Poetics of authorial, rhythmic, and gendered identities: The subject of discourse in Pindar’s Theban partheneion
École des Hautes Etudes en Sciences Sociales, Centre AnHiMA, Paris (translated by Sean Harrigan, Yale University) 1968: key-date in the development of the humanities among francophone scholars. In 1968 Roland Barthes publishes a brief essay on literary texts in modernity under the heading “la mort d’auteur.” In literature, in the… Read more