Chapters

4. Traditions in Flux

Chapter 4. Traditions in Flux It is thanks to themthat I live in three dimensions,in a space non-lyrical and non-rhetorical,with a horizon real because movable.They themselves do not knowhow much they bring in empty hands.“I owe them nothing,”love would… Read more

Abbreviations and Bibliography

Abbreviations and Bibliography For the fragments of Sappho and Alkaios I cite Voigt’s critical edition [= V]. For the other melic poets I use Page’s Poetae Melici Graeci [= PMG], while for Alkman, Stesikhoros, and Ibykos I refer to Davies 1991 when necessary. For the elegiac and… Read more

Preface

For Addie ἐγὼ δέ κέ τοι ἰδέω χάριν ἤματα πάντα. Preface The present volume argues for “discordant harmony” (concordia discors) as an aesthetic principle where classical Athenian literature addresses politics in the idiom of sexual desire. Its approach is an untried one for such a… Read more

List of Abbreviations

Abbreviations D-K Diels, H., and W. Krantz, eds. 1952, repr. Dublin, 1966. Die Fragmente der Vorsokratiker, ed. 6. Berlin. FGrH Jacoby, F. 1957–. Die Fragmente der griechischen Historiker. Leiden. PCG Kassel, R., and C. Austin, eds. 1983–. Poetae comici graeci. Berlin. PMG Page, D. L. 1962. Poetae… Read more

Chapter 1. Introduction

Chapter 1. Introduction Problem Writing to a friend, Horace describes the man as fascinated by “the discordant harmony of the cosmos, its purpose and power” (Epistles 1.12.19). Horace refers to Empedocles’ doctrine of a world order in constant flux between cohesion and fragmentation, Love and Strife,… Read more