Chapter 4. Younger Brother One of the unexplained features of the Third Cretan Lie is Odysseus’ self-characterization as Idomeneus’ younger brother. By claiming to be a brother of Idomeneus he inserts himself into the Cretan royal family, but what is achieved by specifying that he is the younger one? Further, Odysseus adds… Read more
Chapter 5. Minos Another significant detail of the Third Cretan Lie is the famous and remarkably obscure description of Aithon’s supposed ancestor, Minos, the king at Knossos: τῇσι δ’ ἐνὶ Κνωσός, μεγάλη πόλις, ἔνθα τε Μίνωςἐννέωρος βασίλευε Διὸς μεγάλου ὀαριστής. (Odyssey 19.178–179) … Read more
Chapter 6. Crete and the Poetics of Renewal The semantics of oaristes are not the only hint at the notion of new beginnings that is present in the Third Cretan Lie. The theme of (re)birth, so prominent in the Odyssey, is brought to mind by the presence of Eileithyia in Odysseus’ tale. Read more
Chapter 7. The Cloak After the conclusion of Odysseus’ Cretan tale, once her tears stop flowing, Penelope returns to the task at hand, the testing of her interlocutor. This transition from emotion to practicality, from premonitions of the poem’s denouement to Penelope’s suspicions about her guest’s veracity is a good illustration of the narrative… Read more
Chapter 8. The Pin As remarkable as the cloak itself is the golden pin Odysseus uses to fasten it, another object Penelope herself gave to Odysseus on departure: χλαῖναν πορφυρέην οὔλην ἔχε δῖος Ὀδυσσεύς,διπλῆν· ἐν δ’ ἄρα οἱ περόνη χρυσοῖο τέτυκτο αὐλοῖσιν διδύμοισι· πάροιθε δὲ δαίδαλον… Read more
Chapter 9. Eurybates The final token Odysseus-Aithon gives to Penelope is the description of his herald Eurybates: καὶ μέν οἱ κῆρυξ ὀλίγον προγενέστερος αὐτοῦεἵπετο· καὶ τόν τοι μυθήσομαι, οἷος ἔην περ·γυρὸς ἐν ὤμοισιν, μελανόχροος, οὐλοκάρηνος,Εὐρυβάτης δ’ ὄνομ’ ἔσκε· τίεν δέ μιν ἔξοχον ἄλλωνὧν… Read more
Chapter 10. Odysseus and the Boar The dialogue between Penelope and Odysseus is broken into two parts by Odysseus’ footbath and the recollection of his boar hunt on Mount Parnassus. The change of scene is dramatic: here we see Odysseus just reaching maturity (hebe), unmarried, and performing a hunting feat… Read more
Chapter 11. The Conversation I focus initially on the second part of the dialogue, after Odysseus’ footbath. At this point, the conversation between Penelope and Odysseus changes in tone and substance: Penelope now takes the center stage, the beggar primarily expresses his agreement, and the fictional Odysseus in… Read more
Chapter 12. Aedon Penelope begins in a striking way, with an extended comparison between herself and the nightingale – Aedon, the daughter of Pandareos. Although technically a simile, the comparison is so extensive as to amount to a mythological exemplum, and this is a noteworthy fact since Penelope’s previous narratives were all about herself… Read more
Part II. Chapter 2. Les Amis Mortels [1] Battle in the Iliad is far from wordless carnage, resonating only with the sound of armor clashing. The general description of the poem’s first military encounter begins strikingly by contrasting the eerie silence of… Read more
