Chapters

19. Peter Bing, Posidippus’ Iamatika

19. Posidippus’ Iamatika [1] Peter Bing, Emory University The Milan papyrus confronts its modern readers with many surprises, among them—due to its singular subject matter—the short section entitled ἰαματικά (AB 95–101). To help us get our bearings in the terrain… Read more

Concordance

Posidippus Concordance Milan Papyrus Lithika AB 1 I 2–5AB 2 I 6–9AB 3 I 10–13AB 4 I 14–19AB 5 I 20–23AB 6 I 24–29AB 7 I 30–35AB 8 I 36–II 2AB 9 II 3–6AB 10 II 7–16… Read more

Bibliography

Bibliography Abbenes, J. G. J. 1996. “The Doric of Theocritus. A Literary Language.” In Harder, Regtuit, and Wakker 1996:1–17. Accorinti, D. and Chuvin, P., eds. 2003. Des Géants à Dionysos: Mélanges offerts à Francis Vian. Hellenica 10. Alessandria. … Read more

Figures

Figures Figure 1: Charioteer by Polyzalos. Delphi Museum. Fifth century BCE. Photo: courtesy of the Greek Archaeological Receipts Fund. Figure 2. Artemision Horse and Jockey. Second century BCE. Athens, National Museum, Br 15177. Photo: G. Hellner. Courtesy DAI Athens 1980/59 (height of jockey 84 cm; length… Read more

Contributors

Contributors Benjamin Acosta-Hughes is Assistant Professor of Greek and Latin at the University of Michigan. He specializes in Archaic and Hellenistic poetry, and in the translation of erotic epigram. His publications include Polyeideia—The Iambi of Callimachus and the Archaic Iambic Tradition (Berkeley 2002). He is currently writing… Read more

14. Elizabeth Kosmetatou, Vision and Visibility: Art Historical Theory Paints a Portrait of New Leadership in Posidippus’ Andriantopoiika

14. Vision and Visibility: Art Historical Theory Paints a Portrait of New Leadership in Posidippus’ Andriantopoiika [1] Elizabeth Kosmetatou, Katholieke Universiteit Leuven μιμ̣[ή]ϲαϲθε τάδ᾿ ἔρ̣γ̣α, πολυχρονίουϲ̣ δὲ κολοϲϲῶν,     ὦ ζ̣[ωι]ο̣πλάϲται, ν̣[αί,] π̣αραθεῖτε νόμουϲ·εἴ γ̣ε μὲν ἀρχαῖαι… Read more