back Peter McMurray I. Can you see anything yet? “Well, Pyotr, can you see anything yet?” I first encountered these words, the opening line of Turgenev’s novel Fathers and Sons, shortly after finishing college. Having studied both Classics and Slavic literature, but really only Ancient Greek and South Slavic, I felt a compelling need to devour Russian and Latin literature (granted, mostly in translation) to make up for the obvious… Read more
back Homer and the Aegean prehistorian Anthony Snodgrass With academic subjects as with people, many a close and intimate relationship can become cool and distant. It may even be broken off altogether, and replaced by a different relationship. In the case of academic disciplines, such a transfer of affections can lead to a radical and positive transformation of a subject, even when this also means the virtual disappearance of… Read more
back Finismundo: The Last Voyage (Finismundo: A Última Viagem) Andrea Kouklanakis akouklan@fas.harvard.edu Abstract Finismundo: A Última Viagem (1990), written by the Brazilian poet Haroldo de Campos, uses Odysseus’ shipwreck as its foundational theme. In the Odyssey the question surrounding Odysseus’ death is articulated in ambiguous terms in book XI. Tiresias tells Odysseus that the hero will not meet death at sea (thánatos ex halós,v 134),if he propitiates Poseidon with… Read more
Soliman, Sameh Farouk,?? ???????? ???????? ??? ??? ?????????? ???????? ??? ????????? ???? ???? ??? ??????? ?????? ??? ???????????? (??& ??). (In Greek)Online edition of a 2007 dissertation submitted to the School of Philosophy, National and Kapodistrian University of Athens. Copyright, Sameh Farouk Soliman. Published here by permission of the author. This thesis covers Greek literature (?Letters?) in the eastern provinces… Read more
back Richard P. Martin, Stanford University I like to think it fitting that I first met Gregory Nagy, some 40 years ago, at a puppet show. Fred Christie, then a Jesuit scholastic and graduate student at Harvard, had taken two of us, rather sceptical students of Greek from Boston College High School, to see Peter Arnott’s one-man miniature production of the Choephoroi, which turned out to be a mesmerizing performance. Read more
back Claudia Filos Ἑλένης μὲν ταύτην ἄπιξιν παρὰ Πρωτέα ἔλεγον οἱ ἱρέες γενέσθαι. Δοκέει δέ μοι καὶ Ὅμηρος τὸν λόγον τοῦτον πυθέσθαι· ἀλλ’, οὐ γὰρ ὁμοίως ἐς τὴν ἐποποιίην εὐπρεπὴς ἦν τῷ ἑτέρῳ τῷ περ ἐχρήσατο, [ἐς ὃ] μετῆκε αὐτόν. The priests say that this is the way Helen came to Proteus. And it seems to me that Homer was aware of this version of the story, but since… Read more
back Lisa Raphals For Greg Nagy Greg, the debts I owe you I can only repay to my students and others. But please accept this tiny token as, not a pelanos, but a small token of thanks, birthday wishes, incredulity, and warm regards. Yours, Lisa Origin and Sources This spreadsheet was developed as a practical and heuristic research aid to demystify generalizations about Delphic oracles – “the decline of… Read more
Quiet Project Aitken, Ellen Bradshaw, To Encounter a Hero: Localization and Travel in Hellenistic Hero Cults Antoniou, Dimitris,The Mosque That Wasn’t There: Ethnographic Elaborations on Orthodox Conceptions of Sacrifice Athanassaki, Lucia, A Magnificent Birthday Party in an Artful Pavilion: Lifestyle and Leadership in Euripides? Ion (on and off stage) Bayerle, Henry,Speech Genres in the Twelfth-Century Latin Historical Epics of Italy Beck,… Read more
back Jed Wyrick, California State University, Chico, jwyrick(at)csuchico.edu Examinations of the process of text creation in antiquity often attempt to emphasize the original creative spark of the author in contrast to the voice of tradition. [1] The authorial ideal of creatio ex nihilo, widely utilized (at least until recently) to understand the creative process of modern writers and artists, lurks behind readings of ancient texts as… Read more
