Derveni Papyrus, ed. K. Tsantsanoglou and G. M. Parássoglou
TEXT of the DERVENI PAPYRUS… Read more
PUBLICATIONS
Derveni Papyrus – Tsantsanoglou Text
Derveni Papyrus Text TEXT of the DERVENI PAPYRUS by K. Tsantsanoglou – G.M. Parássoglou COL. I G 17, G 8 ] ]ι̣ν̣[ ]ν ἕκαστον̣[ ] ].α̣ 5 ].δ…. Ἐρι]ν̣ύ̣ων ]….. ]….. ]..[….]εια . . . . . COL. II G 8, G 7, G 15, G 6, G 5, H 7 [ ] ]ωι̣[… Read more
Der neue Sappho-Papyrus aus Köln und Sapphos Erneuerung: Virtuelle Choralität, Eros, Tod, Orpheus und Musik
Ordinarius für Griechische Philologie, Universität Basel 1. Was ist neu an der Neuen Sappho? Im Jahre 2002 konnte die Universität Köln eine kleine Sammlung von 25 Papyri erwerben, die von einem privaten Sammler angeboten wurde. In der berühmten Kölner Papyrussammlung ging man sofort an die Konservierung und Entzifferung. Aus Mumienkartonage gelang es, aus mehren Fetzchen (Inv. Nr. 21351 und 21376) zwei Fragmente der Sappho wiederzugewinnen. [1]… Read more
Recommendation FAQ
Recommendation FAQ If you are submitting a letter of reference for a fellowship applicant, we recommend that you read this page explaining the recommendation process before trying to submit your letter of reference. In the online fellowship application, an applicant has the opportunity to register up to three recommenders. The applicant who has asked you to submit a recommendation should register your name and e-mail address in his/her application. Read more
Fellowship Application primary
Fellowship Application Information 2011-12 The application for 2011-12 is now closed. Please check back in August 2011 for information about the next application cycle. The Center for Hellenic Studies offers fellowships to scholars working on the ancient Greek world in all its varieties. The most eligible fields of research include archaeology, art history, epigraphy, history, literary criticism, philology, philosophy, pedagogical applications, reception, and interdisciplinary studies. All fellows, regardless… Read more
Poetry as Performance: Homer and Beyond
This book is a comparative study of oral poetics in literate cultures, focusing on the problems of textual fluidity in the transmission of Homeric poetry over half a millennium, from the Archaic through the Hellenistic periods of ancient Greece. It stresses the role of performance and the performer in the re-creative process of composition-in-performance. It addresses questions of authority and authorship in the making of oral poetry, and it examines… Read more