Conclusion. The Tears of Pity λόγος δυνάστης μέγας ἐστίν, ὃς σμικροτάτωι σώματι καὶ ἀφανεστάτωι θειότατα ἔργα ἀποτελεῖ· δύναται γὰρ καὶ φόβον παῦσαι καὶ λύπην ἀφελεῖν καὶ χαρὰν ἐνεργάσασθαι καὶ ἔλεον ἐπαυξῆσαι… τὴν ποίησιν ἅπασαν καὶ νομίζω καὶ ὀνομάζω λόγον ἔχοντα μέτρον· ἧς τοὺς ἀκούοντας εἰσῆλθε… Read more
Bibliography LIMC Ackermann, H. C., and J.-R. Gisler, eds. Lexicon Iconographicum Mythologiae Classicae. Zurich: Artemis Verlag, 1981-1997 RE Pauly, A., G. Wissowa, and W. Kroll, eds. Realenzyklopädie der klassischen Altertumswissenschaft. Stuttgart, 1893- Abrahamson, E. L. 1952. “Euripides’ Tragedy of Hecuba.” TAPA… Read more
Introduction 1. Herodotus and Myth[1] In the first book of his Histories, Herodotus describes how a Median cowherd receives a child and a message from King Astyages: κελεύει σε Ἀστυάγης τὸ παιδίον τοῦτο λαβόντα θεῖναι ἐς τὸ ἐρημότατον τῶν ὀρέων, ὅκως ἂν… Read more
6. Epic, Praise, and the Possession of Poetry §1. It has been argued that the athlete follows the ritual paradigm of the hero not only through an ordeal at the Games but also through a reintegration, by way of epinician lyric poetry, with the community at home. Read more
7. Pindar and Homer, Athlete and Hero §1. Having observed how epic and the ainos of praise poetry can converge as well as diverge, we have begun to appreciate how the convergent kleos of Pindar’s epinician lyric poetry may momentarily collapse the distinction between hero and victorious… Read more
8. The Authoritative Speech of Prose, Poetry, and Song: Pindar and Herodotus I §1. The historiā ‘inquiry’ of Herodotus, like the ainos of epinician poets like Pindar, claims to extend from the epic of heroes. Like the ainos of Pindar, the historiā of Herodotus is a form… Read more
9. The Authority of Historiā and the Sign of the Hero §1. The juridical aspect of Herodotean narrative—that it can establish who is aitios ‘responsible’ for the ultimate struggle between Hellenes and Persians—is articulated already in the prooemium of the Histories, in that the purpose of the… Read more
10. The Charms of Tyranny: Pindar and Herodotus II §1. The paradigm of the tyrant in Herodotus is clearly a negative concept, serving as a foil for the moral message of historiā. Yet in the case of the archetypal tyrant figure, Croesus the Lydian, the perspective is… Read more
11. The Ainos as Song or Speech: Pindar and Herodotus III §1. On the level of content, we have seen some striking similarities between Pindaric song and Herodotean prose in conveying a moral message about the realities of wealth, power, and prestige. The actual tradition of such… Read more
12. Authority and Authorship in the Lyric Tradition §1. Having compared the authority of Pindar’s traditions in song with the authority of traditions in poetry and prose, we are ready to consider the actual medium of Pindaric song as a key to understanding the concept of authorship… Read more
