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4. Intertextual Fissures: The Returns of Odysseus and the New Penelope

Chapter 4. Intertextual Fissures: The Returns of Odysseus and the New Penelope The aim of this chapter is (a) to consider the function of intertextual fissures with respect to Odysseus’ return and reunification with his wife, and (b) to explore how a crucial element of this scene, the story of the Sailor and the Oar, can assist us in examining the relationship between the Odyssey and other… Read more

Part II. Intertextuality and Meta-Traditionality. 5. Ἀχιλλεὺς Ἑλένην ἐπιθυμεῖ θεάσασθαι: From the Cypria to the Iliad

Chapter 5. Ἀχιλλεὺς Ἑλένην ἐπιθυμεῖ θεάσασθαι: From the Cypria to the Iliad The aim of this chapter is to examine Proclus’ [1] brief mention in his Chrestomathy of a meeting between Achilles and Helen, which featured as an episode in the Cypria. The relevant passage (157–158 Severyns = 41 Kullmann) runs as follows: καὶ μετὰ ταῦτα Ἀχιλλεὺς Ἑλένην ἐπιθυμεῖ… Read more

7. Time Games: The ‘Twenty-Year’ Absent Hero

Chapter 7. Time Games: The ‘Twenty-Year’ Absent Hero Introduction Genetic approaches to Homeric poetry, whether they are Analytical, Unitarian, Neoanalytical, or adopting the viewpoint of historical positivism, have used repetition in different but often misleading ways. Analysts viewed repetition as a symptom of inferior poetic quality, a clear sign indicating multiple authorship. Unitarians tried to explain such repetitions by drawing analogous examples from other writers in… Read more

Part III. Intertextuality and Diachronically Diffused Relations. 8. The Formula νυκτὸς ἀμολγῷ: Homeric Reflections of an Indo-European Metaphor

Chapter 8. The Formula νυκτὸς ἀμολγῷ: Homeric Reflections of an Indo-European Metaphor Introduction The aim of this chapter is to explore a covert form of intertextuality through the study of the function, origin, and meaning of the formulaic expression νυκτὸς ἀμολγῷ. By intertextuality, I am hereby referring to the use of the same expression in multiple Greek and other Indo-European (and even Mesopotamian) traditions, which allow… Read more

9. Genealogy and Poetic Imagery of a Homeric Formula

Chapter 9. Genealogy and Poetic Imagery of a Homeric Formula The process of crystallization of the dictional material in oral epic poetry is realized in three different levels: reenactment, [1] theme, [2] and traditional referentiality. [3] In this chapter, I will focus my attention on the term traditional referentiality, which refers to… Read more

Bibliography

Bibliography AHS = Allen, T. W., W. R. Halliday and E. E. Sykes, eds. 1936. The Homeric Hymns. Oxford. Alberti, L. B. 1988. On the Art of Building. Translated by J. Rykwert, N. Leach, and R. Tavernor. Cambridge, Mass. Alexiou, M. 1974. The Ritual Lament in Greek Tradition. Cambridge. Allen, D. C. 1970. Mysteriously… Read more

Preface

Preface Western literature begins with the Iliad and Odyssey, the monumental epics that already in antiquity had given rise to an extensive body of analysis and interpretation, from word studies and line-by-line commentaries to textual and literary criticism. Byzantine scholars preserved the texts and a portion of the ancient critical tradition through the Middle Ages, and reintroduced them to Renaissance Europe; Enlightenment- and Romantic-era scholars transformed the… Read more

Introduction

Introduction The plan of Zeus In some ancient Greek epics, a Dios boulē ‘plan of Zeus’ helps to motivate and explain the plot. This theme is best known from its appearance at the beginning of the Iliad: μῆνιν ἄειδε θεά, Πηληιάδεω Ἀχιλῆος,οὐλομένην ἣ μυρί’ Ἀχαιοῖς ἄλγε’ ἔθηκεν,πολλὰς δ’ ἰφθίμους ψυχὰς ᾌδι προίαψενἡρώων, αὐτοὺς δὲ ἑλώρια τεῦχε κύνεσσινοἰωνοῖσί τε πᾶσι, Διὸς δ’ ἐτελείετο… Read more