The Iliad reveals a traditional oral poetic style, but many researchers believe that the poem cannot be treated as solely a product of oral tradition. In The Iliad and the Oral Epic Tradition, Karol Zieliński argues that neither Homer’s unique artistry nor references to events known from other songs necessarily indicate the use of writing… Read more
Formulaic phraseology presents the epitome of words worn and weathered by trial and the tests of time. Scholarship on weathered words is exceptionally diverse and interdisciplinary. This volume focuses on verbal art, which makes Oral-Formulaic Theory (OFT) a major point of reference. Yet weathered words are but a part of… Read more
The Homeric Iliad and Odyssey are among the world’s foremost epics. Yet, millennia after their composition, basic questions remain about them. Who was Homer—a real or an ideal poet? When were the poems composed—at a single point in time, or over centuries of composition and performance? And how were the poems committed to writing?… Read more
As Homer remains an indispensable figure in the canons of world literature, interpreting the Homeric text is a challenging and high stakes enterprise. There are untold numbers of variations, imitations, alternate translations, and adaptations of the Iliad and Odyssey, making it difficult to establish what, exactly, the epics were. Gregory Nagy’s essays have one… Read more
The CHS team is pleased to announce the online publication of Sappho in the Making: The Early Reception, by Dimitrios Yatromanolakis for free on the CHS website. For a print version of this edition, please visit the Harvard University Press website. “The need… Read more
The CHS team is pleased to announce the online publication of Sappho in the Making: The Early Reception, by Dimitrios Yatromanolakis for free on the CHS website. For a print version of this edition, please visit the Harvard University Press website. “The need to… Read more
The Center for Hellenic Studies, in association with Govinda Gallery, is pleased to announce SapphoFest 2015, three days of art and discussion celebrating the songs of Sappho, fifty years of Donovan's poetry and music, and Donovan's Sapphographs. Read more
Detail from Attic krater attributed to the Brygos painter, 480-470 BCE. Line drawing by Valerie Woelfel. “A diachronic as well as synchronic approach to the songmaking of Sappho” by Gregory Nagy In his posting Diachronic Sappho: some prolegomena, Gregory Nagy argues that the art of Sappho’s songmaking can… Read more
Detail from Attic krater attributed to the Brygos painter, 480-470 BCE. Line drawing by Valerie Woelfel. “A diachronic as well as synchronic approach to the songmaking of Sappho” by Gregory Nagy In his posting Diachronic Sappho: some prolegomena, Gregory Nagy argues that the art of Sappho’s songmaking can… Read more
The Oral Palimpsest: Exploring Intertextuality in the Homeric Epics, by Christos Tsagalis The Center for Hellenic Studies is pleased to announce the online publication of The Oral Palimpsest: Exploring Intertextuality in the Homeric Epics, by Christos Tsagalis on the CHS website. The work is also available for purchase in print through Harvard University Press. Read more
