Carl Lindahl Most who pause to commemorate the first half-century of The Singer of Tales will remember, vividly, how they first made its acquaintance. Fifty years since The Singer of Tales marks forty-four since I was introduced to Albert Lord, from the distance of the back row of a Harvard… Read more
Oral Traditions: Parry, Lord, and Beyond Gathered here are selections from CHS publications pertaining to the songmaking of Sappho. The majority of them have been generated in Classical Inquiries, an online, rapid-publication project devoted to sharing some of the latest thinking on the ancient world with researchers and the general… Read more
Appendix 1. Testimonia on the Kreophuleioi of Samos In Plutarch’s Life of Lycurgus 4.4 we read how Lycurgus the Lawgiver acquired the Homeric poems from the descendants of Kreophylos in Samos and brought the poems back to the Spartans: ἐκεῖ δὲ καὶ τοῖς Ὁμήρου ποιήμασιν ἐντυχὼν πρῶτον, ὡς ἔοικε, παρὰ… Read more
Works Cited Austin, J.L. 1955. How to Do Things with Words. Ed. J.O. Urmson and Marina Sbisà. 2nd ed. 1962. Cambridge, MA. Bowra, C.M. 1961. Greek Lyr ic Poetry From Alcman to Simonides. London. Burkert, Walter. 1979. Structure and History in Greek Mythology and Ritual. Berkeley, CA. Burkert, Walter. 1977. Read more
Chapter V: The Descent of the Goddess The Apotheosis of Difference Ὣς ἔφασαν κοῦραι μεγάλου Διὸς ἀρτιέπειαι καί μοι σκῆπτρον ἔδον δάφνης ἐριθηλέος ὄζον δρέψασαι, θηητόν· ἐνέπνευσαν δέ μοι ἀυδὴν θέσπιν, ἵνα κλείοιμι τά τ᾽ ἐσσόμενα πρό τ᾽ ἐόντα… Hesiod, Theogony How is the poetic voice constituted? The question has… Read more
Chapter IV: Epiphany The difference enacted So in a voice, so in a shapelesse flameAngells affect us oft, and worshipped bee John Donne, Aire and Angells The epiphany of Aphrodite, like the rest of the poem, has received a variety of critical response. Page’s view is that it contains… Read more
Chapter III: Invocation and Entreaty The Difference Appears O Lord, do not rebuke me in your anger; donot punish me in your wrathFor your arrows have already pierced me;and your hand presses hard againstme. Psalm 38 Throw away thy rod, Throw away thy wrath;… Read more
Chapter II: Performance and Prayer The Role of Difference The surprise of otherness is that moment whena new form of ignorance is suddenly activated as an imperative. Barbara Johnson, A World of Difference Performative language, the subject of J. L. Austin’s How To Do Things With Words, appears… Read more
Chapter I: Previous Response The Critical Difference And it ends upNobody’s, there is nothing for any of usExcept that fearful vacillating around the centralQuestion that brings us closer,For better or for worse, for all this time. John Ashbery, Introduction Critical responses to the poem have varied… Read more
