Chapters

12. Heraclitus

12. Heraclitus Heraclitus of Ephesus also rejected the performance of Homeric poetry in a vein similar to, but not identical with, that of Xenophanes. Although Heraclitus’ criticisms never achieved the recognition of Xenophanes’, they appear nevertheless to derive similarly from the vantage point of the symposium. One… Read more

13. Solon

13. Solon Solon confronts the performance of epic with a brief but sharp criticism: πολλὰ ψεύδονται ἀοιδοί “poets tell many lies” (fr. 25 G.-P.). As had Xenophanes before him, Solon too calls attention in particular to the epic poetry of Homer and Hesiod, which was known in… Read more

14. Anacreon

14. Anacreon As we have seen, on one hand Xenophanes and Solon, and on the other Heraclitus, invidiously opposed the ethical and metaphysical disunity of Homeric poetry to symposiastic values. Anacreon of Teos, in contrast, suggests that he is willing to incorporate Homeric poetry into his own… Read more

15. Conclusion

15. Conclusion In sections 1–4 of this Part, I outlined the range of verse types including hexameters, elegiacs, iambics, skolia, and previously composed (lyric and iambic) passages by dramatic poets recited with or without improvisation at sympotic gatherings. There the focus was on the competitive social matrix… Read more

17. From Written to Oral

17. From Written to Oral Milman Parry and his students have shown in detail how poet-singers compose while they perform, and perform while they compose epic poetry. However, we have yet to apply the valuable insights gained from their research to later stages of a poetic tradition,… Read more

18. Modes of Innovation

18. Modes of Innovation The evidence for rhapsodic performance as we have it suggests that there were at least three basic types of improvisational activity in which rhapsodes engaged. The first involves the “stitching” or “weaving” of song, the second involves the insertion of newly composed “Homeric”… Read more

19. The Panathenaia and Beyond

19. The Panathenaia and Beyond The most prominent rhapsodic competition that we know about took place at the Panathenaia in Athens. In this competition rhapsodes performed by exchange and by cue in a manner that seems to reflect, albeit indirectly, what we observed in the Certamen. I… Read more

Acknowledgments

Acknowledgments My warmest thanks go to Gregory Nagy, Casey Dué, Alexander Hollmann, Ryan Hackney, Ivy Livingston, and the entire CHS publication team.   To Stephe   … Read more

Introduction

Introduction As Herodotus explores how much and in which ways human societies are mutually different, he takes for granted the generally recognized subdivision of the world into Greeks and barbarians. [1] But this common-view discourse provides only a partial framework of explanation… Read more