Le ranking du loisir : une parodie de l’arrogance productiviste (résumé d’un essai fictionnel) Teodoro Rennó Assunção
‘Ich aber (sage), das Schönste ist, was einer Liebt’: Eine pragmatische Deutung von Sappho Fr. 16 LP/V Anton Bierl
Der neue Sappho-Papyrus aus Köln und Sapphos Erneuerung: Virtuelle Choralität, Eros, Tod, Orpheus und Musik Anton Bierl
Poetics of authorial, rhythmic, and gendered identities: The subject of discourse in Pindar’s Theban partheneion Claude Calame
Great Expectations: The Expected and the Unexpected in Thucydides and in Liberal Education W. Robert Connor
“Dream of a Shade”: Refractions of Epic Vision in Pindar’s Pythian 8 and Aeschylus’ Seven against Thebes Gregory Nagy
Review of Robin Lane Fox, Travelling Heroes: Greeks and their Myths in the Epic Age of Homer (London: Allen Lane, 2008) Gregory Nagy
Review of Writing Homer. A study based on results from modern fieldwork, by Minna Skafte Jensen Gregory Nagy
The fire ritual of the Iguvine Tables: Facing a central problem in the study of ritual language Gregory Nagy
The Origins of Greek Poetic Language: Review (part II) of M. L. West’s Indo-European Poetry and Myth (Oxford 2007) Gregory Nagy
Asopos and his multiple daughters: Traces of preclassical epic in the Aeginetan Odes of Pindar Gregory Nagy
Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos Gregory Nagy
A ritualized rethinking of what it meant to be ‘European’ for ancient Greeks of the post-heroic age: evidence from the Heroikos of Philostratus Gregory Nagy
Different ways of expressing the idea of historiā in the prose of Herodotus and Thucydides Gregory Nagy
Genre, Occasion, and Choral Mimesis Revisited—with special reference to the “newest Sappho” Gregory Nagy
Foreword to Mothers in Mourning, by Nicole Loraux. Trans. Corinne Pache. Cornell University Press, 1998. Gregory Nagy
Foreword to Born of the Earth: Myth and Politics in Athens, by Nicole Loraux. Trans. Selina Stewart. Cornell University Press, 2000. Gregory Nagy
Studies in the Epic Technique of Oral Verse-Making: II. The Homeric Language as the Language of an Oral Poetry Milman Parry
