Sappho in the Making: The Early Reception

  Yatromanolakis, Dimitrios. 2008. Sappho in the Making: The Early Reception. Hellenic Studies Series 28. Washington, DC: Center for Hellenic Studies. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_YatromanolakisD.Sappho_in_the_Making.2008.


Abbreviations and Bibliography

For the fragments of Sappho and Alkaios I cite Voigt’s critical edition [= V]. For the other melic poets I use Page’s Poetae Melici Graeci [= PMG], while for Alkman, Stesikhoros, and Ibykos I refer to Davies 1991 when necessary. For the elegiac and iambic poets, I cite West’s edition [= W]. For Pindar I use Snell and Maehler [= S-M] and Maehler [= M]; for Bakkhylides, I refer to Maehler 2003. Page’s Supplementum Lyricis Graecis [= SLG] provides further melic fragments, but needs to be revised and supplemented in the light of the publication of new papyrus fragments. When there is no Oxford Classical Texts edition of a specific ancient Greek or Latin text, I have made a systematic effort to refer to the editor whose text or numbering I have adopted.

 

ABV = See Beazley 1956

Add. = Carpenter, T. H., with T. Mannack and M. Mendonça, Beazley Addenda, second ed., Oxford 1989

ARV = See Beazley 1963

CA = See Powell 1925

CEG = P. A. Hansen, Carmina Epigraphica Graeca saeculorum VIII–V a.Chr.n., Berlin 1983 and Carmina Epigraphica Graeca saeculi IV a.Chr.n., Berlin 1989

CVA = Corpus Vasorum Antiquorum

D-K = H. Diels and W. Kranz, Die Fragmente der Vorsokratiker, sixth ed., Berlin 1951–1952

FGrH = F. Jacoby, Die Fragmente der griechischen Historiker, Berlin 1923–(Leiden 1954–)

Gigon = O. Gigon, Aristotelis Opera. Volumen tertium: Librorum deperditorum fragmenta, Berlin 1987

G-P= See Gow-Page 1965

IG = Inscriptiones Graecae, Berlin 1873–

Jan = K. von Jan, Musici Scriptores Graeci, Leipzig 1895 and Musici Scriptores Graeci: Supplementum, Leipzig 1899

K-A = R. Kassel and C. Austin, Poetae Comici Graeci, 8 vols., Berlin 1983–

LGPN = P. M. Frazer, E. Matthews, et al. (eds.), A Lexicon of Greek Personal Names, vols. I, II, IIIA, IIIB, IV, Oxford 1987–2005

LIMC = Lexicon Iconographicum Mythologiae Classicae, vols. 1–8, Zurich 1981–1997

L-P = See Lobel and Page 1955

LSJ = H. G. Liddell, R. Scott and H. S. Jones, A Greek-English Lexicon, ninth ed. with a revised supplement, Oxford 1996

M = H. Maehler, Pindari Carmina. Pars II: Fragmenta, Leipzig 1989

M-W = See Merkelbach and West 1967

Para. = J. D. Beazley, Paralipomena, Oxford 1971

PMG = See Page 1962

P.Oxy. = The Oxyrhynchus Papyri, London 1898–

RE = Pauly-Wissowa, Real-Encyclopädie der classischen Altertumswissenschaft, Stuttgart 1894–1980

Rose = V. Rose, Aristotelis qui ferebantur librorum fragmenta, Leipzig 1886 (repr. 1967)

SEG = Supplementum Epigraphicum Graecum, Leiden 1923–

SH = H. Lloyd-Jones and P. J. Parsons, Supplementum Hellenisticum, Berlin 1983

SIL = W. Dittenberger, Sylloge Inscriptionum Graecarum, 4 vols., third ed., Leipzig 1915–1924 (Hildesheim 1960)

SLG = See Page 1974

S-M = B. Snell and H. Maehler, Pindari Carmina. Pars I: Epinicia, eighth ed., Leipzig 1987

Stephanis = I. E. Stephanis, Διονυσιακοὶ Τεχνῖται. Συμβολὲς στὴν Προσωπογραφία τοῦ Θεάτρου καὶ τῆς Μουσικῆς τῶν Ἀρχαίων Ἑλλήνων, Herakleion 1988

SVF = H. F. A. von Arnim, Stoicorum Veterum Fragmenta, 4 vols., Leipzig 1903–1924

TrGF = B. Snell, R. Kannicht and S. Radt, Tragicorum Graecorum Fragmenta, 5 vols. (vol. 1, second ed. 1986), Göttingen

V = See Voigt 1971

W = See West 1989/1992

Wehrli = See Wehrli 1967/1969

Journals

AA = Archäologischer Anzeiger

AK = Antike Kunst

AM = Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung

APap = Analecta Papyrologica

APF = Archiv für Papyrusforschung und verwandte Gebiete

ARAnthr = Annual Review of Anthropology

CAnthr = Cultural Anthropology

Ethn = Ethnomusicology

H = Hellenika, Ἑλληνικά

HSCP = Harvard Studies in Classical Philology

JdI = Jahrbuch des Deutschen Archäologischen Instituts

JLA = Journal of Linguistic Anthropology

RA = Revue Archéologique

RM = Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung

S/C = Σύγκριση/Comparaison

ZPE = Zeitschrift für Papyrologie und Epigraphik



 

Adams, J. N. 1982. The Latin Sexual Vocabulary. London.

Adam Veleni, P. 1999. “ Ἐπιγραφικὲς μαρτυρίες ἀπὸ τὰ Βρασνὰ νομοῦ Θεσσαλονίκης.” Πρακτικὰ Στ´Διεθνοῦς Συμποσίου γιὰ τὴν Ἀρχαία Μακεδονία, 1–14. Thessalonike.

———. 2002. “Una nuova epigrafe musicale.” Kleos 7:211–215.

Adorno, T. W. 2002. “On Popular Music.” Id., Essays on Music, selected and edited by R. Leppert, trans. S. H. Gillespie, 437–469. Berkeley and Los Angeles.

Adrados, F. R. 1999. History of the Graeco-Latin Fable, vol. 1: Introduction and from the Origins to the Hellenistic Age, trans. L. A. Ray, revised ed. by F. R. Adrados and G.-J. van Dijk. Leiden.

———. 2003. History of the Graeco-Latin Fable, vol. 3: Inventory and Documentation of the Graeco-Latin Fable, trans. L. A. Ray and F. Rojas del Canto, supplemented ed. by F. R. Adrados and G.-J van Dijk. Leiden.

Albertoni, M. 1977. “Una singolare iscrizione su vaso attico.” Atti della Accademia nazionale dei Lincei 32:231–232.

Albizzati, C. 1925/1939. Vasi antichi dipinti del Vaticano. Rome.

Alexiou, M. 2002a. The Ritual Lament in Greek Tradition, second ed. revised by D. Yatromanolakis and P. Roilos (first ed. Cambridge 1974). Lanham, MD.

———. 2002b. After Antiquity: Greek Language, Myth, and Metaphor. Ithaca, NY.

Alexiou, M., and P. Dronke. 1971. “The Lament of Jephtha’s Daughter: Themes, Traditions, Originality.” Studi Medievali 12.2:819–863.

Aloni, A. 1983. “Eteria e tiaso: I gruppi aristocratici di Lesbo tra economia e ideologia.” Dialoghi di Archeologia ser. 3, n. 1:21–35 [= id., “Lotta politica e pratica religiosa nella Lesbo di Saffo e Alceo.” Atti del Centro Ricerche e Documentazione sull’ Antichità Classica 11 (1980/1981):213–232 (same version without footnotes)].

———. 1997. Saffo: Frammenti. Florence.

———. 2000. “Anacreonte a Atene.” ZPE 130:81–94.

———. 2001. “What Is That Man Doing in Sappho, fr. 31V.?,” Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire (eds. A. Carvarzere et al.) 29–40. Lanham, MD.

———. forth. “A proposito di Sim. 22 W2 e Ael. Arist. 31.2 K.” Eikasmos.

Alpers, S. 1984. The Art of Describing: Dutch Art in the Seventeenth Century. Chicago.

Aly, W. 1920. “Sappho.” RE 2 A (1920). coll. 2357–2385.

Andersen, Ø. 1987. “Mündlichkeit und Schriftlichkeit im frühen Griechentum.” Antike und Abendland. 23:29–44.

———. 1989. “The Significance of Writing in Early Greece—A Critical Appraisal.” Literacy and Society (eds. K. Schousboe and M. T. Larsen) 73–90. Copenhagen.

Andreadis, H. 2001. Sappho in Early Modern England: Female Same-Sex Literary Erotics, 1550–1714. Chicago.

Andrews, E. 1990. Markedness Theory: The Union of Asymmetry and Semiosis in Language. Durham.

Angiò, F. 1999. “Posidippo di Pella, l’ep. XVII Gow-Page e l’Αἰθιοπία.” Museum Helveticum 56:150–158.

Angiolillo, S. 1997. Arte e cultura nell’ Atene di Pisistrato e dei Pisistratidi: Ὁ ἐπὶ Κρόνου βίος. Bari.

Arafat, K., and C. Morgan. 1989. “Pots and Potters in Athens and Corinth: A Review.” Oxford Journal of Archaeology 8:311–346.

———. 1994. “Athens, Etruria and the Heuneburg: Mutual Misconceptions in the Study of Greek-Barbarian Relations.” Classical Greece: Ancient Histories and Modern Archaeologies (ed. I. Morris) 108–134. Cambridge.

Arnott, W. G. 1996a. Alexis. The Fragments: A Commentary. Cambridge.

———. 1996b. Menander, volume II. Cambridge, MA.

Arom, S. 1991. African Polyphony and Polyrhythm: Musical Structure and Methodology. Cambridge and Paris.

Arrighetti, G. 1987. Poeti, eruditi e biografi: Momenti della riflessione dei Greci sulla letteratura. Pisa.

Asad, T. 1986. “The Concept of Cultural Translation in British Social Anthropology.” In Clifford and Marcus 1986:141–64.

Aujac, G., and M. Lebel. 1981. Denys d’Halicarnasse: Opuscules rhétoriques, vol. 3: La composition stylistique. Paris.

Austin, C., and G. Bastianini. 2002. Posidippi Pellaei quae supersunt omnia. Milan.

Avagianou, A. 1991. Sacred Marriage in the Rituals of Greek Religion. Bern.

Axel, B. K. 2002. From the Margins: Historical Anthropology and Its Futures. Durham, NC.

Axiotis, M. 1992. Περπατῶντας τὴ Λέσβο. 2 vols. Mytilene.

Bader, F. 1989. La langue des dieux, ou, L’hermétisme des poètes indo-européens. Pisa.

Bagordo, A. 2003. Reminiszenzen früher Lyrik bei den attischen Tragikern: Beiträge zur Anspielungstechnik und poetischen Tradition. Munich.

Bain, D. M. 1982. “κατωνάκην τὸν χοῖρον ἀποτετιλμένας” (Aristophanes, Ekklesiazousai 724).” Liverpool Classical Monthly 7.1:7–10.

———. 1991. “Six Greek Verbs of Sexual Congress (βινῶ, κινῶ, πυγίζω, ληκῶ, οἴφω, λαικάζω).” Classical Quarterly 41:51–77.

Bakhtin, M. M. 1986. Speech Genres and Other Late Essays, trans. V. W. McGee, eds. C. Emerson and M. Holquist. Austin, TX.

Barbantani, S. 1993. “I poeti lirici del canone alessandrino nell’ epigrammatistica.” Aevum Antiquum 6:5–97.

Barker, A. 1984. Greek Musical Writings, vol. I: The Musician and His Art. Cambridge.

———. 1988. “Che cos’ era la ‘mágadis’?” In Gentili and Pretagostini 1988:96–107.

———. 1989. Greek Musical Writings, vol. II: Harmonic and Acoustic Theory. Cambridge.

Barkhuizen, J. H. and G. H. Els 1983. “On Sappho, fr. 16 (L.P.).” Acta Classica 26:23–32.

Barner, W. 1967. Neuere Alkaios-Papyri aus Oxyrhynchos. Hildesheim.

Barnes, J. 1705. Anacreon Teius, poeta lyricus: summa cura et diligentia . . . emendatus. Cambridge.

Barrett, W. S. 1964. Euripides: Hippolytos, edited with introduction and commentary. Oxford.

Barthel-Calvet, A.-S. 2000. Le rhythme dans l’oeuvre et la pensée de Xenakis. EHESS, Paris.

Barthes, R. 1977a. Image, Music, Text, trans. S. Heath. New York.

———. 1977b. “The Photographic Message” and “Rhetoric of the Image.” In Barthes 1977a:15–31, 32–51.

Bascoul, J.-M.-F. 1911. Ἡ ἁγνὰ Σαπφώ. La chaste Sappho de Lesbos et le mouvement féministe à Athènes au IVe siècle av. J.-C. Paris.

———. 1913. La chaste Sappho de Lesbos et Stesichore. Paris.

Battezzato, L. 2003. “Song, Performance, and Text in the New Posidippus.” ZPE 145:31–43.

Battistella, E.L. 1996. The Logic of Markedness. New York and Oxford.

Baudrillard, J. 1979. De la seduction. Paris.

Bauer, P. O. 1963. “Sapphos Verbannung.” Gymnasium 70:1–10.

Bauman, R. 1992. “Contextualization, Tradition, and the Dialogue of Genres: Icelandic Legends of the kraftaskáld.” In Duranti and Goodwin 1992:127–145.

Bauman, R., and J. Sherzer (eds.). 1974. Explorations in the Ethnography of Speaking. Cambridge [second ed., with new introduction, Cambridge 1989].

Bauman, R., et. al. 1987. Performance, Speech Community, and Genre. Working Papers and Proceedings of the Center for Psychological Studies, 11. Chicago, IL.

Baurain, C., et al. (eds.). 1991. Phoinikeia Grammata: Lire et écrire en Méditerranée. Namur.

Baurain-Rebillard, L. 1998 [2002]. “Des peintres linguistes?” Métis 13:75–105.

Baxandall, M. 1985. Patterns of Intention: On the Historical Explanation of Pictures. New Haven, CT.

Bažant, J. 1981. Studies on the Use and Decoration of Athenian Vases. Prague.

Baziotopoulou-Valavani, E. 1994. “ Ἀνασκαφὲς σὲ ἀθηναϊκὰ κεραμικὰ ἐργαστήρια τῶν ἀρχαϊκῶν καὶ κλασσικῶν χρόνων.” The Archaeology of Athens and Attica under the Democracy: Proceedings of an International Conference Celebrating 2500 Years since the Birth of Democracy in Greece, Athens, December 1992 (eds. W. D. E. Coulson et al.) 45–54. Oxford.

Beaton, R. 1980. “Modes and Roads: Factors of Change and Continuity in Greek Musical Tradition.” Annual of the British School at Athens 75:1–11.

Beazley, J. D. 1922. “Citharoedus.” Journal of Hellenic Studies 42:70–98.

———. 1928. Greek Vases in Poland. Oxford.

———. 1932. “Little-Master Cups.” Journal of Hellenic Studies 52:167–204.

———. 1933. Campana Fragments in Florence. Oxford.

———. 1948. “Hymn to Hermes.” American Journal of Archaeology 52:336–340.

———. 1950. “Some Inscriptions on Vases: V.” American Journal of Archaeology 54:310–322.

———. 1953. “Brygan Symposia.” Studies presented to D. M. Robinson (eds. G. R. Mylonas and D. Raymond), vol. 2:74–83. Saint Louis, MO.

———. 1954. Attic Vase Paintings in the Museum of Fine Arts , Boston. L. D. Caskey and J. D. Beazley. Part II: Text, Nos. 66-113. Oxford.

———. 1956. (ABV) Attic Black-figure Vase-painters. Oxford.

———. 1961. “An Amphora by the Berlin Painter.” AK 4:49–67.

———. 1963. (ARV) Attic Red-figure Vase-painters. 3 vols., second ed. Oxford.

———. 1974a. The Kleophrades Painter. Mainz.

———. 1974b. The Berlin Painter. Mainz.

Beck, F. A. G. 1975. Album of Greek Education: The Greeks at School and at Play. Sydney.

Beck, W. 1991 [1987]. “ἔπος.” In Lexikon des frühgriechischen Epos. vol. 2: B–Λ, 657–663. Göttingen.

Bélis, A. 1984. “Un nouveau document musical.” Bulletin de Correspondance Hellénique 108:99–109.

———. 1992. “À propos de la coupe CA 482 du Louvre.” Bulletin de Correspondance Hellénique 116:53–59.

Bell, J. M. 1978. “Κίμβιξ καὶ σοφός: Simonides in the Anecdotal Tradition.” Quaderni Urbinati di Cultura Classica 28:29–86.

Bell, M. 1995. “The Motya Charioteer and Pindar’s Isthmian 2.” Memoirs of the American Academy in Rome 40:1–42.

Ben-Amos, D. 1976. “Analytical Categories and Ethnic Genres.” Folklore Genres (ed. D. Ben-Amos) 215–242. Austin, TX.

Benardete, S. 1969. Herodotean Inquiries. The Hague.

Bennett, C. 1994. “Concerning ‘Sappho Schoolmistress.’ ” Transactions of the American Philological Association 124:345–347.

Bennett, T. 1985. “Texts in History: The Determinations of Readings and Their Texts.” The Journal of the Midwest Modern Language Association 18.1:1–16.

Bentz, M. and C. Reusser (eds.). 2004. Attische Vasen in etruskischem Kontext: Funde aus Häusern und Heiligtümern. Munich.

Bérard, C. 1974. Anodoi: Essai sur l’imagerie des passages chthoniens. Neuchâtel.

———. 1983. “Iconographie–Iconologie–Iconologique.” Etudes de lettres. Revue de la Faculté des Lettres. Université de Lausanne 1983:5–37.

———. 1989. “The Order of Women.” In Bérard et al. 1989:88–107.

Bérard, C. et al. (eds.). 1987. Images et société en Grèce ancienne: L’iconographie comme méthode d’analyse. Actes du Colloque international, Lausanne 8–11 février 1984. Lausanne.

Bérard, C. et al. 1989. A City of Images: Iconography and Society in Ancient Greece, trans. D. Lyons, Princeton, NJ.

Bérard, F., et al. (eds.). 2000. Guide de l’épigraphiste: Bibliographie choisie des épigraphies antiques et médiévales, third ed. Paris.

Bergamin, M. 2005. Aenigmata Symposii: La fondazione dell’enigmistica come genere poetico. Florence.

Bergk, T. 1843. Poetae Lyrici Graeci. 1 vol., first ed. Leipzig.

———. 1867. Poetae Lyrici Graeci. vol. 3, third ed. Leipzig.

———. 1882. Poetae Lyrici Graeci. vol. 3, fourth ed. Leipzig.

Bernabé, A. 1987. Poetarum Epicorum Graecorum: Testimonia et Fragmenta. Pars I. Leipzig.

Bernard, P. 1985. “Les rhytons de Nisa. I. Poétesses grecques.” Journal des Savants 25–118.

Bessi, B. 1997. “La musica del simposio: Fonti letterarie e rappresentazioni vascolari.” Annali di archeologia e storia antica (Istituto Universitario Orientale, Napoli), n.s. 4:137–152.

Bethe, E. 1931. Pollucis Onomasticon. fasc. 2: Lib. VI–X continens. Leipzig.

Biehl, W. 1975. Euripides: Orestes. Leipzig.

Bierl, A. 2001. Der Chor in der Alten Komödie: Ritual und Performativität (unter besonderer Berücksichtigung von Aristophanes’ Thesmophoriazusen und der Phalloslieder fr. 851 PMG). Munich.

———. 2003. “ ‘Ich aber (sage), das Schönste ist, was einer liebt!’: Eine pragmatische Deutung von Sappho Fr. 16 LP/V.” Quaderni Urbinati di Cultura Classica n.s. 74:91–124.

Bietti Sestieri, A. M. 1992. The Iron Age Community of Osteria dell’ Osa: A Study of Socio-political Development in Central Tyrrhenian Italy. Cambridge.

Biffi, N. 1997. “Le storie diverse della cortigiana Rhodopis.” Giornale Italiano di Filologia 49:51–60.

Bing, P. 1988. The Well-Read Muse: Present and Past in Callimachus and the Hellenistic Poets. Göttingen.

———. 1993. “The Bios-Tradition and Poets’ Lives in Hellenistic Poetry.” Nomodeiktes: Greek Studies in Honor of M. Ostwald (eds. R. M. Rosen and J. Farrell) 619–631. Ann Arbor, MI.

Blackburn, S. H., et al. (eds.). 1989. Oral Epics in India. Berkeley and Los Angeles.

Blacking, J. 1973. How Musical is Man? Seattle, WA.

Blank, P. 1995. “Comparing Sappho to Philaenis: John Donne’s ‘Homopoetics.’” Publications of the Modern Language Association of America 110, n. 3:358–368.

Blass, F. 1902. “Die Berliner Fragmente der Sappho.” Hermes 37:456–479.

Blech, M. 1982. Studien zum Kranz bei den Griechen. Berlin.

Blok, J. 2001. “Virtual Voices: Toward a Choreography of Women’s Speech in Classical Athens.” Making Silence Speak: Women’s Voices in Greek Literature and Society (eds. A. Lardinois and L. McClure) 95–116. Princeton, NJ.

Blok, J. and P. Mason (eds.). 1987. Sexual Asymmetry: Studies in Ancient Society. Amsterdam.

Blomfield, C. J. 1814. “Sapphonis Fragmenta.” Museum Criticum; or, Cambridge Classical Researches I:1–31.

Blümel, W. 1982. Die aiolischen Dialekte. Phonologie und Morphologie der inschriftlichen Texte aus generativer Sicht. Göttingen.

Boardman, J. 1975. Athenian Red Figure Vases: The Archaic Period. London.

———. 1976. “A Curious Eye Cup.” AA:281–290.

———. 1980. The Greeks Overseas: Their Early Colonies and Trade. New and enlarged ed. London [fourth edition 1999].

———. 1986. “Part Two” of D. C. Kurtz and J. Boardman, “Booners.” Greek Vases in the J. Paul Getty Museum 3 [Occasional Papers on Antiquities 2] 35–70. Malibu, CA.

———. 1989. Athenian Red Figure Vases: The Classical Period. London.

———. 1992. “Kaloi and Other Names on Euphronios’ Vases.” Euphronios. Atti del Seminario Internazionale di Studi, Arezzo 27–28 Maggio 1990 (eds. M. Cygielman et al.) 45–50. Florence.

———. 2001. The History of Greek Vases: Potters, Painters and Pictures. London.

Boas, F. 1940. Race, Language, and Culture. New York.

Boissonade, J. Fr. 1831. Ἀνέκδοτα: Anecdota Graeca, e codicibus regiis, vol. 3. Paris.

Bookidis, N. 1990. “Ritual Dining in the Sanctuary of Demeter and Kore at Corinth: Some Questions.” In Murray 1990:86–94.

———. 1993. “Ritual Dining at Corinth.” Greek Sanctuaries: New Approaches (eds. N. Marinatos and R. Hägg) 45–61. London and New York.

Bookidis, N. et al. 1999. “Dining in the Sanctuary of Demeter and Kore at Corinth.” Hesperia 68:1–54.

Bookidis, N., and R. S. Stroud. 1997. The Sanctuary of Demeter and Kore: Topography and Architecture [Corinth XVIII, part III]. Princeton, NJ.

Borgeaud, P. et al. 1999. La mythologie du matriarcat. L’atelier de Johann Jakob Bachofen. Geneva.

Borofsky, R. 1997. “Cook, Lono, Obeyesekere, and Sahlins.” Current Anthropology 38.2:255–282.

Boruhović, V. 1981. “Zur Geschichte des sozialpolitischen Kampfes auf Lesbos (Ende des 7.–Anfang des 6. Jh. v.u.Z.).” Klio 63:247–259.

Bosnakis, D. 2004. “Zwei Dichterinnen aus Kos: Ein neues inschriftliches Zeugnis über das öffentliche Auftreten von Frauen.” The Hellenistic Polis of Kos: State, Economy and Culture. Proceedings of an International Seminar organized by the Department of Archaeology and Ancient History, Uppsala University, 11–13 May, 2000 (ed. K. Hög-hammar) 99–108. Uppsala.

Boss, M. 1997. “Preliminary Sketches on Attic Red-figured Vases of the Early Fifth Century B.C.” In Oakley et al. 1997:345–351.

Bourdieu, P. 1977. Outline of a Theory of Practice, trans. R. Nice. Cambridge.

———. 1984. Distinction: A Social Critique of the Judgement of Taste, trans. R. Nice. Cambridge, MA.

———. 1990. The Logic of Practice, trans. R. Nice. Stanford, CA.

Bowie, A. M. 1981. The Poetic Dialect of Sappho and Alcaeus. Salem, NH.

———. 1997. “Thinking with Drinking: Wine and the Symposium in Aristophanes.” Journal of Hellenic Studies 117:1–21.

Bowman, L. 1998. “Nossis, Sappho and Hellenistic Poetry.” Ramus 27:39–59.

Bowra, C. M. 1961. Greek Lyric Poetry: From Alcman to Simonides, second revised ed. Oxford.

———. 1970a. “Xenophanes on the Luxury of Colophon.” Id., On Greek Margins 109–121. Oxford.

———. 1970b. “Asius and the Old-fashioned Samians.” Id., On Greek Margins 122–133. Oxford.

Brandenburg, H. 1966. Studien zur Mitra: Beiträge zur Waffen- und Trachtgeschichte der Antike. Münster.

Braun, T. F. R. G. 1982. “The Greeks in Egypt.” The Cambridge Ancient History, vol. III, part 3: The Expansion of the Greek World, Eighth to Sixth Centuries B.C . (eds. J. Boardman and N. G. L. Hammond) Second ed. 32–56. Cambridge.

Braund, D. and J. Wilkins (eds.). 2000. Athenaeus and His World: Reading Greek Culture in the Roman Empire. Exeter.

Brelich, A. 1969. Paides e Parthenoi. Rome.

Bremmer, J. 1980. “An Enigmatic Indo-European Rite: Paederasty.” Arethusa 13:279–298.

Bremmer, J. N. 1994. Greek Religion. Greece & Rome New Surveys in the Classics No. 24. Oxford.

———. 1996. “Initiation.” The Oxford Classical Dictionary, third ed. (eds. S. Hornblower and A. Spawforth) 758–759 [= third revised ed. 2003]. Oxford.

Briggs, C. L., and R. Bauman. 1992. “Genre, Intertextuality, and Social Power.” Journal of Linguistic Anthropology 2.2:131–172.

Broger, A. 1996. Das Epitheton bei Sappho und Alkaios: Eine sprachwissenschaftliche Untersuchung. Innsbruck.

Brooten, B. J. 1996. Love between Women: Early Christian Responses to Female Homoeroticism. Chicago.

Brown, C. 1983. “From Rags to Riches: Anacreon’s Artemon.” Phoenix 37:1–15.

Browning, R. 1960. “An Unnoticed Fragment of Sappho?” Classical Review 10:192–193.

Brumfield, A. C. 1981. The Attic Festivals of Demeter and Their Relation to the Agricultural Year. New York.

———. 1996. “Aporreta: Verbal and Ritual Obscenity in the Cults of Ancient Women.” Proceedings of the Third International Seminar on Ancient Greek Cult, organized by the Swedish Institute at Athens, 16–18 October 1992 (ed. R.Hägg) 67–74. Stockholm.

Brunet, P. 1998. L’égal des dieux: Cent versions d’ un poème de Sappho. Paris.

———. 2003. “Sappho au Banquet des Savants.” Colloque La poésie grecque antique (eds. J. Jouanna and J. Leclant) 63–76. Paris.

Brusini, S. 1996. “L’Anacreonte Borghese: una nuova proposta di lettura.” Rivista di Archeologia 20:59–74.

Bryant, M. 1983. Riddles: Ancient and Modern. London.

Bryson, N. 1983. Vision and Painting: The Logic of the Gaze. New Haven, CT.

——— 1991. “Semiology and Visual Interpretation.” Visual Theory: Painting and Interpretation (eds. N. Bryson et al.) 61–73. New York.

Buffière, F. 1980. Éros adolescent: la pédérastie dans la Grèce antique. Paris.

Buitron-Oliver, D. 1995. Douris: A Master-Painter of Athenian Red-figure Vases. Mainz.

Bundy, E. L. 1986. Studia Pindarica [first published as Studia Pindarica I and II in the University of California Publications in Classical Philology 18, nos. 1 and 2 (1962)]. Berkeley and Los Angeles.

Burke, P. 1987. The Historical Anthropology of Early Modern Italy: Essays on Perception and Communication. Cambridge.

Burkert, W. 1992. The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early Archaic Age, trans. M. E. Pinder and W. Burkert. Cambridge, MA.

Burn, L. 1985. “Honey-pots: Three White-ground Cups by the Sotades Painter.” AK 28:93–105.

———. 1987. The Meidias Painter. Oxford.

Burnett, A. P. 1983. Three Archaic Poets: Archilochus, Alcaeus, Sappho. London.

Burnyeat, M. 1997. “Postscript on Silent Reading.” Classical Quarterly 47:74–76.

Burzachechi, M. 1962. “Oggetti parlanti nelle epigrafi greche.” Epigraphica 24:3–54.

Butor, M. 1969. Les mots dans la peinture. Geneva.

Cairns, F. 1972. Generic Composition in Greek and Roman Poetry. Edinburgh.

Calame, C. 1974. “Réflexions sur les genres littéraires en Grèce archaïque.” Quaderni Urbinati di Cultura Classica 17:113–128.

———. 1977. Les Choeurs de jeunes filles en Grèce archaïque. I. Morphologie, fonction religieuse et sociale. Rome.

———. 1989. “Entre rapports de parenté et relations civiques: Aphrodite l’hétaïre au banquet politique des hetaîroi.” Aux sources de la puissance: sociabilité et parenté, Actes du Colloque de Rouen 12–13 novembre 1987, 101–111. Rouen.

———. 1997. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Function, second ed., trans. D. Collins and J. Orion. Lanham, MD.

———. 1999. “Indigenous and Modern Perspectives on Tribal Initiation Rite: Education according to Plato.” Rites of Passage in Ancient Greece: Literature, Religion, Society (ed. M. W. Padilla) 278–312. Lewisburg, PA.

———. 2001. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Function. New and revised ed., trans. D. Collins and J. Orion. Lanham, MD.

Calder, W. M. 1986. “F. G. Welcker’s Sapphobild and Its Reception in Wilamowitz.” Friedrich Gottlieb Welcker. Werk und Wirkung (eds. W. M. Calder et al.) 131–156. Stuttgart.

Cameron, A. 1993. The Greek Anthology: From Meleager to Planudes. Oxford.

———. 1995. Callimachus and His Critics. Princeton, NJ.

Campbell, D. A. 1982. Greek Lyric I. Cambridge, MA.

———. 1992. Greek Lyric IV. Cambridge, MA.

———. 1993. Greek Lyric V. Cambridge, MA.

Campbell, M. 1973/1974. “Anacr. fr. 358 P.” Museum Criticum 8/9:168–169.

Campbell, S. J. 2004. The Cabinet of Eros: Renaissance Mythological Painting and the Studiolo of Isabella d’ Este. New Haven, CT.

Cantarella, E. 1992. Bisexuality in the Ancient World, trans. C. Ó Cuilleanáin. New Haven, CT.

Carbone, G. 1993. “Le donne di Lesbo nel lessico svetoniano delle ingiurie (A proposito di Anacr. fr. 13 Gent.).” Quaderni Urbinati di Cultura Classica 44:71–76.

Carey, C. 2003. “Praxilla.” The Oxford Classical Dictionary. Third ed. revised (eds. S. Hornblower and A. Spawforth) 1242. Oxford.

Carson, A. 1986. Eros the Bittersweet: An Essay. Princeton, NJ.

———. 2002. If Not, Winter: Fragments of Sappho. New York.

Cartledge, P. 1981. “Spartan Wives: Liberation or Licence?” Classical Quarterly 31:84–105.

———. 1994. “The Greeks and Anthropology.” Anthropology Today 10.3:3–6.

———. 1996. “Classical Studies.” Encyclopedia of Social and Cultural Anthropology (eds. A. Barnard and J. Spencer) 100–102. London.

Casadio, V. 1996. I “dubbi” di Archiloco. Pisa.

Casaubon, I. and J. Dalechamps 1597. Ἀθηναίου Δειπνοσοφιστῶν βιβλία πεντεκαίδεκα. Athenaei Deipnosophistarum libri quindecim: I. Casaubonus recensuit . . . ; addita est I. Dalechampii Latina interpretatio. Heidelberg.

Cassio, A. C. 1983. “Post-Classical Λέσβιαι.” Classical Quarterly 33:296–297.

Càssola, F. 1975. Inni omerici. Milan.

Castaldo, D. 1993. Immagini della musica nella Grecia antica: Iconografia musicale nelle ceramiche attiche e magnogreche del Museo Civico Archeologico di Bologna. Bologna.

Castoriadis, C. 1987. The Imaginary Institution of Society, trans. Kathleen Blamey. Cambridge, MA.

Cataudella, Q. 1927. “Derivazioni di Saffo in Gregorio Nazianzeno.” Bollettino di Filologia Classica 34:282–284 [reprinted in his Intorno ai lirici greci, Rome 1972, 66–69].

———. 1965. “Saffo e i Bizantini.” Revue des Études Grecques 78:66–69 [reprinted in Intorno ai lirici greci, Rome 1972, 79–82].

———. 1973. “Recupero di un’ antica scrittrice greca.” Giornale Italiano di Filologia 4:253–263.

Cavalier, O. (ed.). 1996. Silence et fureur: La femme et le mariage en Grèce. Les antiquités grecques du Musée Calvet. Avignon.

Cavallini, E. 1986. Prezenza di Saffo e Alceo nella poesia greca fino ad Aristofane. Ferrara.

——— (ed.). 2004. Samo: Storia, Letteratura, Scienza (Ravenna, 14–16 novembre 2002). Pisa and Rome.

Cavallo, G., and H. Maehler 1987. Greek Bookhands of the Early Byzantine Period, A.D. 300–800. London.

Chadwick, J. 1990. “The Descent of the Greek Epic.” Journal of Hellenic Studies 110:174–177.

Chantraine, P. 1948/1953. Grammaire homérique. 2 vols. Paris.

———. 1968/1980. Dictionnaire étymologique de la langue grecque: histoire des mots. Paris [new ed. 1999].

Chantry, M. 1999. Scholia in Aristophanem. Pars III, fasc. I a : Scholia Vetera in Aristophanis Ranas. Groningen.

———. 2001. Scholia in Aristophanem. Pars III, fasc. I b : Scholia Recentiora in Aristophanis Ranas. Groningen.

Charitonides, S. I. 1966. “Ἡ ἰδιομορφία τοῦ λεσβιακοῦ πολιτισμοῦ στὴν ἀρχαϊκὴ ἐποχή.” Lesbiaka 5:161–168.

Christidis, D. A. 1985. “Σαπφικά.” H 36:3–11.

Christin, A.-M. 1995. L’image écrite ou la déraison graphique. Paris.

Clark, E. 2004. History, Theory, Text: Historians and the Linguistic Turn. Cambridge, MA.

Clay, D. 2004. Archilochos Heros: The Cult of Poets in the Greek Polis. Cambridge, MA.

Clay, J. S. 1999. “Iliad 24.649 and the Semantics of ΚΕΡΤΟΜΕΩ.” Classical Quarterly 49:618–621.

Clifford, J. 1986. “On Ethnographic Allegory.” In Clifford and Marcus 1986:98–121.

———. 1988. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, MA.

Clifford, J. T., and G. E. Marcus (eds.). 1986. Writing Culture: The Poetics and Politics of Ethnography. Berkeley and Los Angeles, CA.

Clinkenbeard, B. G. 1982. “Lesbian Wine and Storage Amphoras: A Progress Report on Identification.” Hesperia 51:248–268.

———. 1986. “Lesbian and Thasian Wine Amphoras: Questions Concerning Collaboration.” Recherches sur les amphores grecques: Actes du colloque international organisé par le Centre National de la Recherche Scientifique, l’Université de Rennes II et l’École française d’Athènes (Athènes, 10–12 Septembre 1984) (eds. J.-Y. Empereur and Y. Garlan) 353–362. Athens.

Cobet, J. 1988. “Herodot und mündliche Überlieferung.” Vergangenheit in mündlicher Überlieferung (eds. J. von Ungern-Sternberg and H. Reinau) 226–233. Stuttgart.

Coche-Zivie, C. 1972. “Nitocris, Rhodopis et la troisième pyramide de Giza.” Bulletin de l’Institut français d’ archéologie orientale 72:115–138.

Cohen, B. 1991. “The Literate Potter: A Tradition of Incised Signatures on Attic Vases.” Metropolitan Museum Journal 26:49–95.

———. (ed.). 2000. Not the Classical Ideal: Athens and the Construction of the Other in Greek Art. Leiden.

———. 2001. “Ethnic Identity in Democratic Athens and the Visual Vocabulary of Male Costume.” Ancient Perceptions of Greek Ethnicity (ed. I. Malkin) 235–274. Cambridge, MA.

Cohen, B., and H. A. Shapiro. 2002. “The Use and Abuse of Athenian Vases.” Essays in Honor of Dietrich von Bothmer (eds. A. J. Clark et al.) 83–90. Amsterdam.

Cohen, R. 2003. 500 Cantigas d’ amigo: Critical edition. Porto.

Coldstream, J. N. 1968. Greek Geometric Pottery: A Survey of Ten Local Styles and Their Chronology. London.

Cole, S. G. 1994. “Demeter in the Ancient Greek City and Its Countryside.” Placing the Gods: Sanctuaries and Sacred Space in Ancient Greece (eds. S. E. Alcock and R. Osborne) 199–216. Oxford.

Collecott, D. 1999. H. D. and Sapphic Modernism, 1910–1950. Cambridge.

Comaroff, J., and J. L. Comaroff. 1992. Ethnography and the Historical Imagination. Boulder, CO.

Conca, F. 1994. Il romanzo bizantino del XII secolo: Teodoro Prodromo, Niceta Eugeniano, Eustazio Macrembolita, Costantino Manasse. Torino.

Contiades-Tsitsoni, E. 1990. Hymenaios und Epithalamion: Das Hochzeitslied in der frühgriechischen Lyrik. Stuttgart.

Cook, B. F. 1987. Greek Inscriptions. Berkeley and Los Angeles, CA.

Cooper, F., and S. Morris. 1990. “Dining in Round Buildings.” In Murray 1990:66–85.

Coote, M. P. 1977. “Women’s Songs in Serbo-Croatian.” Journal of American Folklore 90:331–338.

———. 1992. “On the Composition of Women’s Songs.” Oral Tradition 7:332–348.

Costanza S. 1976. “Su alcune risonanze classiche nel carme I 2, 10 di Gregorio di Nazianzo.” Sileno 2:203–219.

———. 1980. “Un motivo saffico in Teodoro Besto e in Simeone Metafraste (Sappho, fr. 96 V. 6–9; Teodoro, BHG3, 624, 4; Simeone BHG3, 620, 4).” Orpheus n.s. 1:106–114.

Couat, A. 1931. Alexandrian Poetry under the First Three Ptolemies, with a supplementary chapter by E. Cahen, trans. J. Loeb. London.

Cougny, E. 1890. Epigrammatum Anthologia Palatina cum Planudeis et appendice nova epigrammatum veterum ex libris et marmoribus ductorum, vol. 3. Paris.

Coulson, W. D. E. 1996. Ancient Naukratis, vol. II: The Survey at Naukratis and Environs. Part I: The Survey at Naukratis, with the assistance of I. Leventi. Oxford.

Courby, F. 1922. Les vases grecs à reliefs. Paris.

Crapanzano, V. 1986. “Hermes’ Dilemma: The Making of Subversion in Ethnographic Description.” In Clifford and Marcus 1986:51–76.

———. 1992. Hermes’ Dilemma and Hamlet’s Desire: On the Epistemology of Interpretation. Cambridge, MA.

———. 2004. Imaginative Horizons: An Essay in Literary-Philosophical Anthropology. Chicago, IL.

Crusius, O. 1907. Review of Berliner Klassikertexte vol. V. Literarisches Centralblatt für Deutschland 58:1309–1310.

———. 1926. Die Mimiamben des Herondas, revised ed. R. Herzog. Leipzig.

Csapo, E. 2000. “From Aristophanes to Menander? Genre Transformation in Greek Comedy.” Matrices of Genre: Authors, Canons, and Society (eds. M. Depew and D. Obbink) 115–133. Cambridge, MA.

Csapo, E., and M. C. Miller. 1991. “The ‘Kottabos-toast’ and an Inscribed Red-figured Cup.” Hesperia 60:367–382.

Culler, J. 1975. Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature. Ithaca, NY.

Cummings, M. S. 2001. “The Early Greek Paraclausithyron and Gnesippus.” Scholia 10:38–53.

Cunningham, I. C. 1971. Herodas Mimiambi, edited with introduction, commentary, and appendices. Oxford.

Cyrino, M. 1996. “Anakreon and Erôs Damalês.” Classical World 89:371–382.

Dale, A. M. 1968. The Lyric Metres of Greek Drama, second ed. Cambridge.

Darbo-Peschanski, C. 1987. Le discours du particulier: Essai sur l’enquête hérodotéenne, Preface P. Veyne. Paris.

Davidson, J. F. 1987. “Anacreon, Homer, and the Young Woman from Lesbos.” Mnemosyne 40:132–137.

Davidson, J. N. 1997. Courtesans and Fishcakes: The Consuming Passions of Classical Athens. London.

———. 2000. “Gnesippus Paigniagraphos: The Comic Poets and the Erotic Mime.” The Rivals of Aristophanes: Studies in Athenian Old Comedy (eds. D. Harvey and J. Wilkins) 41–64. London.

Davies, M. 1991. Poetarum Melicorum Graecorum Fragmenta, vol. 1: Alcman, Stesichorus, Ibycus, post D. L. Page edidit M. Davies. Oxford.

Davison, J. A. 1968. “Anacreon fr. 5 Diehl.” Id., From Archilochus to Pindar, 247–255. London.

De Certeau, M. 1986. Heterologies: Discourses on the Other. Minneapolis, MN.

Debord, G. 1988. Commentaires sur la société du spectacle. Paris.

———. 1994. The Society of the Spectacle, trans. D. Nicholson-Smith. New York.

Deferrari, R. J. 1969. Lucian’s Atticism: The Morphology of the Verb. Amsterdam [orig. publ. 1916].

Dehler, J. 1999. Fragments of Desire: Sapphic Fictions in Works by H. D., Judy Grahn, and Monique Wittig. Frankfurt am Main.

DeJean, J. 1989. Fictions of Sappho, 1546–1937. Chicago, IL.

de la Genière, J. 1987. “Rituali funebri e produzione di vasi.” Tarquinia: Ricerche, scavi e prospettive (eds. M. B. Jovino and C. C.Treré) 203–208. Milan.

———. 1988. “Les acheteurs des cratères corinthiens.” Bulletin de Correspondance Hellénique 112:83–90.

———. 1999. “Quelques réflexions sur les clients de la céramique attique.” Céramique et peinture grecques: Modes d’ emploi. Actes du colloque international, École du Louvre, 26–28 avril 1995 (eds. M.-C. Villanueva Puig et al.) 411–424. Paris.

Delavaud-Roux, M.-H. 1995. “L’énigme des danseurs barbus au parasol et les vases ‘des Lénéennes.’ ” Revue Archéologique 227–263.

de Man, P. 1982. “Introduction.” In Jauss 1982: vii–xxv.

Denniston, J. D. 1954. The Greek Particles, second ed. Oxford.

Derderian, K. 2001. Leaving Words to Remember: Greek Mourning and the Advent of Literacy. Leiden.

Derrida, J. 1978a. Writing and Difference, trans. A. Bass. Chicago, IL.

———. 1978b. La vérité en peinture. Paris.

———. 1991. Donner le temps: 1. La fausse monnaie. Paris.

des Bouvrie Thorsen, S. 1978. “The Interpretation of Sappho’s Fragment 16 L.-P.” SO 53:5–23.

Detienne, M. 1979. Dionysos Slain, trans. M. Muellner and L. Muellner. Baltimore, MD.

——— (ed.). 1988. Les savoirs de l’écriture: en Grèce ancienne. Lille.

———. 1991. “Pour une anthropologie avec les Grecs.” In A. Bonnard, Civilisation grecque, VII–XIV. Lausanne.

———. 1996. The Masters of Truth in Archaic Greece, trans. J. Lloyd. New York.

———. 2000. Comparer l’incomparable. Paris.

———. 2001. “Back to the Village: A Tropism of Hellenists?” History of Religions 41.2:99–113.

———. 2003. Comment être autochtone: Du pur Athénien au Français raciné. Paris.

Detienne, M., and J.-P. Vernant 1974. Les ruses de l’intelligence: La mètis des Grecs. Paris.

Devine, A. M., and L. D. Stephens 1991. “Dionysius of Halicarnassus, De Compositione Verborum XI: Reconstructing the Phonetics of the Greek Accent.” Transactions of the American Philological Association 121:229–286.

———. 1994. The Prosody of Greek Speech. New York and Oxford.

De Vries, K. 1973. “East Meets West at Dinner.” Expedition 15:32–39.

———. 1997. “The ‘Frigid Eromenoi’ and Their Wooers Revisited: A Closer Look at Greek Homosexuality in Vase Painting.” Queer Representations: Reading Lives, Reading Cultures (ed. M. Duberman) 14–24. New York.

———. 2000. “The Nearly Other: The Attic Vision of Phrygians and Lydians.” In Cohen 2000:338–363.

Diehl, E. 1925. Anthologia Lyrica Graeca, vol. 1. Leipzig.

———. 1936. Anthologia Lyrica Graeca, vol. 1, second ed. Leipzig.

———. 1942. Anthologia Lyrica Graeca. Supplementum: Addenda et corrigenda fasciculorum I–VI editionis alterius. Leipzig.

Diggle, J. 1991. The Textual Tradition of Euripides’ Orestes. Oxford.

———. 1994. Euripidis Fabulae, vol. 3. Oxford.

———. 2004. Theophrastus: Characters, edited with introduction, translation, and commentary. Cambridge.

Dilts, M. R. 1971. Heraclidis Lembi Exerpta Politiarum. Durham, NC.

———. 1974. Claudii Aeliani Varia Historia. Leipzig.

Dirks, N. 1987. The Hollow Crown: Ethnohistory of an Indian Kingdom. Cambridge.

———. 1996. “Is Vice Versa? Historical Anthropologies and Anthropological Histories.” The Historic Turn in the Human Sciences (ed. T. J. McDonald) 17–51. Ann Arbor, MI.

Dobrov, G. W., and E. Urios-Aparisi. 1995. “The Maculate Music: Gender, Genre, and the Chiron of Pherecrates.” Beyond Aristophanes: Transition and Diversity in Greek Comedy (ed. G. W. Dobrov) 139–174. Atlanta, GA.

Dörrie, H. 1975. P. Ovidius Naso: Der Brief der Sappho an Phaon. Munich.

Domingo-Forasté, D. 1994. Claudii Aeliani Epistulae et Fragmenta. Stuttgart and Leipzig.

Dornseiff, F. 1921. Pindars Stil. Berlin.

Dougherty, C., and L. Kurke (eds.). 1993. Cultural Poetics in Archaic Greece. Cambridge and New York.

——— (eds.). 2003. The Cultures within Ancient Greek Culture: Contact, Conflict, Collaboration. Cambridge.

Douglas, M. forth. Thinking in Circles: An Essay on Ring Composition. New Haven, CT.

Dover, K. J. 1980. Plato. Symposium. Cambridge.

———. 1987. “The Poetry of Archilochus.” Id., Greek and the Greeks. Collected Papers, vol. I: Language, Poetry, Drama, 97–121 [orig. publ. in Archiloque, Geneva 1964, 181–222]. Oxford.

———. 1988a. “Greek Homosexuality and Initiation.” Id., The Greeks and Their Legacy: Collected Papers, vol. II: Prose Literature, History, Society, Transmission, Influence, 115–134. Oxford.

———. 1988b. “Anecdotes, Gossip and Scandal.” Id., The Greeks and Their Legacy: Collected Papers, vol. II, 45–52. Oxford.

———. 1989. Greek Homosexuality, updated with a new postscript. Cambridge, MA (orig. publ. 1978).

———. 1993. Aristophanes. Frogs, edited with introduction and commentary. Oxford.

———. 2002. “Two Women of Samos.” The Sleep of Reason: Erotic Experience and Sexual Ethics in Ancient Greece and Rome (eds. M. C. Nussbaum and J. Sihvola) 222–228. Chicago, IL.

duBois, P. 1995. Sappho Is Burning. Chicago, IL.

Dunbabin, T. J. 1948. The Western Greeks: The History of Sicily and South Italy from the Foundation of the Greek Colonies to 480 B.C. Oxford.

Dunbar, N. 1995. Aristophanes. Birds, edited with introduction and commentary. Oxford.

Durand, J.-L., and F. Lissarrague. 1980. “Un lieu d’image? L’espace du loutérion.” Hephaistos 2:89–106.

Duranti, A. 1997. Linguistic Anthropology. Cambridge.

Duranti, A., and C. Goodwin (eds.). 1992. Rethinking Context: Language as an Interactive Phenomenon. Cambridge.

———. 1992a. “Rethinking Context: An Introduction.” In Duranti and Goodwin 1992:1–42.

Düring, I. 1957. Aristotle in the Ancient Biographical Tradition. Göteborg.

Easterling, P. E. 1977. “Literary Tradition and the Transformations of Cupid.” Didaskalos 5:318–337.

———. 1995. “Menander: Loss and Survival.” Stage Directions: Essays in Ancient Drama in Honour of E. W. Handley [Bulletin of the Institute of Classical Studies Supplement 66] (ed. A. Griffiths) 153–160. London.

Écarnot, C. 2002. L’écriture de Monique Wittig: À la couleur de Sappho. Paris.

Edelstein, L., and I. G. Kidd. 1989. Posidonius. I: The Fragments, second ed. Cambridge.

Edmonds, J. M. 1922. “Sappho’s Book as Depicted on an Attic Vase.” Classical Quarterly 16:1–14.

———. 1928a. Lyra Graeca, vol. 1, revised and augmented ed. London.

———. 1928b. Sappho Revocata. London.

———. 1931. Lyra Graeca, vol. 2, revised and augmented ed. London.

———. 1940. Lyra Graeca, vol. 3, revised ed. London.

Edmunds, L. 2001. “Sappho Fr. 31 V: Performance and Reading.” Annali dell’ Università di Ferrara. Sezione Lettere n.s. 2:3–23.

Ellenberger, O. 1907. Quaestiones Hermesianacteae. Diss. Giessen.

Evans, J. A. S. 1991. Herodotus, Explorer of the Past: Three Essays. Princeton, NJ.

Fabbro, E. 1992. “Sul riuso di carmi d’ autore nei simposi attici (Carm. conv. 8 P. e Alc. fr. 249 V.).” Quaderni Urbinati di Cultura Classica n.s. 41:29–38.

———. 1995. Carmina Convivalia Attica. Rome.

Fabian, J. 1983. Time and the Other: How Anthropology Makes Its Object. New York. [Second ed., with foreword M. Bunzl, New York 2002].

Fairweather, J. 1974. “Fiction in the Biographies of Ancient Writers.” Ancient Society 5:234–255.

Fauconnier, G. 1984. Espaces mentaux: aspects de la construction du sens dans les langues naturelles. Paris.

———. 1997. Mappings in Thought and Language. Cambridge.

Fauconnier, G., and E. Sweetser (eds.). 1996. Spaces, Worlds, and Grammar. Chicago, IL.

Fehling, D. 1989. Herodotus and His “Sources”: Citation, Invention, and Narrative Art, revised ed., trans. J. G. Howie [orig. German ed. 1971]. Leeds.

Fehr, B. 1971. Orientalische und griechische Gelage. Bonn.

———. 2003. “What Has Dionysos to Do with the Symposion?” Symposium: Banquet et représentations en Grèce et à Rome (eds. C. Orfanos and J.-C. Carrière). In Pallas: Revue d’études antiques 61:23–37.

Feld, S. 1974. “Linguistic Models in Ethnomusicology.” Ethn 18:197–217.

———. 1984a. “Communication, Music, and Speech about Music.” Yearbook for Traditional Music 16:1–18.

———. 1984b. “Sound Structure as Social Structure.” Ethn 28:383–409.

———. 1990. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression, second ed. Philadelphia, PA.

———. 1998. “They Repeatedly Lick Their Own Things.” Critical Inquiry 24:445–472 [reprinted in L. Berlant (ed.), Intimacy, Chicago, 165–192].

Feld, S., and D. Brenneis. 2004. “Doing Anthropology in Sound.” American Ethnologist 31:461–474.

Feld, S., and A. A. Fox. 1994. “Music and Language.” Annual Review of Anthropology 23:25–53.

Feld, S., and B. B. Schieffelin. 1996. “Hard Words: A Functional Basis for Kaluli Discourse.” The Matrix of Language: Contemporary Linguistic Anthropology (eds. D. Brenneis and R. K. S. Macaulay) 56–73. Boulder, CO.

Fernández-Galiano, E. 1987. Posidipo de Pela. Madrid.

Ferrari, F. 2000. “Due note al testo del fr. 2 di Saffo.” APap 12:37–44.

———. 2003. “Il pubblico di Saffo.” Studi Italiani di Filologia Classica ser. 4, vol. 1:42–89.

Ferrari, G. 2002. Figures of Speech: Men and Maidens in Ancient Greece. Chicago, IL.

Ferrari, W. 1940. “Due note su ἁγνός.” Studi Italiani di Filologia Classica 17:33–53.

Ferri, S. 1938. “Sui vasi greci con epigrafi ‘acclamatorie.’ ” Rendiconti della Regia Accademia dei Lincei, cl. sci. mor., series VI, vol. 14:93–179.

Festa, N. 1902. Palaephati Peri apiston. Heracliti qui fertur libellus Peri apiston, in Mythographi Graeci vol. III.2. Leipzig.

Figueira, T. J., and G. Nagy (eds.). 1985. Theognis of Megara: Poetry and the Polis. Baltimore, MD.

Fineman, J. 1981. “The Structure of Allegorical Desire.” Allegory and Representation (ed. S. Greenblatt) 26–60. Baltimore, MD.

Finley, M. I. 1975. “Anthropology and Classics.” Id., The Use and Abuse of History, 102–119. London.

Finnegan, R. 1977. Oral Poetry: Its Nature, Significance and Social Context. Cambridge. [Reprint with a new preface by the author, Bloomington and Indianapolis, IN. 1992.]

———. 1988. Literacy and Orality: Studies in the Technology of Communication. Oxford.

Fisher, H. G. 1986. L’écriture et l’art de l’Egypte ancienne. Paris 1986.

Fisher, N. 2000. “Symposiasts, Fish-Eaters and Flatterers: Social Mobility and Moral Concerns in Old Comedy.” The Rivals of Aristophanes: Studies in Athenian Old Comedy (eds. D. Harvey and J. Wilkins) 355–396. London.

———. 2001. Aeschines: Against Timarchos. Oxford.

Flint, E. R. 1989. An Investigation of Real Time as Evidenced by the Structural and Formal Multiplicities in Iannis Xenakis’ Psappha. Ph.D. diss., University of Maryland College Park.

———. 2001. “The Experience of Time and Psappha.” In Solomos 2001:163–172.

Flower, H. I. 1991. “Herodotus and Delphic Traditions about Croesus.” Georgica: Greek Studies in Honour of G. Cawkwell (eds. M. A. Flower and M. Toher) 57–77. London.

Flueckiger, J. B. 1996. Gender and Genre in the Folklore of Middle India. Ithaca, NY.

Foley, J. M. 1988. The Theory of Oral Composition: History and Methodology. Bloomington and Indianapolis, IN.

———. 1991. Immanent Art: From Structure to Meaning in Traditional Oral Epic. Bloomington and Indianapolis, IN.

———. 1995. The Singer of Tales in Performance. Bloomington and Indianapolis, IN.

———. 2002. How to Read an Oral Poem. Urbana, IL.

Ford, A. 2002. The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece. Princeton, NJ.

Fornaro, S. 1991. “Immagini di Saffo.” Rose di Pieria (ed. F. De Martino) 139–161. Bari.

Fortenbaugh, W. W., P. M. Huby, R. W. Sharples, and D. Gutas. 1992. Theophrastus of Eresus: Sources for His Life, Writings, Thought, and Influence, 2 vols. Leiden.

Foucault, M. 1966. “Les suivantes.” Id., Les mots et les choses: une archéologie des sciences humaines, 19–31. Paris.

———. 1969. L’archéologie du savoir. Paris.

———. 1981. “The Order of Discourse.” Untying the Text: A Poststructuralist Reader (ed. R. Young) 48–78. New York.

———. 1983. This Is Not a Pipe, trans. and ed. J. Harkness. Berkeley and Los Angeles, CA.

———. 1984. Histoire de la sexualité, vol. 2: L’Usage des plaisirs. Paris.

Fowler, R. L. 1987. The Nature of Early Greek Lyric: Three Preliminary Studies. Toronto and Buffalo, NY.

Fränkel, H. 1928. Review of Lobel 1925 and 1927. Göttingische gelehrte Anzeigen 1928:258–278.

———. 1975. Early Greek Poetry and Philosophy, trans. M. Hadas and J. Willis. New York.

Frel, J. 1996. “La céramique et la splendeur des courtisanes.” Rivista di Archeologia 20:38–53.

Freud, S. 1962. The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol.3: (1893–1899) Early Psycho-Analytic Publications, trans. J. Strachey in collaboration with Anna Freud. London.

———. 1964. The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 23: (1937–1939) Moses and Monotheism, An Outline of Psycho-Analysis, and Other Works. London.

———. 1965. The Interpretation of Dreams, trans. and ed. J. Strachey. London.

Fried, M. 1980. Absorption and Theatricality. Berkeley and Los Angeles, CA.

Frisk, H. 1960/1972. Griechisches etymologisches Wörterbuch. Heidelberg.

Froning, H. 1982. Katalog der griechischen und italischen Vasen: Museum Folkwang Essen. Essen.

———. 1988. “Anfänge der kontinuierenden Bilderzählung in der griechischen Kunst.” JdI 103:169–199.

Frontisi-Ducroux, F. 1998 [2002]. “Kalé: le féminin facultative.” Métis 13:173–185.

Frontisi-Ducroux, F., and F. Lissarrague. 1990. “From Ambiguity to Ambivalence: A Dionysiac Excursion through the ‘Anakreontic’ Vases.” Before Sexuality: The Construction of Erotic Experience in the Ancient Greek World (eds. D. M. Halperin et al.) 211–256. Princeton, NJ.

Fusco, F. 1969/1970. “Il panegirico di Michele Italico per Giovanni Comneno.” Ἐπετηρὶς τῆς Ἑταιρείας Βυζαντινῶν Σπουδῶν 37:146–169.

Gal, S. 1992. “Language, Gender, and Power: An Anthropological Perspective.” Locating Power: Proceedings of the Second Berkeley Women and Language Conference (eds. K. Hall et al.) vol. 1, 153–161. Berkeley, CA.

———. 1995. “Language, Gender, and Power.” Gender Articulated: Language and the Socially Constructed Self (eds. K. Hall and M. Bucholtz) 169–182. New York.

Galiano, M. F. 1984. “Le poète dans le monde archaïque, sa personnalité et son rôle: Sappho.” Actes du VII e Congrès de la Fédération Internationale des Associations d’ Études Classiques, vol. 1, 131–148. Budapest.

Gallavotti, C. 1948. Storia e poesia di Lesbo nel VII–VI secolo a. C.: Alceo di Mitilene. Bari.

———. 1962. Saffo e Alceo: Testimonianze e frammenti, vol. I, third revised ed. Naples [second ed. 1956].

Gallop, J. 1985. Reading Lacan. Ithaca, NY.

Gardner, E. A. 1888. Naukratis. Part II. London.

Garzya, A. 1971. “Per la fortuna di Saffo a Bisanzio.” Jahrbuch der Österreichischen Byzantinistik 20:1–5 [reprinted in his Storia e interpretazione di testi bizantini, London 1974, ch. XV, 1–5].

Gautier, P. 1972. Michel Italikos: Lettres et discours. Paris.

Gavrilov, A. K. 1997. “Techniques of Reading in Classical Antiquity.” Classical Quarterly 47:56–73.

Geddes, A. G. 1987. “Rags and Riches: The Costume of Athenian Men in the Fifth Century.” Classical Quarterly 37:307–331.

Geertz, C. 1973. The Interpretation of Cultures. New York.

———. 1983. Local Knowledge: Further Essays in Interpretive Anthropology. New York.

———. 1988. Works and Lives: The Anthropologist as Author. Stanford, CA.

———. 1999. “History and Anthropology.” History and Histories within the Human Sciences (eds. R. Cohen and M. S. Roth). Charlottesville, VA.

Geissler, P. 1969. Chronologie der altattischen Komödie, second ed. Berlin.

Gentili, B. 1958. Anacreonte: Introduzione, testo critico, traduzione, studio sui frammenti papiracei. Rome.

———. 1966. “La veneranda Saffo.” Quaderni Urbinati di Cultura Classica 2:37–62.

———. 1973. “La ragazza di Lesbo.” Quaderni Urbinati di Cultura Classica 16:124–128.

———. 1982. “Archiloco e la funzione politica della poesia del biasimo.” Quaderni Urbinati di Cultura Classica n.s. 11:7–28.

———. 1988. Poetry and Its Public in Ancient Greece: From Homer to the Fifth Century, trans. A. T. Cole. Baltimore.

Gentili, B., and R. Pretagostini (eds.). 1988. La Musica in Grecia. Rome.

Gera, D. 1997. Warrior Women: The Anonymous Tractatus de Mulieribus. Leiden.

Gerber, D. E. 1993. “Greek Lyric Poetry since 1920. Part I: General, Lesbian Poets.” Lustrum 35:7–179.

———. 1999. Greek Elegiac Poetry: From the Seventh to the Fifth Centuries BC. Cambridge, MA.

Gernet, L. 1968. Anthropologie de la Grèce antique, Preface J.–P. Vernant. Paris.

Giacomelli, A. 1980. “The Justice of Aphrodite in Sappho fr. 1.” Transactions of the American Philological Association 110:135–142.

Giangrande, G. 1968. “Sympotic Literature and Epigram.” L’épigramme grecque, 91–174. Geneva.

———. 1973. “Anacreon and the Lesbian Girl.” Quaderni Urbinati di Cultura Classica 16:129–133.

———. 1976. “On Anacreon’s Poetry.” Quaderni Urbinati di Cultura Classica 21:43–46.

———. 1977/1978. “Textual and Interpretative Problems in Hermesianax.” Ἐπιστημονικὴ Ἐπετηρὶς τῆς Φιλοσοφικῆς Σχολῆς τοῦ Πανεπιστημίου Ἀθηνῶν, 98–121.

———. 1980. “Sappho and the ὄλισβος.” Emerita 48:249–250.

———. 1981. “Anacreon and the fellatrix from Lesbos.” Museum Philologum Londiniense 4:15–18.

———. 1983. “A che serviva l’ ‘olisbos’ di Saffo?” Labeo 29:154–155.

Giannini, P. 1973. “Espressioni formulari nell’ elegia greca arcaica.” Quaderni Urbinati di Cultura Classica 16:7–78.

Gigante, M. 1977a. “Anecdoton Pseudo-Sapphicum.” Rivista di Cultura Classica e Medioevale 19:421.

———. 1977b. “La cultura letteraria.” Locri Epizefirii: Atti del XVI Convegno di Studi sulla Magna Grecia, Taranto 1976, 617–697. Naples.

Giordano, D. 1990. Chamaeleontis Heracleotae Fragmenta, second ed. Bologna.

Göbel, M. 1915. Ethnica, I: De Graecarum civitatum proprietatibus proverbio notatis. Diss. Breslau.

Götte, E. 1957. Frauengemachbilder in der Vasenmalerei des fünften Jahrhunderts. Munich.

Goldhill, S. 1987. “The Dance of the Veils: Reading Five Fragments of Anacreon.” Eranos 85:9–18.

Gombrich, E. H. 1985. “Image and Word in Twentieth-Century Art.” Word and Image 6:213–241.

Gomme, A. W. 1945. A Historical Commentary on Thucydides, vol. I. Oxford.

———. 1957. “Interpretations of Some Poems of Alkaios and Sappho.” Journal of Hellenic Studies 77:255–266.

———. 1958. “A Reply.” Journal of Hellenic Studies 78:85–86.

Goodman, N. 1976. Languages of Art: An Approach to a Theory of Symbols, second ed. Indianapolis.

Goody, J. 1992. “Oral Culture.” Folklore, Cultural Performances, and Popular Entertainments (ed. R. Bauman) 12–19. New York and Oxford.

Gossen, G. H. 1974a. “To Speak with a Heated Heart: Chamula Canons of Style and Good Performance.” In Bauman and Sherzer 1974:389–413.

———. 1974b. Chamulas in the World of the Sun: Time and Space in a Maya Oral Τradition. Cambridge, MA.

Gostoli, A. 1990. Terpander. Rome.

Goulaki Voutira, A. 1991. “Observations on Domestic Music Making in Vase Paintings of the Fifth Century B.C.” Imago Musicae 8:73–94.

Gow, A. S. F. 1952. Theocritus, edited with a translation and commentary, 2 vols, second ed. Cambridge.

———. 1965. Machon: The Fragments. Cambridge.

Gow, A. S. F., and D. L. Page. 1965. The Greek Anthology: Hellenistic Epigrams, 2 vols. Cambridge.

———. 1968. The Greek Anthology: The Garland of Philip and Some Contemporary Epigrams, 2 vols. Cambridge.

Graf, F. 1985. Nordionische Kulte: Religionsgeschichtliche und epigraphische Untersuchungen zu den Kulten von Chios, Erythrai, Klazomenai und Phokaia. Rome.

———. 2003. “Initiation: A Concept with a Troubled History.” Initiation in Ancient Rituals and Narratives: New Critical Perspectives (eds. D. B. D. Todd and C. A. Faraone) 3–24. London and New York.

Graziosi, B. 2002. Inventing Homer: The Early Reception of Epic. Cambridge.

Green, J. R., and E. W. Handley. 2001. “The Rover’s Return: A Literary Quotation on a Pot in Corinth.” Hesperia 70:367–371.

Green, P. 1989. “Lesbos and the Genius Loci.” Id., Classical Bearings: Interpreting Ancient History and Culture, 45–62 and 274–280 (an earlier version was published as Lesbos and the Cities of Asia Minor, The Dougherty Foundation Lecture 1984). London.

Green, R. 1961. “The Caputi Hydria.” Journal of Hellenic Studies 81:73–75.

Greene, E. (ed.). 1996 [1997]. Re-Reading Sappho: Reception and Transmission. Berkeley and Los Angeles, CA.

Greifenhagen, A. 1967. “Smikros, Lieblingsinschrift und Malersignatur: Zwei attische Vasen in Berlin.” Jahrbuch der Berliner Museen 9:5–25.

———. 1976. Alte Zeichnungen nach unbekannten griechischen Vasen. Munich.

Grillet, B. 1975. Les femmes et les fards dans l’antiquité grecque. Lyon.

Gronewald, M. 1974. “Fragmente aus einem Sapphokommentar: Pap. Colon. inv. 5860.” ZPE 14:114–118.

Gronewald, M., and R. W. Daniel. 2004a. “Ein neuer Sappho-Papyrus.” ZPE 147:1–8.

———. 2004b. “Nachtrag zum neuen Sappho-Papyrus.” ZPE 149:1–4.

———. 2005. “Lyrischer Text (Sappho-Papyrus).” ZPE 154:7–12.

Guarino, A. 1981. “Professorenerotismus.” Labeo 27:439–440.

Gubar, S. 1984. “Sapphistries.” Signs 10:43–62.

Gumperz, J. J. 1982. Discourse Strategies. Cambridge.

———. 1992. “Contextualization and Understanding.” In Duranti and Goodwin 1992:230–252.

Gutzwiller, K. J. 1998. Poetic Garlands: Hellenistic Epigrams in Context. Berkeley and Los Angeles, CA.

Guy, R. 1987. “Dourian Literacy.” In C. Bérard et al. 1987:223–225.

Hägg, T. 1985. “Metiochus at Polycrates’ Court.” Eranos 83:92–102.

Hägg, T., and B. Utas. 2003. The Virgin and Her Lover: Fragments of an Ancient Greek Novel and a Persian Epic Poem. Leiden.

Hague, R. H. 1983. “Ancient Greek Wedding Songs: The Tradition of Praise.” Journal of Folklore Research 20:131–143.

Hall, E. 2000. “Female Figures and Metapoetry in Old Comedy.” The Rivals of Aristophanes: Studies in Athenian Old Comedy (eds. D. Harvey and J. Wilkins) 407–418. London.

Hall, H. R. 1904. “Nitokris-Rhodopis.” Journal of Hellenic Studies 24:208–213.

Hallett, J. P. 1979. “Sappho and Her Social Context: Sense and Sensuality.” Signs 4:447–464.

———. 1989. “Female Homoeroticism and the Denial of Roman Reality in Latin Literature.” Yale Journal of Criticism 3:209–227.

Halperin, D. M. 1990. One Hundred Years of Homosexuality: And Other Essays on Greek Love. New York.

———. 2003. “Homosexuality.” The Oxford Classical Dictionary, third ed. revised (eds. S. Hornblower and A. Spawforth) 720–723. Oxford.

Hamm, E.-M. [= E.-M. Voigt]. 1957. Grammatik zu Sappho und Alkaios. Berlin.

Hammer, D. 2004. “Ideology, the Symposium, and Archaic Politics.” American Journal of Philology 125:479–512.

Hanks, W. 1987. “Discourse Genres in a Theory of Practice.” American Ethnologist 14.4:668–692.

Hannah, P. A. 2001. “ΤΟΝ ΑΘΕΝΕΘΕΝ ΑΘΛΟΝ. A Case Study in the History of a Label.” Speaking Volumes: Orality and Literacy in the Greek and Roman World (ed. J. Watson) 161–184. Leiden.

Hannestad, L. 1984. “Slaves and the Fountain House Theme.” Ancient Greek and Related Pottery: Proceedings of the International Vase Symposium in Amsterdam 12–15 April 1984 (ed. H.A.G. Brijder) 252–255. Amsterdam.

Hansen, M. H. 1990. “The Political Powers of the People’s Court in Fourth-Century Athens.” The Greek City from Homer to Alexander (eds. O. Murray and S. Price) 215–243. Oxford.

Harris, W. V. 1989. Ancient Literacy. Cambridge, MA.

Hartog, F. 1988. The Mirror of Herodotus: The Representation of the Other in the Writing of History, trans. J. Lloyd. Berkeley and Los Angeles, CA.

Hartwig, P. 1893. Die griechischen Meisterschalen. Stuttgart and Berlin.

Harvey, A. E. 1955. “The Classification of Greek Lyric Poetry.” Classical Quarterly 5:157–175.

———. 1957. “Homeric Epithets in Greek Lyric Poetry.” Classical Quarterly 7:206–223.

Harvey, D. 1988. “Painted Ladies: Fact, Fiction and Fantasy.” Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery. Copenhagen, August 31–September 4 1987 (eds. J. Christiansen and T. Melander) 242–254. Copenhagen.

Haslam, M. W. 1986. “[P.Oxy.] 3711. Lesbiaca (Commentary on Alcaeus?).” The Oxyrhynchus Papyri, vol. LIII, 112–125. London.

Haspels, C. H. E. 1936. Attic Black-figured Lekythoi. Paris.

Hausrath, A., and H. Hunger. 1970. Corpus Fabularum Aesopicarum, vol. 1: Fabulae Aesopicae soluta oratione conscriptae. Leipzig.

Head, B. V. 1911. Historia Numorum: A Manual of Greek Numismatics, second ed., assisted by G. F. Hill, G. MacDonald, and W. Wroth. Oxford.

Headlam, W. 1922. Herodas: The Mimes and Fragments, edited by A. D. Knox. Cambridge.

Heidegger, M. 1988. The Basic Problems of Phenomenology, revised ed., trans. A. Hofstadter. Bloomington, IN.

Henderson, J. 1991. The Maculate Muse: Obscene Language in Attic Comedy, second edition. New York and Oxford (orig. publ. 1975).

———. 2000. “Pherekrates and the Women of Old Comedy.” The Rivals of Aristophanes: Studies in Athenian Old Comedy (eds. D. Harvey and J. Wilkins) 135–150. London.

Henrichs, A. 1972. Die Phoinikika des Lollianos: Fragmente eines neuen griechischen Romans. Bonn.

Henry, M. M. 1985. Menander’s Courtesans and the Greek Comic Tradition. Frankfurt am Main and Bern.

———. 1995. Prisoner of History: Aspasia of Miletus and Her Biographical Tradition. New York and Oxford.

Herbig, R. 1929. “Griechische Harfen.” AM 54:164–193.

Herdt, G. H. 1981. Guardians of the Flutes: Idioms of Masculinity. New York.

Herington, J. 1985. Poetry into Drama: Early Tragedy and the Greek Poetic Tradition. Berkeley and Los Angeles.

Hermann, G. 1816. Elementa Doctrinae Metricae. Leipzig.

———. 1831. “Über die Behandlung der griechischen Dichter bei den Engländern nebst Bemerkungen über Homer und die Fragmente der Sappho.” Wiener Jahrbücher 54:217–70 (=id., Opuscula, vol. VI, Leipzig 1835, 70–141).

Herter, H. 1957. “Dirne.” In Reallexikon für Antike und Christentum, vol. 3, 1154–1213. Stuttgart.

———. 1960. “Die Soziologie der antiken Prostitution im Lichte des heidnischen und christlichen Schrifttums.” Jahrbuch für Antike und Christentum 3:70–111.

Herzfeld, M. 1981. “Performative Categories and Symbols of Passage in Rural Greece.” Journal of American Folklore 94:44–57.

———. 1993. “In Defiance of Destiny: The Management of Time and Gender at a Cretan Funeral.” American Ethnologist 20:241–255.

Herzog, R. 1912. Die Umschrift der älteren griechischen Literatur in das ionische Alphabet. Basel.

Higgins, R. A., and R. P. Winnington-Ingram. 1965. “Lute-players in Greek Art.” Journal of Hellenic Studies 85:62–71.

Hodot, R. 1990. Le Dialecte Éolien d’Asie: La Langue des Inscriptions, VIIe s. a.C.–IVe s. p.C. Paris.

———. 1997. “Autour du corpus épigraphique du lesbien, 1986–1995.” Katà diálekton: Atti del III Colloquio Internazionale di Dialettologia Greca. Annali dell’ Istituto Universitario Orientale di Napoli, sez. filol.-letterar. 19 [1997] (ed. A.C. Cassio) 383–399.

Höckmann, U., and D. Kreikenbom (eds.). 2001. Naukratis: Die Beziehungen zu Ostgriechenland, Ägypten und Zypern in archaischer Zeit. Akten der Table Ronde in Mainz, 25–27 November 1999, Möhnesee.

Hoesch, N. 1990a. “Das Kottabosspiel.” In Vierneisel and Kaeser 1990:272–275.

———. 1990b. “Männer in Luxurgewand.” In Vierneisel and Kaeser 1990:276–279.

Hoffmann, H. 1977. Sexual and Asexual Pursuit: A Structuralist Approach to Greek Vase Painting. London.

———. 1988. “Why Did the Greeks Need Imagery? An Anthropological Approach to the Study of Greek Vase Painting.” Hephaistos 9:143–162.

———. 1994. “The Riddle of the Sphinx: A Case Study in Athenian Immortality Symbolism.” Classical Greece: Ancient Histories and Modern Archaeologies (ed. I. Morris) 71–80. Cambridge.

———. 1997. Sotades: Symbols of Immortality on Greek Vases. Oxford.

Hoffmann, H., and F. Hewicker. 1961. Kunst des Altertums in Hamburg. Mainz.

Hogarth, D. G., et al. 1898/1899. “Excavations at Naukratis.” Annual of the British School at Athens 5:26–97.

———. 1905. “Naukratis. 1903.” Journal of Hellenic Studies 25:105–136.

Holland, D., et al. [W. Lachicotte, D. Skinner, and C. Cain]. 1998. Identity and Agency in Cultural Worlds. Cambridge, MA.

Hooker, J. T. 1977. The Language and Text of the Lesbian Poets. Innsbruck.

Hornblower, S. 1991. A Commentary on Thucydides, vol. I. Oxford.

———. 2002. “Herodotus and His Sources of Information.” Brill’s Companion to Herodotus (eds. E. J. Bakker et al.) 373–386. Leiden.

Hornbostel, W., et al. 1977. Kunst der Antike: Schätze aus norddeutschem Privatbesitz. Mainz.

———. 1980. Aus Gräbern und Heiligtümern: Die Antikensammlung W. Kropatscheck. Mainz.

Hornbostel, W., and L. Stege. 1986. Aus der Glanzzeit Athens: Meisterwerke griechischer Vasenkunst in Privatbesitz. Hamburg.

How, W. W., and J. Wells. 1928. A Commentary on Herodotus, 2 vols. Oxford.

Huber, I. 2001. Die Ikonographie der Trauer in der griechischen Kunst. Mannheim.

Hubert, C. 1938. Plutarchi Moralia, vol. 4. Leipzig.

Humphreys, S. C. 1978. Anthropology and the Greeks. London.

———. 2004. The Strangeness of Gods: Historical Perspectives on the Interpretation of Athenian Religion. Oxford.

Hunt, A. S. 1914a. “[P.Oxy.] 1231. Sappho, Book i.” In B. P. Grenfell and A. S. Hunt, The Oxyrhynchus Papyri, part X, 20–43. London.

———. 1914b. “[P.Oxy.] 1232. “Sappho, Book ii.” In B. P. Grenfell and A. S. Hunt, The Oxyrhynchus Papyri, part X, 44–50. London.

———. 1922a. “[P.Oxy.] 1787. Sappho, Book iv.” In B. P. Grenfell and A. S. Hunt, The Oxyrhynchus Papyri, part XV, 26–46. London.

———. 1922b. “[P.Oxy.] 1800. Miscellaneous Biographies.” In B. P. Grenfell and A. S. Hunt, The Oxyrhynchus Papyri, part XV, 137–150. London.

Hunter, V. 1981. “Classics and Anthopology.” Phoenix 35:145–155.

———. 1982. Past and Process in Herodotus and Thucydides. Princeton, NJ.

Hurwit, J. M. 1990. “The Words in the Image: Orality, Literacy, and Early Greek Art.” Word and Image 6:180–197.

Hutchinson, G. O. 2001. Greek Lyric Poetry: A Commentary on Selected Larger Pieces. Oxford.

Huxley, G. 1974. “Aristotle’s Interest in Biography.” Greek, Roman and Byzantine Studies 15:203–213.

Immerwahr, H. R. 1964. “Book Rolls on Attic Vases.” Classical, Mediaeval, and Renaissance Studies in Honor of B. L. Ullman (ed. C. Henderson, Jr.) vol. 1, 17–48. Rome.

———. 1965. “Inscriptions on the Anacreon Krater in Copenhagen.” American Journal of Archaeology 69:152–154.

———. 1973. “More Book Rolls on Attic Vases.” AK 16:143–147.

———. 1990. Attic Script: A Survey. Oxford.

Iser, W. 1974. The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. Baltimore, MD.

———. 1978. The Act of Reading: A Theory of Aesthetic Response. Baltimore, MD.

Jackson, S. 1995. Myrsilus of Methymna: Hellenistic Paradoxographer. Amsterdam.

Jacobsthal, P. 1912. Göttinger Vasen, nebst einer Abhandlung Συμποσιακά. Berlin.

Jacoby, F. 1904. Das Marmor Parium. Berlin.

Jakobson, R. 1952. “Studies in Comparative Slavic Metrics.” Oxford Slavonic Papers 3:21–66 (reprinted as “Slavic Epic Verse: Studies in Comparative Slavic Metrics,” id., Selected Writings, vol. 4: Slavic Epic Studies. The Hague 1966, 414–463).

———. 1987 [1960]. “Linguistics and Poetics.” Id., Language in Literature (eds. K. Pomorska and S. Rudy) 62–94. Cambridge, MA.

Janko, R. 2000. Philodemus: On Poems, Book 1, edited with introduction, translation, and commentary. Oxford.

Jauss, H. R. 1982. Toward an Aesthetic of Reception. Minneapolis, MN.

Jay, P., and C. Lewis. 1996. Sappho through English Poetry. London.

Jeffery, L. H. 1976. Archaic Greece: The City-states, c. 700–500 B.C . New York.

———. 1990. The Local Scripts of Archaic Greece, revised edition with supplement by A. W. Johnston. Oxford.

Jocelyn, H. D. 1980. “A Greek Indecency and Its Students: λαικάζειν.” Proceedings of the Cambridge Philological Society n.s. 26:12–66.

Johnson, W. 2000. “Toward a Sociology of Reading in Classical Antiquity.” American Journal of Philology 121:593–627.

Johnston, A. W., and A. K. Andriomenou. 1989. “A Geometric Graffito from Eretria.” Annual of the British School at Athens 84:217–220.

Jones, A. F. 1992. Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music. Ithaca, NY.

Jordan, D. R., and J. B. Curbera. 1998. “Curse Tablets from Mytilene.” Phoenix 52:31–41.

Jorro, F. A. 1985/1993. Diccionario Micénico. 2 vols. Madrid.

Jurenka, H. 1902. “Die neuen Bruchstücke der Sappho und des Alkaios.” Zeitschrift für die Österreichischen Gymnasien 53:289–298.

Just, R. 1989. Women in Athenian Law and Life. London and New York.

Kaibel, G. 1887/1890. Athenaei Naucratitae Dipnosophistarum libri XV, 3 vols. Leipzig.

Kaimio, M. 1977. Characterization of Sound in Early Greek Literature. Helsinki.

Kakridis, J. Th. 1966. “Zu Sappho 44 LP.” Wiener Studien 79:21–26 (repr. in id., Μελέτες καὶ Ἄρθρα. Thessalonike 1971, 33–38).

Kalb, D., and H. Tak. 2005. Critical Junctions: Anthropology and History beyond the Cultural Turn. New York.

Kanowski, M. G. 1984. Containers of Classical Greece: A Handbook of Shapes. St. Lucia.

Kapparis, K. 1999. Apollodoros: ‘Against Neaira’ [D. 59], edited with introduction, translation and commentary. Berlin.

Karadagli, T. 1981. Fabel und Ainos: Studien zur griechischen Fabel. Königstein/Ts.

Karla, G. A. 2001. Vita Aesopi: Überlieferung, Sprache und Edition einer frühbyzantinischen Fassung des Äsopromans. Wiesbaden.

Karp, I. 1980. “Beer Drinking and Social Experience in an African Society: An Essay in Formal Sociology.” Explorations in African Systems of Thought (eds. I. Karp and C. S. Bird) 83–119. Bloomington, IN.

Kassel, R. 1976. Aristotelis Ars Rhetorica. Berlin.

Katz, M. A. 1995. “Ideology and ‘the Status of Women’ in Ancient Greece.” Women in Antiquity: New Assessments (eds. R. Hawley and B. Levick) 21–43. London.

Kauffmann-Samara, A. 1982. “ Ἐπιγραφὲς στὰ μελανόμορφα ἀγγεῖα τοῦ 6ου αἰ. π.Χ.” Ἀρχαιολογία 5:53–64.

———. 1988. “ ‘Mère’ et enfant sur les lébétès nuptiaux à figures rouges attiques du Ve s. av. J.C.” Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery. Copenhagen, August 31–September 4 1987 (eds. J. Christiansen and T. Melander) 286–299. Copenhagen.

———. 1996. “Paroles et musiques de mariage en Grèce antique: Sources écrites et images peintes.” In Cavalier 1996:435–448.

———. 1997. “ Ὀὐκ ἀπόμουσον τὸ γυναικῶν´ (Εὐριπ. Μήδ. 1089). Γυναῖκες μουσικοὶ στὰ ἀττικὰ ἀγγεῖα τοῦ 5ου αἰ. π.Χ.” In Oakley et al. 1997:285–295.

———. 2003. “Des femmes et des oiseaux. La perdrix dans le gynécée.” In Schmaltz and Söldner 2003:90–92.

Kazazis, J. N. 1978. Herodotos’ Stories and History: A Proppian Analysis of His Narrative Technique. Diss. University of Illinois at Urbana-Champaign.

Kehrberg, I. 1982. “The Potter-Painter’s Wife: Some Additional Thoughts on the Caputi Hydria.” Hephaistos 4:25–35.

Kemke, J. 1884. Philodemi de musica librorum quae exstant. Leipzig.

Kemp, J. A. 1966. “Professional Musicians in Ancient Greece.” Greece and Rome ser. 2, vol. 13:213–222.

Kenner, H. 1970. Das Phänomen der verkehrten Welt in der griechisch-römischen Antike. Bonn.

Kidd, I. G. 1988. Posidonius. II: The Commentary. Cambridge.

Kilmer, M. F. 1982. “Genital Phobia and Depilation.” Journal of Hellenic Studies 102:104–112.

———. 1993a. “In Search of the Wild Kalos-Name.” Échos du Monde Classique/Classical Views 37:173–199.

———. 1993b. Greek Erotica on Attic Red-figure Vases. London.

Kilmer, M. F., and R. Develin. 2001. “Sophilos’ Vase Inscriptions and Cultural Literacy in Archaic Athens.” Phoenix 55:9–43.

Kleingünther, A. 1933. Πρῶτος Εὑρετής: Untersuchungen zur Geschichte einer Fragestellung. Leipzig.

Kluckhohn, C. 1961. Anthropology and the Classics. Providence, RI.

Knigge, U. 1990. Ὁ Κεραμεικὸς τῆς Ἀθήνας: Ἱστορία–Μνημεῖα–᾽Ανασκαφές. Athens.

Knox, A. D. 1939. “On Editing Hipponax: A Palinode?” Studi Italiani di Filologia Classica 15:193–196.

Knox, B. M. W. 1968. “Silent Reading in Antiquity.” Greek, Roman and Byzantine Studies 9:421–435.

Knox, P. E. 1995. Ovid Heroides: Select Epistles. Cambridge.

Kobiliri, P. 1998. A Stylistic Commentary on Hermesianax. Amsterdam.

Koch-Harnack, G. 1989. Erotische Symbole: Lotosblüte und gemeinsamer Mantel auf antiken Vasen. Berlin.

Koller, H. 1956. “Die Parodie.” Glotta 35:17–32.

Körte, A., and A. Thierfelder. 1957/1959. Menandri quae supersunt, 2 vols. Leipzig.

Koniaris, G. L. 1965. “On Sappho, Fr. 1 (Lobel-Page).” Philologus 109:30–38.

———. 1967. “On Sappho, Fr. 16 (L.P.).” Hermes 95:257–268.

———. 1995. Maximus Tyrius: Philosophumena–Διαλέξεις. Berlin.

Kontis, I. D. 1978. Λέσβος καὶ ἡ Μικρασιατική της περιοχή. Athens.

Kopidakis, M. 1995. “Σαπφὼ Φαρμακολύτρια.” In Ἀντὶ χρυσέων. Ἀφιέρωμα στὸν Ζήσιμο Λορεντζάτο, 333–346. Athens.

Kordatos, G. K. 1945. Ἡ Σαπφὼ καὶ οἱ Κοινωνικοὶ Ἀγῶνες στὴ Λέσβο. Athens.

Koster, W. J. W. 1964. “Sappho apud Gregorium Nazianzenum.” Mnemosyne ser. 4, 17:374.

———. 1978. Scholia in Aristophanem. Pars II, fasc. I: Scholia vetera et recentiora in Aristophanis Vespas. Groningen.

Kowerski, L. M. 2005. Simonides on the Persian Wars: A Study of the Elegiac Verses of the “New Simonides.” New York.

Kraemer, R. S. 1992. Her Share of the Blessing: Women’s Religions among Pagans, Jews, and Christians in the Graeco-Roman World. New York and Oxford.

Kramer, B. 1978. “60. Sappho (?)/61. Fragmente aus einem Sapphokommentar.” In B. Kramer and D. Hagedorn, Kölner Papyri (P.Köln), Band 2, Opladen, 40–44.

Krech, S. 1991. “The State of Ethnohistory.” ARAnthr 20:345–375.

Kretschmer, P. 1894. Die griechischen Vaseninschriften. Gütersloh.

Krischer, T. 1974. “Die logischen Formen der Priamel.” Grazer Beitráge 2:79–91.

Kroeber, A. L., and C. Kluckhohn. 1952. Culture: A Critical Review of Concepts and Definitions. Cambridge, MA.

Kroll, W. 1925. “Lesbische Liebe.” In RE 12 (1925):2100–2102.

Kugelmeier, C. 1996. Reflexe früher und zeitgenössischer Lyrik in der Alten attischen Komödie. Stuttgart.

Kuhn, T. 1962. The Structure of Scientific Revolutions. Chicago, IL [third ed. 1996].

Kullmann, W., and M. Reichel (eds.). 1990. Der Übergang von der Mündlichkeit zur Literatur bei den Griechen. Tübingen.

Kunisch, N. 1971. Antike Kunst aus Wuppertaler Privatbesitz. Wuppertal.

———. 1972. Antiken der Sammlung Julius C. und Margot Funcke. Bochum.

———. 1980. Antiken der Sammlung Julius C. und Margot Funcke: Die zweite Stiftung. Bochum.

———. 1984. “Bilder griechischer Musikanten in den Kunstsammlungen der Ruhr-Universität Bochum.” Jahrbuch 1984 der Ruhr-Universität Bochum 3–30

———. 1997. Makron. Mainz.

Kunisch, N., et al. 1989. Symposion: Griechische Vasen aus dem Antikenmuseum der Ruhr-Universität Bochum. Köln.

Kuper, A. 2000. Culture: The Anthropologists’ Account. Cambridge, MA.

Kurke, L. 1992. “The Politics of ἁβροσύνη in Archaic Greece.” Classical Antiquity 11:91–120.

———. 1994. “Crisis and Decorum in Sixth-Century Lesbos: Reading Alkaios Otherwise.” Quaderni Urbinati di Cultura Classica n.s. 47:67–92.

———. 1999. Coins, Bodies, Games, and Gold: The Politics of Meaning in Archaic Greece. Princeton, NJ.

Kurtz, D. C. (ed.). 1983. The Berlin Painter, text by D. C. Kurtz and drawings by J. D. Beazley. Oxford.

———. (ed.). 1989. Greek Vases: Lectures by J. D. Beazley. Oxford.

Kyriakidou-Nestoros, A. 1978. Ἡ Θεωρία τῆς Ἑλληνικῆς Λαογραφίας: Κριτικὴ Ἀνάλυση. Athens.

Labarbe, J. 1982. “Un curieux phénomène littéraire: l’anacréontisme.” Bulletin de la Classe des Lettres et des Sciences Morales et Politiques de l’Académie royale de Belgique 68:146–181.

Lafitau, J. F. 1997. Customs of the American Indians Compared with the Customs of Primitive Times, 2 vols., trans. and eds. W. Fenton and E. Moore. Toronto.

Lakoff, G. 1987. Women, Fire, and Dangerous Things: What Categories Reveal about the Mind. Chicago, IL.

Lambrinoudakis, B. K. 1981. “ Ἀνασκαφὴ Νάξου.” Πρακτικὰ τῆς ἐν Ἀθήναις Ἀρχαιολογικῆς Ἑταιρείας 137:293–295.

Lanata, G. 1960. “L’ostracon fiorentino con versi di Saffo. Note paleografiche ed esegetiche.” Studi Italiani di Filologia Classica n.s. 32:64–90.

Lane Fox, R. 2000. “Theognis: An Alternative to Democracy.” Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece (eds. R. Brock and S. Hodkinson) 35–51. Oxford.

Lang, M. L. 1984. Herodotean Narrative and Discourse. Cambridge, MA.

Lardinois, A. 1989. “Lesbian Sappho and Sappho of Lesbos.” From Sappho to de Sade: Moments in the History of Sexuality (ed. J. N. Bremmer) 15–35. London.

———. 1994. “Subject and Circumstance in Sappho’s Poetry.” Transactions of the American Philological Association 124:57–84.

———. 1996. “Who Sang Sappho’s Songs?,” Reading Sappho: Contemporary Approaches (ed. E. Greene) 150–172. Berkeley and Los Angeles, CA.

———. 2001. “Keening Sappho: Female Speech Genres in Sappho’s Poetry.” Making Silence Speak: Women’s Voices in Greek Literature and Society (eds. A. Lardinois and L. McClure) 75–92. Princeton, NJ.

Latacz, J. 1990. “Die Funktion des Symposions für die entstehende griechische Literatur.” In Kullmann and Reichel 1990:227–264.

Lateiner, D. 1989. The Historical Method of Herodotus. Toronto.

Latour, B., and S. Woolgar. 1979. Laboratory Life: The Social Construction of Scientific Facts. Beverly Hills, CA and London.

Lau, F. 1995/1996. “Individuality and Political Discourse in Solo Dizi Compositions.” Asian Music 27.1:133–152.

Lawall, M. L. 1997. “Gordion: The Imported Transport Amphoras, 600–400 B.C.” Paper given at the 98th Annual Conference of the Archaeological Institute of America [Session “Anatolia in the First Millennium B.C.”], abstract in American Journal of Archaeology 101:361.

Layton, E. (Zeniou). 1994. The Sixteenth-Century Greek Book in Italy. Venice.

Leach, E. 1961. “Two Essays Concerning the Symbolic Representation of Time.” Id., Rethinking Anthropology, 124–136. London.

———. 1976. Culture and Communication: The Logic by Which Symbols are Connected. Cambridge.

Lefkowitz, M. R. 1981. The Lives of the Greek Poets. Baltimore, MD.

Lenaiou, E. [pseudonym of C. Charitonides]. 1935. ΑΠΟΡΡΗΤΑ. Thessalonike.

Levine, M. M. 1995. “The Gendered Grammar of Ancient Mediterranean Hair.” Off with Her Head!: The Denial of Women’s Identity in Myth, Religion, and Culture (eds. H. Eilberg-Schwartz and W. Doniger) 76–130. Berkeley and Los Angeles, CA.

Lewis, S. 1997. “Shifting Images: Athenian Women in Etruria.” Gender and Ethnicity in Ancient Italy (eds. T. Cornell and K. Lomas) 141–154. London.

———. 1998/1999. “Slaves as Viewers and Users of Athenian Pottery.” Hephaistos 16/17:71–90.

———. 2002. The Athenian Woman: An Iconographic Handbook. London.

Lezzi-Hafter, A. 1988. Der Eretria-Maler: Werke und Weggefährten, 2 vols. Mainz am Rhein.

Liberman, G. 1988. “Alcée 384 LP, Voigt.” Revue de Philologie ser. 3, 62:291–298.

———. 1995. “A propos du fragment 58 Lobel-Page, Voigt de Sappho.” ZPE 108:45–46.

———. 1999. Alcée: Fragments. 2 vols. Paris.

Licht, H. [pseudonym of P. Brandt]. 1931. Sexual Life in Ancient Greece, trans. J. H. Freese. London.

Lidov, J. B. 1993. “The Second Stanza of Sappho 31: Another Look.” American Journal of Philology 114:503–535.

———. 2002. “Sappho, Herodotus, and the Hetaira.” Classical Philology 97:203–237.

Lightfoot, J. L. 1999. Parthenius of Nicaea: The Poetical Fragments and the Erôtika Pathêmata, edited with introduction and commentary. Oxford.

Lilja, S. 1972. The Treatment of Odours in the Poetry of Antiquity. Helsinki.

Lincoln, B. 2003. “The Initiatory Paradigm in Anthropology, Folklore, and History of Religions.” Initiation in Ancient Rituals and Narratives: New Critical Perspectives (eds. D. B. Todd and C. A. Faraone) 241–254. London and New York.

Lipking, L. 1988. “Sappho Descending: Abandonment through the Ages.” Id., Abandoned Women and Poetic Tradition. 57–96. Chicago, IL.

Lissarrague, F. 1985. “Paroles d’images: Remarques sur le fonctionnement de l’écriture dans l’imagerie attique.” Écritures II (ed. A.-M. Christin) 71–93. Paris.

———. 1990. The Aesthetics of the Greek Banquet: Images of Wine and Ritual, trans. A. Szegedy-Maszak. Princeton, NJ.

———. 1992a. “Graphein: écrire et dessiner.” L’image en jeu: De l’antiquité à Paul Klee (eds. C. Bron and E. Kassapoglou) 189–203. Lausanne.

———. 1992b. “Figures of Women.” A History of Women in the West: I. From Ancient Goddesses to Christian Saints (ed. P. Schmitt-Pantel) trans. A. Goldhammer, 139–229. Cambridge, MA.

———. 1994. “Epiktetos egraphsen: The Writing on the Cup.” Art and Text in Ancient Greek Culture (eds. S. Goldhill and R. Osborne) 12–27. Cambridge.

———. 1998. “Satyres chez les femmes.” In P. Veyne, F. Lissarrague and F. Frontisi-Ducroux, 179–198. Paris.

———. 1999. “Publicity and Performance: Kalos Inscriptions in Attic Vase-painting.” Performance Culture and Athenian Democracy (eds. S. Goldhill and R. Osborne) 359–373. Cambridge.

———. 2000. “Aesop, Between Man and Beast: Ancient Portraits and Illustrations.” In Cohen 2000:132–149.

Lissarrague, F., and A. Schnapp. 1981. “Imagerie des Grecs ou Grèce des imagiers?” Le Temps de la Réflexion 2:275–297.

Liventhal, V. 1985. “What Goes On among the Women? The Setting of Some Attic Vase Paintings of the Fifth Century B.C.” Analecta Romana Instituti Danici 14:37–52.

Lloyd, A. B. 1988. Herodotus, Book II, vol. 3. Leiden.

Lloyd, G. E. R. 1983. Science, Folklore and Ideology. Cambridge.

———. 1990. Demystifying Mentalities. Cambridge.

———. 2002. The Ambitions of Curiosity: Understanding the World in Ancient Greece and China. Cambridge.

Lobel, E. 1925. Σαπφοῦς μέλη. The Fragments of the Lyrical Poems of Sappho. Oxford.

———. 1927. Ἀλκαίου μέλη. The Fragments of the Lyrical Poems of Alcaeus. Oxford.

———. 1951a. “[P.Oxy.] 2291. Sappho?” In id., The Oxyrhynchus Papyri, part XXI, 10–14. London.

———. 1951b. “[P.Oxy.] 2292. Commentary on Sappho.” In id., The Oxyrhynchus Papyri, part XXI, 15. London.

Lobel, E., and D. Page. 1955. Poetarum Lesbiorum Fragmenta. Oxford (corrected ed. 1963).

Lombardo, M. 1983. “Habrosyne e habra nel mondo greco arcaico.” Forme di contatto e processi di transformazione nelle società antiche. Atti del convegno di Cortona (24–30 maggio 1981) 1077–1103. Pisa and Rome.

Loraux, N. 1990. Les mères en deuil. Paris.

———. 1996. “Back to the Greeks? Chronique d’une expédition lointaine en terre connue.” In Revel and Wachtel 1996:275–297.

———. 2002. The Mourning Voice: An Essay on Greek Tragedy, trans. E. T. Rawlings. Ithaca, NY.

Lord, A. B. 1960. The Singer of Tales. Cambridge, MA. [ed. with new introduction by S. Mitchell and G. Nagy, Cambridge, MA. 2000].

———. 1991. Epic Singers and Oral Tradition. Ithaca, NY.

———. 1995. The Singer Resumes the Tale, edited by M. L. Lord. Ithaca, NY.

Lowe, N. J. 1998. “Thesmophoria and Haloa: Myth, Physics and Mysteries.” The Sacred and the Feminine in Ancient Greece (eds. S. Blundell et al.) 149–173. London.

Luppe, W. 1974. “Nochmals zu Philainis, Pap.Oxy. 2891.” ZPE 13:281–282.

———. 1998. “Zum Philainis-Papyrus (P.Oxy. 2891).” ZPE 123:87–88.

Lyotard, J.-F. 1993. Libidinal Economy, trans. I. H. Grant. Bloomington and Indianapolis, IN.

Maas, M., and J. M. Snyder. 1989. Stringed Instruments of Ancient Greece. New Haven, CT.

Maas, P. 1912. “Gnesippos.” RE 7.2:1479–1481.

———. 1920. “Ährenlese.” Sokrates 8:20–26.

———. 1929. “Sappho fr. 75 Bergk.” Zeitschrift für vergleichende Sprachwissenschaft auf dem Gebiete der indogermanischen Sprachen 56:137–138.

Mace, S. T. 1993. “Amour, Encore! The Development of δηὖτε in Archaic Lyric.” Greek, Roman and Byzantine Studies 34:335–364.

Maehler, H. 2003. Bacchylides. Carmina cum fragmentis, eleventh ed., Munich.

Malnati, A. 1993. “Revisione dell’ ostrakon fiorentino di Saffo.” APap 5:21–22.

Manakidou, E. 1992/1993. “Athenerinnen in schwarzfigurigen Brunnenhausszenen.” Hephaistos 11/12:51–91.

Mandilaras, B. G. 1986. Οἱ Μῖμοι τοῦ Ἡρώνδα, second ed. Athens.

———. 2003. Isocrates: Opera Omnia. 3 vols. Munich and Leipzig.

Manfredini, M. 1981. “La guerra per il Sigeo nella tradizione storiografica antica.” Scritti in ricordo di Giorgio Buratti, 249–269. Pisa.

Manfrini-Aragno, I. 1992. “Femmes à la fontaine: réalité et imaginaire.” L’image en jeu: De l’antiquité à Paul Klee (eds. C. Bron and E. Kassapoglou) 127–148. Lausanne.

Maquet, J. 1986. The Aesthetic Experience: An Anthropologist Looks at the Visual Arts. New Haven, CT.

Marcovich, M. 1975. “How to Flatter Women: P.Oxy. 2891.” Classical Philology 70:123–124.

———. 1983. “Anacreon, 358 PMG (ap. Athen. XIII. 599C).” American Journal of Philology 104:372–383.

Marcus, G. E., and M. J. Fischer. 1986. Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences. Chicago [second ed., with new introduction, Chicago 1999].

Marett, R. R. 1908. Anthropology and the Classics. Oxford.

Marks, E. 1978. “Lesbian Intertextuality.” Homosexualities and French Literature: Cultural Contexts/Critical Texts (eds. G. Stambolian and E. Marks) 353–377. Ithaca, NY.

Marolles, M. de. 1680. Les quinze livres des Deipnosophistes d’Athénée, de la ville de Naucrate d’Egypte, ecrivain d’une érudition consommée & presque le plus sçavant des Grecs: ouvrage delicieux, agreablement diversifié & rempli de narrations sçavantes sur toutes sortes de matieres & de sujets; traduit pour la première fois en françois, sans l’avoir jamais esté en quelque langue vulgaire que ce soit sur le Grec original, après les versions latines de Natalis Comes de Padouë & de Iacques d’Alechamp de Caën. Paris.

Martin, J. 1931. Symposion: Die Geschichte einer literarischen Form. Paderborn.

Martin, R. P. 1989. The Language of Heroes: Speech and Performance in the Iliad. Ithaca, NY.

———. 1993. “The Seven Sages as Performers of Wisdom.” In Dougherty and Kurke 1993:108–128.

———. 2001. “Just Like a Woman: Enigmas of the Lyric Voice.” Making Silence Speak: Women’s Voices in Greek Literature and Society (eds. A. Lardinois and L. McClure) 55–74. Princeton, NJ.

———. 2003. “The Pipes Are Brawling: Conceptualizing Musical Performance in Athens.” In Dougherty and Kurke 2003:153–180.

Martindale, C. 1993. Redeeming the Text: Latin Poetry and the Hermeneutics of Reception. Cambridge.

Martos Montiel, J. F. 1996. Desde Lesbos con amor: Homosexualidad femenina en la antigüedad. Madrid.

Mason, H. J. 1993. “Mytilene and Methymna: Quarrels, Borders, and Topography.” Échos du Monde Classique/Classical Views n.s. 12:225–250.

———. 2001. “Lesbia Oikodomia: Aristotle, Masonry, and the Cities of Lesbos.” Mouseion ser. 3, vol. 1:31–53.

Mastronarde, D. J. 1988. Euripides: Phoenissae. Leipzig.

———. 1994. Euripides: Phoenissae, edited with introduction and commentary. Cambridge.

Matheson, S. B. 1995. Polygnotos and Vase Painting in Classical Athens. Madison, WI.

Mathiesen, T. J. 1999. Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages. Lincoln, NE.

Maxwell-Stuart, P. G. 1996. “Theophrastus the Traveller.” Parola del Passato. 51:241–267.

Mazal, O. 1967. Der Roman des Konstantinos Manasses: Überlieferung, Rekonstruktion, Textausgabe der Fragmente. Vienna.

Mazzarino, S. 1943. “Per la storia di Lesbo nel VI˚ secolo A.C. (A proposito dei nuovi frammenti di Saffo e Alceo).” Athenaeum n.s. 21:38–78.

———. 1947. Fra oriente e occidente: Ricerche di storia greca arcaica. Florence.

McCall, M. H. 1969. Ancient Rhetorical Theories of Simile and Comparison. Cambridge, MA.

McClure, L. K. 2003. Courtesans at Table: Gender and Greek Literary Culture in Athenaeus. New York.

McEvilley, T. 1972. “Sappho, Fragment Two.” Phoenix. 26:323–333.

McNiven, T. J. 2000. “Behaving Like an Other: Telltale Gestures in Athenian Vase Painting.” In Cohen 2000:71–97.

Meillet, A. 1923. Les origines indo-européennes des mètres grecs. Paris.

Meineke, A. 1839. Historia Critica Comicorum Graecorum. Berlin.

———. 1840. Fragmenta Comicorum Graecorum , vol. 3: Fragmenta Poetarum Comoediae Mediae. Berlin.

———. 1847. Fragmenta Comicorum Graecorum, vol. 1, editio minor. Berlin.

Merkelbach, R. 1957. “Sappho und ihr Kreis.” Philologus 101:1–29.

———. 1972. “φαυσώ?” ZPE 9:284.

———. 1973. “Verzeichnis von Gedichtanfängen.” ZPE 12:86.

Merkelbach, R., and M. L. West. 1967. Fragmenta Hesiodea. Oxford.

Metzler, D. 1987. “Einfluss der Pantomime auf die Vasenbilder des 6. und 5. Jhds. v. Chr.” In Bérard et al. 1987:73–77.

Michaelides, S. 1981. Ἐγκυκλοπαιδεία τῆς Ἀρχαίας Ἑλληνικῆς Μουσικῆς. Athens ( = The Music of Ancient Greece: An Encyclopedia, London 1978).

Mihalopoulos, C. 2001. Images of Women and Concepts of Popular Culture in Classica Athens, 450–400 B.C . Diss. University of Southern California.

Miller, M. C. 1991. “Foreigners at the Greek Symposium?” In Slater 1991:59–81.

———. 1992. “The Parasol: An Oriental Status-Symbol in Late Archaic and Classical Athens.” Journal of Hellenic Studies 112:91–105.

———. 1997. Athens and Persia in the Fifth Century BC: A Study in Cultural Receptivity. Cambridge.

———. 1999. “Reexamining Transvestism in Archaic and Classical Athens: The Zewadski Stamnos.” American Journal of Archaeology 103:223-253.

Millis, B. 2001. “A Comment on ‘The Rover’s Return.’ ” Illinois Classical Studies 26:127.

Miner, J. 2003. “Courtesan, Concubine, Whore: Apollodorus’ Deliberate Use of Terms for Prostitutes.” American Journal of Philology 124:19-37.

Mingazzini, P. 1950/1951. “Sulla pretesa funzione oracolare del kottabos.” Archäologischer Anzeiger 65/66:35–47.

Mitchell, A. G. 2004. “Humour in Greek Vase-Painting.” RA 3–32.

Mitchell, W. J. T. 1986. Iconology: Image, Text, Ideology. Chicago, IL.

———. 1994. Picture Theory: Essays on Verbal and Visual Representation. Chicago, IL.

Möller, A. 2000. Naukratis: Trade in Archaic Greece. Oxford.

Momigliano, A. 1971. The Development of Greek Biography: Four Lectures. Cambridge, MA. [expanded ed. 1993].

Montanari, F. 1989. “Cameleonte. 3T De Sappho.” Corpus dei papiri filosofici greci e latini: Testi e lessico nei papiri di cultura greca e latina, vol. 1*, 406–409. Florence.

Mora, E. 1966. Sappho: Histoire d’ un poète et traduction intégrale de l’oeuvre. Paris.

Morales, H. 1998. “A Discourse of Desire.” Times Literary Supplement, May 29, 1998:12.

Moravcsik, G. 1964. “Sapphos Fortleben in Byzanz.” Acta Antiqua Academiae Scientiarum Hungaricae 12:473–479 [reprinted in his Studia Byzantina, Budapest 1967, 408–413].

Moret, J.-M. 1979. “Un ancêtre du phylactère: le pilier inscrit des vases italiotes.” RA fasc. 1:3–34.

Moretti, A. F. 1995. “Revisione di alcuni papiri greci letterari editi tra i P.Mil.Vogl.” APap 7:19–30.

Morgenthau, J. C. 1886. Über den Zusammenhang der Bilder auf griechischen Vasen. Diss. Leipzig.

Morris, I. 1993. Review of Powell 1991. Classical Philology 88:71–77.

Mossman, J. 1997. “Plutarch’s Dinner of the Seven Wise Men and Its Place in Symposion Literature.” Plutarch and His Intellectual World: Essays on Plutarch (ed. J. Mossman) 119–140. London.

Most, G. W. 1985. The Measures of Praise: Structure and Function in Pindar’s Second Pythian and Seventh Nemean Odes. Göttingen.

———. 1995. “Reflecting Sappho.” Bulletin of the Institute of Classical Studies 40:15–38.

——— (ed.). 1997. Collecting Fragments/Fragmente sammeln. Göttingen.

Muellner, L. C. 1976. Meaning of Homeric ΕΥΧΟΜΑΙ through Its Formulas. Innsbruck.

———. 1996. The Anger of Achilles: Mênis in Greek Epic. Ithaca, NY.

Murra, J. V., N. Wachtel, and J. Revel (eds.) 1986. Anthropological History of Andean Polities. Cambridge and Paris.

Murray, O. 1983a. “Symposion and Männerbund.” Concilium Eirene: Proceedings of the 16th International Eirene Conference (eds. P. Oliva and A. Frolikóvá) 47–52. Prague.

———. 1983b. “The Greek Symposium in History.” Tria Corda: Scritti in onore di A. Momigliano (ed. E. Gabba) 257–272. Como.

———. 1983c. “The Symposium as Social Organisation.” The Greek Renaissance of the Eighth Century B.C.: Tradition and Innovation (eds. R. Hägg and N. Marinatos) 195–199. Stockholm.

———. 1987. “Herodotus and Oral History.” Achaemenid History II. The Greek Sources (eds. H. Sancisi-Weerdenburg and A. Kuhrt) 93–115. Leiden.

——— (ed.). 1990. Sympotica: A Symposium on the Symposion. Oxford.

———. 1993. Early Greece, second ed. London.

———. 1994. “Nestor’s Cup and the Origins of the Greek symposion.” Annali dell’Istituto Universitario Orientale di Napoli. Sezione di archeologia e storia antica n.s. 1 (1994) [ΑPOIKIA. I più antichi insediamenti greci in occidente: funzioni e modi dell’ organizzazione politica e sociale. Scritti in onore di G. Buchner] 47–54.

Murray, O., and M. Tecușan (eds.). 1995. In vino veritas. London.

Mure, W. 1854. A Critical History of the Language and Literature of Ancient Greece, second ed., vol. 3. London.

Nagy, G. 1973/1990b. “Phaethon, Sappho’s Phaon, and the White Rock of Leucas.” HSCP 77:137–177 (= rewritten form in id., Greek Mythology and Poetics, Ithaca, NY, 1990:223–262).

———. 1974. Comparative Studies in Greek and Indic Meter. Cambridge, MA.

———. 1990. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore, MD.

———. 1996a. Poetry as Performance: Homer and Beyond. Cambridge.

———. 1996b. Homeric Questions. Austin, TX.

———. 1999. The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry, revised ed. (first ed. Baltimore 1979). Baltimore, MD.

———. 2003. Homeric Responses. Austin, TX.

———. 2004a. Homer’s Text and Language. Urbana, IL.

———. 2004b. “L’aède épique en auteur: La tradition des Vies d’ Homère.” Identités d’auteur dans l’Antiquité et la tradition européenne (eds. C. Calame and R. Chartier) 41–67. Grenoble.

———. 2005. Review of D. Boedeker and D. Sider (eds.), The New Simonides: Contexts of Praise and Desire. Oxford 2001. Classical Review 55:407–409.

Neer, R. T. 2002. Style and Politics in Athenian Vase-Painting: The Craft of Democracy, ca. 530–460 B.C.E. Cambridge.

Neils, J. 2000. “Others Within the Other: An Intimate Look at Hetairai and Maenads.” In Cohen 2000:203–226.

Nelson, M. 2000. “A Note on the ὄλισβος.” Glotta 76:75–82.

Nesselrath, H.-G. 1990. Die attische Mittlere Komödie: Ihre Stellung in der antiken Literaturkritik und Literaturgeschichte. Berlin.

———. 2000. “Eupolis and the Periodization of Athenian Comedy.” The Rivals of Aristophanes: Studies in Athenian Old Comedy (eds. D. Harvey and J. Wilkins) 233–246. London.

Nettl, B. 1964. Theory and Method in Ethnomusicology. New York.

Neubecker, A. J. 1986. Philodemus. Über die Musik IV. Buch: Text, Übersetzung und Kommentar [La Scuola di Epicuro 4]. Naples.

———. 1994. Altgriechische Musik, second ed. Darmstadt [first ed. 1977].

Neue, C. F. 1827. Sapphonis Mytilenaeae Fragmenta. Specimen operae in omnibus artis Graecorum lyricae reliquiis excepto Pindaro collocandae. Berlin.

Nickau, K. 1974. “Planudes und Moschopulos als Zeugen für Sappho (fr. 2, 5–6 L.-P. = Voigt).” ZPE 14:15–17.

Nicosia, S. 1976 [1977]. Tradizione testuale diretta e indiretta dei poeti di Lesbo. Rome.

Nilsson, M. P. 1906. Griechische Feste von religiöser Bedeutung, mit Ausschluss der Attischen. Leipzig.

———. 1919. “Kallisteia.” RE 10:col.1674.

Nimis, S. 1984. “Fussnoten: Das Fundament der Wissenschaft.” Arethusa 17:105–134.

Nixon, L. 1995. “The Cults of Demeter and Kore.” Women in Antiquity: New Assessments (eds. R. Hawley and B. Levick) 75–96. London.

Notopoulos, J. A. 1966. “Archilochus, the Aoidos.” Transactions of the American Philological Association 97:311–315.

Nussbaum, M. C. 1996. “Aristotle.” The Oxford Classical Dictionary, third edition (eds. S. Hornblower and A. Spawforth) 165–169 [ = third revised ed. 2003]. Oxford.

O’Higgins, D. M. 2001. “Women’s Cultic Jocking and Mockery.” Making Silence Speak: Women’s Voices in Greek Literature and Society (eds. A. Lardinois and L. McClure) 137–160. Princeton, NJ.

O’Sullivan, J. N. 1981. “Asius and the Samians’ Hairstyle.” Greek, Roman, and Byzantine Studies 22:329–333.

Oakley, J. H. 2004. Picturing Death in Classical Athens: The Evidence of the White Lekythoi. Cambridge.

Oakley, J. H., and R. H. Sinos. 1993. The Wedding in Ancient Athens. Madison, WI.

Oakley, J. H., et al. (eds.). 1997. Athenian Potters and Painters: The Conference Proceedings. Oxford.

Obeyesekere, G. 1992. The Apotheosis of Captain Cook: European Mythmaking in the Pacific. Princeton, NJ.

Ohl, R. T. 1928. The Enigmas of Symphosius. Diss. University of Pennsylvania. Philadelphia, PA.

Ohlert, K. 1912. Rätsel und Rätselspiele der alten Griechen. Berlin.

Ohly-Dumm, M. 1985. “Tripod-Pyxis from the Sanctuary of Aphaia on Aegina.” The Amasis Painter and His World: Vase-Painting in Sixth-Century B.C. Athens (ed. D. von Bothmer) 236–238. New York and Malibu.

Osborne, R. 1997. “Law, the Democratic Citizen and the Representation of Women in Classical Athens.” Past and Present 155:3–33.

———. 1998. “Early Greek Colonization? The Nature of Greek Settlement in the West.” Archaic Greece: New Approaches and New Evidence (eds. N. Fisher and H. van Wees) 251–269. London.

———. 2004. “Workshops and the Iconography and Distribution of Athenian Red-figure Pottery: A Case Study.” Greek Art in View: Essays in Honour of B. Sparkes (eds. S. Keay and S. Moser) 78–94. Oxford.

Page, D. L. 1955. Sappho and Alcaeus: An Introduction to the Study of Ancient Lesbian Poetry. Oxford.

———. 1958. “ΔΕΔΥΚΕ ΜΕΝ Ἁ ΣΕΛΑΝΑ.” Journal of Hellenic Studies 78:84–85.

———. 1962. Poetae Melici Graeci. Oxford.

———. 1963. “Archilochus and the Oral Tradition.” Archiloque [Entretiens sur l’Antiquité Classique. Fondation Hardt, vol. 10] 117–163. Geneva.

———. 1974. Supplementum Lyricis Graecis: Poetarum Lyricorum Graecorum Fragmenta quae recens innotuerunt. Oxford.

———. 1975. Epigrammata Graeca. Oxford.

———. 1981. Further Greek Epigrams, revised and prepared for publication by R. D. Dawe and J. Diggle. Cambridge.

Panvini, R., and F. Giudice (eds.). 2003. Ta Attika: Veder greco a Gela. Ceramiche attiche figurate dall’antica colonia. Rome.

Papademetriou, I.-Th. 1987. Αἰσώπεια καὶ Αἰσωπικά. Athens.

———. 1997. Aesop as an Archetypal Hero. Athens.

Papadopoulos, J. K. 1996. “The Original Kerameikos of Athens and the Siting of the Classical Agora.” Greek, Roman, and Byzantine Studies 37:107–128.

Papaspyridi-Karouzou, S. 1942/1943. “Anacréon à Athènes.” BCH 66/67:248–254.

Papathomopoulos, M. 1999a. Ὁ Βίος τοῦ Αἰσώπου: Ἡ παραλλαγὴ W. Edited with introduction, translation, and commentary. Athens.

———. 1999b. Πέντε Δημώδεις Μεταφράσεις τοῦ Βίου τοῦ Αἰσώπου. Athens.

Paquette, D. 1984. L’instrument de musique dans la céramique de la Grèce antique: Études d’Organologie. Paris.

Paraskevaidis, M. 1976. “Lesbos.” The Princeton Encyclopedia of Classical Sites (eds. R. Stillwell et al.) 502–503. Princeton, NJ.

Parassoglou, G. M. (ed.). 1993. Ἀνδρόνικος Νούκιος, Γεώργιος Αἰτωλός: Αἰσώπου Μῦθοι. Athens.

Pardini, A. 1991. “Riesame della tradizione e nuove scelte editoriali: Carm. conv. 891, 1; Pervig. Ven. 46; Aug. In Rom. 64 (72), 6.” Orpheus 12:555–562.

Parisinou, E. 2000. The Light of the Gods: The Role of Light in Archaic and Classical Greek Cult. London.

Parke, H. W. 1977. Festivals of the Athenians. Ithaca, NY.

Parker, H. N. 1992. “Love’s Body Anatomized: The Ancient Erotic Handbooks and the Rhetoric of Sexuality.” Pornography and Representation in Greece and Rome (ed. A. Richlin) 90–111. Oxford and New York.

———. 1993. “Sappho Schoolmistress.” Transactions of the American Philological Association 123:309–351.

———. 2005. “Sappho’s Public World.” Women Poets in Ancient Greece and Rome (ed. E. Greene) 3–24. Norman.

Parker, L. P. E. 2001. “Consilium et Ratio? Papyrus A of Bacchylides and Alexandrian Metrical Scholarship.” Classical Quarterly 51:23–52.

Parker, R. 1987. “Myths of Early Athens.” Interpretations of Greek Mythology (ed. J. Bremmer) 187–214. London.

Parry, M. 1971a. The Making of Homeric Verse: The Collected Papers of Milman Parry, ed. A. Parry. Oxford.

———. 1971b. “Studies in the Epic Technique of Oral Verse-Making. II. The Homeric Language as the Language of an Oral Poetry.” In id., 1971a, 325–364 [orig. publ. 1932].

———. 1971c. “The Traces of the Digamma in Ionic and Lesbian Greek.” In id., 1971a, 391–403 [orig. publ. 1934].

Parsons, P. J. 1987. “[P.Oxy.] 3724. List of Epigrams.” The Oxyrhynchus Papyri, vol. LIV, 65–82. London.

———. 1992. “[P.Oxy.] 3965. Simonides, Elegies.” The Oxyrhynchus Papyri, vol. LIX, 4–49. London.

———. 2001. “ ‘These Fragments We Have Shored Against Our Ruin.’ ” The New Simonides: Contexts of Praise and Desire (eds. D. Boedeker and D. Sider) 55–64. Oxford and New York.

Patrucco, R. 1972. Lo Sport nella Grecia antica. Florence.

Pauw, J. C. de 1732. Anacreontis Teii Odae et Fragmenta, Graece et Latine, cum notis. Trajectum ad Rhenum [Utrecht].

Pavlidis, I. I. 1885. Σαπφὼ ἡ Μυτιληναία. Leipzig.

Peek, W. 1955. Griechische Vers-Inschriften: Grab-Epigramme. Berlin.

Pelliccia, H. 1991. “Anacreon 13 (358 PMG).” Classical Philology 86:30–36.

———. 1995. “Ambiguity against Ambiguity: Anacreon 13 Again.” Illinois Classical Studies 20:23–34.

Pellizer, E. 1990. “Outlines of a Morphology of Sympotic Entertainment.” In Murray 1990:177–184.

Peredolskaya, A. A. 1967. Krasnofigurnye atticheskie vasy v Ėrmitazhe: Katalog. Leningrad.

Perry, B. E. 1952. Aesopica: A Series of Texts Relating to Aesop or Ascribed to Him or Closely Connected with the Literary Tradition That Bears His Name, collected and edited, in part translated from Oriental languages, with a commentary and historical essay. Urbana, IL.

———. 1967. The Ancient Romances: A Literary-Historical Account of Their Origins. Berkeley and Los Angeles, CA.

Peruzzi, E. 1992. “Cultura greca a Gabii nel secolo VIII.” Parola del Passato 47:459–468.

Pesenti, G. 1922. “ ‘Sapphica Musa’ I. (P.Oxy. 1231, 1).” Aegyptus 3:49–54.

Peschel, I. 1987. Die Hetäre bei Symposion und Komos in der attisch-rotfigurigen Vasenmalerei des 6.–4. Jahrhunderts v. Chr. Frankfurt am Main.

Petersen, L. H. 1997. “Divided Consciousness and Female Companionship: Reconstructing Female Subjectivity on Greek Vases.” Arethusa 30:35–74.

Petrie, W. M. F., et al. (C. Smith, E. Gardner, and B. V. Head). 1886. Naukratis, part I. London.

Pettigrew, T. F. 1981. “Extending the Stereotype Concept.” Cognitive Processes in Stereotyping and Intergroup Behavior (ed. D. L. Hamilton) 303–331. Hillsdale, NJ.

Pfeiffer, R. 1968. History of Classical Scholarship: From the Beginnings to the End of the Hellenistic Age. Oxford.

Pfeijffer, I. L. 1999. Three Aeginetan Odes of Pindar: A Commentary on Nemean V, Nemean III, and Pythian VIII. Leiden

———. 2000. “Playing Ball with Homer: An Interpretation of Anacreon 358 PMG.” Mnemosyne 53:164–184.

Philaretos, G. N. 1907. Δεῖπνα καὶ Συμπόσια τῶν Ἀρχαίων Ἑλλήνων. Athens.

Philippart, H. 1933. “Deux vases attiques inédits du Castello Sforzesco, à Milan.” RA ser. VI, vol. 1:154–162.

Picard, C. 1948. “Art et littérature: Sur trois exégèses.” Revue des Études Grecques 61:337–357.

Pickard-Cambridge, A. 1988. The Dramatic Festivals of Athens, second ed. revised by J. Gould and D. M. Lewis, reissued with supplement and corrections. Oxford.

Pieters, J. T. M. F. 1946. Cratinus: Bijdrage tot de geschiedenis der vroeg-attische comedie. Leiden.

Pintaudi, R. 2000. “Ermeneutica per epistulas: L’ostrakon fiorentino di Saffo (PSI XIII 1300).” APap 12:45–62.

Pirenne-Delforge, V. 1994. L’Aphrodite grecque: Contribution à l’étude de ses cultes et de sa personnalité dans le panthéon archaïque et classique. Athens and Liège.

Plehn, S. L. 1849. Τὰ Λεσβιακά, ἤτοι Ἱστορία τῆς νήσου Λέσβου, trans. into Greek and revised by E. Georgiades (orig. publ. in Latin, 1826). Athens.

Pöhlmann, E. 1960. Griechische Musikfragmente. Ein Weg zur altgriechischen Musik. Nuremberg.

———. 1970. Denkmäler altgriechischer Musik. Sammlung, Übertragung und Erläuterung aller Fragmente und Fälschungen. Nuremberg.

———. 1976. “Die Notenschrift in der Überlieferung der griechischen Bühnenmusik.” Würzburger Jahrbücher für die Altertumswissenschaft, n.s. 2:53–73.

———. 1994. Einführung in die Überlieferungsgeschichte und in die Textkritik der antiken Literatur, Band I: Altertum. Darmstadt.

———. 2000. Δρᾶμα καὶ Μουσικὴ στὴν Ἀρχαιότητα. Athens.

Pöhlmann, E., and M. L. West. 2001. Documents of Ancient Greek Music: The Extant Melodies and Fragments, edited and transcribed with commentary. Oxford.

Politou-Marmarinou, E. 1982. “Ποίηση καὶ Γλῶσσα,” in Μνήμη Γ.Ι. Κουρμούλη [1988]:211–242 [also published independently in 1982]. Athens.

Pontani, F. 2001. “Le cadavre adoré: Sappho à Byzance?” Byzantion 71:233–250.

Porro, A. 1994. Vetera Alcaica: L’esegesi di Alceo dagli Alessandrini all’ età imperiale. Milan.

Powell, B. B. 1991. Homer and the Origin of the Greek Alphabet. Cambridge.

———. 2002. Writing and the Origins of Greek Literature. Cambridge.

Powell, J. U. 1925. Collectanea Alexandrina: Reliquiae Minores Poetarum Graecorum Aetatis Ptolemaicae, 323–146 A.C. Oxford.

Pozzi, G. 1981. La parola dipinta. Milan.

Pratt, L. 1995. “The Seal of Theognis, Writing, and Oral Poetry.” AJPh 116:171–184.

Presta, A. 1959. “Leggende e novelle sibaritiche.” Almanacco Calabrese 9:49–71.

Price, S. D. 1990. “Anacreontic Vases Reconsidered.” Greek, Roman, and Byzantine Studies 31:133–175.

Prins, G. 2001. “Oral History.” New Perspectives on Historical Writing (ed. P. Burke), second ed., 120–156. University Park, PA.

Prins, Y. 1999. Victorian Sappho. Princeton, NJ.

———. 2005. “Sappho Recomposed: A Song Cycle by Granville and Helen Bantock.” The Figure of Music in Nineteenth-Century British Poetry (ed. P. Weliver) 230–258. Aldershot.

Probonas, G. K. 1978. Λεξικὸ τῆς Μυκηναϊκῆς Ἑλληνικῆς, vol. I. Athens.

Pucci, P. 1980. “The Language of the Muses.” Classical Mythology in Twentieth-Century Thought and Literature: Proceedings of the Comparative Literature Symposium, Texas Tech University, vol. XI (eds. W. M. Aycock and T. M. Klein) 163–186. Lubbock, TX.

Pütz, B. 2003. The Symposium and Komos in Aristophanes. Stuttgart.

Purcell, N. 1990. “Mobility and the Polis.” The Greek City from Homer to Alexander (eds. O. Murray and S. Price) 29–58. Oxford.

Queyrel, A. 1988. “Les Muses à l’école: Images de quelques vases du peintre de Calliope.” AK 31:90–102.

———. 1992. “Mousa, Mousai.” LIMC 6:657–681.

Rabinowitz, N. S. 2002. “Excavating Women’s Homoeroticism in Ancient Greece: The Evidence from Attic Vase Paintings.” Among Women: From the Homosocial to the Homoerotic in the Ancient World (eds. N. S. Rabinowitz and L. Auanger) 106–166. Austin, TX.

Race, W. H. 1982. The Classical Priamel from Homer to Boethius. Leiden.

Radcliffe-Brown, A. R. 1958. Method in Social Anthropology. Chicago, IL.

Rea, J. R. 1968. “[P.Oxy.] 2659. List of Comic Poets and their Plays.” The Oxyrhynchus Papyri, vol. XXXIII, 70–76. London.

Reardon, B. P. (ed.). 1989. Collected Ancient Greek Novels. Berkeley and Los Angeles.

Rebillard, L. 1991. “Exékias apprend à écrire. Diffusion de l’écriture chez les artisans du céramique au VIe s. av. J.-C.” In Baurain et al. 1991:549–564.

Redfield, J. 1991. “Classics and Anthropology.” Arion ser. 3, vol. 1.2:5–23.

Reeder, E. D. (ed.). 1995. Pandora: Women in Classical Greece. Princeton, NJ.

Reinsberg, C. 1993. Ehe, Hetärentum und Knabenliebe im antiken Griechenland. Munich (orig. publ. 1989).

Reinsch, D. R., and A. Kambylis. 2001. Annae Comnenae Alexias, 2 vols. Berlin.

Reitzenstein, R. 1893. Epigramm und Skolion: Ein Beitrag zur Geschichte der alexandrinischen Dichtung. Giessen.

Renehan, R. 1984. “Anacreon Fragment 13 Page.” Classical Philology 79:28–32.

———. 1993. “On the Interpretation of a Poem of Anacreon.” Illinois Classical Studies 18:39–47.

Reusser, C. 2002. Vasen für Etrurien: Verbreitung und Funktionen attischer Keramik im Etrurien des 6. und 5. Jahrhunderts vor Christus. Zurich.

Revel, J., and N. Wachtel (eds.). 1996. Une École pour les Sciences sociales: De la VIe section à l’École des Hautes Études en Sciences Sociales. Foreword M. Augé. Paris.

Reynolds, M. 2000. The Sappho Companion. London.

———. 2003. The Sappho History. Basingstoke, Hampshire.

Richter, G. M. A. 1965. The Portraits of the Greeks, vol. 1. London.

Richter, G. M. A., and M. J. Milne. 1935. Shapes and Names of Athenian Vases. New York.

Richter, G. M. A., and R. R. R. Smith. 1984. The Portraits of the Greeks, abridged and revised ed. by R. R. R. Smith. Ithaca, NY.

Ridgway, B. S. 1987. “Ancient Greek Women and Art: The Material Evidence.” American Journal of Archaeology 91:399–409.

———. 1998. “An Issue of Methodology: Anakreon, Perikles, Xanthippos.” American Journal of Archaeology 102:717–738.

Riffaterre, M. 1990. Fictional Truth. Baltimore.

Riginos, A. S. 1976. Platonica: The Anecdotes Concerning the Life and Writings of Plato. Leiden.

Rigolot, F. 1983. “Louise Labé et la rédecouverte de Sappho.” Nouvelle revue du seizième siècle 1:19–31.

Rilke, R. M. 1984. Rainer Maria Rilke: New Poems [1907], bilingual edition trans. by E. Snow. New York.

Rissman, L. 1983. Love as War: Homeric Allusion in the Poetry of Sappho. Königstein/Ts.

Roberts, H. D. 1974. Ancient Greek Stringed Instruments, 700–200 B.C. Ph.D. diss. University of Reading.

———. 1980. “The Technique of Playing Ancient Greek Instruments of the Lyre Type.” Music and Civilisation, British Museum Yearbook 4 (ed. T. C. Mitchell) 43–76. London.

Robertson, M. 1987. “The State of Attic Vase-Painting in the Mid-Sixth Century.” Papers on the Amasis Painter and His World. Colloquium Sponsored by the Getty Center for the History of Art and the Humanities and Symposium Sponsored by the J. Paul Getty Museum, 13–28. Malibu, CA.

———. 1992. The Art of Vase-painting in Classical Athens. Cambridge.

Robertson, N. 2003. “Aesop’s Encounter with Isis and the Muses, and the Origins of the Life of Aesop.” Poetry, Theory, Praxis. The Social Life of Myth, Word, and Image in Ancient Greece: Essays in Honour of W. J. Slater (eds. E. Csapo and M. C. Miller) 247–266. Oxford.

Robinson, D. M. 1924. Sappho and Her Influence. Boston, MA.

Robinson, D. M., and E. J. Fluck. 1937. A Study of the Greek Love-names. Baltimore, MD.

Rodríguez Somolinos, H. 1992. Estudios sobre el léxico de Safo y Alceo. Diss. Madrid.

———. 1994. “Notas léxicas a Safo y Alceo.” Emerita 62:109–123.

———. 1997. “Les hapax legomena des poètes lesbiens: L’apport des papyrus.” Akten des 21. Internationalen Papyrologenkongresses, Berlin, 13.–19.8.1995, APF, Beiheft 3 (eds. B. Kramer et al.) 847–857. Stuttgart.

———. 1998. El léxico de los poetas lesbios. Madrid.

Rösler, W. 1975. “Ein Gedicht und sein Publikum. Überlegungen zu Sappho Fr. 44 Lobel-Page.” Hermes 103:275–285.

———. 1980. Dichter und Gruppe: Eine Untersuchung zu den Bedingungen und zur historischen Funktion früher griechischer Lyrik am Beispiel Alkaios. Munich.

———. 1983. “Über Deixis und einige Aspekte mündlichen und schriftlichen Stils in antiker Lyrik.” Würzburger Jahrbücher für die Altertumswissenschaft n.s. 9:7–28.

———. 1984. “Die Alkaios-Überlieferung im 6. und 5. Jahrhundert.” Proceedings of the VII th Congress of the International Federation of the Societies of Classical Studies I (ed. J. Harmatta) 187–190. Budapest

———. 1990a. “Mnemosyne in the Symposion.” In Murray 1990:230–237.

———. 1990b. “Realitätsbezug und Imagination in Sapphos Gedicht ΦΑΙΝΕΤΑΙ ΜΟΙ ΚΗΝΟΣ.” In Kullmann and Reichel 1990:271–287.

———. 1992. “Homoerotik und Initiation: Über Sappho.” Homoerotische Lyrik: 6. Kolloquium der Forschungsstelle für europäische Lyrik des Mittelalters an der Universität Mannheim (T. Stemmler) 43–54. Tübingen.

———. 1997. “Trasmissione culturale tra oralità e scrittura.” I Greci. Storia, culura, arte, società. 2. Una storia greca. II. Definizione (ed. S. Settis) 707–723. Torino.

———. 2004. “Presentazione.” In G. F. Nieddu, La scrittura ‘madre delle Muse’:Agli esordi di un nuovo modello di comunicazione culturale. Amsterdam.

Roilos, P. 1998. “Ὁ Νεκρὸς ὡς Δέντρο στὰ Ἑλληνικὰ Μοιρολόγια. Ἡ Μεταφορὰ στὴν Παραδοσιακὴ Προφορικὴ Ποίηση Τελετουργικοῦ Χαρακτῆρα.” H 48:61–85.

———. 2000. “Amphoteroglossia: The Role of Rhetoric in the Medieval Greek Learned Novel.” Der Roman im Byzanz der Komnenenzeit (eds. P. Agapitos and D. R. Reinsch) 109–126. Frankfurt am Main.

———. 2002. “Orality and Performativity in the Erotokritos.” Cretan Studies 7:213–230.

———. 2005. Amphoteroglossia : A Poetics of the Twelfth-Century Medieval Greek Novel. Cambridge, MA.

———. 2006. “Ekphrasis and Ritual Poetics.” Literatur und Religion (ed. A. Bierl) forth.

———. forth. “Orality, Ritual, and the Dialectics of Performance.” Oral Literature: Theoretical and Comparative Perspectives (ed. K. Reichl). Berlin.

Roilos, P., and D. Yatromanolakis. 2002. “Bibliographical Supplement.” In Alexiou 2002:261–272.

Roilos, P., and D. Yatromanolakis. forth. Interdiscursivity and Ritual: Explorations in Patterns of Signification in Greek Literature and Societies. Munich.

Rosati, G. 1996. “Sabinus, the Heroides and the Poet-Nightingale: Some Observations on the Authenticity of the Epistula Sapphus.” Classical Quarterly 46:207–216.

Rosén, H. B. 1987. Herodoti Historiae: Vol. I. Leipzig.

Rosenmeyer, P. A. 1992. The Poetics of Imitation: Anacreon and the Anacreontic Tradition. Cambridge.

———. 1997. “Her Master’s Voice: Sappho’s Dialogue with Homer.” Materiali e Discussioni 39:123–149.

———. 2004. “Girls at Play in Early Greek Poetry.” American Journal of Philology 125:163–178.

Rosivach, V. J. 1987. “Autochthony and the Athenians.” Classical Quarterly 37:294–306.

Rossi, L. E. 1993. “Lirica arcaica e scoli simposiali (Alc. 249, 6–9 V. e carm. conv. 891 P.).” Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Scritti in onore di B. Gentili (ed. R. Pretagostini) vol. 1, 237–246. Rome.

Rotroff, S. I., and J. H. Oakley. 1992. Debris from a Public Dining Place in the Athenian Agora (Hesperia Supplement 25). Princeton, NJ.

Rüdiger, H. 1933. Sappho: Ihr Ruf und Ruhm bei der Nachwelt. Leipzig.

Ruscillo, D. 1993. “Faunal Remains from the Acropolis Site, Mytilene.” Échos du Monde Classique/Classical Views n.s. 12:201–210.

Russell, D. A., and N. G. Wilson. 1981. Menander Rhetor, edited with translation and commentary. Oxford.

Russo, J. 1973. “Reading the Greek Lyric Poets (Monodists).” Arion n.s. 1:707–730.

———. 1997. “Prose Genres for the Performance of Traditional Wisdom in Ancient Greece: Proverb, Maxim, Apothegm.” Poet, Public, and Performance in Ancient Greece (eds. L. Edmunds and R. W. Wallace) 49–64. Baltimore, MD.

Rutter, N. K. 1970. “Sybaris–Legend and Reality.” Greece and Rome 17:168–176.

Saake, H. 1972. Sapphostudien: Forschungsgeschichtliche, biographische und literarästhetische Untersuchungen. Paderborn.

Sabetai, V. 1993. The Washing Painter. Diss. University of Cincinnati.

———. 1997. “Aspects of Nuptial and Genre Imagery in Fifth-century Athens: Issues of Interpretation and Methodology.” In Oakley et al. 1997:319–335.

Sahlins, M. 1981. Historical Metaphors and Mythical Realities: Structure in the Early History of the Sandwich Islands Kingdom. Ann Arbor, MI.

———. 1985. Islands of History. Chicago, IL.

———. 1995. How “Natives” Think: About Captain Cook, for Example. Chicago, IL.

———. 2004. Apologies to Thucydides: Understanding History as Culture and vice versa. Chicago, IL.

Sakellariou, M. B. 1958. La migration grecque en Ionie. Athens.

Salskov Roberts, H. 2002. “Anakreon in the Pictorial Arts.” Noctes Atticae: 34 Articles on Graeco-Roman Antiquity and Its Nachleben: Studies Presented to J. Mejer on His Sixtieth Birthday (eds. B. Amden et al.) 241–253. Copenhagen.

Sartori, K. 1893. Studien aus dem Gebiete der griechischen Privataltertümer. I: Das Kottabos-Spiel der alten Griechen. Diss. Munich.

Sawyer, R. K. 1999. “Improvisation.” Language Matters in Anthropology (ed. A. Duranti), Journal of Linguistic Anthropology 9.1–2:121–123.

Sbordone, F. 1976. Φιλοδήμου Περὶ ποιημάτων. Tractatus tres. [Ricerche sui papiri ercolanesi, vol. 2]. Naples.

Schadewaldt, W. 1950. Sappho: Welt und Dichtung. Potsdam.

Schäfer, A. 1997. Unterhaltung beim griechischen Symposion: Darbietungen, Spiele und Wettkämpfe von homerischer bis in spätklassische Zeit. Mainz am Rhein.

Schauenburg, K. 1975. “ΕΥΡΥΜΕΔΩΝ ΕΙΜΙ.” AM 90:97–121.

Schaus, G. P., and N. Spencer. 1994. “Notes on the Topography of Eresos.” American Journal of Archaeology 98:411–430.

Schefold, K. 1997. Die Bildnisse der antiken Dichter, Redner und Denker. Basel.

Schefold, K., and F. Jung. 1989. Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst. Munich.

Scheibler, I. 1983. Griechische Töpferkunst: Herstellung, Handel und Gebrauch der antiken Tongefäße. Munich.

———. 1992. Ἑλληνικὴ Κεραμεική: Παραγωγή, Ἐμπόριο καὶ Χρήση τῶν Ἀρχαίων Ἑλληνικῶν Ἀγγείων, revised and augmented ed., trans. E. Manakidou. Athens.

Schenkl, H., and G. Downey. 1965. Themistii Orationes quae supersunt, vol. 1. Leipzig.

Schmaltz, B., and M. Söldner (eds.). 2003. Griechische Keramik im kulturellen Kontext: Akten des Internationalen Vasen-Symposions in Kiel vom 24.–28.9.2001 veranstaltet durch das Archäologische Institut der Christian-Albrechts-Universität zu Kiel. Münster.

Schmitt-Pantel, P. 1992. La cité au banquet: Histoire des repas publics dans les cités grecques, Rome.

Schmitt-Pantel, P., and F. Thelamon. 1983. “Image et histoire: Illustration ou document.” Image et céramique grecque: Actes du Colloque de Rouen, 25–26 novembre 1982 (eds. F. Lissarrague and F. Thelamon) 9–20. Rouen.

Schnapp, A. 1988. “Why Did the Greeks Need Images?” Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery. Copenhagen, August 31–September 4 1987 (eds. J. Christiansen and T. Melander) 568–574. Copenhagen.

Schneider, K. 1922. “Kottabos.” RE 11.2:1528–1541.

Scholz, B. 2003. “Akrobatinnen in Attika und Unteritalien.” In Schmaltz and Söldner 2003:99–101.

Schott, P. 1905. Posidippi Epigrammata collecta et illustrata. Diss. Berlin.

Schrenk, L. P. 1994. “Sappho Frag. 44 and the ‘Iliad’.” Hermes 122:144–150.

Schubart, W. 1902. “Neue Bruchstücke der Sappho und des Alkaios.” Sitzungsberichte der königlich preußischen Akademie der Wißenschaften zu Berlin 10:195–209.

———. 1907. “Sappho. P. [Berol.] 9722.” Berliner Klassikertexte 5.2: Lyrische und Dramatische Fragmente (eds. W. Schubart and U. von Wilamowitz-Moellendorff) 10–18. Berlin.

Schultz, W. 1909/1912. Rätsel aus dem hellenistischen Kulturkreise, vol. 1: Die Rätselüberlieferung and vol. 2: Erläuterungen zur Rätselüberlieferung. Leipzig.

Schwartz, E. 1887. Scholia in Euripidem, vol. 1: Scholia in Hecubam, Orestem, Phoenissas. Berlin.

Seebass, T. 1991. “The Power of Music in Greek Vase Painting: Reflections on the Visualization of rhythmos (order) and epaoidê (enchanting song).” Imago Musicae 8:11–37.

Seeger, A. 1979. “What Can We Learn When They Sing? Vocal Genres of the Suyá Indians of Central Brazil.” Ethnomusicology 23:373–394.

———. 1987. Why Suyá Sing? A Musical Anthropology of an Amazonian People. Cambridge [new ed. Urbana and Chicago, IL 2004].

Segal, C. 1974. “Eros and Incantation: Sappho and Oral Poetry.” Arethusa 7:139–160.

Seider, R. 1967. Paläographie der griechischen Papyri, vol. I. Stuttgart.

Ševčenko, I. 1951. “A New Fragment of Sappho?” Annals of the Ukrainian Academy of Arts and Sciences in the U.S. 1.2:150–152.

Sevinç, N. 1996. “A New Sarcophagus of Polyxena from the Salvage Excavations at Gümüsçay.” Studia Troica 6:251–264.

Sgourou, M. 1997. “Λέβητες γαμικοί. Ὁ γάμος καὶ ἡ ἀττικὴ κεραμεικὴ παραγωγὴ τῶν κλασσικῶν χρόνων.” In Oakley et al. 1997:71–83.

Shapiro, H. A. 1981. “Courtship Scenes in Attic Vase-Painting.” American Journal of Archaeology 85:133–143.

———. 1983a. “Epilykos Kalos.” Hesperia 52:305–311.

———. 1983b. “Amazons, Thracians, and Scythians.” Greek, Roman, and Byzantine Studies 24:105–114.

———. 1987. “Kalos-Inscriptions with Patronymic.” ZPE 68:107–118.

———. 1989. Art and Cult under the Tyrants in Athens. Mainz am Rhein.

———. 1992. “Eros in Love: Pederasty and Pornography in Greece.” Pornography and Representation in Greece and Rome (ed. A. Richlin) 53–72. Oxford and New York.

———. 1993. Personifications in Greek Art: The Representation of Abstract Concepts, 600–400 B.C. Zurich.

———. 1995a. “Literacy and Social Status of Archaic Attic Vase-Painters.” Revista do Museu de Arqueologia e Etnologia 5:211–222.

———. 1995b. Art and Cult under the Tyrants in Athens: Supplement. Mainz am Rhein.

———. 1997. “Correlating Shape and Subject: The Case of the Archaic Pelike.” In Oakley et al. 1997:63–70.

———. 2000a. “Modest Athletes and Liberated Women: Etruscans on Attic Black-figure Vases.” In Cohen 2000:315–337.

———. 2000b. “Leagros and Euphronios: Painting Pederasty in Athens.” Greek Love Reconsidered (ed. T. K. Hubbard) 12–32. New York.

———. 2003. “Brief Encounters: Women and Men at the Fountain House.” In Schmaltz and Söldner 2003:96–98.

Sherwood, K. D. 1997. “Multiculturalism in Microcosm: The Evidence of the Terracotta Figurines from the Hellenistic Sanctuary of Demeter Thesmophoros at Mytilene.” Paper given in the 98th Annual Conference of the Archaeological Institute of America [Session “Anatolia in the First Millennium B.C.”], abstract in American Journal of Archaeology 101:362–363.

Shields, E. L. 1917. The Cults of Lesbos. Ph.D. diss. The Johns Hopkins University.

Shipp, G. P. 1977. “Linguistic Notes (λαικάζω, πόσις, ῥηχίη, ψάρ and ψήρ, rex).”Antichthon 11:1–9.

Shostak, M. 1981. Nisa: The Life and Words of a !Kung Woman. Cambridge, MA.

Sider, D. 1997. The Epigrams of Philodemos: Introduction, Text, and Commentary. New York and Oxford.

———. 2004. “Posidippus Old and New.” Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P.Mil.Vogl. VIII 309) (eds. B. Acosta-Hughes et al.) 29–41. Cambridge, MA.

Sidwell, K. 2000. “From Old to Middle to New? Aristotle’s Poetics and the History of Athenian Comedy.” The Rivals of Aristophanes: Studies in Athenian Old Comedy (eds. D. Harvey and J. Wilkins) 247–258. London.

Sifakis, G. M. 1967. “Singing Dolphin Riders.” Bulletin of the Institute of Classical Studies 14:36–37.

Simon, E. 1972. Review of CVA Germany vol. 24 and vol. 29: Gotha, Schlossmuseum, ed. E. Rohde, Berlin 1964 and 1968, in Gnomon 44:420–423.

———. 1981. Die griechischen Vasen, second ed., Munich [first ed. 1976].

Sissa, G. 1997. “Philology, Anthropology, Comparison: The French Experience.” Classical Philology 92:167–171.

Skinner, M. B. 1989. “Sapphic Nossis.” Arethusa 22:5–18.

———. 1991. “Nossis Thêlyglôssos: The Private Text and the Public Book.” Women’s History and Ancient History (ed. S. B. Pomeroy) 20–47. Chapel Hill, NC.

———. 2002. “Aphrodite Garlanded: Erôs and Poetic Creativity in Sappho and Nossis.” Among Women: From the Homosocial to the Homoerotic in the Ancient World (eds. N. S. Rabinowitz and L. Auanger) 60–81. Austin, TX.

Slater, N. W. 1999. “The Vase as Ventriloquist: Kalos-Inscriptions and the Culture of Fame.” Signs of Orality: The Oral Tradition and Its Influence in the Greek and Roman World (ed. E. A. Mackay) 143–161. Leiden.

Slater, W. J. (ed.). 1991. Dining in a Classical Context. Ann Arbor, MI.

Slings, S. R. 1994. “Sappho, fr. 94, 10.” ZPE 102:8.

———. 2000a. “Literature in Athens, 566–510 BC.” Peisistratos and the Tyranny: A Reappraisal of the Evidence (ed. H. Sancisi-Weerdenburg) 57–77. Amsterdam.

———. 2000b. Symposium: Speech and Ideology. Two Hermeneutical Issues in Early Greek Lyric, with Special Reference to Mimnermus. Amsterdam.

Small, J. P. 2003. The Parallel Worlds of Classical Art and Text. Cambridge.

Smith, A. C. 1999. “Eurymedon and the Evolution of Political Personifications in the Early Classical Period.” Journal of Hellenic Studies 119:128–141.

Smith, J. D. 1977. “The Singer or the Song? A Reassessment of Lord’s ‘Oral Theory.’ ” Man n.s. 12:141–153.

———. 1991. The Epic of Pābūjī: A Study, Transcription and Translation. Cambridge.

Smith, T. J. 1998. “Dances, Drinks, and Dedications: The Archaic Komos in Laconia.” Sparta in Laconia: The Archaeology of a City and Its Countryside (eds. W. G. Cavanagh and S. E. C. Walker) 75–81. Athens.

———. 2000. “Dancing Spaces and Dining Places: Archaic Komasts at the Symposion.” Periplous: Papers in Classical Art and Archaeology Presented to J. Boardman (eds. G. R. Tsetskhladze et al.) 309–319. London.

Smyth, H. W. 1900. Greek Melic Poets. London.

Snodgrass, A. 1998. Homer and the Artists: Text and Picture in Early Greek Art. Cambridge.

———. 2000. “The Uses of Writing on Early Greek Painted Pottery.” Word and Image in Ancient Greece (eds. N. K. Rutter and B. A. Sparkes) 22–34. Edinburgh.

Snyder, J. M. 1972. “The Barbitos in the Classical Period.” Classical Journal 67:331–340.

———. 1974. “Aristophanes’ Agathon as Anacreon.” Hermes 102:244–246.

———. 1995. Sappho. New York and Philadelphia.

———. 1997a. “Sappho in Attic Vase Painting.” Naked Truths: Women, Sexuality, and Gender in Classical Art and Archaeology (eds. A. O. Koloski-Ostrow and C. L. Lyons) 108–119. London and New York.

———. 1997b. Lesbian Desire in the Lyrics of Sappho. New York.

———. 1998. “Sappho and Other Women Musicians in Attic Vase Painting.” Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound (ed. A. Buckley) 165–190. Liège.

Solomos, M. (ed.). 2001. Présences de Iannis Xenakis/Presences of Iannis Xenakis. Paris.

Sommerstein, A. H. 1994. Aristophanes: Thesmophoriazusae. Warminster.

———. 1998. Aristophanes: Ecclesiazusae. Warminster.

Sourvinou-Inwood, C. 1979. Theseus as Son and Stepson: A Tentative Illustration of Greek Mythological Mentality. London.

———. 1988. Studies in Girl’s Transitions: Aspects of the Arkteia and Age Representation in Attic Iconography. Athens.

———. 1991. Reading’ Greek Culture: Texts and Images, Rituals and Myths. Oxford.

———. 1995a. ‘Reading’ Greek Death: To the End of the Classical Period. Oxford.

———. 1995b. “Male and Female, Public and Private, Ancient and Modern.” In Reeder 1995:111–120.

———. 2002. “Greek Perceptions of Ethnicity and the Ethnicity of the Macedonians.” Identità e prassi storica nel Mediterraneo Greco (ed. L. Moscati Castelnuovo) 173–203. Milan.

———. 2003. “Herodotus (and others) on Pelasgians: Some Perceptions of Ethnicity.” Herodotus and His World (eds. P. Derow and R. Parker) 103–144. Oxford.

———. 2005. Hylas, the Nymphs, Dionysos and Others: Myth, Ritual, Ethnicity. Stockholm.

Sparkes, B. A. 1960. “Kottabos: An Athenian After-Dinner Game.” Archaeology 13:202–207.

———. 1996. The Red and the Black: Studies in Greek Pottery. London.

Speier, H. 1932. “Zweifiguren-Gruppen im fünften und vierten Jahrhundert vor Christus.” RM 47:1–94.

Spencer, N. 1995. “Early Lesbos between East and West: A ‘Grey Area’ of Aegean Archaeology.” Annual of the British School at Athens 90:269–306.

———. 2000. “Exchange and Stasis in Archaic Mytilene.” Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece (eds. R. Brock and S. Hodkinson) 68–81. Oxford.

Spivey, N. 1991. “Greek Vases in Etruria.” Looking at Greek Vases (eds. T. Rasmussen and N. Spivey) 131–150. Cambridge.

Spyropoulos, E. 1975. “Μάγνης ὁ κωμικὸς καὶ ἡ θέση του στὴν ἱστορία τῆς ἀρχαίας ἀττικῆς κωμωδίας.” H 28:247–274.

Stähler, K (ed.). 1984. Griechische Vasen aus westfälischen Sammlungen. Münster

Stansbury-O’ Donnell, M. D. 1999. Pictorial Narrative in Ancient Greek Art. Cambridge.

Starr, C. G. 1978. “An Evening with the Flute-Girls.” Parola del Passato 33:401–410.

Stehle, E. 1990. “Sappho’s Gaze: Fantasies of a Goddess and a Young Man.” differences 2:88–125.

———. 1997. Performance and Gender in Ancient Greece: Nondramatic Poetry in Its Setting. Princeton, NJ.

Stein, J. 1981. The Iconography of Sappho, 1775–1875. Ph.D. diss. University of Pennsylvania, Philadelphia.

Steiner, A. 1993. “The Meaning of Repetition: Visual Redundancy on Archaic Athenian Vases.” Jahrbuch des Deutschen Archäologischen Instituts 108:197–219.

———. 1997. “Illustrious Repetitions: Visual Redundancy in Exekias and His Followers.” In Oakley et al. 1997:157–169.

Steiner, D. T. 1994. The Tyrant’s Writ: Myths and Images of Writing in Ancient Greece. Princeton, NJ.

Steinhart, M. 2003. “Literate and Wealthy Women in Archaic Greece: Some Thoughts on the ‘Telesstas’ Hydria.” Poetry, Theory, Praxis. The Social Life of Myth, Word, and Image in Ancient Greece: Essays in Honour of W.J. Slater (eds. E. Csapo and M. C. Miller) 204–231. Oxford.

Steinrück, M. 2000. “Neues zu Sappho.” ZPE 131:10–12.

Stephens, S. A. 2002. “Commenting on Fragments.” The Classical Commentary: Histories, Practices, Theory (eds. R. K. Gibson and C. S. Kraus) 67–88. Leiden.

Stephens, S. A., and J. J. Winkler. 1995. Ancient Greek Novels: The Fragments. Princeton, NJ.

Stissi, V. 1999. “Production, Circulation, and Consumption of Archaic Greek Pottery (Sixth and Early Fifth Centuries BC).” The Complex Past of Pottery: Production, Circulation, and Consumption of Mycenaean and Greek Pottery (Sixteenth to Early Fifth Centuries BC). Proceedings of the ARCHON International Conference, Amsterdam, 8–9 November 1996 (eds. J. P. Crielaard et al.) 83–113. Amsterdam.

Stocking, G. 1968. Race, Culture, and Evolution: Essays in the History of Anthropology. New York.

Stoddart, S., and J. Whitley. 1988. “The Social Context of Literacy in Archaic Greece and Etruria.” Antiquity 62:761–772.

Storey, I. C. 2003. Eupolis: Poet of Old Comedy. Oxford.

Stross, B. 1974. “Speaking of Speaking: Tenejapa Tzeltal Metalinguistics.” In Bauman and Sherzer 1974:213–239.

Sultan, N. 1988. “New Light on the Function of ‘Borrowed Notes’ in Ancient Greek Music: A Look at Islamic Parallels.” Journal of Musicology 6:387–398.

Sutton, R. F. 1981. The Interaction between Men and Women Portrayed on Attic Red-figure Pottery. Diss. University of North Carolina, Chapel Hill.

———. 1992. “Pornography and Persuasion on Attic Pottery.” Pornography and Representation in Greece and Rome (ed. A. Richlin) 3–35. Oxford and New York.

———. 1997/1998. “Nuptial Eros: The Visual Discourse of Marriage in Classical Athens.” Journal of the Walters Art Gallery 55/56:27–48.

Svenbro, J. 1984a. La parola e il marmo: Alle origini della poetica greca, revised and corrected ed., trans. P. Rosati. Turin.

———. 1984b. “La stratégie de l’amour: Modèle de la guerre et théorie de l’amour dans la poésie de Sappho.” Quaderni di Storia 19:57–79.

———. 1993. Phrasikleia: An Anthropology of Reading in Ancient Greece, trans. J. Lloyd. Ithaca, NY.

Swain, S. 2004. “Bilingualism and Biculturalism in Antonine Rome: Apuleius, Fronto, and Gellius.” The Worlds of Aulus Gellius (eds. L. Holford-Strevens and A. Vardi) 3–40. Oxford.

Taillardat, J. 1965. Les images d’ Aristophane: Études de langue et de style, second ed. Paris.

———. 1967. Suétone ΠΕΡΙ ΒΛΑΣΦΗΜΙΩΝ. ΠΕΡΙ ΠΑΙΔΙΩΝ (Extraits Byzantins). Paris.

Talcott, L. 1936. “Vases and Kalos-Names from an Agora Well.” Hesperia 5:333–354.

Tambiah, S. 1985. Culture, Thought, and Social Action: An Anthropological Perspective. Cambridge, MA.

Tarrant, R. J. 1981. “The Authenticity of the Letter of Sappho to Phaon (Heroides XV).” HSCP 85:133–153.

———. 1983. “Ovid.” Texts and Transmission: A Survey of the Latin Classics (ed. L.D. Reynolds) 257–284. Oxford.

Teodorsson, S.-T. 1989/1996. A Commentary on Plutarch’s Table Talks, 3 vols. Göteborg.

Terzaghi, N. 1939. Synesii Cyrenensis Hymni et Opuscula, vol. I. Rome.

Theander, C. 1943. “Lesbiaca.” Eranos 41:139–168.

Thomas, R. 1989. Oral Tradition and Written Record in Classical Athens. Cambridge.

———. 1992. Literacy and Orality in Ancient Greece. Cambridge.

———. 1993. “Performance and Written Publication in Herodotus and the Sophistic Generation.” Vermittlung und Tradierung von Wissen in der griechischen Kultur (eds. W. Kullmann and J. Althoff) 225–244. Tübingen.

———. 1995. “The Place of the Poet in Archaic Society.” The Greek World (ed. A. Powell) 104–112. London.

———. 2000. Herodotus in Context: Ethnography, Science and the Art of Persuasion. Cambridge.

Thompson, H. A. 1984. “The Athenian Vase Painters and their Neighbours.” Pots and Potters: Current Approaches in Ceramic Archaeology (ed. P.M. Price) 7–19. Los Angeles, CA.

Threatte, L. 1980. The Grammar of Attic Inscriptions, vol. I: Phonology. Berlin.

———. 1996. The Grammar of Attic Inscriptions, vol. II: Morphology. Berlin.

Tibiletti Bruno, M. G. 1969. “Un confronto greco-anatolico.” Athenaeum 47:303–312.

Todorov, T. 1990. “The Origin of Genres.” Id., Genres in Discourse, trans. C. Porter. 13–26. Cambridge.

Tomić, O. M. 1989. Markedness in Synchrony and Diachrony. Berlin and New York.

Tomory, P. 1989. “The Fortunes of Sappho: 1770–1850.” Rediscovering Hellenism: The Hellenic Inheritance and the English Imagination (ed. G. W. Clarke) 121–135. Cambridge.

Treu, M. 1980. Alkaios. Lieder, third ed. Munich (first ed. 1952, second ed. 1963).

———. 1984. Sappho. Lieder, seventh ed. Munich (first ed. 1954; second ed. 1958, fourth ed. 1968).

Truitt, P. 1969. “Attic White-ground Pyxis and Phiale, ca. 450 B.C.” Boston Museum Bulletin 67:72–92.

Trypanis, C. A. 1951. “The Epigrams of Anacreon on Hermae.” Classical Quarterly 45:31–34.

Tsantsanoglou, K. 1973a. “The Memoirs of a Lady from Samos.” ZPE 12.2:183–195.

———. 1973b. “Δύο Ἀλκμᾶνες; (P.Oxy. 2802).” H 26:107–112.

Tsiaphaki, D. S. 1998. Ἡ Θράκη στὴν ἀττικὴ εἰκονογραφία τοῦ 5ου αἰῶνα π.Χ.: Προσεγγίσεις στὶς σχέσεις Ἀθήνας καὶ Θράκης. Komotene.

Tsolakis, E. Th. 1967. Συμβολὴ στὴ μελέτη τοῦ ποιητικοῦ ἔργου τοῦ Κωνσταντίνου Μανασσῆ καὶ Κριτικὴ Ἔκδοση τοῦ μυθιστορήματός του “Τὰ κατ’ Ἀρίστανδρον καὶ Καλλιθέαν.” Thessalonike.

Tuohy, S. 1999. “The Social Life of Genre: The Dynamics of Folksong in China.” Asian Music 30:39–86.

Turner, E. G. 1977. Athenian Books in the Fifth and Fourth Centuries B.C., second ed. London.

Turner, E. G., and P. J. Parsons. 1987. Greek Manuscripts of the Ancient World, second ed. revised and enlarged by P. J. Parsons. London.

Tylor, E. B. 1871. Primitive Culture, vol. 1. London.

Tzachou-Alexandri, O. (ed.). 1989. Mind and Body: Athletic Contests in Ancient Greece. National Archaeological Museum 15th May 1989–15th January 1990. Athens.

Tzamali, E. 1996. Syntax und Stil bei Sappho. Dettelbach.

Ucciardello, G. 2001. “Sapph. frr. 88 e 159 V. in POxy. LXIV 4411.” ZPE 136:167–168.

Urios-Aparisi, E. 1993. “Anacreon: Love and Poetry (on 358 PMG, 13 Gent.).” Quaderni Urbinati di Cultura Classica 44:51–70.

Usener, H., and L. Radermacher. 1929. Dionysii Halicarnasei quae exstant, vol. VI. Leipzig.

Usher, S. 1985. Dionysius of Halicarnassus: The Critical Essays, vol. 2. Cambridge, MA.

Ussher, R. G. 1973. Aristophanes: Ecclesiazusae, edited with introduction and commentary. Oxford.

van de Walle, B. 1934. “La ‘quatrième pyramide’ de Gizeh et la légende de Rhodopis.” Antiquité Classique 3:303–312.

van der Weiden, M. J. H. 1991. The Dithyrambs of Pindar: Introduction, Text and Commentary. Amsterdam.

van Dijk, G.-J. 1997. Αἶνοι, λόγοι, μῦθοι. Fables in Archaic, Classical, and Hellenistic Greek Literature, with a Study of the Theory and Terminology of the Genre. Leiden.

Vansina, J. 1965. Oral Tradition: A Study in Historical Methodology, trans. H. M. Wright. Chicago, IL.

———. 1985. Oral Tradition as History. Madison, WI.

Vazaki, A. 2003. Mousike Gyne: Die musisch-literarische Erziehung und Bildung von Frauen im Athen der klassischen Zeit. Möhnesee.

Venit, M. S. 1988a. “The Caputi Hydria and Working Women in Classical Athens.” Classical World 81:265–272.

———. 1988b. Greek Painted Pottery from Naukratis in Egyptian Museums. Winona Lake, IN.

Vérilhac, A.-M., and C. Vial. 1998. Le mariage grec du VI e siècle av. J.-C. à l’époque d’Auguste. Athens.

Vermeule, E. 1965. “Fragments of a Symposion by Euphronios.” AK 8:34–39.

Versnel, H. S. 1987. “Wife and Helpmate: Women of Ancient Athens in Anthropological Perspective.” In Blok and Mason 1987:59–86.

———. 1990. Inconsistencies in Greek and Roman Religion I: Ter Unus. Isis, Dionysos, Hermes—Three studies in henotheism. Leiden.

———. 1993. Inconsistencies in Greek and Roman Religion II: Transition and Reversal in Myth and Ritual. Leiden.

Vetta, M. 1980. Theognis. Elegiarum liber secundus. Rome.

———. 1982. “Il P.Oxy. 2506 fr. 77 e la poesia pederotica di Alceo.” Quaderni Urbinati di Cultura Classica n.s. 10:7–20.

——— (ed.). 1983a. Poesia e simposio nella Grecia antica: Guida storica e critica. Rome and Bari.

———. 1983b. “Un capitolo di storia di poesia simposiale (per l’esegesi di Aristofane Vespe 1222–1248.” In Vetta 1983a:117–131.

———. 1992. “Il simposio: La monodia e il giambo.” Lo spazio letterario della Grecia antica (eds. G. Cambiano et al.) 1:177–218. Rome.

———. 1996. “Convivialità pubblica e poesia per simposio in Grecia.” Quaderni Urbinati di Cultural Classica n.s. 54:197–209.

Vidan, A. 2003. Embroidered with Gold, Strung with Pearls: The Traditional Ballads of Bosnian Women. Cambridge, MA.

Vierneisel, K., and B. Kaeser (eds.). 1990. Kunst der Schale. Kultur des Trinkens. Munich.

Voigt, E.-M. 1971. Sappho et Alcaeus. Amsterdam.

Vološinov, V. N. 1973. Marxism and the Philosophy of Language, trans. L. Matejka and I. R. Titunik. New York.

von Reden, S. 1997. “Money, Law, and Exchange: Coinage in the Greek Polis.” Journal of Hellenic Studies 117:154–176.

Wachter, R. 1991. “The Inscriptions on the François Vase.” Museum Helveticum 48:86–113.

———. 2001. Non-Attic Greek Vase Inscriptions. Oxford.

Walker, J. 2000. Rhetoric and Poetics in Antiquity. Oxford.

Wallace, R. W. 2003. “An Early Fifth-Century Athenian Revolution in Aulos Music.” HSCP 101:73–92.

Wankel, H. 1991. “Demosthenes 51,12 und die partielle Atimie.” ZPE 85:37–39.

Wannagat, D. 2001. “ ‘Eurymedon eimi’–Zeichen von ethnischer, sozialer und physischer Differenz in der Vasenmalerei des 5. Jahrhunderts v. Chr.” Konstruktionen von Wirklichkeit: Bilder im Griechenland des 5. und 4. Jahrhunderts v. Chr. (eds. R. von den Hoff and S. Schmidt) 51–71. Stuttgart.

Watkins, C. 1995. How to Kill a Dragon: Aspects of Indo-European Poetics. Oxford and New York.

Weber-Lehmann, C. 2003. “Musik um Adonis. Beobachtungen zur Rechteckkithara auf apulischen Vasen.” In Schmaltz and Söldner 2003:160–166.

Webster, T. B. L. 1972. Potter and Patron in Classical Athens. London.

Wehrli, F. 1967/1969. Die Schule des Aristoteles: Texte und Kommentar. 10 vols., second ed. Basel.

Welcker, F. G. 1816. Sappho von einem herrschenden Vorurtheil befreyt [later version in Kleine Schriften. Zweyter Theil, Bonn 1845, 80–144]. Göttingen.

———. 1828. Review of Neue 1827. Jahrbücher für Philologie und Pädagogik 6:389–433.

———. 1857. “Ueber die beiden Oden der Sappho.” Museum für Philologie 11:226–259.

Wells, C. M. 1973. “The Greek Lyric Poets’ ‘Again.’ ” Échos du Monde Classique/Classical Views 17:1–11.

West, M. L. 1970a. “Burning Sappho.” Maia 22:307–330.

———. 1970b. “Melica.” Classical Quarterly 20:205–215.

———. 1973. “Greek Poetry, 2000–700 B.C.” Classical Quarterly 23:179–192.

———. 1976. “The Asigmatic Atlas.” ZPE 22:41–42.

———. 1982. Greek Metre. Oxford.

———. 1988. “The Rise of the Greek Epic.” Journal of Hellenic Studies 108:151–172.

———. 1989/1992. Iambi et Elegi Graeci ante Alexandrum cantati. 2 vols., second revised ed. Oxford.

———. 1990. “Notes on Sappho and Alcaeus.” ZPE 80:1–8.

———. 1992a. Ancient Greek Music. Oxford.

———. 1992b. “The Descent of the Greek Epic: A Reply.” Journal of Hellenic Studies 112:173–175.

———. 1993a. Carmina Anacreontea, editio correctior editionis primae (1984). Leipzig.

———. 1993b. Greek Lyric Poetry: The Poems and Fragments of the Greek Iambic, Elegiac, and Melic Poets (excluding Pindar and Bacchylides) down to 450 BC, trans. with introduction and notes. Oxford.

———. 1997. “When Is a Harp a Panpipe? The Meanings of πηκτίς.” Classical Quarterly 47:48–55.

———. 2002. “The View from Lesbos.” Epea pteroenta: Beiträge zur Homerforschung. Festschrift für Wolfgang Kullmann zum 75. Geburtstag (eds. M. Reichel and A. Rengakos) 207–219. Stuttgart.

———. 2005. “The New Sappho.” ZPE 151:1–9.

White, H. 1978. Tropics of Discourse: Essays in Cultural Criticism. Baltimore, MD.

———. 1987. The Content of the Form: Narrative Discourse and Historical Representation. Baltimore, MD.

———. 1999. Figural Realism: Studies in the Mimesis Effect. Baltimore, MD.

Whitley, J. 1997. “Cretan Laws and Cretan Literacy.” American Journal of Archaeology 101:635–661.

Wiechers, A. 1961. Aesop in Delphi. Meisenheim am Glan.

Wigodsky, M. 1962. “Anacreon and the Girl from Lesbos.” Classical Philology 57:109.

Wilamowitz-Moellendorff, U. von. 1900. Die Textgeschichte der griechischen Lyriker. Berlin.

———. 1913. Sappho und Simonides: Untersuchungen über griechische Lyriker. Berlin.

———. 1921. Griechische Verskunst. Berlin.

Williams, C., and H. Williams. 1986. “ Ἀνασκαφὲς στὴν Μυτιλήνη κατὰ τὸ 1986.” Lesbiaka 9:223–232.

———. 1991. “Excavations at Mytilene, 1990.” Échos du Monde Classique/Classical Views n.s. 10:175–191.

Williams, D. 1993. “Women on Athenian Vases: Problems of Interpretation.” Images of Women in Antiquity, revised ed. (eds. A. Cameron and A. Kuhrt) 92–106. Detroit, MI.

———. 1995. “Potter, Painter, and Purchaser.” Culture et Cité. L’avènement d’Athènes à l’époque archaïque (eds. A. Verbanck-Piérard and D. Viviers) 139–160. Brusells.

Williams, H. 1994. “Secret Rites of Lesbos.” Archaeology 47:34–40.

———. 1995. “Investigations at Mytilene, 1994.” Échos du Monde Classique/Classical Views n.s. 14:95–100.

Williams, R. 1983. Keywords: A Vocabulary of Culture and Society. London.

Williams, R. T. 1961. “An Attic Red-figure Kalathos.” AK 4:27–29.

Willink, C. W. 1986. Euripides’ Orestes, with introduction and commentary. Oxford.

Wilpert, P. 1960. “The Fragments of Aristotle’s Lost Writings.” Aristotle and Plato in the Mid-fourth Century: Papers of the Symposium Aristotelicum Held at Oxford in August 1957 (eds. I. Düring and G. E. L. Owen) 257–264. Göteborg.

Wilson, L. H. 1996. Sappho’s Sweetbitter Songs: Configurations of Female and Male in Ancient Greek Lyric. London.

Wilson, N. G. 1987. “Variant Readings with Poor Support in the Manuscript Tradition.” Revue d’histoire des textes 17:1–13.

———. 1996. Scholars of Byzantium, revised ed., Cambridge, MA.

———. 1997. Aelian: Historical Miscellany. Cambridge, MA.

Wilson, P. 2003. “The Sound of Cultural Conflict: Kritias and the Culture of Mousikê in Athens.” In Dougherty and Kurke 2003:181–206.

Winkler, J. J. 1990. The Constraints of Desire: The Anthropology of Sex and Gender in Ancient Greece. New York.

———. 1991. “Sappho and the Crack of Dawn (fragment 58 L-P).” Journal of Homosexuality 20:227–233.

Wirth, P. 1963. “Neue Spuren eines Sapphobruchstücks.” Hermes 91:115–117.

Wood, E. 1994. “Sapphonics.” Queering the Pitch: The New Gay and Lesbian Musicology (eds. P. Brett et al.) 27–66. New York.

Woodbury, L. 1967. “Helen and the Palinode.” Phoenix 21:157–176.

———. 1979. “Gold Hair and Grey, or the Game of Love: Anacreon fr. 13:358 PMG, 13 Gentili.” Transactions of the American Philological Association 109:277–287.

Wroth, W. 1964. A Catalogue of the Greek Coins in the British Museum: Catalogue of the Greek Coins of Troas, Aeolis, and Lesbos (original ed. London 1894). Bologna.

Wyatt, W. F. 1992. “Homer’s Linguistic Forebears.” Journal of Hellenic Studies 112:167–173.

Yatromanolakis, D. 1998. “Simonides fr. eleg. 22 W2: To Sing or to Mourn?” ZPE 120:1–11 [repr. in Greek Literature, vol. 3: Greek Literature in the Archaic Period: The Emergence of Authorship (ed. G. Nagy) New York 2002].

———. 1999a. “Alexandrian Sappho Revisited.” HSCP 99:179–195.

———. 1999b. “When Two Fragments Meet: Sapph. fr. 22 V.” ZPE 128:23–24.

———. 2000. “Healing Sounds: Music and Medicine in Greek Antiquity.” Proceedings of the Theoretical and Diagnostic Histopathology Conference. Alexandroupolis, keynote lecture abstract.

———. 2001a. “Visualizing Poetry: An Early Representation of Sappho.” Classical Philology 96:159–168.

———. 2001b. “To Sing or to Mourn?: A Reappraisal of Simonides 22 W2.” The New Simonides: Contexts of Praise and Desire (eds. D. Boedeker and D. Sider) 208–225. Oxford and New York.

———. 2002. “Ἑτερογλωσσικοὶ Διάλογοι καὶ Ἀνα-σύνθεση στὴ Σαπφώ τοῦ Ὀδυσσέα Ἐλύτη.” S/C 13:60–72.

———. 2003a. “Ritual Poetics in Archaic Lesbos: Contextualizing Genre in Sappho.” In D. Yatromanolakis and P. Roilos 2003:43–59.

———. 2003b. “Palimpsests of Sappho in Nineteenth- and Twentieth-Century Greece.” Modern Greek Literature: Critical Essays (eds. G. Nagy et al.) 171–189. New York and London.

———. 2004a. “Exploring Lyric Tropes.” S/C 15:70–79.

———. 2004b. “Fragments, Brackets, and Poetics: On Anne Carson’s If Not, Winter.” International Journal of the Classical Tradition 11:266–272.

———. 2005. “Contrapuntal Inscriptions.” ZPE 152:16–30.

———. 2006a. “Ancient Poetry as Modernist Bricolage.” Festschrift I.-Th. Papademetriou. Stuttgart, forth.

———. 2006b. “A Lyric Epos.” H 56:381–388.

———. 2007a. Fragments of Sappho: A Commentary. Cambridge, MA, forth.

———. 2007b. “Ancient Greek Popular Song.” The Cambridge Companion to Greek Lyric (ed. F. Budelmann), forth.

———. 2007c. “Alkaios and Sappho.” The Cambridge Companion to Greek Lyric (ed. F. Budelmann), forth.

———. 2007d. “An Anthropology of Archaic Greek Genres.” Anthropology and Classics (ed. M. Detienne), forth.

———. 2007e. “Genre Categories and Interdiscursivity of Genres in Alkaios and Archaic Greece.” S/C forth.

Yatromanolakis, D., and P. Roilos. 2003. Towards a Ritual Poetics. Athens.

———. 2005a. Πρὸς μία Τελετουργικὴ Ποιητική. Preface M. Detienne, trans. E. Skouras. Athens.

——— (eds.). 2005b. Greek Ritual Poetics. Cambridge, MA.

Yoken, D. W. 1985. Iannis Xenakis’ Psappha: A Performance Analysis. San Diego, CA.

Younger, J. G. 1998. Music in the Aegean Bronze Age. Jonsered.

Yunis, H. (ed.). 2003. Written Texts and the Rise of Literate Culture in Ancient Greece. Cambridge.

Zachariadou, O., D. Kyriakou, and E. Baziotopoulou. 1992. “Ateliers de potiers à l’angle des rues Lenormant et de Constantinople (rapport préliminaire).” Les ateliers de potiers dans le monde grec aux époques géométrique, archaïque et classique. Actes de la Table Ronde, Athènes, octobre 1987 (eds. F. Blondé and J. Y. Perreault) 53–56. Athens and Paris.

Zaidman, L. B. 1992. “Pandora’s Daughters and Rituals in Grecian Cities.” A History of Women in the West, vol. I: From Ancient Goddesses to Christian Saints (ed. P. Schmitt Pantel) trans. A. Goldhammer, 338–376. Cambridge, MA.

Zanker, P. 1995. The Mask of Socrates: The Image of the Intellectual in Antiquity, trans. A. Shapiro. Berkeley and Los Angeles.

Zumthor, P. 1990. Oral Poetry, trans. K. Murphy-Judy. Minneapolis, MN.

Zuntz, G. 1939. “De Sapphus Carminibus ε̅ 3, ε̅ 4, ε̅ 5.” Mnemosyne ser. 3, 7:81–114.

———. 1951. “On the Etymology of the Name Sappho.” Museum Helveticum 8:12–35.