A sourcebook of selected excerpts used in conjunction with the Montclaire State University course, Africa in Classical Antiquity (HUMN 381). Made available here by permission of the author. Read more
Online edition (2013) of a volume originally published in 1990 in the series Harvard Dissertations in Classics, by Garland Press. Read more
Reversing the generally accepted notions about formula and meter in epic poetry, Gregory Nagy seeks to show that meter is an outgrowth of formula. To make his point he links the Parry-Lord techniques of formulaic analysis with the researches of Meillet, Jakobson, and Watkins on Indo-European metrics. In the process he evolves a new theory about the origins of the Homeric hexameter and offers controversial fresh material for pursuing the problem of… Read more
This 2016 “born digital” work is an expanded edition of a publication that originally appeared May 11, 2010 on FirstDrafts@Classics@. Read more
Leonard Muellner’s goal is to restore the Greek word for the anger of Achilles, menis, to its social, mythical, and poetic contexts. His point of departure is the anthropology of emotions. He believes that notions of anger vary between cultures and that the particular meaning of a word such as menis needs to emerge from a close study of Greek epic. Menis means more than an individual’s emotional response. On… Read more
Edited by Mary Louise Lord after the author’s death, The Singer Resumes the Tale focuses on the performance of stories and poems within settings that range from ancient Greek palaces to Latvian villages. Lord expounds and develops his approach to oral literature in this book, responds systematically for the first time to criticisms of oral theory, and extends his methods to the analysis of lyric poems. He also considers the… Read more
Online edition of a thesis presented to the Department of the Classics in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors, Harvard University, Cambridge, Massachusetts, March 1990. Read more
Albert Bates Lord here offers an unparalleled overview of the nature of oral-traditional epic songs and the practices of the singers who composed them. Shaped by the conviction that theory should be based on what singers actually do, and have done in times past, the essays collected here span half a century of Lord’s research on the oral tradition from Homer to the twentieth century. Drawing on his extensive fieldwork… Read more
Eukhomai had been glossed traditionally as “pray, long for, wish for; vow, promise; boast, brag, vaunt; profess, declare.” Muellner’s approach is to make a systematic analysis of the constraints in which this word is used in Homeric texts—grammatical, stylistic, and contextual—and to compare them, keeping in mind the framework of traditional diction, in which “a traditional poet uses a repertoire of formulas and themes to express his meaning.” Second online edition… Read more
The ancient Greeks’ concept of “the hero” was very different from what we understand by the term today, Gregory Nagy argues—and it is only through analyzing their historical contexts that we can truly understand Achilles, Odysseus, Oedipus, and Herakles. In Greek tradition, a hero was a human, male or female, of the remote past, who was endowed with superhuman abilities by virtue of being descended from an immortal god. Despite their mortality,… Read more
