Abbreviations and Bibliography For the fragments of Sappho and Alkaios I cite Voigt’s critical edition [= V]. For the other melic poets I use Page’s Poetae Melici Graeci [= PMG], while for Alkman, Stesikhoros, and Ibykos I refer to Davies 1991 when necessary. For the elegiac and iambic poets, I cite West’s edition [= W]. For Pindar I use Snell and Maehler [= S-M] and Maehler [=… Read more
For Addie ἐγὼ δέ κέ τοι ἰδέω χάριν ἤματα πάντα. Preface The present volume argues for “discordant harmony” (concordia discors) as an aesthetic principle where classical Athenian literature addresses politics in the idiom of sexual desire. Its approach is an untried one for such a topic. Drawing on theorists of the sociality of language, it examines various ways in which erôs, consuming, destabilizing desire, became… Read more
Abbreviations D-K Diels, H., and W. Krantz, eds. 1952, repr. Dublin, 1966. Die Fragmente der Vorsokratiker, ed. 6. Berlin. FGrH Jacoby, F. 1957–. Die Fragmente der griechischen Historiker. Leiden. PCG Kassel, R., and C. Austin, eds. 1983–. Poetae comici graeci. Berlin. PMG Page, D. L. 1962. Poetae melici graeci. Oxford. SSR Giannantoni, G. 1990. Socratis et Socraticorum reliquiae. Naples. GHI Meiggs, R. and D. Lewis, eds. 1988. Read more
Chapter 1. Introduction Problem Writing to a friend, Horace describes the man as fascinated by “the discordant harmony of the cosmos, its purpose and power” (Epistles 1.12.19). Horace refers to Empedocles’ doctrine of a world order in constant flux between cohesion and fragmentation, Love and Strife, harmony and discord. Compressed into a single concept, this flux represents, in Horace’s phrase, concordia discors, a dynamic tension whose… Read more
Chapter 2. “Lovers of It”: Erotic Ambiguity in the Periclean Funeral Oration And so it is that these men have proved themselves worthy of their city. As for you, the living, pray that your resolve will be no less unshakable, yet resolve to be no less bold against the enemy. And don’t just calculate the benefits of beating him back—benefits that it would take too… Read more
Chapter 3. He Loves You, He Loves You Not: Demophilic Courtship in Aristophanes’ Knights In the Acharnians of 425 BCE, Aristophanes promises to “shred” the leather merchant Cleon, a political bigwig and a thorn in the playwright’s side. [1] Delivering on that promise the very next year in Knights, Aristophanes portrays Cleon as a repulsively obsequious, yet violently quarrelsome house-slave named Paphlagon. Read more
Chapter 4. Forgive and Forget: Concordia discors in Aristophanes’ Assemblywomen and Lysistrata In Aristophanes’ Assemblywomen, salvation—sôtêria—for Athens and its citizens dominates the agenda, not just of the political meeting whence the play’s title, but of the play as a whole. [1] To an Athenian audience, that will have suggested a city in crisis, [2] but what kind… Read more
Chapter 2. Ethnographic Archives of Vraisemblance in Attic Ceramics κλίνη, ἐάντε ἐκ πλαγίου αὐτὴν θεᾷ ἐάντε καταντικρὺ ἢ ὁπῃοῦν, μή τι διαφέρει αὐτὴ ἑαυτῆς, ἢ διαφέρει μὲν οὐδέν, φαίνεται δὲ ἀλλοία; If you look at a bed from the side or from the front or from any angle, does the bed itself become different? Or does it appear different, without being different? —Plato, Republic… Read more
Chapter 3. The Anthropology of Ancient Reception: The Late Archaic and Classical Periods ΠΙΚΡΑΓΚΑΘΙἘνεφανίσθη καὶ χάθηκε ἡ δεσποινὶς ποὺ συνήντησα μέσ᾽ στὸ συρτάρι μου. Στὴ θέσι της μιὰ τολύπηκρατεῖ τὸν φώσφορο τῆς ζωοφόρου της. Ἄποικοινέμονται τὶς ἐκτάσεις ποὺ ἐγκατέλειψε μὰ τὸ παιδὶτῶν ἀναμνήσεών μας κομίζει πλοκάμια ποὺ μοιάζουνμὲ… Read more
Chapter 10. The Rhetorics of Supplication and the Epic Intertext (Iliad I 493–516) Intertextual references that do not belong to specific epic traditions can become thematically associated intratextual sequences in Homeric epic. One form of this arrangement consists of proximal sequences, where topics originating from different versions of a given mythical context are presented intratextually as part of a thematic chain. Cumulative arrangement with its built-in linearity… Read more
