Use the following persistent identifier: http://nrs.harvard.edu/urn-3:hul.ebook:CHS_LordA.The_Singer_Resumes_the_Tale.1995.
Bibliography
Alexander, Ronelle. 1995. “The Tension of Essences in South Slavic Epic.” In O Rus! Studia Letteraria Slavica in Honorem Hugh McLean, ed. Simon Karlinsky et al. Berkeley: Berkeley Slavic Specialities.
———. Forthcoming. “The Tension of Essences: The Thematic Structure of Banović Strahinja.” In The Proceedings of the Second International Albert Bates Lord Memorial Symposium, St. Petersburg, November 1993, ed. John M. Foley, Columbia, Mo.: Center for the Study of Oral Tradition. To be published simultaneously in Russian in St. Petersburg.
Alexiou, Margaret. 1974. The Ritual Lament in Greek Tradition. Cambridge: Cambridge University Press.
Andersen, Flemming G., and Thomas Pettitt. 1979. “Mrs. Brown of Falkland: A Singer of Tales?” Journal of American Folklore 92:1-24.
Andersson, Theodore M. 1976. Early Epic Scenery: Homer, Virgil, and the Medieval Legacy. Ithaca: Cornell University Press.
Andrić, Nikola, ed. 1909–42. Ženske pjesme. Vol. 5, 1909; vol. 6, 1914; vol. 7, 1929; vol. 10, 1942. Zagreb: Izdanje Matice Hrvatske.
Andrzejewski, B. W., and I. M. Lewis. 1964. Somali Poetry: An Introduction. Oxford: Clarendon.
Armstrong, James I. 1958. “The Arming Motif in the Iliad.” American Journal of Philology 79:337-54.
ASPR. See Dobbie, 1942, 1953; Krapp, 1931, 1932; and Krapp and Dobbie, 1936.
Bannert, Herbert. 1984. “Die Lanze des Patroklos.” Wiener Studien 18:27-35.
———. 1988. “Ein Formelproblem: Die Lanze des Patroklus.” In Formen des Wiederholens bei Homer: Beispiele für eine Poetik des Epos. Vienna: Österreichische Akademie der Wissenschaften.
Barons, Krišjānis, and H. Visendorfs, eds. 1894-1915. Latvju dainas. 6 vols. Vol. 1, Booklets 1-4, Mitau (Jelgava): Dravin-Dravnieks, 1894-95; vol. 1, Booklets 5-10, Riga: Kalņinš & Deutschmans, 1895-98; vols. 2-6, St. Petersburg: Imperial Academy of Sciences, 1903-15.
Bartók, Bela, and Albert B. Lord. 1951. Serbo-Croatian Folk Songs: Texts and Transcriptions of Seventy-Five Folk Songs from the Milman Parry Collection and a Morphology of Serbo-Croatian Folk Melodies. Foreword by George Herzog. New York: Columbia University Press.
Bartsch, Karl, ed. 1886. Das Nibelungenlied. Leipzig: F. A. Brockhaus.
Bäuml, Franz H., and Edda Speilmann. 1975. “From Illiteracy to Literacy: Prolegomena to a Study of the Nibelungenlied.” In Duggan, 1975, 62-73.
Beatie, Bruce A. 1964-65. “Oral-Traditional Composition in the Spanish Romancero of the Sixteenth Century.” Journal of the Folklore Institute 1:92-113.
Bellows, Henry Adams. 1969. The Poetic Edda, Translated from the Icelandic with an Introduction and Notes. 2 vols, in 1. New York: Biblo & Tannen.
Benson, Larry D. 1966. “The Literary Character of Anglo-Saxon Formulaic Poetry.” PMLA 81:334-41.
Benson, Morton, with Biljana Šljivić-Šimšić. 1971. Serbocroatian-English Dictionary. Belgrade: Prosveta; Philadelphia: University of Pennsylvania Press.
Bessinger, Jess B., with Philip H. Smith, Jr. 1978. A Concordance to the Anglo-Saxon Poetic Records. Ithaca: Cornell University Press.
Bogišić, Valtazar. 1878. Narodne pjesme iz starijih najviše primorskih zapisa. Vol. 1. Glasnik srpskog učenog društva, Sec. 2 [Humanities], vol. 10. Belgrade: Državna Štamparija.
Bolling, George M. 1925. The External Evidence for Interpolation in Homer. Oxford: Clarendon.
Bowra, Cecil M. 1930. Tradition and Design in the Iliad. Oxford: Clarendon.
Bradley, S. A. J., trans. 1982. Anglo-Saxon Poetry: An Anthology of Old English Poems in Prose Translation with Introduction and Headnotes. London: Dent, Everyman’s Library.
Brillante. Carlo, Mario Cantilena, and Carlo O. Pavese, eds. 1981. I poemi epici rapsodici non omerici e la tradizione orale. Proceedings of the Venezia Meeting, September 28-30, 1977. Padua: Editrice Antenore.
Bronson, Bertrand Harris. 1945. “Mrs. Brown and the Ballad.” California Folklore Quarterly 4:129-40.
———. 1962. The Traditional Tunes of the Child Ballads with Their Texts, According to the Extant Records of Great Britain and America. Vol. 2. Princeton: Princeton University Press.
———, ed. 1976. The Singing Tradition of Child’s Popular Ballads. Princeton: Princeton University Press.
Brooks, Kenneth R., ed. 1961. Andreas and the Fates of the Apostles. Oxford: Clarendon.
Buchan, David. 1972. The Ballad and the Folk. London: Routledge & Kegan Paul.
Budmani, Petar, and Tomislav Maretić, eds. 1904-10. Rječnik hrvatskoga ili srpskoga jezika. Vol. 6. Zagreb: Jugoslavenska Akademija Znanosti i Umjetnosti.
Buslaev, Fedor I. 1861. Istoricheskie ocherki russkoj narodnoj slovesnosti i iskusstva. Vol. 1, Russkaja narodnaja poezija. St. Petersburg.
Buturović, Đenana. 1976. Studija o Hörmannovoj Zbirci Muslimanskih narodnih pjesama. Sarajevo: Svjetlost.
Bynum, David E. 1964. “A Taxonomy of Oral Narrative Song: The Isolation and Description of Invariables in Serbo-Croatian Tradition.” Ph.D. diss., Harvard University.
———. 1987. “Of Sticks and Stones and Hapax Legomena Rhemata.” In Foley, 1987, 93-119.
———, trans, and comm. 1993. Serbo-Croatian Heroic Poems: Epics from Bihać, Cazin, and Kulen Vakuf. Additional translations by Mary P. Coote and John F. Loud. New York: Garland.
Byock, Jesse L. 1982. Feud in the Icelandic Saga. Berkeley and Los Angeles: University of California Press.
Calvino, Italo. 1956. Fiabe italiane. Turin: Einaudi.
———. 1980. Italian Folktales, Selected and Retold by Italo Calvino. Trans. George Martin. New York: Harcourt Brace Jovanovich.
Cantilena, Mario. 1990. “Approccio metrico alle teorie della composizione orale.” In Metrica classica e linguistica. Proceedings of the Urbino Conference, October 3-6,1988. Urbino: Quattro Venti.
Cerulli, Enrico. 1957-64. Somalia: Scritti vari editi ed inediti. 3 vols. Rome: A Cura dell’ Amministrazione Fiduciaria Italiana della Somalia.
Child, Francis James, ed. 1882-94. The English and Scottish Popular Ballads. 5 vols. Boston: Houghton, Mifflin. Rpt. New York: Dover, 1965.
Clark, Francelia. 1981. “Flyting in Beowulf and Rebuke in The Song of Bagdad: The Question of Theme.” In Foley, 1981, 164-69.
———. 1995. Theme in Oral Epic and in Beowulf. Milman Parry Studies in Oral Tradition, ed. Stephen A. Mitchell and Gregory Nagy. New York: Garland. Forthcoming.
Clark, George. 1965a. “Beowulf’s Armor.” English Literary History 32:409-41.
———. 1965b. “The Traveler Recognizes His Goal: A Theme in Anglo-Saxon Poetry.” Journal of English and Germanic Philology 64:645-59.
Clark Hall, John R., trans. 1950. Beowulf and the Finnesburg Fragment: A Translation into Modern English Prose. Rev. ed. with notes and introduction by C. L. Wrenn, prefatory remarks by J. R. R. Tolkien. London: Allen & Unwin.
Clausen, Wendell V., ed. 1959. A. Persi Flacci et D. Iuni Iuvenalis Saturae. Oxford: Clarendon.
Comparetti, Domenico. 1875. Novelline populari italiane. Turin: Ermanno Loescher.
———. 1898. The Traditional Poetry of the Finns. Trans. Isabella M. Anderton, with introduction by Andrew Lang. New York: Longmans, Green. Originally published as Il Kalevala; o, la poesia tradizionale dei Finni; Studio storico-critico sulle origini delle grandi epopee nazional. Rome: Reale Accademia dei Lincei, 1891.
Conroy, Patricia, ed. 1978. Ballads and Ballad Research. Selected Papers of the International Conference on Nordic and Anglo-American Ballad Research, 1977. Seattle: University of Washington.
Creed, Robert Payson. 1958. “Genesis 1316.” Modern Language Notes 73:321-25.
———. 1959. “The Making of an Anglo-Saxon Poem.” English Literary History 26:445-54. Rpt. with “Additional Remarks” in The Beowulf Poet: A Collection of Critical Essays, ed. Donald K. Fry, Jr. 141-53. Englewood Cliffs, N.J.: Prentice-Hall, 1968.
———. 1962. “The Singer Looks at His Sources.” Comparative Literature 14:44-52. Rpt. in Studies in Old English Literature in Honor of Arthur G. Brodeur, ed. Stanley B. Greenfield, 44-52. Eugene: University of Oregon Press, 1963.
———. 1981. Preface to Foley, 1981, 19-20.
Cross, Frank M. 1977. Canaanite Myth and Hebrew Epic. Cambridge, Mass.: Harvard University Press.
Crowne, David K. 1960. “The Hero on the Beach: An Example of Composition by Theme in Anglo-Saxon Poetry.” Neuphilologische Mitteilungen 61:362-72.
Curschmann, Michael. 1977. “The Concept of the Oral Formula as an Impediment to Our Understanding of Medieval Oral Poetry.” Medievalia et Humanistica, n.s. 8:63-76.
De Nino, Antonio. 1883. Fiabe. Vol. 3 of Usi e costumi abruzzesi. Florence: Leo S. Olschki.
Diamond, Robert E. 1961. “Theme as Ornament in Anglo-Saxon Poetry.” PMLA 76:461-68.
———. 1963. The Diction of the Anglo-Saxon Metrical Psalms. Janua Linguarum, Series Practica 10. The Hague: Mouton.
Dillon, Myles, trans. 1971. There Was a King in Ireland: Five Tales from Oral Tradition. Austin: University of Texas Press.
Djilas, Milovan. 1966. Njegoš: Poet, Prince, Bishop. trans, with introduction by Michael B. Petrovich. New York: Harcourt, Brace and World.
Doane, A. Nicholas. 1991. “Oral Texts, Intertexts, and Intratexts: Editing Old English.” In Influence and Intertextuality in Literary History, ed. Jay Clayton and Eric Rothstein, 75-113. Madison: University of Wisconsin Press.
Dobbie, Elliott Van Kirk, ed. 1942. The Anglo-Saxon Minor Poems. Vol. 6 of The Anglo-Saxon Poetic Records. New York: Columbia University Press.
———, ed. 1953. Beowulf and Judith. Vol. 4 of The Anglo-Saxon Poetic Records. New York: Columbia University Press.
Donoghue, Daniel. 1987. Style in Old English Poetry: The Test of the Auxiliary. New Haven: Yale University Press.
Ducrot, Oswald and Tzvetan Todorov. 1979. Encyclopedic Dictionary of the Sciences of Language. Trans. Catherine Porter. Baltimore: Johns Hopkins University Press.
Duggan, Joseph J., ed. 1975. Oral Literature: Seven Essays. New York: Barnes and Noble.
Edwards, G. P. 1971. The Language of Hesiod in Its Traditional Context. Oxford: Blackwell & Mott.
Edwards, Mark W. 1987. Homer: Poet of the Iliad. Baltimore: Johns Hopkins University Press.
Eliade, Mircea. 1961. The Sacred and the Profane: The Nature of Religion. Trans. Willard Trask. New York: Harper & Row.
Entwistle, William J. 1939. European Balladry. Oxford: Clarendon.
Evelyn-White, Hugh G., trans. 1943. Hesiod, The Homeric Hymns, and Homerica. Loeb Classical Library. Cambridge, Mass.: Harvard University Press.
Fennell, C. A. M. 1893. Pindar: The Olympian and Pythian Odes. Cambridge: Cambridge University Press.
Figueira, Thomas J., and Gregory Nagy, 1985. Theognis of Megara: Poetry and the Polis. Baltimore: Johns Hopkins University Press.
Finnegan, Ruth H. 1970. Oral Literature in Africa. Oxford: Clarendon.
———. 1976. “What Is Oral Literature Anyway? Comments in the Light of Some African and Other Comparative Material.” In Stolz and Shannon, 1976, 127-66.
———. 1977. Oral Poetry: Its Nature, Significance, and Social Context. Cambridge: Cambridge University Press.
———. 1988. Literacy and Orality: Studies in the Technology of Communication. Oxford: Blackwell.
Foley John Miles. 1976. “Formula and Theme in Old English Poetry.” In Stolz and Shannon, 1976, 207-32.
———. 1980. “Hybrid Prosody: Single Half-Lines in Old English and Serbo-Croatian Poetry.” Neophilologus 64:284-89.
———, ed. 1981. Oral Traditional Literature: A Festschrift for Albert Bates Lord. Columbus: Slavica.
———. 1985. Oral-Formulaic Theory and Research: An Introduction and Annotated Bibliography. New York: Garland.
———, ed. 1987. Comparative Research on Oral Traditions: A Memorial for Milman Parry. Columbus: Slavica.
———. 1990. Traditional Oral Epic: The Odyssey, Beowulf, and the Serbo-Croatian Return Song. Berkeley and Los Angeles: University of California Press.
———. 1991. Immanent Art: From Structure to Meaning in Traditional Oral Epic. Bloomington: Indiana University Press.
———, ed. 1992. De Gustibus: Essays for Alain Renoir. New York: Garland.
———. 1995. The Singer of Tales in Performance. Bloomington: Indiana University Press.
Ford, Andrew L. 1985. “The Seal of Theognis: The Politics of Authorship in Archaic Greece.” In Figueira and Nagy, 1985, 82-95.
Friedman, Albert B. 1961a. “The Formulaic Improvisation Theory of Ballad Tradition: A Counterstatement.” Journal of American Folklore 74:113-15.
———. 1961b. The Ballad Revival: Studies in the Influence of Popular on Sophisticated Poetry. Chicago: University of Chicago Press.
Fry, Donald K., Jr. 1966. “The Hero on the Beach in Finnsburh.” Neuphilologische Mitteilungen 67:27-31.
———. 1967a. “The Heroine on the Beach in Judith.” Neuphilologische Mitteilungen 68:168-84.
———. 1967b. “Old English Formulas and Systems.” English Studies 48:193-204.
———. 1968a. “Variation and Economy in Beowulf.” Modern Philology 65:353-56.
———. 1968b. “Old English Formulaic Themes and Type Scenes.” Neophilologus 52:48-54.
———. 1968c. “Some Aesthetic Implications of a New Definition of the Formula.” Neuphilologische Mitteilungen 69:516-22.
———. 1969. “Themes and Type-Scenes in Elene 1-113.” Speculum 44:35-45.
———. 1972. “Type-Scene Composition in Judith.” Annuale Mediaevale 12:100-119.
———. 1975. “Cædmon as a Formulaic Poet.” In Duggan, 1975, 41-61.
———. 1981. “Formulaic Theory and Old English Poetry.” In Report of the Twelfth Congress, Berkeley 1977, ed. Daniel Heartz and Bonnie Wade, 169-73. International Musicological Society. Kassel, Germany: Bärenreiter.
Giannini, Pietro. 1973. “Espressioni formulari nell’ elegia greca arcaica.” Quaderni Urbinati di Cultura Classica 16:7-78.
Göller, Karl Heinz, ed. 1981. The Alliterative Morte Arthure: A Reassessment of the Poem. Arthurian Studies 3. Totowa, N.J.: Rowan & Littlefield.
Goody, John R. 1977. The Domestication of the Savage Mind. Cambridge: Cambridge University Press.
Goody, John R., and Ian Watt. 1963. “The Consequences of Literacy.” Comparative Studies in Society and History 5:304-45.
Goold, George P. 1977. “The Nature of Homeric Composition.” Illinois Classical Studies 2:1-34.
Grabovac, Filip. 1951. Cvit razgovora naroda i jezika Iliričkoga aliti rvackoga. Ed. Tomo Matić. Vol. 30 of Stari pisci hrvatski. Zagreb: Jugoslavenska Akademija Znanosti i Umjetnosti.
Green, D. H. 1990. “Orality and Reading: The State of Research in Medieval Studies.” Speculum 65:267-80.
Greenfield, Stanley B. 1955. “The Formulaic Expression of the Theme of ‘Exile’ in Anglo-Saxon Poetry.” Speculum 30:200-206.
Grimble, Arthur Francis. 1957. Return to the Islands. London: Murray.
Gundulić, Ivan. 1938. Osman. Ed. Đuro Körbler and Milan Rešetar. Vol. 9 of Stari pisci hrvatski. Zagreb: Jugoslavenska Akademija Znanosti i Umjetnosti.
Gyger (née Jones), Alison. 1969. “The Old English Soul and Body as an Example of Oral Transmission.” Medium Aevum 38:239-44.
Hainsworth, J. Bryan. 1968. The Flexibility of the Homeric Formula. Oxford: Clarendon.
———. 1976. “Phrase-Clusters in Homer.” In Studies in Greek, Italic, and Indo-European Linguistics, ed. Anna Morpurgo Davies and Wolfgang Meid, 83-86. Innsbrucker Beiträge zur Sprachwissenschaft, vol. 16. Vienna: Becvar.
———. 1978. “Good and Bad Formulae.” In Homer: Tradition and Invention, ed. Bernard C. Fenik, 41-50. University of Cincinnati Classical Studies, n.s. 2. Leiden: Brill.
———. 1981. “Criteri di oralità nella poesia arcaica non omerica.” In Brillante, Cantilena, and Pavese, 1981, 3-27.
Hamel, Mary, ed. 1984. Morte Arthure: A Critical Edition. New York: Garland.
Harris, Joseph. 1979. “The Senna: From Description to Literary Theory.” Michigan Germanic Studies 5:64-74.
———. 1981a. “Satire and the Heroic Life: Two Studies.” (Helgakviða Hundingsbana 1.18 and Björn Hítdoelakappi’s Grámagaflím). In Foley, 1981, 322-40.
———. 1981b. “Beowulf in Literary History.” Pacific Coast Philology 16, no. 2:16-23.
———. 1983. “Eddic Poetry as Oral Poetry: The Evidence of Parallel Passages in the Helgi Poems for Questions of Composition and Performance.” In Edda: A Collection of Essays, ed. Robert J. Glendinning and Haraldur Bessason, 210-42. Manitoba Icelandic Series. Manitoba: University of Manitoba Press.
Harrison, Ernest H. 1902. Studies in Theognis. Cambridge: Cambridge University Press.
Hatto, Arthur T., ed. 1965. Eos: An Enquiry into the Theme of Lovers’ Meetings and Partings at Dawn in Poetry. The Hague: Mouton.
———, trans. 1969. The Nibelungenlied: A New Translation. Harmondsworth: Penguin.
Havelock, Eric A. 1963. Preface to Plato. Cambridge, Mass.: Harvard University Press, Belknap.
———. 1978. “The Alphabetization of Homer.” In Communication Arts in the Ancient World, ed. Eric A. Havelock and Jackson P. Hershbell, 3-21. Humanistic Studies in the Communication Arts. New York: Hastings House.
———. 1982. The Literate Revolution in Greece and Its Cultural Consequences. Princeton: Princeton University Press.
———. 1986. The Muse Learns to Write: Reflections on Orality and Literacy from Antiquity to the Present. New Haven: Yale University Press.
Haymes, Edward R. 1987. “Ez Wart ein Buoch Funden: Oral and Written in Middle High German Heroic Epic.” In Foley, 1987, 235-43.
Heidel, Alexander. 1951. The Babylonian Genesis, 2d ed. Chicago: University of Chicago Press.
Hektorović, Petar. 1951. Ribanje i ribarsko Prigovaranje. Ed. Ramiro Bujas. Zagreb: Jadranski Institut Jugoslavenske Akademije Znanosti i Umjetnosti.
Henderson, Hamish. 1973. “The Oral Tradition.” Review of The Ballad and the Folk, by David Buchan. Scottish International Review 6, no. 1:27-32.
Herter, Hans. 1981. “L’inno omerico a Hermes alla luce della problematica della poesia orale.” In Brillante, Cantilena, and Pavese, 1981, 183-201.
Hesiod, 1966. Hesiod: Theogony. Ed. with prolegomena and commentary by Martin L. West. Oxford: Clarendon.
———. 1970. Hesiodi Theogonia Opera et Dies Scutum. Ed. Friedrich Solmsen, with Fragmenta Selecta, ed. Reinhold Merkelbach and Martin L, West. Oxford: Clarendon.
Hilferding, A. F. 1938. Onezheskie byliny. Collected, summer of 1871 by A, F. Hilferding. 3d ed. Vol. 2. Moscow/Leningrad: Academy of Sciences of the Union of Soviet Socialist Republics (ANSSSR), 1938.
Hirtz, Miroslav, ed. 1941. Rječnik narodnih zoologìčkih naziva. 2 vols. Zagreb: Hrvatska Akademija Znanosti i Umjetnosti.
Hoekstra, Arie. 1957. “Hésiode et la tradition orale: Contribution à l’étude du style formulaire.” Mnemosyne 10:193-225.
———. 1965. Homeric Modifications of Formulaic Prototypes: Studies in the Development of Greek Epic Diction. Verhandelingen der Koninklijke Nederlandse Akademie van Wetenschappen, afd. letterkunde, n.s., vol. 71, no. I. Amsterdam: Noord-Hollandsche Uitgevers Maatschappij.
The Holy Bible: Revised Standard Version. 1952. Containing the Old and New Testaments. New York: Thomas Nelson.
Homer. 1965. Homeri opera. Vol. 5, Hymnos Cyclum Fragmenta Margiten Batrachomyo-machiam Vitas Continens. Ed. Thomas W. Allen. Oxford: Clarendon.
———. 1976. Homeri opera. Vols. 1-2, Iliad, 3d ed. Ed. David B. Munro and Thomas W. Allen. Vols. 3-4, Odyssea. 2d ed. Ed. Thomas W. Allen. Oxford: Clarendon.
Hony, H. C., ed. 1947. A Turkish-English Dictionary. Oxford: Clarendon.
Hrvatske narodne pjesme. 1896-1942. 10 vols. Zagreb: Matica Hrvatska.
Jabbour, Alan A. 1969. “Memorial Transmission in Old English Poetry.” Chaucer Review 3:174-90.
Janko, Richard. 1982. Homer, Hesiod, and the Hymns: Diachronic Development in Epic Diction. Cambridge: Cambridge University Press.
———. 1990. “The Iliad and Its Editors: Dictation and Redaction.” Classical Antiquity 9:326-34.
———. 1992. The Iliad: A Commentary, Volume IV: Books 13-16. Gen. ed. G. S. Kirk. Cambridge: Cambridge University Press.
Jones, Alison. 1966. “Daniel and Azarias as Evidence for the Oral-Formulaic Character of Old English Poetry.” Medium Aevum 35:95-102.
———. See also Gyger, 1969.
Jones, James H. 1961. “Commonplace and Memorization in the Oral Tradition of the English and Scottish Popular Ballads.” Journal of American Folklore 74:97-112.
Kačić-Miošić, Andrija. 1942. Djela Andrije Kačića Miošića. Ed. T. Matić. Vol. 1, Razgovor Ugodni. Vol. 27 of Stari pisci hrvatski. Zagreb: Hrvatska Akademija Znanosti i Umjetnosti.
Karadžić, Vuk Stefanović. 1824. Narodne srpske pjesme. Vol. 1. Leipzig: Breitkopf & Härtel.
———. 1932-36. Srpske narodne pjesme. 9 vols. Belgrade: Državna štamparija.
———. 1958. Srpske narodne pjesme. 4 vols. Belgrade: Prosveta.
Katzenelenbogen, Uriah. 1935. The Daina: An Anthology of Lithuanian and Latvian Folk-Songs. Chicago: Lithuanian News Publishing.
Kinsley, James, ed. 1969. The Oxford Book of Ballads. Oxford: Clarendon.
Kirk, Geoffrey S. 1981. “Orality and Structure in the Homeric ‘Hymn to Apollo.'” In Brillante, Cantilena, and Pavese, 1981, 163-82.
———. 1985. The Iliad: A Commentary, Volume I: Books 1-4. Cambridge: Cambridge University Press.
Klaeber, Frederick, ed. 1950. Beowulf and the Fight at Finnsburg. 3d ed. with 1st and 2d supplements. Boston: Heath.
Krapp, George Philip, ed. 1931. The Junius Manuscript. Vol. 1 of The Anglo-Saxon Poetic Records. New York: Columbia University Press.
———, ed. 1932. The Vercelli Book. Vol. 2 of The Anglo-Saxon Poetic Records. New York: Columbia University Press.
Krapp, George Philip, and Elliott Van Kirk Dobbie, eds. 1936. The Exeter Book. Vol. 3 of The Anglo-Saxon Poetic Records. New York: Columbia University Press.
Krishna, Valerie, ed. 1976. The Alliterative Morte Arthure. Critical ed. with introduction, notes, and glossary. Preface by Russell Hope Robbins. New York: Burt Franklin.
———. 1982. “Parataxis, Formulaic Density, and Thrift in the Alliterative Morte Arthure.” Speculum 57:63-83.
———, trans. 1983. The Alliterative Morte Arthure: A New Verse Translation. Lanham, Md.: University Press of America.
Küllenberg, Richard K. 1877. De imitatione Theognidea. Strasbourg: K. J. Truebner.
Latkovič, Vido. 1963. Petar Petrović Njegoš. Belgrade: Nolit.
Lattimore, Richmond, trans. 1951. The Iliad of Homer. Chicago: University of Chicago Press.
———, trans. 1967. The Odyssey of Homer. New York: Harper and Row.
Letopis popa Dukljanina. 1950. Ed. Vladimir Mošin. Zagreb: Matica Hrvatska.
Lindsay, W. M., ed. 1929. M. Val. Martialis Epigrammata. 2d ed. Oxford: Clarendon.
Lobel, Edgar, and Denys Page, eds. 1955. Poetarum Lesbiorum Fragmenta. Oxford: Clarendon.
Lönnroth, Lars. 1971. “Hjálmar’s Death-Song and the Delivery of Eddic Poetry.” Speculum 46:1-20.
———. 1976. Njáls Saga: A Critical Introduction. Berkeley and Los Angeles: University of California Press.
———. 1979. “The Double Scene of Arrow-Odd’s Drinking Contest.” In Medieval Narrative: A Symposium, ed. Hans Bekker-Nielsen et al., 94-119. Odense: Odense University Press.
———. 1981. “Iorð fahnz æva né upphiminn: A Formula Analysis.” In Speculum Norroenum: Norse Studies in Memory of Gabriel Turville-Petre, ed. Ursula Dronke et al., 310-27. Odense: Odense University Press.
Lord, Albert B. 1951. “Composition by Theme in Homer and Southslavic Epos.” Transactions of the American Philological Association 82:71-80.
———. 1960. The Singer of Tales. Harvard Studies in Comparative Literature, 24. Cambridge, Mass.: Harvard University Press.
———. 1962. “Homer and Other Epic Poetry.” In A Companion to Homer, ed. Alan J. B. Wace and Frank H. Stubbings, 179-214. London: Macmillan.
———. 1971. “An Example of Homeric Qualities of Repetition in Medjedović’s ‘Smailagić Meho.'” In Serta Slavica Aloisii Schmaus: Gedenkschrift für Alois Schmaus, ed. Wolfgang Gesemann. 458-64. Munich: Rudolf Trofenik.
———. 1975. “Perspectives on Recent Work on Oral Literature.” In Duggan, 1975, 1-24.
———. 1980. “Interlocking Mythic Patterns in Beowulf.” In Old English Literature in Context: Ten Essays, ed. John D. Niles, 137-42. Tototwa, N.J.: Rowan and Littlefield. Rpt. in A. Lord, 1991, 140-46.
———. 1981. “Memory, Fixity, and Genre in Oral Traditional Poetries.” In Foley, 1981, 451-61.
———. 1986. “The Merging of Two Worlds: Oral and Written Poetry as Carriers of Ancient Values.” In Oral Tradition in Literature: Interpretation in Context, ed. John Miles Foley, 19-64. Columbia: University of Missouri Press.
———. 1987a. “Characteristics of Orality.” In Festschrift for WalterJ. Ong. Oral Tradition 2, no. 1:54-72.
———. 1987b. “The Nature of Oral Poetry.” In Foley, 1987, 313-49.
———. 1989. “Theories of Oral Literature and the Latvian Dainas.” In Linguistics and Poetics of Latvian Folk Songs: Essays in Honour of the Sesquicentennial of the Birth of Kr. Barons, ed. Vaira Vīķis-Freibergs, 35-48. Montreal: McGill-Queen’s University Press.
———. 1991. Epic Singers and Oral Tradition. Myth and Poetics, ed. Gregory Nagy. Ithaca: Cornell University Press.
———. 1992. “Beowulf and the Russian Byliny.” In Foley, 1992, 304-23. Published posthumously.
———. 1993. “Cædmon Revisited.” In Heroic Poetry in the Anglo-Saxon Period: Studies in Honor of Jess B. Bessinger, Jr., ed. Helen Damico and John Leyerle, 121-37. Studies in Medieval Culture 32. Kalamazoo: Western Michigan University, Medieval Institute Publications. Published posthumously.
Lord, Mary Louise. 1967. “Withdrawal and Return: An Epic Story Pattern in the Homeric Hymn to Demeter and in the Homeric Poems.” Classical Journal 62:241-48. Rpt. in The Homeric Hymn to Demeter: Translation, Commentary, and Interpretive Essays, ed. Helene P. Foley, 181-89. Princeton: Princeton University Press, 1994.
Lorimer, H, L. 1950. Homer and the Monuments. London: Macmillan.
Luce, T. James, ed. 1982. Ancient Writers: Greece and Rome. New York: Scribner’s.
Luethans, Tod N. 1990. “Gormont et Isembart”: The Epic as Seen in the Light of the Oral Theory. New York: Garland.
McGillivray, Murray. 1990. Memorization in the Transmission of the Middle English Romances. The Albert Bates Lord Studies in Oral Tradition, vol. 5, ed. John Miles Foley. New York: Garland.
McLuhan, Herbert Marshall. 1962. The Gutenberg Galaxy: The Making of Typographic Man. Toronto: University of Toronto Press.
Magoun, Francis P., Jr. 1953. “The Oral-Formulaic Character of Anglo-Saxon Narrative Poetry.” Speculum 28:446-67. Rpt. in An Anthology of Beowulf Criticism, ed. Lewis E. Nicholson, 189-221. Notre Dame: University of Notre Dame Press, 1963; and in The Beowulf Poet: A Collection of Critical Essays, ed. Donald K. Fry, Jr., 83-113. Twentieth Century Views. Englewood Cliffs, N.J.: Prentice-Hall, 1968.
———. 1955a. “Bede’s Story of Cædmon: The Case History of an Anglo-Saxon Oral Singer.” Speculum 30:49-63.
———. 1955b. “The Theme of the Beasts of Battle in Anglo-Saxon Poetry.” Neuphilologische Mitteilungen 56:81-90.
Martin, Richard P. 1989. The Language of Heroes: Speech and Performance in the Iliad. Myth and Poetics, ed. Gregory Nagy. Ithaca: Cornell University Press.
Mitchell, Stephen A. 1987. “The Sagaman and Oral Literature: The Icelandic Traditions of Hjörleifr Inn Kvensami and Geirmundr heljarskinn.” In Foley, 1987, 395-423.
———. 1991. Heroic Sagas and Ballads. Myth and Poetics, ed. Gregory Nagy. Ithaca: Cornell University Press.
Mladenović, Živomir, and Vladan Nedić, eds. 1973. Srpske narodne pjesme iz neobjavljenih rukopisa Vuka Stef. Karadžica. Vol. 1, Različne ženske pjesme. Belgrade: Srpska Akademija Nauka i Umetnosti.
Moffat, Douglas. 1992. “Anglo-Saxon Scribes and Old English Verse.” Speculum 67:805-27.
Morland, Laura. 1992. “Cædmon and the Germanic Tradition.” In Foley, 1992, 324-58.
Muižniece, Lalita Lace. 1981. Linguistic Analysis of Latvian Death and Burial Folk Songs. Ann Arbor: University Microfilms International.
Nagy, Gregory. 1974. Comparative Studies in Greek and Indic Meter. Cambridge, Mass.: Harvard University Press.
———. 1976. “Formula and Meter.” In Stolz and Shannon, 1976, 239-60. Rewritten as chap. 2 in Nagy, 1990a.
———. 1979a. The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Baltimore: Johns Hopkins University Press.
———. 1979b. “On the Origins of the Greek Hexameter.” In Festschrift for Oswald Szemerényi, ed. B. Brogyanyi, Amsterdam Studies in the Theory and History of Linguisti Science 4, Current Issues in Linguistic Theory, vol. 11, 611-31. Rewritten as part of app. in Nagy, 1990b.
———. 1982. “Hesiod.” In Luce, 1982, 43-73. Rewritten as part of chap. 3 in Nagy, 1990a.
———. 1985. “Theognis and Megara: A Poet’s Vision of His City.” In Figueira and Nagy, 1985, 22-81.
———. 1990a. Greek Mythology and Poetics. Myth and Poetics, ed. Gregory Nagy. Ithaca: Cornell University Press.
———. 1990b. Pindar’s Homer: The Lyric Possession of an Epic Poet. Baltimore: Johns Hopkins University Press.
———. 1992a. “Homeric Questions.” Transactions of the American Philological Association 122:17-60.
———. 1992b. “Mythological Exemplum in Homer.” In Innovations of Antiquity, eds. Ralph Hexter and Daniel Seiden, 311-31. London: Routledge.
Neckel, Gustave, ed. 1983. Edda: Die Lieder des Codex Regius nebst verwandten Denkmälern I. Text. 5th rev. ed. Hans Kuhn. Heidelberg: Carl Winter Universitätsverlag.
The New Jerome Biblical Commentary. 1990. Ed. Raymond E. Brown, Joseph A. Fitzmayer, and Roland E. Murphy. Englewood Cliffs, N.J.: Prentice-Hall.
Niles, John D. 1981. “Formula and Formulaic System in Beowulf.” In Foley, 1981, 394-415.
———. 1983. Beowulf: The Poem and Its Tradition. Cambridge, Mass.: Harvard University Press.
Njegoš, Petar Petrović. 1953. Pjesme. Vol. 2. Ed. Radovan Lalić and Mihailo Stevanović. Belgrade: Prosveta.
Notopoulos, James A. 1959. “Originality in Homeric and Akritan Formulas.” Laographia 18:423-31.
———. 1966. “Archilochus, the Aoidos.” Transactions of the American Philological Association 97:311-15.
Nygard, Holger Olof. 1978. “Mrs. Brown’s Recollected Ballads.” In Conroy, 1978, 68-87.
O’Keeffe, Katherine O’Brien. 1990. Visible Song: Transitional Literacy in Old English Verse. Cambridge: Cambridge University Press.
Olsen, Alexandra Hennessey. 1986. “Oral-Formulaic Research in Old English Studies: I.” Oral Tradition 1, no. 3:548-606.
Ong, Walter J. 1982. Orality and Literacy: The Technologizing of the Word. New Accents Series. New York: Methuen.
Opland, Jeff. 1980. Anglo-Saxon Oral Poetry: A Study of the Traditions. New Haven: Yale University Press.
Page, Denys L. 1963. “Archilochus and the Oral Tradition.” In Archiloque, Entretiens sur l’Antiquité Classique Fondation Hardt, vol. 10, 117-63. Geneva: Vandoeuvres.
Parks, Ward. 1986. “The Oral-Formulaic Theory in Middle English Studies.” Oral Tradition 1, no. 3:636-94.
Parry, Milman, col. 1953. Serbocroatian Heroic Songs: Collected by Milman Parry, ed. Albert Bates Lord, Vol. 2, Novi Pazar: Serbocroatian Texts, introduction and notes by A. B. Lord, preface by A. Belić. Belgrade: Serbian Academy of Sciences; Cambridge, Mass.: Harvard University Press.
———, col. 1954. Serbocroatian Heroic Songs: Collected by Milman Parry, ed. and trans. Albert Bates Lord. Vol. 1, Novi Pazar: English Translations, musical transcriptions by Bela Bartók, prefaces by John H. Finley, Jr., and Roman Jakobson. Cambridge, Mass.: Harvard University Press; Belgrade: Serbian Academy of Sciences.
———. 1971. The Making of Homeric Verse: The Collected Papers of Milman Parry. Ed. Adam Parry. Oxford: Clarendon.
———, col. 1974a. Serbo-Croatian Heroic Songs: Collected by Milman Parry. Vol. 3, The Wedding of Smailagić Meho, Avdo Međedović, trans. Albert B. Lord, with introduction, notes, and commentary, with a translation of conversations concerning the Singer’s life and times by David E. Bynum. Cambridge, Mass.: Harvard University Press.
———, col. 1974b. Serbo-Croatian Heroic Songs: Collected by Milman Parry. Vol. 4, Ženidba Smailagina Sina, Kazivao je Avdo Međedović, s popratnim Razgovorima s Međedovićem I drugim, ed. David E. Bynum with Albert B. Lord. Cambridge, Mass.: Center for the Study of Oral Literature.
———, col. 1979. Serbo-Croatian Heroic Songs. Vol. 14, Bihaćka Krajina: Epics from Bihae, Cazin, and Kulen Vakuf, col. Milman Parry, Albert B. Lord, and David E. Bynum; ed. David E. Bynum with prolegomena and notes. Cambridge, Mass.: Publications of the Milman Parry Collection; distributed by Harvard University Press.
———, col. 1980. Serbo-Croatian Heroic Songs: Collected by Milman Parry. Vol. 6, Ženidba Vlahinjić Alije, Osmanbeg Delibegović i Pavičević Luka, Kazivao I Pjevao Avdo Međedović, ed. David E. Bynum wih prolegomena and notes. Cambridge, Mass.: Distributed by Harvard University Press.
Pavese, Carlo O. 1972. Tradizioni e generi poetici della Grecia arcaica. Istituto di Filologia Classica, Filologia e Critica, 12. Rome: Ateneo.
Peabody, Berkley. 1975. The Winged Word: A Study in the Technique of Ancient Greek Oral Composition as Seen Principally through Hesiod’s Works and Days. Albany: State University of New York Press.
Pearsall, Derek. 1977. Old English and Middle English Poetry. London: Routledge & Kegan Paul.
Petersen, Suzanne. 1978. “A Computer-Aided Analysis of the Mechanism of Variation in Orally Transmitted Parts.” In Conroy, 1978, 88-100.
Pitrè, Giuseppe. 1875. Fiabe novelle e racconti populari siciliani. Vol. 1. Biblioteca delle Tradizioni Populari Siciliani, vol. 4. Palermo: Luigi Pedone Lauriel. Rpt. Bologna: Forni, n.d.
Preziosi, Patricia G. 1966. “The Homeric Hymn to Aphrodite: An Oral Analysis.” Harvard Studies in Classical Philology 71: 171-204.
Pritchard, James B., ed. 1950. Ancient Near Eastern Texts relating to the Old Testament. Princeton: Princeton University Press.
Quain, Buell H. 1942. The Flight of the Chiefs: Epic Poetry of Fiji. New York: Augustin.
Radloff, Wilhelm von, col. and trans. 1885. Proben der Volksliteratur der nördlichen türkischen Stämme. Part 5. St. Petersburg: Kaiserliche Akademie der Wissenschaften.
Ralston, William Sheddin. 1872. The Songs of the Russian People Illustrative of Slavonic Mythology and Russian Social Life. 2d ed. London: Ellis & Green. Rpt. New York: Haskell House, 1970.
Ramsay, G. G., trans. 1924. Juvenal and Persius. New York: Putnam’s.
Ranjin zbornik: Pjesme raninina zbornika. 1937. Ed. Milan Rešetar. Vol. 2 of Stari pisci hrvatski. Zagreb: Jugoslavenska Akademija Znanosti i Umjetnosti.
Rečnik srpskohrvatskoga književnog jezika. 1967-76. 6 vols. Novi Sad: Matica Srpska, Matica Hrvatska.
Renoir, Alain. 1964. “Oral-Forrnulaic Theme Survival: A Possible Instance in the Nibelungenlied.” Neuphilologische Mitteilungen 65:70-75.
———. 1988. A Key to Old Poems: The Oral-Formulaic Approach to the Interpretation of West-Germanic Verse. University Park: Pennsylvania State University Press.
Reynolds, Dwight. 1990. “The Poet and the Poem in Egyptian Oral Epic Performance” (lecture) presented at the Center for Middle East Studies, Harvard University, February 15, 1990.
———. 1995. Heroic Poets, Poetic Heroes: The Ethnography of Performance in an Egyptian Oral Epic Tradition. Myth and Poetics, ed. Gregory Nagy. Ithaca: Cornell University Press, forthcoming.
Riedinger, Anita. 1985. “The Old English Formula in Context.” Speculum 60:294-317.
Riedy, Nicolaus. 1903. Solonis elocutio quatenus pendeat ab exemple Homeri. Munich: Kutzner.
Riggsby, Andrew M. 1992. “‘Becoming Homer’: An Exchange.” Letter to the editor. New York Review of Books May 14, 51.
Ritzke-Rutherford, Jean. 1981. “Formulaic Microstructure: The Cluster.” In Göller, 1981, 70-82, 167-69.
Robinson, Fred C. 1985. Beowulf and the Appositive Style. Knoxville: University of Tennessee Press.
Russom, Geoffrey R. 1978. “Artful Avoidance of the Useful Phrase in Beowulf, The Battle of Maldon, and Fates of the Apostles.” Studies in Philology 75:371-90.
———. 1987a. Old English Meter and Linguistic Theory. Cambridge: Cambridge University Press.
———. 1987b. “Verse Translations and the Question of Literacy in Beowulf.” In Foley, 1987, 567-80.
Savić-Rebac, Anica. 1957. “‘The Ray of the Microcosm,’ by Petar Petrović Njegoš: Translation and Introduction.” Harvard Slavic Studies 3:105-200.
Schaar, Claes. 1956. “On a New Theory of Old English Poetic Diction.” Neophilologus 40:301-5.
Segal, Charles. 1981. “Orality, Repetition, and Formulaic Artistry in the Homeric ‘Hymn to Demeter.'” In Brillante, Cantilena, and Pavese, 1981, 107-62.
Shannon, Richards., III. 1975. The Arms of Achilles and Homeric Compositional Technique. Mnemosyne, supple. 36. Leiden: Brill.
Shive, David. 1987. Naming Achilles. Oxford: Oxford University Press.
Škaljić, Abdulah. 1966. Turcizmi u srpskohrvatskom jeziku. Sarajevo: Svjetlost.
Šmits, Pēteris, ed. 1936-39. Tautas dziesmas. Supplement to Krišjānis Barons, Latvju dainas. 4 vols. Riga: Larviešu Folkloras Krātuves Materiali.
Spraycar, Rudy S., and Lee F. Dunlap. 1982. “Formulaic Style in Oral and Literate Epic Poetry.” Perspectives in Computing 2, no. 4:24-33.
Stender, Gotthard Friedrich. 1783. Lettische Grammatik. Mitau: J. F. Steffenhagen.
Stock, Brian. 1983. The Implications of Literacy: Written Language and Models of Interpretation in the Eleventh and Twelfth Centuries. Princeton: Princeton University Press.
———. 1989. Listening for the Text. Baltimore: Johns Hopkins University Press.
Stolz, Benjamin A., and Richard S. Shannon III, eds. 1976. Oral Literature and the Formula. Ann Arbor: Center for the Coordination of Ancient and Modern Studies.
Švabe, Arveds, Kārlis Straubergs, and Edīte Hauzenberga-Šturma, eds. 1952-56. Latviešu tautas dziesmas. 12 vols. Copenhagen: Imanta.
Svenbro, Jesper. 1984. “La stratégie de l’amour: Modèle de la guerre et théorie de l’amour dans la poésie de Sappho.” Quaderni di Storia 10, no. 19:57-59.
———. 1988. Phrasikleia: Anthropologie de la lecture en Grèce ancienne. Paris: Découverte.
———. 1993. Phrasikleia: An Anthropology of Reading in Ancient Greece. Trans. Janet Lloyd. Myth and Poetics, ed. Gregory Nagy. Ithaca: Cornell University Press.
Thigpen, Kenneth A., Jr. 1973. “A Reconsideration of the Commonplace Phrase and Commonplace Theme in the Child Ballads.” Southern Folklore Quarterly 37:385-408.
Thomas, Rosalind. 1992. Literacy and Orality in Ancient Greece. Cambridge: Cambridge University Press.
Thurnwald, Richard C. 1912. Forschungen auf den Salamo-Inseln und dem Bismarck-Archipel. Vol. 1, Lieder und Sagen aus Buin, with appendix: Die Musik auf den Salamo-Inseln, by E. M. V. Hornbostel. Berlin: Dietrich Reimer (Ernst Vohsen).
———. 1936. Profane Literature in Buin, Solomon Islands. Yale University Publications in Anthropology 8. New Haven: Yale University Press.
Toelken, J. Barre. 1967. “An Oral Canon for the Child Ballads: Construction and Application.” Journal of the Folklore Institute 5:75-101.
Vīķis-Freibergs, Vaira. 1981. “Daina, Latvian.” In The Modern Encyclopedia of Russian and Soviet Literatures, Including Non-Russian and Emigré Literatures, ed. Harry B. Weber, 5:41-49. Gulf Breeze, Fla.: Academic International Press.
———. 1984. “Creativity and Tradition in Oral Folklore, or the Balance of Innovation and Repetition in the Oral Poet’s Art.” In Cognitive Processes in the Perception of Art, ed. W. R. Crozier and A. J. Chapman, 325-43. Amsterdam: North Holland.
Vīķis-Freibergs, Vaira, and Imants F. Freibergs, 1978. “Formulaic Analysis of the Computer-Accessible Corpus of Latvian Sun-songs.” Computers and the Humanities 12:329-39.
Vivante, Paolo. 1982. The Epithets in Homer: A Study in Poetic Values. New Haven: Yale University Press.
Wadstein, Elis. 1903. Beiträge zur Erklärung des Hildebrandsliedes. Göteborg: Wald, Zachrissons Boktryckeri.
Waldron, Ronald A. 1957. “Oral-Formulaic Technique and Middle English Alliterative Poetry.” Speculum 32:792-804.
Watkins, Calvert 1987. “How to Kill a Dragon in Indo-European.” In Studies in Memory of Warren Cowgitt, 1929-1985, ed. Calvert Watkins, 270-99. Berlin: Gruyter.
———. 1992. “The Comparison of Formulaic Sequences.” In Reconstructing Languages and Cultures, ed. Edgar C. Polomé and Werner Winter, 391-418. Hawthorne, N.Y.: Mouton de Gruyter.
———. Forthcoming. How to Kill a Dragon: Aspects of Indo-European Poetics. Oxford: Oxford University Press.
Watts, Ann Chalmers, 1969. The Lyre and the Harp: A Comparative Reconsideration of Oral Tradition in Homer and Old English Epic Poetry. New Haven: Yale University Press. Rpt., Ann Arbor: University Microfilms, 1980.
Whallon, William. 1961. “The Diction of Beowulf.” PMLA 76:309-19.
———. 1965a. “Formulas for Heroes in the Iliad and in Beowulf.” Modern Philology 63:95-104.
———. 1965b. “The Idea of God in Beowulf.” PMLA 80:19-23.
———. 1969. “Who Wrote Down the Formulaic Poem?” In Actes du Ve Congrès de l’Association Internationale de Littérature Comparée, Belgrade, 1967, ed. Nikola Banašević, 469-72. Amsterdam: Swets.
Whitman, Cedric H. 1958. Homer and the Heroic Tradition. Cambridge, Mass.: Harvard University Press.