Apollonius of Rhodes’ Argonautica
28 April 2021, 3:00 pm ET
Join us for a live reading and discussion of the Argonautica with guest speaker Jackie Murray (University of Kentucky). Read more
Archive
Proximity and Ethics
30 April 2021, 12:00 pm ET
What is the relationship between physical closeness and the moral life? Does physical closeness matter for the cultivation of a moral life, and how should we think of empathy as a means of bridging the distance between us and them? Explore these questions and more. Read more
Visiting Artists: Mnemosyne Initiative with Perla Krauze
Mnemosyne – Traversing Boundaries on Meandering Routes of Memory Traces in the Land — Fragments of Memory My work explores nature, time, and memory. It is multidisciplinary since it goes from painting and drawing to sculpture, installations (including video, photo, and site interventions) to dialogue with the site and space. I am interested in process and transformation. The work explores issues as dualities and contradictions between the natural and the artificial, the rational and… Read more
Visiting Artists: Mnemosyne Initiative with Artemis Herber
Mnemosyne – Traversing Boundaries on Meandering Routes of Memory Curator Statement Within the framework of the Delphic Preview and Reinstatement of the Delphic Games, the program stays true to identified ideas of:– Peace (through cultural diplomacy)– Culture (freedom of creative expression)– Reverence for the environment As the guest curator for the Material Culture Program for Visual Arts, I intend to develop a sequel to the Delphic Preview for the Re-instatement… Read more
Visiting Artists: Mnemosyne Initiative with Marc Robarge
Mnemosyne – Traversing Boundaries on Meandering Routes of Memory Mnemosyne Statement For me, the Mnemosyne project has been food for the soul; a combination of fruitful artistic discussion, cross-cultural dialogue and exchange, connection across time and space in a year of trying circumstances. I’ve experienced mind opening conversations, and heartfelt chemistry within the group. I am eternally grateful to Artemis and my colleagues for this project. My constellation of 3… Read more
Comparatism from a Disciplinary Perspective
21 April 2021, 2:00 pm ET
Johannes Haubold (Princeton University) on Classics and Assyriology. Read more
Visiting Artists Presentation: Mnemosyne Initiative
23 April 2021, 11:00 am ET
Part of the CHS Visiting Artist Presentation Series, the event features a group of visual artists who are exploring commemoration, memory, and trauma through the project, Mnemosyne – Traversing Boundaries on Meandering Routes of Memory. Read more
Visiting Artists: Mnemosyne Initiative with Judith Pratt
Mnemosyne – Traversing Boundaries on Meandering Routes of Memory (Un)Disclosed My installations connect history, identity, and the topography of the Piedmont region of Central Virginia, where I was born and raised. Located 100 miles west of Washington, D.C., the Piedmont combines expansive natural beauty with a turbulent history that includes centuries of chattel slavery, brutal Civil War battles, and the ongoing impact of racism and white supremacy. The abstract figuration… Read more
Visiting Artists: Mnemosyne Initiative with Albert Bonay and Zachery Dietrich
Mnemosyne – Traversing Boundaries on Meandering Routes of Memory The Hermes Group …the statue not yet a statue, the plate not yet pressed… ‘The Hermes Group’, an ongoing project by Albert Bonay and Zachery Dietrich, explores the histories, legacies, and impacts of Mediterranean presences. An alchemic mixture of printing processes (which are made dysfunctional) are shifted to sculptural language. Travel from the edges of the Mediterranean are played through the… Read more
Visiting Artists: Mnemosyne Initiative with Anna Gillespie
Mnemosyne – Traversing Boundaries on Meandering Routes of Memory Salvage My Mnemosyne project is called Salvage, because I am attempting to salvage memories from the past and use materials salvaged from old buildings to portray a fragmentary memory experience. It is not my intention to share my specific personal memories, but it is my aim to be true to those memories. By letting the work speak for itself I hope to… Read more