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4. The Lost Verses of the Iliad: Medieval Manuscripts and the Poetics of a Multiform Epic Tradition

Chapter 4. The Lost Verses of the Iliad: Medieval Manuscripts and the Poetics of a Multiform Epic Tradition In this chapter we skip ahead many centuries, to the medieval manuscript tradition. The medieval manuscripts are our best source of information about the texts known to the Hellenistic scholars who were in charge of the library of Alexandria, including Zenodotus, Aristophanes of Byzantium, and Aristarchus. The scholia in… Read more

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Conclusion. “In Appearance Like a God”: Textual Criticism and the Quest for the One True Homer

Conclusion. “In Appearance Like a God”: Textual Criticism and the Quest for the One True Homer Aristarchus athetized at least seven passages of three verses or more in Iliad 20 alone. Each athetesis gives us insight into an editor who was struggling to account for a mythological and poetic tradition that was multiform and at times contradictory. Some passages cause issues with narrative continuity, some passages Aristarchus… Read more

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Plates

Plates Plate 1. A fresco from the so-called Palace of Nestor in Pylos suggests that as early as Mycenaean times, poetry in performance has been conceived of as being in flight. Drawing by Valerie Woelfel, after a reconstruction by Piet de Jong. Plate 2. Red-figure skyphos attributed to Macron (Louvre G146), depicting Agamemnon leading away Briseis (side A). Neither side A nor side B (Plate 3)… Read more

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Bibliography

Bibliography Ahlberg-Cornell, G. 1992. Myth and Epos in Early Greek Art: Representation and Interpretation. Jonsered, Sweden. Alexiou, M. 1974. The Ritual Lament in Greek Tradition. Cambridge. 2nd ed., Lanham, MD, 2002. Allan, W. 2005. “Arms and the Man: Euphorbus, Hector, and the Death of Patroclus.” Classical Quarterly 55:1–16. Allen, T. W. 1899. “On the… Read more

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Foreword, Richard P. Martin

Foreword Richard P. Martin, Stanford University Warrior, hero, super-male—Achilles should not cry. Not, that is, in the contemporary understanding of the categories he seems to personify, categories that (one might at first assume) have always dominated the imagination of our cultural forefathers, from the earliest epics, through John Wayne westerns, to the latest Star Wars film, the protagonist of which, Luke Skywalker, was scornfully dubbed by… Read more

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Translator’s Note: Truchement ≈ Caretaker, Nicholas J. Snead

Translator’s Note: Truchement ≈ Caretaker Nicholas J. Snead I learned the term truchement as a first-year M.A. student studying French language and literature at the University of Virginia, where I had the wonderful good fortune to take a Balzac seminar with Peter Brooks, a visiting professor there that year. Truchement is an archaic French word meaning ‘translator’ or ‘interpreter.’ If you traveled to France today, it… Read more

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Preface to the English Edition, Hélène Monsacré

Preface to the English Edition Hélène Monsacré When I wrote this book on Homer, thirty years ago, [1] I tried to grasp the ambiguities of a heroic character: brave, courageous, and yet sensitive. The greatest hero of all time, Achilles, has supernatural powers and fights with divine weapons, but he cries like a human. His tears do not, however, diminish… Read more

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Introduction

Introduction “Since when is it that men (and not women) no longer cry? Why was ‘sensibility,’ at a certain moment, transformed into ‘sentimentality’?” [1] Initially this line of questioning from Roland Barthes referred to the romantic hero. But we can go further still: on the threshold of history and Western literature, an immense poem, the Iliad, recounts both… Read more

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Part I: The Borders of HeroismI.1. Proper Relations to Aphrodite: A Criterion in the Definition of Heroic Conduct

I.1. Proper Relations to Aphrodite: A Criterion in the Definition of Heroic Conduct It might seem paradoxical to approach the question of heroism in the Iliad by way of Aphrodite, thus giving sustained attention to episodes where the majority of the action occurs within the walls of Troy. Yet it is also a way to examine fundamental values of the Homeric universe. By initially abandoning the battlefields… Read more

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I.2. Physical Evidence of the Hero

I.2. Physical Evidence of the Hero To specify certain masculine values, I will endeavor in this chapter to provide an account of the bodily information that the poet provides about his heroes. This examination will not be a question of prescribing “Homeric medicine,” but of the image of the warrior’s body as it is represented in the Iliad. This approach is somewhat complex; in fact, to speak… Read more