Pindar’s Verbal Art: An Ethnographic Study of Epinician Style

  Wells, James Bradley. 2010. Pindar's Verbal Art: An Enthnographic Study of Epinician Style. Hellenic Studies Series 40. Washington, DC: Center for Hellenic Studies. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_WellsJ.Pindars_Verbal_Art.2010.


Bibliography

Aloni, A. 1998. Cantare glorie di eroi: Comunicazione e performance poetica nella Grecia arcaica. Turin.

Anzai, M. 1994. “First-Person Forms in Pindar: A Re-Examination.” Bulletin of the Institute of Classical Studies 39:141–150.

Athanassaki, L. 2004. “Deixis, Performance, and Poetics in Pindar’s First Olympian Ode.” In Felson 2004a:317–341.

Austin, J. L. 1975. How to Do Things with Words. 2nd ed. Cambridge, MA.

Babcock, B. A. 1977. “The Story in the Story: Metanarrative in Folk Narrative.” In Bauman 1977:61–79.

Bakhtin, M. M. 1981. The Dialogic Imagination: Four Essays by M. M. Bakhtin. Trans. C. Emerson and M. Holquist. Austin.

———. 1986. Speech Genres and Other Late Essays (eds. C. Emerson and M. Holquist). Trans. V. W. McGee. Austin.

Bakker, E. J. 1997. Poetry in Speech: Orality and Homeric Discourse. Ithaca.

———. 2005. Pointing at the Past: From Formula to Performance in Homeric Poetics. Hellenic Studies 12. Washington, DC.

Bauman, R. 1977. Verbal Art as Performance. Prospect Heights.

———. 1982. “Conceptions of Folklore in the Development of Literary Semiotics.” Semiotica 39:1–20.

———. 1983. Let Your Words Be Few: Symbolism of Speaking and Silence among Seventeenth-Century Quakers. Reprint 1998. London.

———. 1986a. Story, Performance, and Event. Cambridge.

———. 1986b. “Performance and Honor in 13th-Century Iceland.” Journal of American Folklore 99:131–50.

———. 1992. “Contextualization, Tradition, and the Dialogue of Genres: Icelandic Legends of the Kraftaskáld.” In Duranti and Goodwin 1992:125–145.

———. 1996. “Transformations of the Word in the Production of Mexican Festival Drama.” In Silverstein and Urban 1996:301–327.

Bauman, R. and Briggs, C. L. 1990. “Poetics and Performance as Critical Perspectives on Language and Social Life.” Annual Review of Anthropology 19:59–88.

Bauman, R. and Sherzer, J., eds. 1989. Explorations in the Ethnography of Speaking. 2nd ed. Cambridge.

Benveniste, E. 1971. Problems in General Linguistics. Trans. M. E. Meek. Coral Gables.

Berge, L. van den. 2007. “Mythological Chronology in the Odes of Pindar. The Cases of Pythian 10 and Olympian 3.” The Language of Literature: Linguistic Approaches to Classical Texts (eds. R. J. Allan and M. Buijs) 29–41. Leiden.

Bergren, A. L. T. 1982. “Sacred Apostrophe: Re-Presentation and Imitation in the Homeric Hymns.” Arethusa 15:83–108.

Bernardini, P. A. 1983. Mito e attualità nelle odi di Pindaro. La Nemea 4, l’Olimpica 9, l’Olimpica 7. Rome.

Bischoff, H. 1938. Gnomen Pindars. Würzberg.

Boeckh, A. 1811, 1819, 1821. Pindari opera quae supersunt I, II-1, II-2. Leipzig.

Boeke, H. 2007. The Value of Victory in Pindar’s Odes: Gnomai, Cosmology and the Role of the Poet. Mnemosyne Supplement 285. Leiden.

Bogatyrev, P. 1936. “La chanson populaire du point de vue fonctionnel.” Travaux du Cercle linguistique de Prague 6:222–234. Reprinted in English as “Folk Song from a Functional Point of View.” Semiotics of Art: Prague School Contributions (eds. L. Matejka and I. R. Titunik; trans. Y. Lockwood) 1976:20–32. Cambridge, MA.

Bogatyrev, P. and Jakobson, R. 1929. “Die Folklore als eine besondere Form des Schaffens.” Donum natalicium Schrijnen. Verzameling van opstellen door oud-leerlingen en bevriende vakgenooten opgedragen aan (eds. J. Schrijnen and W. J. St. Teeuwen) 900–913. Reprinted in English as “Folklore as a Special Form of Creativity.” The Prague School: Selected Writings, 1929–1946 (ed. P. Steiner; trans. J. Burbank) 1982:32–46. Austin.

Bonifazi, A. 2000. “Sull’idea di sotterfugio orale negli epinici pindarici.” Quaderni Urbinati di Cultura Classica 60:69–86.

———. 2001. Mescolare un cratere di canti: Pragmatica della poesia epinicia in Pindaro. Alessandria.

———. 2004a. “Communication in Pindar’s Deictic Acts.” In Felson 2004a:391–414.

———. 2004b. “Relative Pronouns and Memory: Pindar Beyond Syntax.” Harvard Studies in Classical Philology 102:41–68.

———. 2004c. “ΚΕΙΝΟΣ in Pindar: Between Grammar and Poetic Intention.” Classical Philology 99:283–299.

Bourdieu, P. 1977. Outline of the Theory of Practice. Trans. R. Nice. Cambridge.

Bowra, C. M., ed. 1935. Pindari carmina cum fragmentis. Oxford.

———. 1964. Pindar. Oxford.

Braswell, B. K. 1988. A Commentary on the Fourth Pythian Ode of Pindar. Berlin.

Bremer, J. M. 1990. “Pindar’s Paradoxical Ἐγώ and a Recent Controversy about the Performance of his Epinicia.” The Poet’s I in Archaic Greek Lyric: Proceedings of a Symposium Held at the Vrije Universiteit Amsterdam (ed. S. R. Slings) 41–58. Amsterdam.

———. 2008. “Traces of the Hymn in the Epinikion.” Mnemosyne 61:1–17.

Briggs, C. L. and Bauman, R. 1992. “Genre, Intertextuality and Social Power.” Journal of Linguistic Anthropology 2:131–172.

Brik, O. 1923. “T.n. ‘formalnyi metod’.” LEF: Zhurnal Levogo fronta iskusstv 1:213–215. Reprinted in English as “The So-Called Formal Method.” Formalist Theory. Vol. 4 of Russian Poetics in Translation (eds. and trans. L. M. O’Toole and A. Shukman) 1977:90–91. Oxford.

Bühler, K. 1934. Sprachtheorie: Die Darstellungsfunktion der Sprache. Jena. Reprinted in English as The Theory of Language: The Representational Function of Language. Trans. D. F. Goodwin. 1990. Philadelphia.

Bulman, P. 1992. Phthonos in Pindar. Berkeley.

Bundy, E. L. 1962. Studia Pindarica I, II. Reprint 1986. Berkeley.

Burke, K. 1941. The Philosophy of Literary Form: Studies in Symbolic Action. Baton Rouge.

———. 1962. “What are the Signs of What?: A Theory of ‘Entitlement.’” Anthropological Linguistics 4:1–23.

Burnett, A. P. 1989. “Performing Pindar’s Odes.” Classical Philology 84:283–293.

———. 2005. Pindar’s Songs for Young Athletes of Aigina. Oxford.

Burton, R. W. B. 1962. Pindar’s Pythian Odes, Essays in Interpretation. Oxford.

Cairns, F. 1977. “ Ἔρως in Pindar’s First Olympian Ode.” Hermes 105:129–132.

Calame, C. 1995. The Craft of Poetic Speech in Ancient Greece. Trans. J. Orion. Ithaca.

———. 2001. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Functions. New and revised ed. Trans. D. Collins and J. Orion. Lanham.

———. 2004. “Deictic Ambiguity and Auto-Referentiality: Some Examples from Greek Poetics.” Trans. J. S. Clay. In Felson 2004a:415–443.

Carey, C. 1981. A Commentary on Five Odes of Pindar: Pythian 2, Pythian 9, Nemean 1, Nemean 7, Isthmian 8. Salem, NH.

———. 1989. “The Performance of the Victory Ode.” American Journal of Philology 110:545–565.

———. 1991. “The Victory Ode in Performance: The Case for the Chorus.” Classical Philology 86:192–200.

———. 1995. “Pindar and the Victory Ode.” The Passionate Intellect: Essays on the Transformation of Classical Traditions (ed. L. Ayers) 85–103. New Brunswick.

———. 2007. “Pindar, Place, and Performance.” In Hornblower and Morgan 2007:199–210.

Carne-Ross, D. S. 1985. Pindar. New Haven.

Clay, J. S. 1992. “Pindar’s Twelfth Pythian: Reed and Bronze.” The American Journal of Philology 113:519–525.

———. 1999. “Pindar’s Sympotic Epinicia.” Quaderni Urbinati di Cultura Classica 62:25–34.

Cole, T. 1992. Pindar’s Feasts or The Music of Power. Rome.

Crotty, K. 1982. Song and Action: The Victory Odes of Pindar. Baltimore.

Currie, B. 2004. “Reperformance Scenarios for Pindar’s Odes.” Oral Performance and its Context (ed. C. J. Mackie) 2004:49–69. Mnemosyne Supplement 248. Leiden.

———. 2005. Pindar and the Cult of Heroes. Oxford.

D’Alessio, G. B. 1994. “First-Person Problems in Pindar.” Bulletin of the Institute of Classical Studies 39:117–139.

———. 2004. “Past Future and Present Past: Temporal Deixis in Greek Archaic Lyric.” In Felson 2004a:267–294.

Danielewicz, J. 1990. “Deixis in Greek Choral Lyric.” Quaderni Urbinati di Cultura Classica 34:7–17.

Davies, M. 1988. “Monody, Choral Lyric, and the Tyranny of the Handbook.” The Classical Quarterly 38:52–64.

Descat, R. 1985. “Autour d’une fonction social de l’oralité: Travail, échange, et parole chez Pindare.” Oralità: Cultura, letteratura, discorso: Atti del convegno internazionale (ed. B. Gentili and G. Paioni) 69–76. Rome.

Des Places, E. 1947. Le pronom chez Pindare. Études et Commentaires 3. Paris.

Dickie, M.W. 1984. “Hêsychia and Hybris in Pindar.” In Gerber 1984:85–109.

Dissen, L. G. 1830. Pindari carmina quae supersunt cum deperditorum fragmentis selectis ex recensione Boeckhii commentario perpetuo illustravit I, II. Gotha.

Dornseiff, F. 1921. Pindars Stil. Berlin.

Dougherty, C. 1993. The Poetics of Colonization: From City to Text in Archaic Greece. New York.

Dougherty, C. and Kurke, L., eds. 1993. Cultural Poetics in Archaic Greece: Cult, Performance, Politics. Cambridge.

Dover, K. J. 1989. Greek Homosexuality. Revised ed. Cambridge, MA.

Drachmann, A. B. 1903, 1910, 1927. Scholia vetera in Pindari carmina I, II, III. Leipzig.

Duranti, A. and Goodwin, C., eds. 1992. Rethinking Context: Language as an Interactive Phenomenon. Cambridge.

Èjxenbaum, B. 1927. “Teorija ‘formalnogo metoda’.” Literatura: Teorija, Kritika, Polemika, 116–148. Leningrad. Reprinted in English as “The Theory of the Formal Method.” Readings in Russian Poetics: Formalist and Structuralist Views (eds. L. Matejka and K. Pomorska) 1978:3–37. Cambridge, MA.

Ervin-Tripp, S. 1972. “On Sociolinguistic Rules: Alternation and Co-Occurrence.” In Gumperz and Hymes 1972:213–250. Oxford.

Farnell, L. R. 1930, 1932. The Works of Pindar I, II. London.

Fearn, D. 2007. Bacchylides: Politics, Performance, Poetic Tradition. Oxford.

Feldman, B. and Richardson, R. D. 1972. The Rise of Modern Mythology, 1680–1860. Bloomington.

Felson, N. 1984. “The Epinician Speaker in Pindar’s First Olympian: Toward a Model for Analyzing Character in Ancient Choral Lyric.” Poetics Today 5:377–397.

———. 1999. “Vicarious Transport: Fictive Deixis in Pindar’s Pythian Four.” Harvard Studies in Classical Philology 99:1–31.

———, ed. 2004a. The Poetics of Deixis in Alcman, Pindar, and Other Lyric. Special issue, Arethusa 37.3.

———. 2004b. “Introduction.” In Felson 2004a:253–266.

———. 2004c. “The Poetic Effects of Deixis in Pindar’s Ninth Pythian Ode.” In Felson 2004a:365–389.

Fennell, C. A. M. 1893. Pindar: The Olympian and Pythian Odes. 2nd ed. Cambridge.

———. 1899. Pindar: The Nemean and Isthmian Odes. 2nd ed. Cambridge.

Fisker, D. 1990. Pindars erste olympische Ode. Odense University Classical Studies 15. Odense.

Floyd, E. D. 1965. “The Performance of Pindar, Pythian 8.55–70.” Greek Roman and Byzantine Studies 6:187–200.

Foley, J. M. 1986. “Tradition and the Collective Talent: Oral Epic, Textual Meaning, and Receptionalist Theory.” Cultural Anthropology 1:203–222.

———. 1990. Traditional Oral Epic: The Odyssey, Beowulf, and the Serbo-Croatian Return Song. Berkeley.

———. 1991. Immanent Art: From Structure to Meaning in Traditional Oral Epic. Bloomington.

———. 1992. “Word-Power, Performance, and Tradition.” Journal of American Folklore 105:275–301.

———. 1995. The Singer of Tales in Performance. Bloomington.

———. 1998. “Individual Poet and Epic Tradition: The Legendary Singer.” Arethusa 31:149–178.

———. 1999. Homer’s Traditional Art. University Park.

———. 2002. How to Read an Oral Poem. Urbana.

Ford, A. 2002. The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece. Princeton.

Forssman, B. 1966. Untersuchungen zur Sprache Pindars. Klassisch-philologische Studien 33. Wiesbaden.

Fränkel, H. F. 1975. Early Greek Poetry and Philosophy. Trans. M. Hadas and J. Willis. New York.

García, J. F. 2002. “Ritual Speech in Early Greek Song.” Epea and Grammata: Oral and Written Communication in Ancient Greece (eds. I. Worthington and J. M. Foley) 29–53. Leiden.

Gentili, B. 1988. Poetry and its Public in Ancient Greece: from Homer to the Fifth Century. Trans. A. T. Cole. Baltimore.

———, ed. 1995. Pindaro. Le Pitiche. With commentary by P. A. Bernardini, E. Cingano, and P. Giannini. Scrittori greci e latini. Rome.

Gerber, D. E. 1982. Pindar’s Olympian One: A Commentary. Toronto.

———, ed. 1984. Greek Poetry and Philosophy: Studies in Honour of Leonard Woodbury. Chico.

Gildersleeve, B. L. 1890. Pindar: The Olympian and Pythian Odes. Reprint 1965. Amsterdam.

Goffman, E. 1974. Frame Analysis: An Essay on the Organization of Experience. Reprint 1986. Boston.

———. 1981. Forms of Talk. Philadelphia.

Goldhill, S. 1991. The Poet’s Voice: Essays on Poetics and Greek Literature. Cambridge.

Grant, M. A. 1967. Folktale and Hero-Tale Motifs in the Odes of Pindar. Lawrence.

Greengard, C. 1980. The Structure of Pindar’s Epinician Odes. Amsterdam.

Griffith, R. D. 1991. “Person and Presence in Pindar (Olympian 1.24–53).” Arethusa 24:31–42.

Gumperz, J. J. and Hymes, D. H., eds. 1972. Directions in Sociolinguistics: The Ethnography of Communication. Reprint 1986. Oxford.

Hamilton, J. T. 2003. Soliciting Darkness: Pindar, Obscurity, and the Classical Tradition. Cambridge, MA.

Hamilton, R. 1974. Epinikion: General Form in the Odes of Pindar. The Hague.

Hanks, W. F. 1987. “Discourse Genres in a Theory of Practice.” American Ethnologist 14:668–692.

———. 1989. “Text and Textuality.” Annual Review of Anthropology 18:95–127.

———. 1990. Referential Practice: Language and Lived Space Among the Maya. Chicago.

———. 1992. “The Indexical Ground of the Deictic Reference.” In Duranti and Goodwin 1992:46–76.

———. 1993. “Metalanguage and Pragmatics of Deixis.” Reflexive Language: Reported Speech and Metapragmatics (ed. J. A. Lucy) 127–157. Cambridge.

———. 1996a. Language and Communicative Practices. Boulder.

———. 1996b. “Exorcism and the Description of Participant Roles.” In Silverstein and Urban 1993:160–200.

Hansen, W. 1982. “The Applied Message in Storytelling.” Folklorica: Festschrift for Felix J. Oinas (eds. P. Voorheis and E. V. Zygas) 99–109. Bloomington.

———. 1990. “Odysseus and the Oar: A Folkloric Approach.” Approaches to Greek Myth (ed. L. Edmunds) 241–272. Baltimore.

———. 2000. “The Winning of Hippodameia.” Transactions of the American Philological Association 130:19–40.

———. 2002. Ariadne’s Thread: A Guide to International Tales Found in Classical Literature. Ithaca.

———. 2003. “Strategies of Authentication in Ancient Popular Literature.” The Ancient Novel and Beyond (eds. S. Panayotakis, M. Zimmerman, and W. Keulen) 301–314. Leiden.

Havránek, B. 1932. “Úkoly spisovného jazyka a jeho kultura.” Spisovná Čeština a Jazyková Kultura (eds. B. Havránek and M. Weingart) 32–84. Prague. Reprinted in English as “The Functional Differentiation of the Standard Language.” A Prague School Reader on Esthetics, Literary Structure, and Style (ed. and trans. P. L. Garvin) 1964:3–16. Washington, DC.

Heath, M. 1986. “The Origins of Modern Pindaric Criticism.” The Journal of Hellenic Studies 106:85–98.

———. 1988. “Receiving the Κῶμος: The Context and Performance of Epinician.” American Journal of Philology 109:180–195.

Heath, M. and Lefkowitz, M. 1991. “Epinician Performance.” Classical Philology 86:173–191.

Herington, J. 1985. Poetry into Drama: Early Tragedy and the Greek Poetic Tradition. Berkeley.

Heyne, C. G. 1798. Pindari carmina I, II, III. Revised ed. 1824. London.

Hornblower, S. 2004. Thucydides and Pindar: Historical Narrative and the World of Epinikian Poetry. Oxford.

Hornblower, S. and Morgan, C., eds. 2007. Pindar’s Poetry, Patrons, and Festivals: From Archaic Greece to the Roman Empire. Oxford.

Horrocks, G. 1997. Greek: A History of the Language and its Speakers. London.

Horváth, J. 1976. “The Language of Pindar.” Annales Universitatis Scientiarum Budapestinensis de Rolando Eötvös Nominatae, Sectio Classica 4:3–11.

Hubbard, T. K. 1985. The Pindaric Mind: A Study of Logical Structure in Early Greek Poetry. Mnemosyne Supplement 85. Leiden.

———. 1987. “The ‘Cooking’ of Pelops: Pindar and the Process of Mythological Revisionism.” Helios 14:3–21.

———. 1995. “On Implied Wishes for Olympic Victory in Pindar.” Illinois Classical Studies 20:35–56.

———. 2002. “Pindar, Theoxenus, and the Homoerotic Eye.” Arethusa 35:255–296.

———. 2004. “The Dissemination of Epinician Lyric: Pan-Hellenism, Reperformance, Written Texts.” Oral Performance and its Context (ed. C. J. Mackie) 71–93. Mnemosyne Supplement 248. Leiden.

Hummel, P. 1993. La syntaxe de Pindare. Bibliothèque de l’Information grammaticale 24. Paris.

———. 2001. “Polysyntaxe et polysémie dans la poésie de Pindare.” Quaderni Urbinati di Cultura Classica 68:43–48.

Hymes, D. 1972. “Models of the Interaction of Language and Social Life.” In Gumperz and Hymes 1972:38–71.

———. 1974. Foundations in Sociolinguistics: An Ethnographic Approach. Philadelphia.

———. 1989. “Ways of Speaking.” In Bauman and Sherzer 1989:433–451, 473–474.

Illig, L. 1932. Zur Form der pindarischen Erzählung. Berlin.

Irigoin, J. 1952. Histoire du texte de Pindare. Paris.

Jakobson, R. 1935. Unpublished Lecture from a Course on Russian Formalism, Masaryk University, Brno. Reprinted in English as “The Dominant.” Readings in Russian Poetics: Formalist and Structuralist Views (eds. L. Matejka and K. Pomorska) 1978:82–87. Cambridge, MA.

———. 1956. Presidential Address, Linguistic Society of America, December 27, 1956. Reprinted as “Metalanguage as a Linguistic Problem.” The Framework of Language 1980:81–92. Ann Arbor.

———. 1957. Contribution to the Project “Description and Analysis of Contemporary Standard Russian,” Department of Slavic Languages and Literatures, Harvard University, 1957. Reprinted as “Shifters, Verbal Categories, and the Russian Verb.” Roman Jakobson: Russian and Slavic Grammar: Studies 1931–1981 (eds. L. R. Waugh and M. Halle) 1984:41–58. Berlin.

———. 1960. “Linguistics and Poetics.” Style in Language (ed. T. A. Sebeok) 350–377. Cambridge, MA.

———. 1966. “Grammatical Parallelism and its Russian Facet.” Language 42:399–429.

———. 1968. “Poetry of Grammar and Grammar of Poetry.” Lingua 21:597–609.

Jurenka, H. 1986. “Humor bei Pindar.” Wiener Studien 18:91–98.

Kirkwood, G. 1982. Selections from Pindar. Chico.

———. 1984. “Blame and Envy in Pindaric Epinician.” In Gerber 1984:169–183.

Koehl, R. B. 1986. “The Chieftan Cup and a Minoan Rite of Passage.” Journal of Hellenic Studies 106:99–110.

Köhnken, A. 1971. Die Funktion des Mythos bei Pindar: Interpretationen zu sechs Pindargedichten. Untersuchungen zur antiken Literatur und Geschichte 12. Berlin.

———. 1974. “Pindar as Innovator: Poseidon Hippios and the Relevance of the Pelops Story in Olympian 1.” The Classical Quarterly 24:199–206.

———. 1983. “Time and Event in Pindar O. 1.25–53.” Studies in Classical Lyric: A Homage to Elroy Bundy (eds. T. D’Evelyn, P. N. Psoinos, and T. R. Walsh). Classical Antiquity 2:66–76.

———. 2005. “Obscurity and Obscurantism: How to Read Pindar.” International Journal of the Classical Tradition 12:602–606.

Kollmann, O. 1989. Das Prooimion der ersten Pythischen Ode Pindars: ein sprachlich-poetischer Kommentar. Vienna.

Kopff, E. C. 1981. “American Pindaric Criticism After Bundy.” Aischylos und Pindar: Studien zu Werk und Nachwirkung (ed. E. G. Schmidt) 49–53. Berlin.

Krummen, E. 1990. Pyrsos Hymnon: Festliche Gegenwart und mythisch-rituelle Tradition als Voraussetzung einer Pindarinterpretation (Isthmie 4, Pythie 5, Olympie 1 und 3). Untersuchungen zur antiken Literatur und Geschicte, 35. Berlin.

Kurke, L. 1988. “The Poet’s Pentathlon: Genre in Pindar’s First Isthmian.” Greek, Roman, and Byzantine Studies 29:97–113.

———. 1990. “Pindar’s Sixth Pythian and the Tradition of Advice Poetry.” Transactions of the American Philological Association 120:85–107.

———. 1991. The Traffic in Praise: Pindar and the Poetics of Social Economy. Ithaca.

———. 1993. “The Economy of Kudos.” In Dougherty and Kurke 1993:131–163.

———. 2000. “The Strangeness of ‘Song Culture’: Archaic Greek Poetry.” Literature in the Greek World (ed. O. Taplin) 40–69. Oxford.

———. 2005. “Choral Lyric as ‘Ritualization’: Poetic Sacrifice and Poetic Ego in Pindar’s Sixth Paian.” Classical Antiquity 24:81–130.

———. 2007. “Archaic Greek Poetry.” The Cambridge Companion to Archaic Greece (ed. H. A. Shapiro) 141–168. Cambridge.

Kyriakou, P. 1996. “A Variation of the Pindaric Break-off in Nemean 4.” American Journal of Philology 117:17–35.

Lefkowitz, M. R. 1963. “ΤΩ ΚΑΙ ΕΓΩ: The First Person in Pindar.” Harvard Studies in Classical Philology 67:177–253.

———. 1988. “Who Sang Pindar’s Victory Odes?” American Journal of Philology 109:1–11.

———. 1991. First-Person Fictions: Pindar’s Poetic ‘I’. Oxford.

———. 1995. “The First Person in Pindar Reconsidered—Again.” Bulletin of the Institute of Classical Studies 40:139–150.

Levinson, S. C. 1983. Pragmatics. Cambridge.

Lloyd-Jones, H. 1973. “Modern Interpretation of Pindar: The Second Pythian and Seventh Nemean Odes.” Journal of Hellenic Studies 93:109–137.

Lord, A. B. 1960. The Singer of Tales. Cambridge, MA.

Loscalzo, D. 2003. La parola inestinguibile: Studi sull’epinicio pindarico. Rome.

Lowe, N. J. 2007. “Epinikian Eidography.” In Hornblower and Morgan 2007:167–176.

Mackie, H. 2003. Graceful Errors: Pindar and the Performance of Praise. Ann Arbor.

Maehler, H., ed. 1989. Pindari carmina cum fragmentis. Pars II: Fragmenta, indices. Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana. Leipzig.

Malinowski, B. 1923. “The Problem of Meaning in Primitive Languages.” The Meaning of Meaning: A Study of the Influence of Language Upon Thought and of the Science of Symbolism (eds. C. K. Ogden and I. A. Richards) 296–336. New York.

Martin, R. P. 1984. “Hesiod, Odysseus, and the Instruction of Princes.” Transactions of the American Philological Association 114:29–48.

———. 1989. The Language of Heroes: Speech and Performance in the Iliad. Ithaca.

———. 1992. “Hesiod’s Metanastic Poetics.” Ramus 21:11–33.

———. 1993. “The Seven Sages as Performers of Wisdom.” In Dougherty and Kurke 1993:108–128.

———. 1997. “Similes and Performance.” Written Voices, Spoken Signs (eds. E. Bakker and A. Kahane) 138–166, 249–253. Cambridge.

———. 2000. “Wrapping Homer Up: Cohesion, Discourse, and Deviation in the Iliad.” Intratextuality: Greek and Roman Textual Relations (eds. A. Sharrock and H. Morales) 43–65. Oxford.

———. 2003. “The Pipes are Brawling: Conceptualizing Musical Performance in Athens.” The Cultures within Ancient Greek Culture: Contact, Conflict, Collaboration (eds. C. Dougherty and L. Kurke) 153–180. Cambridge.

———. 2004. “Home is the Hero: Deixis and Semantics in Pindar Pythian 8.” In Felson 2004a:343–363.

Miller, A. M. 1993a. “Inventa Componere: Rhetorical Process and Poetic Composition in Pindar’s Ninth Olympian Ode.” Transactions of the American Philological Association 123:109–147.

———. 1993b. “Pindaric Mimesis: The Associative Mode.” Classical Journal 89:21–53.

Morgan, K. A. 1993. “Pindar the Professional and the Rhetoric of the ΚΩΜΟΣ.” Classical Philology 88:1–15.

Morris, C. 1938. Foundations of the Theory of Signs. Chicago.

Morrison, A. D. 2007. Performances and Audiences in Pindar’s Sicilian Victory Odes. Bulletin of the Institute of Classical Studies Supplement 95. London.

Most, G. W. 1985. The Measures of Praise: Structure and Function in Pindar’s Second Pythian and Seventh Nemean Odes. Hypomnemata 83. Göttingen.

Mukařovský, J. 1940. “Estetika jazyka.” Slovo a slovesnost 6:1–27. Reprinted in English as “The Esthetics of Language.” A Prague School Reader on Esthetics, Literary Structure, and Style (ed. and trans. P. L. Garvin) 1964:31–69. Washington, DC.

Mullen, W. 1982. Choreia: Pindar and Dance. Princeton.

Nagy, G. 1979. The Best of the Achaians: Concepts of the Hero in Archaic Greek Poetry. Revised ed. 1999. Baltimore.

———. 1983. “Sêma and Noêsis: Some Illustrations.” Arethusa 16:35–55.

———. 1990. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore.

———. 1994/1995. “Genre and Occasion.” Mêtis 9/10:11–25.

———. 1996. Poetry as Performance: Homer and Beyond. Cambridge.

Nash, L. L. 1990. The Aggelia in Pindar. New York.

Newman, J. K. and Newman, F. S. 1984. Pindar’s Art: Its Tradition and Aims. Hildesheim.

Nicholson, N. J. 2000. “Polysemy and Ideology in Pindar ‘Pythian’ 4.229–230.” Phoenix 54:191–202.

———. 2001. “Victory without Defeat? Carnival Laughter and its Appropriation in Pindar’s Victory Odes.” Carnivalizing Difference: Bakhtin and the Other (eds. P. I. Barta, P. A. Miller, C. Platter, and D. Shepherd) 79-98. London.

———. 2005. Aristocracy and Athletics in Archaic and Classical Greece. Cambridge.

———. 2007. “Pindar, History, and Historicism.” Classical Philology 102:208–227.

Nisetich, F. J. 1977. “The Leaves of Triumph and Mortality: Transformation of a Traditional Image in Pindar’s Olympian 12.” Transactions of the American Philological Association 107:235–264.

———. 1988. “Immortality in Acragas: Poetry and Religion in Pindar’s Second Olympian Ode.” Classical Philology 83:1–19.

———. 1989. Pindar and Homer. Baltimore.

Norwood, G. 1945. Pindar. Reprint 1974. Berkeley.

Palmer, L. R. 1980. Greek Language. Atlantic Highlands.

Parker, H. 1997. “The Teratogenic Grid.” Roman Sexualities (eds. J. P. Hallet and M. B. Skinner) 47–65. Princeton.

Pavese, C. O. 1993. “Il coro nel sesto Peana di Pindaro.” Tradizione e innovazione nella cultura greca da Omero all’età ellenistica: Scritti in onore di Bruno Gentili (ed. R. Pretagostini) 469–479. Rome.

Pelliccia, H. 1995. Mind, Body, and Speech in Homer and Pindar. Göttingen.

Peponi, A.-E. 2004. “Initiating the Viewer: Deixis and Visual Perception in Alcman’s Lyric Drama.” In Felson 2004a:295–316.

Pfeijffer, I. L. 1999a. Three Aeginetan Odes of Pindar: A Commentary on Nemean V, Nemean III, & Pythian VIII. Leiden.

———. 1999b. First Person Futures in Pindar. Hermes Einzelschriften 81. Stuttgart.

Race, W. H. 1980. “Some Digressions and Returns in Greek Authors.” Classical Journal 76:1–8.

———. 1986. Pindar. Boston.

———. 1990. Style and Rhetoric in Pindar’s Odes. Atlanta.

———, ed. and trans. 1997a. Pindar. Vol. 1: Olympian Odes. Pythian Odes. The Loeb Classical Library. Cambridge, MA.

———, ed. and trans. 1997b. Pindar. Vol. 2: Nemean Odes. Isthmian Odes. Fragments. The Loeb Classical Library. Cambridge, MA.

———. 2004. “Pindar’s Olympian 11 Revisited Post Bundy.” Harvard Studies in Classical Philology 102:69–96.

Radt, S. L. 1958. Pindars zweiter und sechster Paian: Text, Scholien und Kommentar. Amsterdam.

Robbins, E. 1990. “The Gifts of the Gods: Pindar’s Third Pythian.” The Classical Quarterly 40:307–318.

Rose, P. W. 1982. “Towards a Dialectical Hermeneutic of Pindar’s Pythian X.” Helios 9:47–73.

Rothwell, Jr., K. S. 2007. Nature, Culture, and the Origins of Greek Comedy: A Study of Animal Choruses. Cambridge.

Saussure, F. de. 1983. Course in General Linguistics. Trans. R. Harris. Chicago.

Scanlon, T. F. 2002. Eros and Greek Athletics. New York.

Schadewaldt, W. 1928. Der Aufbau des pindarischen Epinikion. Halle.

Schroeder, O. 1922. Pindars Pythien. Leipzig.

Schürch, P. 1971. Zur Wortresponsion bei Pindar. Bern.

Scodel, R. 2001. “Poetic Authority and Oral Tradition in Hesiod and Pindar.” Speaking Volumes: Orality and Literacy in the Greek and Roman World (ed. J. Watson) 109–137. Leiden.

Segal, C. 1986. Pindar’s Mythmaking: The Fourth Pythian Ode. Princeton.

Silk, M. 2007. “Pindar’s Poetry as Poetry: A Literary Commentary on Olympian 12.” In Hornblower and Morgan 2007:177–197.

Silverstein, M. 1993. “Metapragmatic Discourse and Metapragmatic Function.” Reflexive Language: Reported Speech and Metapragmatics (ed. J. A. Lucy) 33–58. Cambridge.

———. 1996. “The Secret Life of Texts.” In Silverstein and Urban 1996:81–105. Chicago.

Silverstein, M. and Urban, G. 1996. “The Natural History of Discourse.” In Silverstein and Urban 1996:1–17.

———, eds. 1996. Natural Histories of Discourse. Chicago.

Skinner, M. B. 2005. Sexuality in Greek and Roman Culture. Malden, MA.

Slater, W. J. 1969a. “Futures in Pindar.” The Classical Quarterly 19:86–94.

———. 1969b. Lexicon to Pindar. Berlin.

———. 1979. “Pindar’s Myths: Two Pragmatic Explanations.” Arktouros: Hellenic Studies Presented to Bernard M.W. Knox on the Occasion of His 65th Birthday (eds. G. W. Bowersock, W. Burkert, and M. C. J. Putnam) 63–70. Berlin.

———. 1983. “Lyric Narrative: Structure and Principle.” Studies in Classical Lyric: A Homage to Elroy Bundy (eds. T. D’Evelyn, P. N. Psoinos, and T. R. Walsh). Classical Antiquity 2:117–132.

———. 1984. “Nemean One: The Victor’s Return in Poetry and Politics.” In Gerber 1984:241–264.

Smith, R. R. R. 2007. “Pindar, Athletes, and the Early Greek Statue Habit.” In Hornblower and Morgan 2007:83–139.

Snell, B. and Maehler, H., eds. 1997. Pindari carmina cum fragmentis. Pars I: Epinicia. Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana. 8th ed. Leipzig.

Stehle, E. 1997. Performance and Gender in Ancient Greece: Nondramatic Poetry in its Setting. Princeton.

Steiner, D. 1986. The Crown of Song: Metaphor in Pindar. New York.

———. 1998. “Moving Images: Fifth-Century Victory Monuments and the Athlete’s Allure.” Classical Antiquity 17:123–149.

———. 2002. “Indecorous Dining, Indecorous Speech: Pindar’s First Olympian and the Poetics of Consumption.” Arethusa 35:297–314.

Stockert, W. 1969. Klangfiguren und Wortresponsionen bei Pindar. Vienna.

Tarkka, L. 1993. “Intertextuality, Rhetorics and the Interpretation of Oral Poetry: The Case of Archived Orality.” Nordic Frontiers: Recent Issues in the Study of Modern Traditional Culture in the Nordic Countries (eds. P. J. Anttonen and R. Kvideland) 165–193. Torku.

Thiersch, F. W. von. 1820. Pindarus Werke. Leipzig.

Thomas, R. 2007. “Fame, Memorial, and Choral Poetry: The Origins of Epinikian Poetry—An Historical Study.” In Hornblower and Morgan 2007:141–166.

Todorov, T. 1981. Introduction to Poetics. Trans. R. Howard. Minneapolis.

———. 1984. Mikhail Bakhtin: The Dialogical Principle. Trans. W. Godzich. Minneapolis.

Tynjanov, J. 1927. “O literaturnoi èvolutsii.” Na literaturnom postu 4. Reprinted in English as “On Literary Evolution.” Readings in Russian Poetics: Formalist and Structuralist Views (eds. L. Matejka and K. Pomorska) 1978:66–78. Cambridge, MA.

Urban, G. 1989. “The ‘I’ of Discourse.” Semiotics, Self, and Society (eds. B. Lee and G. Urban) 27–51. Berlin.

———. 1991. A Discourse-Centered Approach to Culture: Native South American Myths and Rituals. Austin.

Vološinov, V. N. 1986. Marxism and the Philosophy of Language. Trans. L. Matejka and I. R. Titunik. Cambridge, MA.

Waugh, L. R. 1980. “The Poetic Function in the Theory of Roman Jakobson.” Poetics Today 2:57–82.

———. 1982. “Marked and Unmarked: A Choice Between Unequals in Semiotic Structure.” Semiotica 38:299–318.

West, M. L. 1982. Greek Metre. Oxford.

West, S. 1988. “Archilochus’ Message-Stick.” The Classical Quarterly 38:42–48.

Wilamowitz-Moellendorff, U. von. 1922. Pindaros. Reprint 1966. Berlin.

Young, D. C. 1968. Three Odes of Pindar: A Literary Study of Pythian 11, Pythian 3, and Olympian 7. Mnemosyne Supplement 9. Leiden.

———. 1970. “Pindaric Criticism.” Pindaros und Bakchylides (eds. W. M. Calder III and J. Stern) 1–95. Wege der Forschung 134. Darmstadt.

———. 1971. Pindar Isthmian 7, Myth and Exempla. Mnemosyne Supplement 15. Leiden.

———. 1982. “Pindar.” Ancient Writers: Greece and Rome (ed. T. J. Luce) 157–77. New York.