphoses of Ovid.” Modern Critical Theory and Classical Literature (ed. I. J. F. de Jong and J. P. Sullivan) 257–280. Leiden.

Slater, W. 1986. ed. Aristophanis Byzantii Fragmenta. Berlin and New York.

———. 1989. “Problems in Interpreting Scholia on Greek Texts.” Grant 1989:37–61.

Slotkin, E. M. 1977-79.“Medieval Irish Scribes and Fixed Texts.” Éigse 17:437–450.

Smith, J. D. 1989. “Scapegoats of the Gods: The Ideology of the Indian Epics.” OEI 176–194.

Smith, W. C. 1993. What is Scripture? A Comparative Approach. Minneapolis MN.

Speer, M. B. 1980. “Wrestling with Change: Old French Textual Criticism and Mouvance.” Olifant 7:311–326.

Spiegel, G. M. 1990. See Nichols 1990.

Steblin-Kamenskij, M. I. 1982. Myth (translated by M. P. Coote). Ann Arbor.

Stephanes, I. E. 1988. Dionysiakoi technitai. Iraklion.

Stone, L. W. 1946–47. “Jean de Howden, poète anglo-normand du XIIIe siècle.” Romania 69:496–519

Svenbro, J. 1984. “La découpe du poème. Notes sur les origines sacrificielles de la poétique grecque.” Poétique 58:215–232.

———. 1988. Phrasikleia: Anthropologie de la lecture en Grèce ancienne. Paris.

———. 1993. Phrasikleia: An Anthropology of Reading in Ancient Greece. Translation by J. Lloyd of Svenbro 1988, with additions by the author. Ithaca NY. {244|245}

Tambiah, S. J. 1985. Culture, Thought, and Social Action: An Anthropological Perspective. Cambridge MA.

Taplin, O. 1992. Homeric Soundings: The Shaping of the Iliad. Oxford.

Tarrant, R. J. 1989. “The Reader as Author: Collaborative Interpolation in Latin Poetry.” Grant 1989:121–162.

Thiel, H. van. 1991. ed. Homeri Odyssea. Hildesheim.

———. 1996. ed. Homeri Ilias. Hildesheim.

———. 1992. “Zenodot, Aristarch und andere.” Zeitschrift für Papyrologie und Epigraphik 90:1–32.

Thompson, D’Arcy W. 1936. A Glossary of Greek Birds. 2nd ed. Oxford.

Timpanaro, S. 1981. La genesi del metodo del Lachmann. 2nd ed. Padova. Reprinted 1985, with addenda.

Todorov, Tz. 1978. Les Genres du discours. Paris.

———. 1990. Genres in Discourse. Translation by C. Porter of Todorov 1978. Cambridge.

Todt, D. 1971. “Äquivalente und konvalente gesangliche Reaktionen einer extrem regelmässig singenden Nachtigall.” Zeitschrift der vergleichenden Physiologie 71:262–285.

Travis, R. M. 1990. “The Descent of the Goddess: Ritual and Difference in Sappho’s Prayer to Aphrodite.” A.B. thesis, Harvard University.

Traube, L. 1910. Textgeschichte der Regula S. Benedicti. 2nd ed. Munich.

Turner, E. G. 1987. Greek Manuscripts of the Ancient World. 2nd ed. by P. J. Parsons. Institute of Classical Studies, Bulletin Supplement 46. London.

van der Valk, M. 1949. Textual Criticism of the Odyssey. Leiden.

———. 1963/1964. Researches on the Text and Scholia of the Iliad I/II. Leiden.

van der Werf, H. 1965. “The Trouvère Chansons as Creations of a Notationless Musical Culture.” Current Musicology 2:61–68.

———. 1967. “Recitative Melodies in Trouvère Chansons.” Festschrift Walter Wiora (ed. L. Fischer and Ch.-H. Mahling) 231–240. Kassel.

———. 1972. The Chansons of the Troubadours and Trouvères: A Study of the Melodies and their Relation to the Poems. Utrecht.

———. 1993. “The Raison d’être of Medieval Music Manuscripts.” The Oldest Extant Part Music and the Origin of Western Polyphony I. Rochester.

Van Sickle, J. 1980. “The Book-Roll and Some Conventions of the Poetic Book.” Arethusa 13:5–126.

Vance, E. 1986. Marvelous Signals: Poetics and Sign Theory in the Middle Ages. Lincoln NE.

———. 1987. From Topic to Tale: Logic and Narrativity in the Middle Ages. Minneapolis MN. {245|246}

Ventris, M. and Chadwick, J. 1973. Documents in Mycenaean Greek. 2nd ed. Cambridge.

Vidal-Naquet, P. 1986 “The Black Hunter Revisited.” Proceedings of the Cambridge Philological Society 212:126–144.

Wackernagel, J. 1953. Kleine Schriften I-II. Göttingen.

Wadley, S. S. 1989. “Choosing a Path: Performance Strategies in a North Indian Epic.” OEI 75–101.

Wehrli, F. 1968. “Demetrios von Phaleron.” Paulys Real-Encyclopädie der classischen Altertumswissenschaft, Supplement-Band XI 514–522. Stuttgart.

Wenzel, S. 1990. See Nichols 1990.

West, M. L. 1970. “Rhapsodes.” The Oxford Classical Dictionary (ed. N. G. L. Hammond and H. H. Scullard) 919–920. Oxford.

———. 1971. “Stesichorus.” Classical Quarterly 21:302–314.

———. 1973. Textual Criticism and Editorial Technique. Stuttgart.

———. 1978. ed. with commentary. Hesiod: Works and Days. Oxford.

———. 1981. “The Singing of Homer and the Modes of Early Greek Music.” Journal of Hellenic Studies 101:113–129.

———. 1986. “The Singing of Hexameters: Evidence from Epidaurus.” Zeitschrift für Papyrologie und Epigraphik 63:39–46.

———. 1988. “The Rise of the Greek Epic.” Journal of Hellenic Studies 108:151–172.

———. 1992. Ancient Greek Music. Oxford.

West, S. 1967. ed. The Ptolemaic Papyri of Homer. Papyrologica Coloniensia 3. Cologne and Opladen.

———. 1988. “The Transmission of the Text.” A Commentary on Homer’s Odyssey. Introduction and Books i–viii (ed. A. Heubeck, S. West, and J. B. Hainsworth) 33–48. Oxford.

Wilamowitz-Moellendorff, U. von. 1895. ed. Euripides’ Herakles I: Einleitung in die griechische Tragödie. 2nd ed. Berlin.

———. 1916. Die Ilias und Homer. Berlin.

———. 1924. Hellenistische Dichtung in der Zeit des Kallimachos. Berlin.

Wiles, D. 1984. “Menander’s Dyskolos and Demetrius of Phaleron’s Dilemma.” Greece and Rome 31:170–179.

Williams, G. 1968. Tradition and Originality in Roman Poetry. Oxford.

Williams, J. M. 1987. “The Peripatetic School and Demetrius of Phalerum’s Reforms.” Ancient World 15:87–98.

Winkler, J. J. 1985 “The Ephebes’ Song: tragōidia and polis.” Representations 11:26-62. Rewritten in Winkler and Zeitlin 1990:20–62.

Winkler, J. J., and Zeitlin, F. 1990. ed. Nothing to Do with Dionysos? Athenian Drama in its Social Context. Princeton.

Wolf, F. A. 1795. Prolegomena ad Homerum. Halle. Translated 1985, with {246|247} introduction and notes, by A. Grafton, G. W. Most, and J. E. G. Zetzel. Princeton.

Wolf, F. A. 1804-1807. ed. Homerou epe. Homeri et Homeridarum opera et reliquiae. 4 volumes. Leipzig.

Yatromanolakis, D. (forthcoming). A Commentary on Selected Fragments of Sappho.

Yerly, Ch. 1992. “Figures du tyran archaïque: Entre le monstre et le sage.” Etudes de Lettres: Revue de la Faculté des Lettres, Université de Lausanne 1992: 3–32.

Zeitlin, F. 1985. “The Power of Aphrodite: Eros and the Boundaries of the Self in the Hippolytus.” Directions in Euripidean Criticism (ed. P. Burian) 52–208. Durham NC.

———. 1990. “Playing the Other: Theater, Theatricality, and the Other in Athenian Drama.” Winkler and Zeitlin 1990:63–96.

Zetzel, J. E. G. 1980. “The Subscriptions in the Manuscripts of Livy and Fronto and the Meaning of emendatio.” Classical Philology 75:38–59.

———. 1981. Latin Textual Criticism in Antiquity. New York.

———. 1993. “Religion, Rhetoric, and Editorial Technique: Reconstructing the Classics.” Bornstein and Williams 1993:99–120.

Zumthor, P. 1972. Essai de poétique médiévale. Paris.

———. 1983. Introduction à la poésie orale. Paris.

———. 1984. La Poésie de la Voix dans la civilisation médiévale. Paris.

———. 1987. La Lettre et la voix: De la “littérature” médiévale. Paris.

Zwettler, M. J. 1978. The Oral Tradition of Classical Arabic Poetry. Columbus OH.