PUBLICATIONS

A Pausanias Reader in progress: Description of Greece, Scrolls 1–10

A retranslation based on an original translation by W. H. S. Jones, 1918 (Scroll 2 with H.A. Ormerod), containing some of the footnotes added by Jones. This retranslation is by Gregory Nagy | 2018.07.27*  For the most up-to-date version of this work, visit http://nrs.harvard.edu/urn-3:hlnc.prim-src:A_Pausanias_Reader_in_Progress.2018-. [ back ] Scroll I. Attica {1.1.1} Belonging to the Greek [Hellēnikē] mainland [ēpeiros], [1]… Read more

Embroidered with Gold, Strung with Pearls: The Traditional Ballads of Bosnian Women

Bosnian traditional ballads have intrigued many by their beauty and eloquence, from Goethe’s poetic interest in them in the eighteenth century to the work of twentieth-century scholars such as Milman Parry and Albert Lord. These songs are now available to the English reader in a bilingual edition offering a selection of never before translated or published materials from Harvard University’s Parry Collection. The forty oral ballads, many appearing in multiple… Read more

Part I. Dramatic Representations of Verse Competition

Part I. Dramatic Representations of Verse Competition ἀγὼν γὰρ ἄνδρας οὐ μένει λελειμμένους The contest does not wait for men left behind. Aeschylus, fr. 37 TGF 1. Stichomythia Our point of departure will be to survey a variety of competitive verse sequences that are represented in tragedy and Old Comedy, starting with the phenomenon of stichomythia. In stichomythia the “internal” and “external” frames of reference are especially clear. One… Read more

Genre, Occasion, and Choral Mimesis Revisited—with special reference to the “newest Sappho”

[[A preliminary version, originally published in Classical Inquiries 2015.10.01, of a chapter published in 2019: Lyric Genre, ed. Leslie Kurke, Margaret Foster, Naomi Weiss.]] Introduction §1. This essay is the third part of a tripartite project. The first part, “Genre and Occasion,” was published in ΜΗΤΙΣ (1994), and the second part, “Transmission of Archaic Greek Sympotic Songs: From Lesbos to Alexandria,” was published ten years later in Critical Inquiry… Read more

The Greek Adjective Ἄσμενος: Its Etymology and History

Translated by Ioanna Papadopoulou [This article was originally published in French as “L’adjectif grec ἄσμενος : étymologie et histoire du mot,” in Hommage à Jacqueline de Romilly. L’empreinte de son oeuvre, eds. Marc Fumaroli, Jacques Jouanna, Monique Trédé, and Michel Zink. Actes de colloque (Académie des Inscriptions et Belles-Lettres). Paris, 2014. The English translation is made available by permission of the author.] 1. Traditional thesis: ἄσμενος ‘happy, pleased’ cognate with… Read more

!I.Introduction

I.Introduction The many facets of the Ariadne-figure have long been the subject of classical scholarship. The peculiar cultic customs surrounding the goddess have been assiduously interpreted, in part successfully and in part unsuccessfully. Her relation to the figure of Dionysus has been explored in hopes of proving the Mycenaean origins of the god; as for her own Minoan origins, identification with the early nature goddess of the Aegean area is… Read more

The Origins of the Goddess Ariadne

Second, online edition of a thesis presented to the Committee on Degrees in Folklore and Mythology in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honors, Harvard College, Cambridge, Massachusetts, 27 March 1970. Read more

Observations on Greek dialects in the late second millennium BCE

[This text is the English-language version of a lecture I delivered 2011.04.06 on the occasion of my induction as a corresponding member of the Academy of Athens. The lecture was then published in the Proceedings of the Academy of Athens in 2011, Volume 86 Second Issue (2011) pages 81–96. It is republished here with the permission of the Academy. The original pagination of the article will be indicated in this… Read more

Part I. Lament and ritual

Problems and method

Problems and method The lament for the dead is essentially functional. It is only one part of a complex tradition of ritual customs and beliefs. To understand the nature of its development in Greek tradition, and to determine the extent of its continuity from ancient to modern times, it must therefore be studied not in isolation but as an integral part of the ritual to which it belongs. This raises… Read more